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Pope EVANGELICAL MAINLINE Benedict XVI Delivered His Now Infamous 7% Speech Which Angered Muslims Around the 23% World
West Texas PERMIT NO. 44 SAN ANGELO, TX NONPROFIT ORG. US POSTAGE PAID US POSTAGE Msgr. Larry Droll, left, and ANGELUS U.S. Federal District Judge ANGELUS Robert Junell, at the first Serving the Diocese of San Angelo, Texas ‘Red Mass.’ Story/Page 10 Volume XXVII, No. 10 OCTOBER 2006 ‘Why Catholic?’ series begins in diocese Knock at the Door The first six-week season of cal and evangelization pro- of faith or a discovery or enrich- Bishop Pfeifer, at Why Catholic begins this month gram.” It was approved by the ment of your Catholic faith.” the door of at parishes throughout the bishop and affirmed by deans If you believe in God, think Midland’s Planned PO BOX 1829 BOX PO Diocese of San Angelo. The pro- around the diocese. you believe in God or aren’t Parenthood, fol- gram is described by Sister “Not every parish is partici- sure what you believe, “Why lowing a Mass for DIOCESE OF SAN ANGELO SAN OF DIOCESE the Unborn in ADDRESS SERVICE REQUESTED SERVICE ADDRESS SAN ANGELO ANGELO TX SAN 76902-1829 Hilda Marota, Director of pating but a large number are,” Catholic” is for you. Education and Formation for the Sister Hilda said. “To those who To learn more, contact your Midland, Sept. 9. diocese, as “an adult catecheti- attend, it will provide a renewal parish office. Photos/Pg. 7 Which should have more Benedict inadvertently sends influence on U.S. laws? the Bible the will of don’t know anger through Muslim world the American people By Jimmy Patterson 16% 34% 60% Editor 78% WHITE WHITE It’s been nearly a month since Pope EVANGELICAL MAINLINE Benedict XVI delivered his now infamous 7% speech which angered Muslims around the 23% world. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Pentagons in Medieval Architecture
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of the Academy's Library Építés – Építészettudomány 46 (3–4) 291–318 DOI: 10.1556/096.2018.008 PENTAGONS IN MEDIEVAL ARCHITECTURE KRISZTINA FEHÉR* – BALÁZS HALMOS** – BRIGITTA SZILÁGYI*** *PhD student. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] **PhD, assistant professor. Department of History of Architecture and Monument Preservation, BUTE K II. 82, Műegyetem rkp. 3, H-1111 Budapest, Hungary. E-mail: [email protected] ***PhD, associate professor. Department of Geometry, BUTE H. II. 22, Egry József u. 1, H-1111 Budapest, Hungary. E-mail: [email protected] Among regular polygons, the pentagon is considered to be barely used in medieval architectural compositions, due to its odd spatial appearance and difficult method of construction. The pentagon, representing the number five has a rich semantic role in Christian symbolism. Even though the proper way of construction was already invented in the Antiquity, there is no evidence of medieval architects having been aware of this knowledge. Contemporary sources only show approximative construction methods. In the Middle Ages the form has been used in architectural elements such as window traceries, towers and apses. As opposed to the general opinion supposing that this polygon has rarely been used, numerous examples bear record that its application can be considered as rather common. Our paper at- tempts to give an overview of the different methods architects could have used for regular pentagon construction during the Middle Ages, and the ways of applying the form. -
Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork*
$UFKLWHFWXUDO Bork, R 2014 Dynamic Unfolding and the Conventions of Procedure: Geometric +LVWRULHV Proportioning Strategies in Gothic Architectural Design. Architectural Histories, 2(1): 14, pp. 1-20, DOI: http://dx.doi.org/10.5334/ah.bq RESEARCH ARTICLE Dynamic Unfolding and the Conventions of Procedure: Geometric Proportioning Strategies in Gothic Architectural Design Robert Bork* This essay explores the proportioning strategies used by Gothic architects. It argues that Gothic design practice involved conventions of procedure, governing the dynamic unfolding of successive geometrical steps. Because this procedure proves difficult to