Interim Report for the Second Quarter and First Half-Year of 2015 1
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Racko – No Better Friend!
LEON AND LINUS JOLINE LAETITIA INES SIEGFRIED MONIKA DE GREIFF SCHWÄRZLER HOLLINGER TERPOORTEN MANZ AND CHEWAKKA AS »RACKO« DIRECTED BY ULI MÖLLER WRITTEN BY NICOLE WALTER-LINGEN AND KONSTANTIN FERSTL RACKO – NO BETTER FRIEND! HERE COMES A TRUE FRIEND FOR RACKO – EIN HUND FÜR ALLE FÄLLE ALL LIFE’S ADVENTURES – Series | 13 x 25’ | Family Entertainment | Filmbüro Münchner Freiheit/BR, FAMILY ENTERTAINMENT AT ITS BEST! ARD, Das Erste | GER (OV), ENG ST (eps 1 + 2) Flori had never met his grandfather or his sole heir to the farm subject to the condition A contemporary family story starring a loyal grandfather’s dog Racko, but for some reason the that the 12-year old looks after Racko! A big city four-legged friend set against the picturesque loveable dog singled Flori out as his new master on apartment building is no place for a Bavarian backdrop of the Alps. It has been a long time the day they first met, the day his grandfather farm dog but could Flori and his mother really coming but now finally this generation has an died. When the will was read, Flori and his mother give up their lives to go and live on a farm? animal hero of its own that the whole family were shocked to discover that he Flori was the Things start to change pretty quickly... will love. CHRISTMAS IS IN DANGER! STRANGE THINGS ONLY 24 DAYS LEFT HAPPEN IN TO FIND THE REAL BEKKEBAKKEN... SANTA CLAUS… 2ND SEASON2 COMINGSEASON SOON LET IT GLOW – HOW PAULINE SAVED CHRISTMAS ZOMBIELARS BEUTOLOMÄUS UND DER WAHRE WEIHNACHTSMANN ZOMBIELARS Event Series | 24 x 15’ | WunderWerk in co-production with KiKA | GER (OV), ENG ST Series | 26 x 15’ | Dramedy | Tordenfi lm/NRK | NORWEGIAN (OV), ENG ST When an impostor is chosen as the new Santa Claus, Santa’s gift bag sets out to When 12-year-old Lars comes to town, he is immediately perceived as a threat. -
Press, Radio and Television in the Federal Republic of Germany
DOCUMENT RESUME ED 353 617 CS 508 041 AUTHOR Hellack, Georg TITLE Press, Radio and Television in the Federal Republic of Germany. Sonderdienst Special Topic SO 11-1992. INSTITUTION Inter Nationes, Bonn (West Germany). PUB DATE 92 NOTE 52p.; Translated by Brangwyn Jones. PUB TYPE Reports Evaluative/Feasibility (142) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Developing Nations; Foreign Countries; Freedom of Speech; *Mass Media; *Mass Media Effects; *Mass Media Role; Media Research; Professional Training; Technological Advancement IDENTIFIERS *Germany; Historical Background; Journalists; Market Analysis; Media Government Relationship; Media Ownership; Third World; *West Germany ABSTRACT Citing statistics that show that its citizens are well catered for by the mass media, this paper answers questions concerning the media landscape in the Federal Republic of Germany. The paper discusses: (1) Structure and framework conditions of the German media (a historical review of the mass media since 1945); (2) Press (including its particular reliance on local news and the creation of the world status media group, Bertelsmann AG);(3) News agencies and public relations work (which insure a "never-ending stream" of information);(4) Radio and Television (with emphasis on the Federal Republic's surprisingly large number of radio stations--public, commercial, and "guest");(5) New communication paths and media (especially communication and broadcasting satellites and cable in wideband-channel networks);(6) The profession of journalist (which still relies on on-the-job training rather than university degrees); and (7) Help for the media in the Third World (professional training in Germany of journalists and technical experts from underdeveloped countries appears to be the most appropriate way to promote Third World media). -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit. -
