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Cain's Kin and Abel's Blood: Beowulf 1361-4
Opticon1826, Issue 9, Autumn 2010 CAIN’S KIN AND ABEL’S BLOOD: BEOWULF 1361-4 By Michael D.J. Bintley Amongst the various texts which are thought to have influenced the depiction of Grendel’s mere in Beowulf, the possibility has not yet been considered that the poet also drew upon a tradition associated with Grendel’s descent from Cain, also to be found in the composite Genesis poem of the Junius manuscript (Oxford, Bodleian Library MS Junius 11, SC 5123), and Aldhelm’s Carmen de virginitate. This connection only becomes apparent upon closer examination of the woodland grove overhanging the refuge in Grendel’s fens. Of the many trees that appear in Old English literature, few can be as sinister as these. These trees contribute memorably to Hrothgar’s description of the mere: Nis þæt feor heonon milgemearces þæt se mere standeð; ofer þæm hongiað hrinde bearwas, wudu wyrtum fæst wæter oferhelmað. It is not far hence in a measure of miles that the mere stands; over it hang frosty trees, a wood fast in its roots overshadows the water. (Beowulf 1361-4)1 These trees appear once again in the description of the journey to the mere following the attack by Grendel’s mother: Ofereode þa æþelinga bearn steap stanhliðo, stige nearwe, enge anpaðas, uncuð gelad, neowle næssas, nicorhusa fela; he feara sum beforan gengde wisra monna wong sceawian, oþ þæt he færinga fyrgenbeamas ofer harne stan helonian funde wynleasne wudu; wæter under stod dreorig on gedrefed. Then went those sons of nobles over steep and stony slopes, thin ascending paths, narrow single tracks, unknown ways, precipitous cliffs, many dwellings of water-monsters. -
The Textin the Community
The in the Text Community Essays on Medieval Works, Manuscripts, Authors, and Readers edited by jill mann & maura nolan University of Notre Dame Press Q Notre Dame, Indiana Copyright © 2006 by University of Notre Dame Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Designed by Jane Oslislo Set in 9.9/13.8 Janson by Four Star Books Printed in Hong Kong by Kings Time Printing Press, Ltd. Library of Congress Cataloging in-Publication Data The text in the community : essays on medieval works, manuscripts, authors, and readers / edited by Jill Mann and Maura Nolan. p. cm. Includes index. isbn 0-268-03495-8 (cloth : alk. paper) isbn 0-268-03496-6 (pbk. : alk. paper) 1. Literature, Medieval—History and criticism. 2. Manuscripts, Medieval—History. I. Mann, Jill. II. Nolan, Maura. pn671.t38 2006 809'.02—dc22 2005035128 ∞This book is printed on acid-free paper. contents List of Illustrations vii List of Contributors xi Abbreviations List xiii Acknowledgments xv Introduction 1 maura nolan 1 Versifying the Bible in the Middle Ages 11 michael lapidge 2 “He Knew Nat Catoun”: Medieval School-Texts and Middle English Literature 41 jill mann 3 Computing Cynewulf: The Judith-Connection 75 andy orchard Q vi R Contents 4 The Contexts of Notre Dame 67 107 a.s.g. edwards 5 The Haunted Text: Ghostly Reflections in A Mirror to Devout People 129 vincent gillespie 6 The Visual Environment of Carthusian Texts: Decoration and Illustration in Notre Dame 67 173 jessica brantley 7 The Knight and the Rose: French Manuscripts in the Notre Dame Library 217 maureen boulton 8 The Meditations on the Life of Christ: An Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame 237 dianne phillips Index of Manuscripts 283 General Index 287 list of illustrations plate 1. -
Inconceivable Beasts: E Wonders of the East in the Beowulf Manuscript
Inconceivable Beasts: !e Wonders of the East in the Beowulf Manuscript Mittman.indb 1 1/31/13 4:43:26 PM MEDIEVAL AND RENAISSANCE TEXTS AND STUDIES VOLUME 433 Mittman.indb 2 1/31/13 4:43:26 PM Inconceivable Beasts: !e Wonders of the East in the Beowulf Manuscript Asa Simon Mittman Department of Art and Art History, California State University, Chico and Susan M. Kim Department of English, Illinois State University Tempe, Arizona 2013 Mittman.indb 3 1/31/13 4:43:26 PM Published by ACMRS (Arizona Center for Medieval and Renaissance Studies), Tempe, Arizona. ©2013 Arizona Board of Regents for Arizona State University. All Rights Reserved. Library of Congress Cataloging-in-Publication Data Publication of this book has been aided by a grant from the Millard Meiss Publication Fund of the College Art Association ∞ This book is made to last. It is set in Adobe Caslon Pro, smyth-sewn and printed on acid-free paper to library specifications. Printed in the United States of America Mittman.indb 4 1/31/13 4:43:26 PM To Christina von Nolcken and Suzanne Lewis: Thank you for teaching and inspiring us. Mittman.indb 5 1/31/13 4:43:26 PM Mittman.indb 6 1/31/13 4:43:26 PM T C List of Figures ix Acknowledgments xiii 1. Introduction: Conceiving of the Inconceivable 1 2. The Wonders of the East 25 Unworthy Bodies: Editing the Female Wonders of the East Foliation Chart Facsimile Transcription and Literal Translation Translation 3. The Dittology of the Tripled Double Men 73 4. -
Rędende Iudithše: the Heroic, Mythological and Christian Elements in the Old English Poem Judith