capture in words, and because it produces forms with a qualitatively different kind of architectural order than the more familiar conventions of classical design, which govern the proportions of the final building rather than the logic of the steps used in creating it, Gothic design practice has been widely misunderstood since the Renaissance. Although some authors in the nineteenth and twentieth centuries attempted to sympathetically explain Gothic geometry, much of this work has been dismissed as unreliable, especially in the influential work of Konrad Hecht. This essay seeks to put the study of Gothic proportion onto a new and firmer foundation, by using computer-aided design software to analyze the geometry of carefully measured buildings and original design drawings. Examples under consideration include the parish church towers of Ulm and Freiburg, and the cross sections of the cathedrals of Reims, Prague, and Clermont-Ferrand, and of the Cistercian church at Altenberg. Introduction of historic monuments to be studied with new rigor. It is Discussion of proportion has a curiously vexed status in finally becoming possible, therefore, to speak with reason- the literature on Gothic architecture. -
The Holy See
The Holy See Coat of Arms of His Holiness Benedict XVI Armour bearings have been in common use by soldiers and the nobility since the Middle Ages. This has given rise to a very specific heraldic language to regulate and describe civic heraldry. At the same time, an ecclesiastical heraldry for clergy also developed. This heraldic usage follows exactly the same rules as civic heraldry with regard to the composition and definition of the shield, but surrounds it with religious or Church symbols and emblems according to one's ecclesiastical rank in Holy Orders, jurisdiction and dignity. There is an at least 800-year-old tradition for Popes to have their own personal coat of arms, in addition to the symbols proper to the Apostolic See. Particularly during the Renaissance and the centuries that followed, it was customary to mark with the arms of the reigning Supreme Pontiff all his principal works. Indeed, Papal coats of arms appear on buildings and in various publications, 2 decrees and documents. Popes often used their family shield or composed their own with symbols indicating their ideal of life or referring to past events or experiences, or even elements connected with specific Pontifical programmes. At times, they even added a variant to a shield that they had adopted on becoming a Bishop. Cardinal Joseph Ratzinger, elected Pope and taking the name Benedict XVI, has chosen a coat of arms rich in symbolism and meaning that transmits to history his personality and Pontificate. A coat of arms consists of a shield bearing several important symbols and surrounded by elements that indicate the person's dignity, rank, title, jurisdiction and more. -
History of Family Crests
HISTORY OF FAMILY CRESTS A coat of arms or family crest is a shield that tells a story through symbols. If we know how to read the story we can learn about a person’s dignity, rank, title, their history and values that are important to them. Crests were very common in the Middle Ages as designs on the shield of a knight, it was a way to identify him as an individual. The father of a family would pass the crest down to his firstborn son who would alter it slightly to make it his own. PAPAL CRESTS POPE ST. JOHN PAUL II Cross – Represents the central Christian mystery of Redemption Golden “M” – Mary beneath the Cross Tiara – Symbol of Papal authority Crossed Keys – Symbols of spiritual and temporal power POPE BENEDICT XVI Shape – Chalice, commonly used in the Church Gold Chape – Symbol of religion, inspired by Benedictine spirituality Crossed Keys – Symbols of spiritual and temporal power Pallium – Pastor of the flock entrusted to him by Christ Moor’s Head - Ancient emblem of the Diocese of Freising Brown Bear - This recalls the story of St. Corbinian, first Bishop of Freising, who was attacked by a bear. The saint tamed the animal and made him carry his baggage to Rome. The bear is a symbol of the Bishop, tamed by God’s grace and the pack a sym- bol of the burden of the Episcopate. Large Gold Shell – This recalls the legend of St. Augustine who meets a child trying to scoop the water of the sea into a hole in the sand. -
