DOCSLIB.ORG

Theatre of Marcellus in Italy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theatre of Marcellus in Italy Theatre of Marcellus in Italy Theatre of Marcellus (Teatro di Marcello) at Rome, Italy. The Theatre of Marcellus is one of the most spectacular sights in Rome which depicts the rich past of the two thousand years of Roman history. Every year thousands of travelers from all parts of the country assemble here to enjoy the ravishing beauty of the one of the most premier tourist attractions in Rome. The Theatre of Marcellus is also called Teatro di Marcello. The Roman Emperor Julius Caesar got the space cleared for the grand structure in 13 BC. However, he was assassinated even before the construction began. Augustus, the first Roman Emperor who took pride in claiming that he had found Rome in clay, but left it in the grandeur of marble, completed the construction of the theater. After finishing the construction of this theater, Augustus dedicated it to his favorite nephew Marcellus, but unfortunately Marcellus died at a young age, and was the first one to be placed in Augustus's mausoleum. Gradually, when the days of bread and circuses were ultimately replaced by days of raids and sackings, the gorgeous structure by the river gained immense prominence due to its strategic position. The Teatro di Marcello was commandeered by the Fabi family who constructed a fortress on top of the arches, but later on the theater came into the possession of the Savelli and Orsini families. It was only in the sixteenth century that the theatre was transformed into a palazzo. Presently, if you gaze at the Theatre of Marcellus, you will come across high arches of the ancient theatre, medieval fortified walls and the more classy additions of Italian architect and painter Baldassare Peruzzi, who was responsible for converting the theater into a Renaissance palazzo. In the near past the palazzo has again been revamped into luxury apartments so it is practically impossible to get inside the building unless you know one of the residents of the building. But there is nothing to get disheartened about as the archeological area around the base usually remains open during the daylight hours. The visitors can also roam around the great arches which remain scattered around the archaeological remnants and during the summer time piano recitals are held here. Theatre of Marcellus Map Location Map of Theatre of Marcellus in Rome, Italy Facts about Theatre of Marcellus Initially, featuring a diameter of 111 m, the Teatro di Marcello became the largest and an extremely essential theater in Ancient Rome. Originally, the theater had a seating capacity of 11,000 to 20,000 spectators. Where is Theatre of Marcellus ? The theater is situated on the Via del Teatro di Marcello downhill from the Capitol on the way to the Mouth of Truth. It is located at a distance of around 15 km from the Ciampino Airport. Colosseo and Circo Massimo (line B) are the closest metro stations. Best Time To Visit Theatre of Marcellus Spring season is the best time to visit the Theatre of Marcellus in Rome. Theatre of Marcellus Tickets As the theatre is viewed from the roadside, there is no entry ticket to the Theatre of Marcellus. More about Theatre of Marcellus Nearby Attractions: Piazza del Campidoglio, Jewish Ghetto, Tiberina Island, Foro Boario, and Fontana delle Tartarughe. Don't miss Italy major attractions: Leaning Tower of Pisa , Amalfi Coast, Venice, Colosseum, Rome, Portofino, Uffizi Gallery, Pompeii. mapsofworld.com provides Interesting Information about Tourist Destinations from across the world. Visit : http://www.mapsofworld.com.
Load more

Recommended publications
  • Roman Entertainment
    Roman Entertainment The Emergence of Permanent Entertainment Buildings and its use as Propaganda David van Alten (3374912) [email protected] Bachelor thesis (Research seminar III ‘Urbs Roma’) 13-04-2012 Supervisor: Dr. S.L.M. Stevens Contents Introduction ................................................................................................................................ 3 1: The development of permanent entertainment buildings in Rome ...................................... 9 1.1 Ludi circenses and the circus ............................................................................................ 9 1.2 Ludi scaenici and the theatre ......................................................................................... 11 1.3 Munus gladiatorum and the amphitheatre ................................................................... 16 1.4 Conclusion ...................................................................................................................... 19 2: The uncompleted permanent theatres in Rome during the second century BC ................. 22 2.0 Context ........................................................................................................................... 22 2.1 First attempts in the second century BC ........................................................................ 22 2.2 Resistance to permanent theatres ................................................................................ 24 2.3 Conclusion .....................................................................................................................