Downloaded from Brill.Com09/30/2021 03:47:12PM Via Free Access of That Period Was Dominated by Magazine-Type Formats
Gesnerus 76/2 (2019) 172–191, DOI: 10.24894/Gesn-en.2019.76009 “Because every recipient is also a potential patient” – TV Health Programmes in the FRG and the GDR, from the 1960s to the 1980s Susanne Vollberg Abstract In the television programme of West Germany from the 1960s to the 1980s, health magazines like Gesundheitsmagazin Praxis [Practice Health Maga- zine] (produced by ZDF)1 or ARD-Ratgeber: Gesundheit [ARD Health Ad- visor] played an important role in addressing health and disease as topics of public awareness. With their health magazine Visite [Doctor’s rounds], East German television, too relied on continuous coverage and reporting in the fi eld. On the example of above magazines, this paper will examine the his- tory, design and function of health communication in magazine-type for- mats. Before the background of the changes in media policy experienced over three decades and the different media systems in the then two Germanys, it will discuss the question of whether television was able to move health rele- vant topics and issues into public consciousness. health magazine, GDR television, FRG television, Gesundheitsmagazin Praxis Health-related programmes were, right from the early days of television, part of the common TV repertoire in both German countries but it was in the health, disease and medicine, which was well-received by the audience. The- coverage of medicine and health issues in East and West German television 1 Abbreviation for Zweites Deutsches Fernsehen – Second German Television; public-service broadcaster. Apl. Prof. Dr. Susanne Vollberg, Martin-Luther-Universität Halle-Wittenberg, Institut für Musik, Medien- und Sprechwissenschaften, Abt. -
Mala Emde Luisa-Céline Gaffron Andreas Lust Noah Saavedra Tonio Schneider
MALA EMDE LUISA-CÉLINE GAFFRON ANDREAS LUST NOAH SAAVEDRA TONIO SCHNEIDER www.undmorgendieganzewelt-film.de undmorgendieganzewelt UndMorgenDieGanzeWelt.film a film by Julia von Heinz with Mala Emde, Noah Saavedra, Tonio Schneider, Luisa-Céline Gaffron and Andreas Lust 2020 - Germany/France - Drama - 2.39 - 110 min International sales International PR German PR Films Boutique claudiatomassini+associates Just Publicity tel: +49 30 6953 7850 Claudia Tomassini Kerstin Böck & Annalena Brandelik [email protected] cell: +49 1732055794 tel: +49 89 20 20 82 60 www.filmsboutique.com [email protected] [email protected] www.claudiatomassini.com AND TOMORROW THE ENTIRE WORLD Cast Luisa MALA EMDE Alfa NOAH SAAVEDRA Lenor TONIO SCHNEIDER Batte LUISA-CÉLINE GAFFRON Dietmar ANDREAS LUST CREW Director JULIA VON HEINZ Screenwriters JULIA VON HEINZ & JOHN QUESTER Producers FABIAN GASMIA, JULIA VON HEINZ Coproducers JOHN QUESTER, THOMAS JAEGER, ANTOINE DELAHOUSSE DoP DANIELA KNAPP Editor GEORG SÖRING Set design CHRISTIAN KETTLER Costumes MAXI MUNZERT Music NEONSCHWARZ Composer MATTHIAS PETSCHE Sound BETTINA BERTÓK Mix VALENTIN FINKE Make-up SILKE DOTZAUER Casting MAI SECK Production companies SEVEN ELEPHANTS GmbH KINGS & QUEENS FILMPRODUKTION GmbH HAIKU FILMS SARL Co-produced by SWR, WDR, BR & ARTE Supported by FFF Bayern, MFG Baden-Württemberg, FFA Filmförderungsanstalt, Medienboard Berlin-Brandenburg, French-German Minitraité, CNC Centre national du cinema et de l’image animée, DFFF Deutscher Filmförderfonds Germany, France 2020 TRT: 111 Min The Federal Republic of Germany is a democratic and social federal state. All Germans have the right to resistance against anybody trying to abolish this order if other remedies are not possible. Art. 20, Par. 4 German Constitution AND TOMORROW THE ENTIRE WORLD SYNOPSIS When Luisa leaves her wealthy parents to study law, her best friend introduces her to a rag-tag collective of Antifa activists drawn together by their will to fight for the cause and a disdain of conventions. -