L'o S S E Rvator E Romano
Price € 1,00. Back issues € 2,00 L’O S S E RVATOR E ROMANO WEEKLY EDITION IN ENGLISH Unicuique suum Non praevalebunt Fifty-third year, number 27 (2.654) Vatican City Friday, 3 July 2020 The Holy Father celebrates Mass on the Solemnity of Saints Peter and Paul, Apostles A mid-year day’s reflection Unity and Prophecy Living in between risks and hopes On Monday, 29 June, Solem- ANDREA MONDA nity of Saints Peter and Paul, Pope Francis celebrated Mass The first half of this year 2020 is at the Altar of the Chair in passing, and perhaps it is a good Saint Peter’s Basilica, where he moment to summarize, to collect blessed the Pallia that will be our thoughts. It may be that each bestowed upon the 54 Metro- year, at the end of the month of June, the community of L’Osser- politan Archbishops appointed vatore Romano feels this passage over the past year. In his particularly, seeing that the first of homily the Holy Father reflec- July 1861 is the date recalled in ted on the themes of “unity” documents and by historians as and “p ro p h e c y ”, observing that the birth of this daily newspaper the source of unity is prayer and thus today too, “aged” 159 while “prophecy is born years, we feel like stopping the whenever we allow ourselves to flow of time for a moment in or- be challenged by God”. Due der to look in both directions, to Covid-19 restrictions, only a backwards and forwards, and try small number of faithful atten- to say something, take stock, in- ded the Mass, and unlike the dicate a perspective. -
Amazing Danube River Cruise with the Bolingbrook Area Chamber of Commerce Offered in Partnership with the West Suburban Chamber of Commerce Executive Group
DISCOVER & EXPLORE AMAZING DANUBE RIVER CRUISE WITH THE BOLINGBROOK AREA CHAMBER OF COMMERCE OFFERED IN PARTNERSHIP WITH THE WEST SUBURBAN CHAMBER OF COMMERCE EXECUTIVE GROUP Act now and save up to BOOK $2,200 PER CABIN &SAVE if deposited by November 1st!* Click here to Cruise the 5-star MS Amadeus Queen BOOK NOW STARTING AT $3,849 PER PERSON w/air & taxes INCLUDES ROUNDTRIP AIRFARE AND BONUS NIGHT IN MUNICH! Departing October 12-21, 2022 Welcome aboard the MS Amadeus Imperial for a 7 night cruise visiting 4 European countries along the Danube. Our ports of call include Budapest, Bratislava, Vienna, Melk and Linz. We have chartered the entire ship and would love to have you join us on our Journey of Discovery as we cruise the Danube. Our cruise is not only a “Memory in the Making” but a great value as well. For additional information or questions please contact: Kevin O’Keeffe at (630) 226-8420 HIGHLIGHTS & PORTS DAY 1 (Oct 12): USA – Munich Depart the USA for Munich today. (in-flight meals) Day 2 (Oct 13): Munich Upon arrival in Munich you will be greeted at the airport and transported to your Munich area hotel. Located at the river Isar in the south of Bavaria, is famous for its beautiful architecture, fine culture, and the annual Oktoberfest beer celebration. Munich’s cultural scene is second to none and the city center appears mostly as it did in the late 1800s. Day 3 (Oct 14): Munich - Passau Today you will enjoy a tour of the city of Munich. -
DECEMBER 2012 Sacred Heart Church New Philadelphia, Ohio Cover Feature on Pages 26–27
THE DIAPASON DECEMBER 2012 Sacred Heart Church New Philadelphia, Ohio Cover feature on pages 26–27 'DYLG%DVNH\¿HOG James David Christie Peter Richard Conte Lynne Davis Isabelle Demers Clive Driskill-Smith Jeremy Filsell S. Wayne Foster Christopher Houlihan David Hurd Paul Jacobs Martin Jean Huw Lewis Bruce Neswick Raúl Prieto Ramírez Jean-Baptiste Robin John Rose Herndon Spillman Carole Terry Konstantin Volostnov Bradley Welch CONCERTARTISTS.COM 72:(5+,//5(&25',1*6&20 William Whitehead The Chenaults Paulsson & Canning Organized Rhythm Chanson Due Solisti Duo MusArt Tin Pan Alley Alive Peter Fletcher Paul Bisaccia Steinbach & Helvey True North Brass THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Third Year: No. 12, In this issue Whole No. 1237 Among the offerings in this issue of The