    [Show full text]
  • The Acts of Augustus As Recouded on the Monumentum Ancyranum
    THE ACTS OF AUGUSTUS AS RECOUDED ON THE MONUMENTUM ANCYRANUM Below is a copy of the acts of the Deified Augustus by which he placed the whole world under the sovereignty of the Roman people, and of the amounts which he expended upon the state and the Roman people, as engraved upon two bronze colimins which have been set up in Rome.<» 1 . At the age of nineteen,* on my o>vn initiative and at my own expense, I raised an army " by means of which I restored Uberty <* to the republic, which the Mausoleum of Augustus at Rome. Its original form on that raonument was probably : Res gestae divi Augusti, quibus orbem terrarum imperio populi Romani subiecit, et impensae quas in rem publicam populumque Romanum fecit. " The Greek sup>erscription reads : Below is a translation of the acts and donations of the Deified Augustus as left by him inscribed on two bronze columns at Rome." * Octa\ian was nineteen on September -23, 44 b.c. « During October, by offering a bounty of 500 denarii, he induced Caesar's veterans at Casilinum and Calatia to enlist, and in Xovember the legions named Martia and Quarta repudiated Antony and went over to him. This activity of Octavian, on his own initiative, was ratified by the Senate on December 20, on the motion of Cicero. ' In the battle of Mutina, April 43. Augustus may also have had Philippi in mind. S45 Source: Frederick W. Shipley, Velleius Paterculus, Compendium of Roman History. Res Gestae Divi Augusti, LCL (Cambridge, MA: HUP, 19241969). THE ACTS OF AUGUSTUS, I.
    [Show full text]
  • (Michelle-Erhardts-Imac's Conflicted Copy 2014-06-24).Pages
    ROME MMXV Piety, Pagans and Popes CLST 370: Seminar Abroad in Rome 2015 From its foundation through its expansion as an empire, to the rise of the papacy, Rome has served as a showcase of political and religious power through art, architecture and urban form. This course will examine the Eternal City’s most significant architectural and urban sites, moving roughly in chronological order. We will discuss how individual monuments assume symbolic importance, how they serve as models of architectural style, and how the sites take on a “sacred” quality both inside and outside of a religious context. This course is intended to offer students an introduction to the city of Rome that is architectural, artistic, and topographic in nature. Excursions to Etruscan tombs, Assisi and Florence help put Rome in a larger cultural context. " Tentative Itinerary" Friday, May 29th! Arrival in Rome Benvenuto a Roma! Check into the Centro - Piazzale del Gianicolo (view of Rome) -A walk through Trastevere: Sta. Cecilia, church and underground domus; S. Francesco a Ripa; Sta. Maria; S. Pietro in Montorio (Bramante’s Tempietto)." Saturday, May 30th! Cerveteri - Tarquinia Etruscan Influences on Early Rome. Half-Day Trip to Cerveteri or Tarquinia followed by afternoon visit to the Villa " Giulia (Etruscan Museum). ! Sunday, May 31st! Circus Flaminius Foundations of Early Rome, Military Conquest and Urban Development. Isola Tiberina (cult of Asclepius/Aesculapius) - Santa Maria in Cosmedin: Ara Maxima Herculis - Forum Boarium: Temple of Hercules Victor and Temple of Portunus - San Omobono: Temples of Fortuna and Mater Matuta - San Nicola in Carcere - Triumphal Way Arcades, Temple of Apollo Sosianus, Porticus Octaviae, Theatre of Marcellus.