Production List 2002 Bulgarian Symphony Orchestra / Sif309
PRODUCTION LIST 2002 BULGARIAN SYMPHONY ORCHESTRA / SIF309 PROJECT TITLE COMPOSER DATES DIRECTOR AWARDS AND NOMINATIONS Album A FILETTA Bruno Coulais/ A FILETTA Dec/2002 Film Pontormo Pino Donaggio Giovanni Nov/2002 Italian National Syndicate of Fago Film Journalists 2005 • Nominated, Silver Ribbon/Best Costume Design (Migliori Costumi)/Lia Francesca Morandini/• Also for L'amore di Màrja Tv series Père et maire Frédéric Porte Nov/2002 Film La tranchée des espoirs Marc Marder Jean-Louis Nov/2002 Luchon International Film Lorenzi Festival 2003 • Won, Best Young Actor/Jean- Jérôme Esposito • Also for Fragile • Won, Best Music/Marc Marder • Won, Audience Award Animation Les enfants de la pluie Didier Lockwood Philippe Nov/2002 Leclerc Film La leggenda di Al, John e Jack Andrea Guerra Aldo / Nov/2002 Italian National Syndicate of Giacomo/ Film Journalists Giovanni / 2003 Massimo • Nominated, Silver Ribbon/Best Venier Cinematography (Migliore Fotografia)/Arnaldo Catinari/• Also for Happiness Costs Nothing • Nominated, Silver Ribbon/Best Production Design (Migliore Scenografia)/Eleonora Ponzoni Film Il cane e il suo generale /a.k.a. Le chien, le Andrea Guerra Francis Nov/2002 Chicago International général et les oiseaux/ Nielsen Children's Film Festival 2004 • 2nd place, Adult's Jury Award/ Animated Feature Film or Video/ Francis Nielsen Venice Film Festival 2003 • Won, Rota Soundtrack Award/ Andrea Guerra Tv series Sospetti 2 Pino Donaggio Gianni Nov/2002 Lepre Film La maison des enfants Jean-Claude Petit Nov/2002 Album Sacha Distel – Jazz -
Quarterly 3 · 2009
cover_GFQ_3_2009heller.qxp:cover_GFQ_3_2009heller 24.07.2009 15:06 Uhr Seite 1 German Films Quarterly 3 · 2009 AT LOCARNO THE TWO HORSES OF GENHIS KHAN by Byambasuren Davaa AT MONTREAL ALIAS by Jens Junker ANNE PERRY-INTERIORS by Dana Linkiewicz CEASEFIRE by Lancelot von Naso AT VENEDIG DESERT FLOWER by Sherry Hormann SOUL KITCHEN by Fatih Akin PORTRAITS Almut Getto, Niko von Glasow, UFA Cinema, Alice Dwyer Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 1 German Films Quarterly 3 · 2009 directors’ portraits 4 A STROKE OF LUCK A portrait of Almut Getto 6 SHAKING AND STIRRING A portrait of Niko von Glasow producers’ portrait 8 NEW KIDS ON THE BLOCK A portrait of UFA Cinema actress’ portrait 12 SENSUALITY WITH PRINCIPLES A portrait of Alice Dwyer 14 news in production 18 BIS AUFS BLUT Oliver Kienle 18 BLACK DEATH Christopher Smith 20 FRECHE MAEDCHEN 2 Ute Wieland 20 GLUECKSRITTERINNEN Katja Fedulova 21 HABERMANN Juraj Herz 22 DER HUNGERWINTER 1946/47 Gordian Maugg 23 DIE JAGD NACH DER HEILIGEN LANZE Florian Baxmeyer 24 LUKS GLUECK Ayse Polat 25 NANGA PARBAT Joseph Vilsmaier 26 ORIENT EXPRESS THEATRE TRAIN Martin Andersson, Steffen Duevel 27 ORLY Angela Schanelec 27 RUMPE & TULI Samy Challah, Till Nachtmann, Stefan Silies 29 DER SANDMANN Jesper Moeller, Sinem Sakaoglu, Helmut Fischer 30 SATTE FARBEN VOR SCHWARZ Sophie Heldman 31 DAS SCHWEIGEN Baran bo Odar 32 THEMBA Stefanie Sycholt new german films 34 ALIAS Jens Junker 35 ANNE PERRY – INTERIORS Dana Linkiewicz 36 AYLA Su Turhan Inhaltsverz_GFQ3_2009.qxp:Inhaltsverz_GFQ3_2009 24.07.2009 15:01 Uhr Seite 2 37 BERLIN ’36 Kaspar Heidelbach 38 CHI L’HA VISTO Claudia Rorarius 39 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 40 DER ENTSORGTE VATER THE DISCARDED FATHER Douglas Wolfsperger 41 FLIEGEN FLY Piotr J. -