University of San Diego Digital USD Undergraduate Honors Theses Theses and Dissertations Fall 12-22-2015 Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith Judith Caywood Follow this and additional works at: https://digital.sandiego.edu/honors_theses Part of the European Languages and Societies Commons, and the Literature in English, British Isles Commons Digital USD Citation Caywood, Judith, "Rædende Iudithðe: The eH roic, Mythological and Christian Elements in the Old English Poem Judith" (2015). Undergraduate Honors Theses. 15. https://digital.sandiego.edu/honors_theses/15 This Undergraduate Honors Thesis is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital USD. For more information, please contact [email protected]. Rædende Iudithðe: The Heroic, Mythological and Christian Elements in the Old English Poem Judith ______________________ A Thesis Presented to The Faculty and the Honors Program Of the University of San Diego ______________________ By Jude Caywood Interdisciplinary Humanities 2015 Caywood 2 Judith is a character born from the complex multicultural forces that shaped Anglo-Saxon society, existing liminally between the mythological, the heroic and the Christian. Simultaneously Germanic warrior, pagan demi-goddess or supernatural figure, and Christian saint, Judith arbitrates amongst the seemingly incompatible forces that shaped the poet’s world, allowing the poem to serve as an important site for the making of a new Anglo-Saxon identity, one which would eventually come to be the united English identity. She becomes a single figure who is able to reconcile these opposing forces within herself and thereby does important cultural work for the world for which the poem was written. -
Christianity and Oral Culture in Anglo-Saxon Verse
Oral Tradition, 24/2 (2009): 293-318 The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse Andy Orchard As far as the history of English literature goes, in the beginning was Cædmon’s Hymn, and Cædmon’s Hymn, at least as an inaugural event, seems something of a damp squib.1 Not just because Bede’s description of the unexpected inspiration of the apparently Celtic-named putative parent of English verse has so many analogues in the form of similar and sometimes seemingly more miraculous stories (see, for examples, Atherton 2002; Ireland 1987; Lester 1974; O’Donnell 2005:29-60 and 191-202), including a Latin autobiographical account of the “inspiration” of the drunk Symphosius (whose Greek-derived name means “drinking-party animal” or suchlike), supposedly similarly spurred to song at a much earlier North African booze-up of his own, the narrative of which seems to have been known in Anglo-Saxon England at around the same time Cædmon took his fateful walk to commune with the common herd (Orchard forthcoming a). And not just because for many readers there is a lingering sense of disappointment on first acquaintance, since however well-constructed we are increasingly told that Cædmon’s Hymn may be (Howlett 1974; Conway 1995; but see O’Donnell 2005:179-86), the fact that the repetition of eight so seemingly trite and formulaic epithets for God (seven of them different, however) has seemed to some a tad excessive in a poem of only nine lines (Fry 1974 and 1981; Stanley 1995). Still further factors seem to undermine the iconic status of Cædmon’s Hymn, including its variant forms and the rumbling (if unlikely) suggestions that it is no more than a back-translation from Bede’s somehow superior Latin, at the margins of which it so often appears in the manuscripts (Kiernan 1990; Isaac 1997). -
Old English Literature: a Brief Summary
Volume II, Issue II, June 2014 - ISSN 2321-7065 Old English Literature: A Brief Summary Nasib Kumari Student J.k. Memorial College of Education Barsana Mor Birhi Kalan Charkhi Dadri Introduction Old English literature (sometimes referred to as Anglo-Saxon literature) encompasses literature written in Old English (also called Anglo-Saxon) in Anglo-Saxon England from the 7th century to the decades after the Norman Conquest of 1066. "Cædmon's Hymn", composed in the 7th century according to Bede, is often considered the oldest extant poem in English, whereas the later poem, The Grave is one of the final poems written in Old English, and presents a transitional text between Old and Middle English.[1] Likewise, the Peterborough Chronicle continues until the 12th century. The poem Beowulf, which often begins the traditional canon of English literature, is the most famous work of Old English literature. The Anglo-Saxon Chronicle has also proven significant for historical study, preserving a chronology of early English history.Alexander Souter names the commentary on Paul's epistles by Pelagius "the earliest extant work by a British author".[2][3] In descending order of quantity, Old English literature consists of: sermons and saints' lives, biblical translations; translated Latin works of the early Church Fathers; Anglo-Saxon chronicles and narrative history works; laws, wills and other legal works; practical works ongrammar, medicine, geography; and poetry.[4] In all there are over 400 survivingmanuscripts from the period, of which about 189 are considered "major".[5] Besides Old English literature, Anglo-Saxons wrote a number of Anglo-Latin works. -