    [Show full text]
  • Buildings of Ancient Rome Temples of Republican Rome
    Buildings of ancient Rome Temples of republican Rome NARRATOR: In the following tracks we will be exploring the remains of some of the republican temples in Rome. We will examine what is left, investigate their contexts and relate them, where possible to the men who built them. We start below the western slopes of the Capitoline Hill at the Temple of Apollo. This was dedicated in 431 BCE by Gnaius Julius, an ancestor of Julius Caesar, following a vow made during a plague that raged in the city. That temple, dedicated to Apollo the Healer, was rebuilt many times, and these elaborate columns with alternating fluting were part of the temple rebuilt in the time of Augustus to celebrate victories over northern barbarians, and emphasise his links with the Iulii. To the south on the other side of the Theatre of Marcellus are three more temples, one next to the other, now partially incorporated into the church of San Nicola in Carcere These were discovered in 1932 when the buildings around the church were demolished. The oldest is the furthest North. It was probably the temple dedicated to the two faced god of beginnings Janus vowed in 260 BCE by Caius Duilius during his naval victory over the Carthaginians at Mylae in Sicily. Following this victory he celebrated the first ever naval triumph and the prows of the defeated vessels were taken and mounted as trophies on the Rostrum in the Roman Forum What remains is most of the columns from one side and two columns from the other. These stand upon the remains of the podium.
    [Show full text]
  • Plates and Maps
    PLATES AND MAPS Plates All photographs are by the author unless otherwise stated. 1. Temple of Venus Genetrix, Rome. 2. Tomb of Caecilia Metella, Via Appia, Rome. 3. Cleopatra VII and Caesarion, Dendara, Egypt. 4. Pompeii lovers, British Museum, London. 5. Theatre of Marcellus, Rome. 6. Porticus of Octavia, Rome. 7. Ara Pacis, Museo dell’Ara Pacis, Rome. 8. Agrippa and Julia, Ara Pacis, Museo dell’Ara Pacis, Rome. 9. Bust of Livia, British Museum, London. 10. Posthumous bust of Livia as the goddess Ceres, British Museum, London. 11. Clay oil lamp with a bust of Livia, British Museum, London. 12. Building of Eumachia, Pompeii. 13. The Mausoleum of Augustus, Rome. 14. Dedication to the Deified Augusta (Livia), Herculaneum, Museo Archeologico Nazionale, Naples. 15. Porticus of Livia, Marble Plan of Rome, Museo dei Fori Imperiali, Rome. viii PLATES AND MAPS 16. Inscription of Lucius Caesar, Porticus of Gaius and Lucius, Rome. 17. Temple of Vesta, Roman Forum. 18. The Roman Forum. 19. Tombstone of Agrippina the Elder, Museo Capitolini, Rome. 20. Sestertius of Agrippina the Elder. Private collection. 21. Bronze coin of Messalina. Classical Numismatic Group, www.cngcoins. com. 22. Cistophoric tetradrachm of Claudius and Agrippina. Private collection. 23. The Gemma Claudia, Kunsthistorisches Museum Vienna. Photo and copyright: Gryffindor. 24. Agrippina crowns Nero, Aphrodisias, Turkey. Photo and copyright: Carole Raddato. 25. Nero’s Golden House, Rome. 26. Tetradrachm of Nero and Poppaea. Private collection. 27. View of Oplontis. 28. Sestertius of the Temple of the Deified Augustus and Livia. Private collection. 29. The Severan Women. Private collection. 30. Julia Domna and Septimius Severus on the Arch of the Moneychangers (Porta Argentarii), Rome.
    [Show full text]
  • Vincenzo Scamozzi Comments on the Architectural Treatise of Sebastiano Serlio
    Originalveröffentlichung in: Annali di architettura : rivista del Centro Internazionale di Studi di Architettura Andrea Palladio 27.2015 (2016), S. 47-60 Hubertus Giinther Vincenzo Scamozzi comments on the architectural treatise of Sebastiano Serlio in Paris where it was offered by Bonnefoi Livres Anciens and thereupon the Ernst von Siemens Foundation has acquired it for the Zentralinsti- tut fiir Kunstgeschichte in Munich 1. It attracts particular interest as Scamozzi has edited the treatise of Serlio. Serlio published his treatise gradually in in- dividual books2. The work had a huge success. It appeared in many editions and various languag- es throughout Europe. First were printed the two crucial books, both by Francesco Marcoli- ni in Venice: in 1537 the doctrine of the orders of columns as the Fourth Book and in 1540 the presentation of ancient buildings in Rome and throughout Italy as Third Book. The columns doctrine remained instrumental until the early 20th century, although it had been modified in details and the principles on which it is based had changed. The book on ancient buildings re- mained unique up to 1682 when Antoine Desgo- detz had published Les e'difices antiques de Rome on behalf of the French Academy. After Serlio had left Venice and entered the service of the king of France, appeared in Paris three smaller books on the geometric basics of architecture, perspective and church design. In 1551 the Venetian pub- lisher Cornelio Nicolini launched the five books hitherto published in a representative collection in folio format - as was the original format. The publisher has changed hardly anything on the books; the old title pages and dedications are maintained; there is not even a special preface or a dedication.