Michael Hajek Luc Marteling Week 14 the RTL Group Intranet
week 14 the RTL Group intranet Newsletter 3 April 2008 Concentrated Creativity Thomas Valentin on the first group-wide format event Pitch & Meet United Kingdom Leona Lewis conquers the worldwide charts France Diana inspires dreams... in France United Kingdom Top sports bidder: Five Germany Educational magazine for children People Michael Hajek Luc Marteling week 14 the RTL Group intranet ‘‘This is a unique opportunity’’ For the first time, executives from RTL Group’s subsidiaries and from several production com- panies met up at M6’s headquarter in Paris for a day in early March to discuss new ideas, for- mats and concepts. Backstage spoke to Thomas Valentin, General Director Networks & Content at M6. France - 3 April 2008 The RTL Group Pitch & Meet provides a unique To ensure a successful meeting forum for exchanges of fresh format concepts for all participants, the day’s pro- between the creative directors of Europe’s lea- ceedings were broken down into ding production companies and programming two parts. During the daytime directors in RTL Group’s European network. It pitching session, the audience was the first time that RTL Group had invited consisted of RTL Group content around 40 of its senior executives to an exclusi- executives. The focus was on ve meeting. Representatives from seven leading presenting formats that appeal European production companies also joined the to various markets, taking meeting for a day of ideas, discussion and direct advantage of the Pitch & Meet’s feedback. The production companies that took international profile. Each pro- part were All3Media, BBC Worldwide duction company was allotted Productions, Endemol, FremantleMedia, ITV an exclusive 45-minute slot, Jane Milichip, COO of RDF Rights Productions, RDF Media Group and Shine including around 20 to 30 minutes to pitch their Group. -
Henning Vogt
Henning Vogt http://www.henningvogt.de Gold Berlin Agentur für Schauspieler Kristina Richter Phone: +49 30 326 64427 Email: [email protected] Website: www.goldberlin.de © André Röhner Information Acting age 33 - 49 years Nationality German Year of birth 1972 (49 years) Languages German: native-language Height (cm) 189 English: fluent Weight (in kg) 82 Dialects Ruhr area Eye color brown Rheinisch Hair color Brown Sport Racer, Swim, Alpine skiing, Hair length Short Tennis Stature athletic / training Profession Actor Place of residence Berlin Primary professional training 1998 Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig Awards 2019 Nominierung Friedrich Luft-Preis für ENDSTATION SEHNSUCHT 2013 Nominierung zum Faust-Preis für GESCHICHTEN AUS DEM WIENER WALD 2007 Golden Laurel Wreth Award für DIE ORESTIE 2007 Einladung Theatertreffen für DIE ORESTIE 2006 Goldene Maske (russischer Theaterpreis) für EMILIA GALOTTI 2002 Friedrich-Luft-Preis für EMILIA GALOTTI 2002 Nestroy-Preis für EMILIA GALOTTI Film 2017 Magical Mystery Role: Shorty (SR) Director: Arne Feldhusen Producer: Razor-Film 2016 Das leise Rauschen zwischen den Dingen Role: Georg (LR) Director: Sophie Linnenbaum Producer: Filmuni Babelsberg Distribution: MDR 2015 Der Dicke liebt Role: Vater (SR) Director: Alexander Khuon Distribution: Blue Eyes Fiction München 2015 Meeting with a Stranger Role: Joe (LR) Director: Lara Witossek Distribution: Filmakademie Ludwigsburg 2012 Vita Henning Vogt by www.castupload.com — As of: 2021-09-14 Page 1 of 5 Ins Blaue -
Pontifícia Universidade Católica De São Paulo Puc/Sp
