INTERACTIONS and RELATIONS BETWEEN KOREA, JAPAN and CHINA DURING the MING-QING TRANSITION by SI
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Stochastic Model of Stroke Order Variation
2009 10th International Conference on Document Analysis and Recognition Stochastic Model of Stroke Order Variation Yoshinori Katayama, Seiichi Uchida, and Hiroaki Sakoe Faculty of Information Science and Electrical Engineering, Kyushu University, 819-0395, Japan fyosinori,[email protected] Abstract “ ¡ ” under an unnatural stroke correspondence which max- imizes their similarity. Note that the correct stroke order of A stochastic model of stroke order variation is proposed “ ” is (“—” ! “j' ! “=” ! “n” ! “–”) and that of “ ¡ ” and applied to the stroke-order free on-line Kanji character is (“—” ! “–” ! “j' ! “=” ! “n” ). Thus if we allow any recognition. The proposed model is a hidden Markov model stroke order variation, those two characters become almost (HMM) with a special topology to represent all stroke order identical. variations. A sequence of state transitions from the initial One possible remedy to suppress the misrecognitions is state to the final state of the model represents one stroke to penalize unnatural i.e., rare stroke order on optimizing order and provides a probability of the stroke order. The the stroke correspondence. In fact, there are popular stroke distribution of the stroke order probability can be trained orders (including the standard stroke order) and there are automatically by using an EM algorithm from a training rare stroke orders. If we penalize the situation that “ ¡ ” is set of on-line character patterns. Experimental results on matched to an input pattern with its very rare stroke order large-scale test patterns showed that the proposed model of (“—” ! “j' ! “=” ! “n” ! “–”), we can avoid the could represent actual stroke order variations appropriately misrecognition of “ ” as “ ¡ .” and improve recognition accuracy by penalizing incorrect For this purpose, a stochastic model of stroke order vari- stroke orders. -
Directors, Supervisors and Parties Involved in the [Redacted]
THIS DOCUMENT IS IN DRAFT FORM. THE INFORMATION CONTAINED HEREIN IS INCOMPLETE AND IS SUBJECT TO CHANGE. THIS DOCUMENT MUST BE READ IN CONJUNCTION WITH THE SECTION HEADED “WARNING” ON THE COVER OF THIS DOCUMENT. DIRECTORS, SUPERVISORS AND PARTIES INVOLVED IN THE [REDACTED] DIRECTORS AND SUPERVISORS Name Address Nationality Executive Directors Mr. Sun Haijin Room 211, Building 1 Chinese Airport Sidao Air Cargo Terminal, Baoan District, Shenzhen Mr. Tsang Hoi Lam Flat C, 15/F, Block 1 Chinese Greenfield Garden (Hong Kong) NO 2-20, Palm Street, Tai Kok Tsui Hong Kong Mr. Chen Lin Room 702, Block 1, Building 17 Chinese Fangrunxuan Huaming Street, Hongze Revenue Dongli District Tianjin Non-executive Directors Mr. Chan Fei Room 32A, Block 2 Chinese Harbour Green (Hong Kong) NO. 8, Sham Mong Road Tai Kok Tsui Yau Tsim Mong District Hong Kong Mr. Xu Zhijun Room 6B, Building 29 Chinese Cuihua Garden Huali Road Luohuo District Shenzhen Mr. Li Qiuyu 28th Floor Chinese No. 90, Zhongshan East Road Qinhuai District Nanjing Jiangsu Province –72– THIS DOCUMENT IS IN DRAFT FORM. THE INFORMATION CONTAINED HEREIN IS INCOMPLETE AND IS SUBJECT TO CHANGE. THIS DOCUMENT MUST BE READ IN CONJUNCTION WITH THE SECTION HEADED “WARNING” ON THE COVER OF THIS DOCUMENT. DIRECTORS, SUPERVISORS AND PARTIES INVOLVED IN THE [REDACTED] Independent non-executive Directors Mr. Chan Kok Chung No.70, Cedar Drive Chinese Redhill Peninsula (Hong Kong) Tai Tam Hong Kong Mr. Wong Hak Kun 13th Floor, Block A1 Chinese Nicholson Tower (Hong Kong) No. 8, Wong Nai Chung Gap Road Hong Kong Mr. Zhou Xiang Room 21A, Block 3 Chinese The Hermitage, Mong Kok, Kowloon (Hong Kong) Hong Kong Supervisors Mr. -
The Qing Challenge in Chosŏn Korea