    [Show full text]
  • Monuments Ancient Rome
    DOROTHY M. ROBATHAN WELLESLEY COLLEGE THE MONUMENTS OF ANCIENT ROME 1950 Ι " L' ERMA " D BRETSCHNEIDER - ROMA VIA CASSIODORO, 19 COPYRIGHT, 1950 BY "L' ERMA" DI BASTSCHNEIDER - ROMA PRINTED IN ITALY Ii THE JACKET: FRAGMENT OF THE « FORMA URGIS » (Photo Comune di Roma) Officine Grafiche Fratelli Stianti, Sancasciano Val di Pesa (Firenze) — Luglio 1950 — PL/JE Α REC-0V3 Τ tUCΤION OF T1iE BAS ΣΣIC3 OF MAXENΤIUS (Fscm the Film «La Rο ε r_- =ei Cesari ») δ4 Τ3Ε Ο IN THE CKGR0UND, ~ TEMPLE -ί€ VENUS ; AND RObsE~ PLATE Β ιι ARA PACIS AUGUS TAS. TABLE OF CONTENTS SOURCES OF INFORMATION page 1 INTRODUCTION 5 Chapter I. Development of the City 9 Chapter II. The Palatine 31 Chapter III. The Roman Forum 50 Chapter IV. The Via dei Fori Imperials. Colosseum. Arch of Constantine 89 Chapter V. Passeggiata Archeologica. Via Appia . 110 Chapter VI. The Esquiline 119 Chapter VII. The Caelian. Aventine. Circus Maximus . 136 Chapter VIII. The Campus Martius 147 Chapter IX. The Capitoline 169 Chapter X. The Via del Teatro di Marcello. Forum Boaríum Velabrum 177 Chapter XI. The Quirinal. Viminal. Pincian 189 Chapter XII. Transtiber 198 Index 209 MAPS The Imperial Fora (Davico). The Roman Forum and Palatine (Davico). Ancient and modern Rome. PLATES Pl. A — Reconstruction of the Basilica of Maxentius. Pl. B — The Ara Pacis. Pl. 1 — The Domus Augustana on the Palatine. Pl. 2 — The Roman Forum from the Capitoline. Pl. 3 — The Roman Forum from the Capitoline (reconstruction). Pl. 4 — The Temple of Venus and Rome from the Colosseum. Pl. 5 — The Temple of Venus and Rome (reconstruction).
    [Show full text]
  • Roman and Byzantine Architecture Slide 1
    U3A, Term 3, 2019 Dr Sharon Mosler EUROPEAN ARCHITECTURE TO 1900 Lecture 2 - Roman and Byzantine Architecture Slide 1: Lectures can be accessed on U3A website: adelaideu3a.org.au Click Course Support, scroll down to 'History of Architecture ’ Sources: *Patrick Nuttgens, Pevsner, Watkin. Also, lectures on YouTube Rome was a city-state in 510BCE, during the flowering of Hellenic culture. As Pericles was introducing democracy in Athens, the Romans were expelling the Etruscans from Italy in its move toward a Republic, then Empire. Before the end of the 2C BCE the great period of Hellenic building activity was over. The leading artists and thinkers that I mentioned last week had all flourished before 200BCE. - The disintegration of the Hellenic achievement in the second and first centuries BCE must be seen in the light of the growing power of Rome. - In Punic Wars 168BCE, Rome secured North Africa and Spain, then Greece 20 years later: Corinth was sacked 146BCE, Athens 60 yrs later A Roman Republic was established around 500BCE, with voting rights similar to those in Greece. The Republic at its height under Julius Caesar, Marcus Aurelius and Augustus Caesar lasted until 27BCE, when Augustus, with absolute power, established the Roman Empire in 27BCE. At that time he ruled 50m people. Augustus of Prima Porta By 30CE the Roman Empire included almost the entire Hellenic world within its orbit, which became the eastern, Greek-speaking half of its empire; although its hold on what are now Iran and Iraq was brief and tenuous, and it never absorbed any part of Afghanistan or Pakistan.