Diapason, Mark DECEMBER 2012 Merrill continues his series on Iberian organ music with a Established in 1909 discussion of the tiento; Stephen Taylor reports on the 2012 Jerome Butera ISSN 0012-2378 Haarlem International Organ Festival; and Scott Riedel offers 847/391-1045; [email protected] part 10 in his ongoing series (dating back to May 1983) on www.TheDiapason.com An International Monthly Devoted to the Organ, “Acoustics in the Worship Space.” The cover feature is Kegg the Harpsichord, Carillon, and Church Music Pipe Organ Builders’ new installation at Sacred Heart Church New look in New Philadelphia, Ohio. Thanks for the many phone calls and e-mail messages about CONTENTS John Bishop devotes his column “In the wind . .” to “Feeding the redesign of The Diapason. It is gratifying to hear from our your passion,” with a discussion of church music, pipe organs, readers who value The Diapason as much as I do. -
Guide to Saints and Symbols in Stained Glass
Guide to Saints and Symbols in Stained Glass In churches and chapels, stained glass windows help create the sense of a sacred space. Stained glass windows of the saints can provide worshipers with inspirational illustrations of the venerated. The various saints may be depicted in stained glass either symbolically or in scenes from their lives. One of the challenges facing church designers, building committees and pastors doing church construction or remodeling is finding the right stained Saint Matthew Saint Mark glass images for your church or chapel. Panel #1001 Panel #1000 To help you, Stained Glass Inc. offers the largest selection of stained glass in the world. You will find Stained Glass Inc. windows to be of the finest quality, affordable and custom made to the size and shape of your window. If your church or organization is looking for a stained glass window of a saint, we can help. Not all the saints are listed here. If you are looking for a particular saint and you don’t find him or her listed here, just contact us, we can create a stained glass artwork for you. Saint Luke Saint John Panel #1005 Panel #1006 4400 Oneal, Greenville, TX • Phone: (903) 454-8376 [email protected] • www.StainedGlassInc.com To see more Saints in stained glass, click here: http://stainedglassinc.com/religious/saints-and-angels/saints.html The following is a list of the saints and their symbols in stained glass: Saint Symbol in Stained Glass and Art About the Saint St. Acathius may be illustrated in Bishop of Melitene in the third century. -
What the Middle Ages Knew Gothic Art Piero Scaruffi Copyright 2018
What the Middle Ages knew Gothic Art Piero Scaruffi Copyright 2018 http://www.scaruffi.com/know 1 What the Middle Ages knew • Gothic architecture – Economic prosperity – Growing independence of towns from feudal lords – Intellectual fervor of cathedral schools and scholastics – Birth of the French nation-state 2 What the Middle Ages knew • Gothic architecture – Pointed arch (creative freedom in designing bays) – Rib vault (St Denis, Paris) – Flying buttress (Chartres, France) 3 (Suger’s choir, St Denis, Paris) What the Middle Ages knew • Gothic architecture – Consequences: • High naves • Campaniles, towers, spires: vertical ascent • Large windows (walls not needed for support) • Stained glass windows • Light 4 What the Middle Ages knew • Gothic architecture – Consequences: • The painting (and its biblical iconography) moves from the church walls to the glass windows 5 What the Middle Ages knew • Architectural styles of the Middle Ages 6 Lyon-Rowen- Hameroff: A History of the Western World What the Middle Ages knew • Gothic architecture – Consequences: • Stained glass windows (Chartres, France) 7 What the Middle Ages knew • Gothic – 1130: the most royal church is a monastery (St Denis), not a cathedral – Suger redesigns it on thelogical bases (St Denis preserved the mystical manuscript attributed to Dionysus the Aeropagite) – St Denis built at the peak of excitement for the conquest of Jerusalem (focus on Jesus, the one of the three persons that most mattered to the crusaders) – St Denis built on geometry and arithmetics (influence of Arab -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................