Readings from Asia The Qing Challenge in Chosŏn Korea Yuanchong Wang, University of Delaware Wang, Yuanchong. 2019. “The Qing Challenge in Chosŏn Korea.” Cross-Currents: East Asian History and Culture Review 33: 253–260. https://cross-currents.berkeley.edu/e-journal/issue- 33/readings-asia. Sun Weiguo 孫衛國 . Cong “zun Ming” dao “feng Qing”: Chaoxian wangchao dui Qing yishi de shanbian, 1627–1910 從 “ 尊明 ” 到 “ 奉清 ” : 朝鮮王朝對清意識的嬗變 , 1627–1910 [From “honoring the Ming” to “submitting to the Qing”: The transformation of Chosŏn Korea’s attitude toward Qing China, 1627–1910]. Taipei: Taida chuban zhongxin, 2018. 580 pp. ISBN: 9789863503088. In 1637, the Manchu-ruled Great Qing Country (Manchu Daicing gurun, Ch. Da Qing guo 大清國 ), founded in 1636, invaded and conquered its neighboring country, the Chosŏn kingdom of Korea. After Chosŏn then changed from being a tributary state of the Ming dynasty of China (1368–1644), a bilateral relationship officially established in 1401, to a tributary state of the Great Qing. The relationship between the Qing and Chosŏn lasted for 258 years until it was terminated by the Sino-Japanese Treaty of Shimonoseki in 1895. Within the hierarchical Sinocentric framework, to which scholars generally refer in English as the “tributary system,” Koreans had regarded Chosŏn as “Little China” (Xiao Zhonghua 小中華 ) since the Ming period and treated the Jurchens (who changed their name to “Manchu” in the early 1630s) in Manchuria as barbarians. The Sinocentric framework determined that the political legitimacy of Chosŏn, in particular the kingship, came from the imperial acknowledgment by the Chinese court conspicuously represented by the Chinese emperor’s investiture of the Korean king. -
Shang Dynasty
misterfengshui.com 風水先生 History of China ANCIENT 3 Sovereigns and 5 Emperors Xia Dynasty 2100–1600 BC Shang Dynasty 1600–1046 BC Zhou Dynasty 1122–256 BC Western Zhou Eastern Zhou Spring and Autumn Period Warring States Period IMPERIAL Qin Dynasty 221 BC–206 BC Han Dynasty 206 BC–220 AD Western Han Xin Dynasty Eastern Han Three Kingdoms 220–280 Wei, Shu & Wu Jin Dynasty 265–420 Western Jin 16 Kingdoms Eastern Jin 304–439 Southern & Northern Dynasties 420–589 Sui Dynasty 581–618 Tang Dynasty 618–907 ( Second Zhou 690–705 ) 5 Dynasties & 10 Kingdoms 907–960 Liao Dynasty 907–1125 Song Dynasty 960–1279 Northern Song Xi Xia Southern Song Jin Yuan Dynasty 1271–1368 Ming Dynasty 1368–1644 Qing Dynasty 1644–1911 MODERN Republic of China 1912–1949 People's Republic of China (Mainland China) 1949–present Republic of China (Taiwan) 1945-present from Wilkipedia [email protected] Fax: 852-2873-6859 misterfengshui.com 風水先生 Timeline of Chinese History The recorded history of China began in the 15th century BC when the Shang Dynasty started to use markings that evolved into the present Chinese characters. Turtle shells with markings reminiscent of ancient Chinese writing from the Shang Dynasty have been carbon dated to as early as 1500 BC.[1] Chinese civilization originated with city-states in the Yellow River (Huang He) valley. 221 BC is commonly accepted to be the year in which China became unified under a large kingdom or empire. In that year, Qin Shi Huang first united China. Successive dynasties in Chinese history developed bureaucratic systems that enabled the Emperor of China to control increasingly larger territory that reached maximum under the Mongolian Yuan Dynasty and Manchurian Qing Dynasty. -
Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Conceptualizing the Blue Frontier: the Great Qing and the Maritime World
Conceptualizing the Blue Frontier: The Great Qing and the Maritime World in the Long Eighteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultüt der Ruprecht-Karls-Universität Heidelberg Vorgelegt von Chung-yam PO Erstgutachter: Prof. Dr. Harald Fuess Zweitgutachter: Prof. Dr. Joachim Kurtz Datum: 28 June 2013 Table of Contents Abstract 2 Acknowledgments 3 Emperors of the Qing Dynasty 5 Map of China Coast 6 Introduction 7 Chapter 1 Setting the Scene 43 Chapter 2 Modeling the Sea Space 62 Chapter 3 The Dragon Navy 109 Chapter 4 Maritime Customs Office 160 Chapter 5 Writing the Waves 210 Conclusion 247 Glossary 255 Bibliography 257 1 Abstract Most previous scholarship has asserted that the Qing Empire neglected the sea and underestimated the worldwide rise of Western powers in the long eighteenth century. By the time the British crushed the Chinese navy in the so-called Opium Wars, the country and its government were in a state of shock and incapable of quickly catching-up with Western Europe. In contrast with such a narrative, this dissertation shows that the Great Qing was in fact far more aware of global trends than has been commonly assumed. Against the backdrop of the long eighteenth century, the author explores the fundamental historical notions of the Chinese maritime world as a conceptual divide between an inner and an outer sea, whereby administrators, merchants, and intellectuals paid close and intense attention to coastal seawaters. Drawing on archival sources from China, Japan, Korea, Vietnam, and the West, the author argues that the connection between the Great Qing and the maritime world was complex and sophisticated. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