    [Show full text]
  • Summer School in Italian Language and Culture 3-15 July, 2017
    Summer School Directors Nunzio Allocca, Roberto Nicolai Summer School Contacts in Italian Language Sapienza University of Rome Faculty of Humanities - Dean’s Office and Culture Piazzale Aldo Moro, 5 3-15 July, 2017 00185 Rome - IT [email protected] http://en.uniroma1.it/study-us/summer-school Sapienza Summer School 2017 Module I: Lectures in Italian Language and Culture English-taught course Italian-taught course Roman Archaeology and History Roman Archaeology and History 3-15 July, 2017, Rome, Italy – The Origin of Rome between – The Origin of Rome between East and West East and West Join us this summer at Sapienza – The Rome of Augustus – The Rome of Augustus – Public life and entertainment – Public life and entertainment (the Forum and Colosseum) (the Forum and Colosseum) Learning Italian and getting to know Italian culture is one and places of worship and religion: and places of worship and religion: of the most rewarding features of coming to Sapienza. temples, mithraea, catacombs temples, mithraea, catacombs It’s why we have created the Sapienza Summer School in Italian Literature, Philosophy, Society Literature, Philosophy, Society language and culture, where students from all over the world – Dante’s Italy – Dante’s Italy can study and discover the many aspects of Italian literature, – Machiavelli and the European – Giordano Bruno: from the ancient art, cinema, etc., and perfect their language skills. Renaissance closed world to the infinite universe Courses are taught by enthusiastic instructors who provide – Leopardi
    [Show full text]
  • Pieghevole Glt V5 Final Abbondanze
    HOP ON HOP OFF TERMINAL OPEN BUS TICKETS INFO P.zza dei Cinquecento - corner Via Cavour FIRST BUS 9:00 AM | LAST BUS 6:30 PM Piazza della Repubblica, St. Mary of the Angels, Rome's Opera House, ADULT 20€ 2-hour tour, hop-on hop-off at any time with stops at the Via Nazionale, Baths of Diocletian, National Roman Museum, DAILY TICKET most important monuments Palazzo delle Esposizioni JUNIOR 13€ Audio-guide available in 8 languages Customer assistance SANTA MARIA MAGGIORE on board Piazza Esquilino, 12 ADULT 25€ FIRST BUS 9:05 AM | LAST BUS 6:35 PM 24 Hours The tickets have unlimited validity, except for the one run Santa Maria Maggiore, Piazza Vittorio, St. John Lateran, JUNIOR 15€ no stop ticket Saint Peter in Chains, Via Cavour, Opium Hill ADULT 30€ Tickets available on board, non-refundable after the start COLOSSEUM 48 Hours of the tour Via di San Gregorio, close to the entry of Palatine JUNIOR 18€ FIRST BUS 9:15 AM | LAST BUS 6:45 PM The estimated time of the tour may be affected Colosseum, Imperial Forum, Palatine, Arch of Constantine, Arch of Titus ADULT 38€ depending on the traffic. Rome infact is center of events 72 Hours and demostration. These could cause delays and temporary JUNIOR 25€ suppression of some stops or change of the itinerary CIRCUS MAXIMUM Via del Circo Massimo - Belvedere Romolo e Remo FIRST BUS 9:20 AM | LAST BUS 6:50 PM Circus Maximum, The Mouth of Truth, Temple of Vesta, ONE RUN ADULT 16€ Santa Maria in Trastevere, Trastevere, Municipal Rose Garden, Synagogue NO STOP CHILDREN 10€ Download the PIAZZA VENEZIA Official APP GLT Via del Teatro Marcello, in front of civic 32-34 TICKET 24 Hours FIRST BUS 9:25 AM | LAST BUS 6:55 PM ADULT 36€ Piazza Venezia, Altar of the Fatherland, Campidoglio, Theatre of Marcellus, + LUNCH Maps · Audioguide JUNIOR 26€ Trajan's Column, Mercati di Traiano, Largo Argentina, Campo de’ Fiori,P antheon Points of interest DAILY 48 Hours ST.