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC/SP Rita de Cássia da Silva Leão Werner Herzog em busca da compreensão humana DOUTORADO EM CIÊNCIAS SOCIAIS Tese apresentada à banca examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para a obtenção do título de Doutora em Ciências Sociais (Antropologia), sob a orientação da Prof.ª Dr.ª Lucia Helena Vitalli Rangel. São Paulo 2015 BANCA EXAMINADORA ________________________________________ ________________________________________ ________________________________________ ________________________________________ ________________________________________ Agradecimentos À CAPES e ao CNPq, pela concessão da bolsa de Doutorado. À Prof.ª Dr.a Lucia Helena Vitalli Rangel Ao Prof. Dr. Edgard de Assis Carvalho Ao Prof. Dr. Edmilson Felipe À Prof.ª Dr.a Cynthia Marcucci Ao Prof. Dr. Flávio Sousa Brito Dedico aos queridos Iara e Guilherme. RESUMO Todo cinema contém um caráter antropológico, por ser aberto como a própria humanidade. A obra de Werner Herzog é contigua à antropologia fundamental, que busca compreender o processo de penetração do homem no mundo e o processo inseparável de penetração do mundo no homem. O primeiro filme analisado, Wodaabe: Os pastores do sol, trata do amor à beleza entre seres que se sentem desprezados pelos povos vizinhos. O segundo, O homem urso, de um humano que queria ser urso e não suportava o mundo dos humanos. O terceiro, A caverna dos sonhos esquecidos, conta como sonhava a humanidade há 32 mil anos, como projetava seu duplo nas paredes das cavernas e nas pequenas estátuas. Nas pinturas e estátuas estão presentes, ao mesmo tempo, uma tendência para o fantástico e para a realidade das formas. -
German Videos Use the Find Function to Search This List
German Videos Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. -
Klaus J. Behrendt
Sonntag, 1. Februar 2015, 20.15 Uhr Freddy tanzt Der Tatort aus Köln Tatort 2 Freddy tanzt SENDETERMIN Sonntag, 1. Februar 2015 20.15 Uhr | Das Erste DIE ROLLEN JÜRGEN WERNER (DREHBUCH) Max Ballauf | KLAUS J. BEHRENDT Geboren 1963 in Stuttgart | FILME/FERNSEHEN Jürgen Werner Freddy Schenk | DIETMAR BÄR hat die Drehbücher für alle fünf bisherigen Fälle des Dortmunder Dr. Joseph Roth | JOE BAUSCH »Tatort«-Teams sowie die gemeinsamen Ermittlungsarbeiten der Claudia Denk | URSINA LARDI Kölner und Leipziger »Tatort«-Kommissare »Kinderland« (MDR) Katja Petersen | ANNA STIEBLICH und »Ihr Kinderlein kommet« (WDR) geschrieben. Ursula Koschwitz | GUDRUN RITTER WEITERE PRODUKTIONEN »Tatort Köln – Franziska« (2014), Martin Koschwitz | THEO PFEIFER »Engel der Gerechtigkeit – Farbe des Geldes« (2013), »Schimanski – Günther Baumgart | ROBERT GALLINOWSKI Loverboy« (2013), »Zivilcourage« (2010; Grimme-Preis, CIVIS Daniel Gerber | MATTHIAS REICHWALD Medienpreis u.a.), »Schimanski – Schicht im Schacht« (2008), Julia Koch | LAURA SUNDERMANN »Die Rosenzüchterin« (2004) u.v.a. Marita Gerber | LINA WENDEL Tobias Krenz | VOLKRAM ZSCHIESCHE Eigentlich ist »Freddy tanzt« eine düstere Geschichte. Jonas Stein | HANNES WEGENER Warum tanzt Freddy dennoch? Oliver Kern | JULIAN WEIGEND Freddy ist verheiratet, aber da ist diese andere Frau, er sitzt Lisa Denk | NIOBE CAROLIN ECKERT zwischen den Stühlen, weiß nicht wohin mit seinen Gefühlen. Es Frank Petersen | RONALD F. ZILLINGER ist seine Art Abschied zu nehmen. Von wem, wird aber nicht verraten. Barkeeper | BENJAMIN GRÜTER Der vielfach ausgezeichnete Film »Zivilcourage« basiert auf Ihrem Streifenpolizist | MICHAEL STANGE Drehbuch. Um Zivilcourage geht es auch in »Freddy tanzt«. Welche Orchester | WDR FUNKHAUSORCHESTER Rolle spielt sie in dem Tatort? Dirigent | RASMUS BAUMANN Im Film Zivilcourage hat die Figur Peter Jordan sehr genau hinge- sehen, wie ein Mann halb tot getreten wird, Anzeige erstattet und die daraus resultierenden Konsequenzen getragen.