GLOBAL HISTORY and NEW POLYCENTRIC APPROACHES Europe, Asia and the Americas in a World Network System Palgrave Studies in Comparative Global History
Foreword by Patrick O’Brien Edited by Manuel Perez Garcia · Lucio De Sousa GLOBAL HISTORY AND NEW POLYCENTRIC APPROACHES Europe, Asia and the Americas in a World Network System Palgrave Studies in Comparative Global History Series Editors Manuel Perez Garcia Shanghai Jiao Tong University Shanghai, China Lucio De Sousa Tokyo University of Foreign Studies Tokyo, Japan This series proposes a new geography of Global History research using Asian and Western sources, welcoming quality research and engag- ing outstanding scholarship from China, Europe and the Americas. Promoting academic excellence and critical intellectual analysis, it offers a rich source of global history research in sub-continental areas of Europe, Asia (notably China, Japan and the Philippines) and the Americas and aims to help understand the divergences and convergences between East and West. More information about this series at http://www.springer.com/series/15711 Manuel Perez Garcia · Lucio De Sousa Editors Global History and New Polycentric Approaches Europe, Asia and the Americas in a World Network System Editors Manuel Perez Garcia Lucio De Sousa Shanghai Jiao Tong University Tokyo University of Foreign Studies Shanghai, China Fuchu, Tokyo, Japan Pablo de Olavide University Seville, Spain Palgrave Studies in Comparative Global History ISBN 978-981-10-4052-8 ISBN 978-981-10-4053-5 (eBook) https://doi.org/10.1007/978-981-10-4053-5 Library of Congress Control Number: 2017937489 © The Editor(s) (if applicable) and The Author(s) 2018, corrected publication 2018. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Nushu and the Writing of Religious
NOSHU AND RELIGIOUS CULTURE IN CHINA "MY MOTHER WATCHED OVER AN EMPTY HOUSE AND',WAS SEPARATED FROM THE HEA VENL Y FEMALE": NUSHU AND THE WRITING OF RELIGIOUS CULTURE IN CHINA By STEPHANIE BALK WILL, B.A. (H.Hons.) A Thesis Submitted to the School of Graduate Studies in Partial FulfiHment ofthe Requirements for the Degree Master of Arts McMaster University © Copyright by Stephanie Balkwill, August 2006 MASTER OF ARTS (2006) McMaster University (Religious Studies) Hamilton, Ontario TITLE: "My Mother Watched Over an Empty House and was Separated From the Heavenly Female": Nushu and the Writing IOf Religious Culture in China. AUTHOR: Stephanie Balkwill, B.A. (H.Hons.) (University of Regina) SUPERVISOR: Dr. James Benn NUMBER OF PAGES: v, 120 ii ]rll[.' ' ABSTRACT Niishu, or "Women's Script" is a system of writing indigenous to a small group of village women in iJiangyong County, Hunan Province, China. Used exclusively by and for these women, the script was developed in order to write down their oral traditions that may have included songs, prayers, stories and biographies. However, since being discovered by Chinese and Western researchers, nushu has been rapidly brought out of this Chinese village locale. At present, the script has become an object of fascination for diverse audiences all over the world. It has been both the topic of popular media presentations and publications as well as the topic of major academic research projects published in Engli$h, German, Chinese and Japanese. Resultantly, niishu has played host to a number of mo~ern explanations and interpretations - all of which attempt to explain I the "how" and the "why" of an exclusively female script developed by supposedly illiterate women. -