    [Show full text]
  • Entertainment in Ancient Rome 17
    Unit 3 Entertainment in ancient Rome 17 ENTERTAINMENT Unit 3 IN ANCIENT ROME . Leisure architecture The Romans took from the Greeks the three orders of architecture, Doric, Ionic, and Corinthian, based on the different forms of the column and the capital which MIND THE GAP surmounted it, and added a hybrid of their own, known as Composite. Its basis was pozzolana, a chocolate-coloured volcanic earth originally found near the Greek settlement of Puteoli, and subsequently discovered in vast quantities around Rome. Pozzolana was used to make mortar and also, when mixed with lime and strength- ening materials such as chips of rock and broken brick, concrete. Judicious use of bricks and concrete together enabled massive, permanent structures to be built. Once concrete had taken the place of rubble as the filling of a wall, it was possible to use irregularly shaped stones as facing, with courses of brick to bind it. With opus reticulatum square-based pyramids of stone were inserted with the heads facing inwards. A further development was opus testaceum, in which triangular baked bricks were used. [...] The main block of the Baths of Caracalla to the south-east of the city, which could accommodate 1,600 bathers at a time, was 216 by 112 metres. Roman archi- tects were less concerned with external appearances than with the creation of inner space, which the dome, where it was employed, enhanced. In their construction of public baths as luxury, cultural, leisure and sports centres, the Romans combined their passion for opulence with their flair for hydraulics. For their theatres, the Romans followed the Greek plan of tiers of seats in a semi- circle facing the stage, but whereas the Greeks tended to take advantage of natural slopes on which to erect the seats, Roman theatres were usually built on level ground.
    [Show full text]
  • Baylor in Italy
    Program Overview Student Praise Courses “...one of the best months of my life.” The Baylor in Italy Program will offer 3 courses: ~ Aaron Borsellino, 2007 Topography of Rome and Pompeii (CLA 3321) “Baylor in Italy provides the opportunity for immense Baylor The Archaeology of Sicily and Southern Italy (CLA 4331) Epistles and Epigraphy of Rome (LAT 3311) growth both academically and as a person; students will These courses will introduce students to the archaeology, never forget the sights and experiences of beautiful Italy.” history, art, and mythology of ancient Rome. Students take ~ Anna Sitz, 2007 either 3 or 6 credit hours. In Italy The sights, sounds, monuments, and places you visit in Italy “Studying Classics at Baylor and knowning the history of become your classroom. In this academic program, you Italy do not prepare you for the magnificence of the sites. study at ancient sites, visit excavations, and see things off- When you look up at the Pantheon, or when you first step 2009 limits to the general public. into the Forum, you approach the grandeur of the ancients 2009 from a new perspective.” Schedule ~ Bill Wilson, 2007 Students fly to Rome for 10 days of on-site study. The trip then moves southward, spending several days at sites in “BII is the experience of a lifetime: I had the opportunity the Bay of Naples and then into Sicily for another 10 days. to take highly interesting courses while being immersed in We return to Rome for the final night. the powerful and imposing remains of the classical world. Neither the sites nor the experiences of this trip will be Accommodations soon forgotten.” The Hotel Sant’ Anna in Rome is just a short walk from ~ Daniel Walin, 2004 St.
    [Show full text]