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Advances in Social Science, Education and Humanities Research, volume 123 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017) Study on the Contribution of Xiling's Poetry to Poetry Flourished in Earlier Qing Dynasty Liping Gu The Engineering & Technical College of Chengdu University of Technology, Leshan, Sichuan, 614000 Keywords: Xiling Poetry, Poetry Flourished, Qing Dynasty Abstract. At the beginning of the Qing Dynasty, Xiling language refers to the late Ming and early Qing Dynasty in Xiling a word activities of the word group, including Xiling capital of the poet, including the official travel in Xiling’s poetry, is a geographical, The family, the teacher as a link to the end of the alliance as an opportunity, while infiltration Xiling heavy word tradition, in the late Ming Dynasty poetry specific poetry language formation in the group of people. They are more rational and objective theory, especially emphasizing the essence of the word speculation, pay attention to the word rhyme and the creation of the law of the summary, whether it is theory or creation, the development of the Qing Dynasty have far-reaching impact. In short, the late Ming and early Qing Dynasty Xiling language in the word from the yuan, the decline since the turn of the Qing Dynasty to the revival of the evolution of this process is a can not be ignored. Introduction The formation and development of the Xiling School are inseparable from the development of the same language. Many people regard the Western Cold School as the rise of the cloud and even as part of the cloud. -
Issue 13 Final Version
RHETORICAL SPACE Culture of Curiosity in Yangcai under Emperor Qianlong’s Reign Chih-En Chen Department of the History of Art and Archaeology PhD Candidate ABSTRACT This research is arranged into three sections in order to elaborate on the hybrid innovation in yangcai. Firstly, the usage of pictorial techniques on porcelain will be discussed, followed by the argument that the modelling technique in the Qianlong period could be the revival of Buddhist tradition combined with European pictoriality. The second section continues the discussion of non-traditional attributes in terms of the ontology of porcelain patterns. Although it has been widely accepted that Western-style decorations were applied to the production of the Qing porcelain, the other possibility will be purported here by stating that the decorative pattern is a Chinese version of the multicultural product. The last section explores style and identity. By reviewing the history of Chinese painting technique, art historians can realise the difference between knowing and performing. Artworks produced in the Emperor Qianlong’s reign were more about Emperor Qianlong’s preference than the capability of the artists. This political reason differentiated the theory and practice in Chinese history of art. This essay argues that the design of yangcai is substantially part of the Emperor Qianlong’s portrait, which represents his multicultural background, authority over various civilisations, and transcendental identity as an emperor bridging the East and the West. ABOUT THE AUTHOR Chih-En Chen is a PhD Candidate at the Department of the History of Art and Archaeology at SOAS, University of London. Before he arrived his current position, he worked for Christie’s Toronto Office (2013-2014) and Waddington’s Auctioneers in Canada (2014-2018). -
The Many Guises of Xiaoluan: the Legacy of a Girl Poet in Late Imperial China
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap This paper is made available online in accordance with publisher policies. Please scroll down to view the document itself. Please refer to the repository record for this item and our policy information available from the repository home page for further information. To see the final version of this paper please visit the publisher’s website. Access to the published version may require a subscription. Author(s): Anne Gerritsen Article Title: The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China Year of publication: 2005 Link to published version: http://dx.doi.org/10.1353/jowh.2005.0019 Publisher statement: This article was published as Gerritsen, A. (2005). The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China. Journal of Women's History, 17, 2, pp. 38-61. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press The Many Guises of Xiaoluan: The Legacy of a Girl Poet in Late Imperial China Introduction In recent years the image of the talented woman writer has greatly enhanced our picture of premodern China. Thanks to the work of scholars like Ellen Widmer, Dorothy Ko, Susan Mann and Kang-i Sun Chang, to mention only a few, reference to a woman in China’s imperial past conjures up the image of a strong and sophisticated woman holding a book rather than a picture of the bound foot.1 No student of China’s late imperial period (roughly between 1500 and 1900) could justifiably claim unfamiliarity with the Chinese woman writer.