The Visual Craft of Old English Verse: Mise-En-Page in Anglo-Saxon Manuscripts
The visual craft of Old English verse: mise-en-page in Anglo-Saxon manuscripts Rachel Ann Burns UCL PhD in English Language and Literature 1 I, Rachel Ann Burns confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Rachel Ann Burns 2 Table of Contents Abstract 8 Acknowledgements 10 Abbreviations 12 List of images and figures 13 List of tables 17 CHAPTER ONE: Introduction 18 Organisation of the page 26 Traditional approaches to Old English verse mise-en-page 31 Questions and hypotheses 42 Literature review and critical approaches 43 Terminology and methodologies 61 Full chapter plan 68 CHAPTER TWO: Demarcation of the metrical period in the Latin verse texts of Anglo-Saxon England 74 Latin verse on the page: classical and late antiquity 80 Latin verse in early Anglo-Saxon England: identifying sample sets 89 New approach 92 Identifying a sample set 95 Basic results from the sample set 96 Manuscript origins and lineation 109 Order and lineation: acrostic verse 110 3 Order and lineation: computistical verse and calendars 115 Conclusions from the sample set 118 Divergence from Old English 119 Learning Latin in Anglo-Saxon England: the ‘shape’ of verse 124 Contrasting ‘shapes’: Latin and Old English composition 128 Hybrid layouts, and the failure of lineated Old English verse 137 Correspondences with Latin rhythmic verse 145 Conclusions 150 CHAPTER THREE: Inter-word Spacing in Beowulf and the neurophysiology of scribal engagement with Old English verse 151 Thesis and hypothesis 152 Introduction of word-spacing in the Latin West 156 Previous scholarship on the significance of inter-word spacing 161 Robert D. -
Iron-Clad Evidence in Early Mediaeval Dialectology: Old English Ïsern, Ïsen, and Ïren
Iron-Clad Evidence in Early Mediaeval Dialectology: Old English ïsern, ïsen, and ïren Nearly a quarter of a century ago, Helmut Gneuss argued that the standard variety of late West Saxon Old English originated at Winchester. In discussing his methodology, he predicted the direction of future research. In the future, I think, one may confidently expect significant findings … from the study of word usage and word geography; the project of a new, comprehensive Old English dictionary, to be based on computer-made concordances of all Old English texts … is a decisive step in this direction.1 Gneuss identifies two major developments in philological and linguistic research: the exploration of ‘word usage and word geography’ and the adoption of new research methodologies and techniques. Both of these issues are relevant to the subject of this paper, an examination of the usage and geographical distribution of the three forms of the Old English word for ‘iron’: ïsern, ïsen, and ïren. The aim of the study is to provide a contribution to the canon of new dialect criteria which will become available as a result of the increasing use of electronic text searches and which may, once it has grown large enough, provide a new basis for our understanding of the Old English dialects. Although a number of early studies have looked at word dialectology in Old English, the greatest body of evidence in the philological canon is phonological and morphological.2 However, since Gneuss’ prediction, a number of tools have become or are becoming available which are set to place a new emphasis in research on the lexical history of early English. -
View That the Present Study Affirms
1 CYNEWULF'S ASCENSION (CHRIST II): A CRITICAL EDITION Roland T. Williams A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 197U Approved by Doctoral Committee Advisor Department of Englzi ¿f7 iJ-l—dJ —;; WWUNG GREEN Stint UNIVERSITY LIBRARY ABSTRACT Ascension (Christ II) is one of four Old English poems (the other three are Fates of the Apostles, Juliana, and Elene) with the name "Cynewulf" embedded in runes, acrostic-fashion, near the end. The purpose of the dissertation is to present a text of Ascension, transcribed from the Exeter Book facsimile. Included, too, are textual notes and commentary, introduction, translation, and glossary. Although the poem has been edited as part of the Exeter Book, as one of Cynewulf's signed works, and in collections of Old English literature, it has never been issued before as a separate work. The first 1,664 lines of the Exeter Book have been divided by scholars into Christ I (Advent), Christ II (Ascension), and Christ III (The Last Judgment) and were considered for many years to be a trilogy called Christ. Since Benjamin Thorpe published the first edition of the Exeter Book in 1842, scholars have repeated ly attempted to discover whether Cynewulf wrote one, two, or all three parts. For the reason that Cynewulf's name appears only at the end of Ascension, current scholarship holds that Cynewulf wrote only this poem, a view that the present study affirms. The introduction includes a discussion of the background of the Exeter Book, problems relating to authorship, dating, dialect, and runic writing, and a critical analysis which ejqjlores the structure, diction, imagery, and theme of the poem. -
LEDGE NET POETRY:ANGLO SAXON] [Type the Abstract of the Document Here
2020 LEDGE ENGLISH CENTER Prepared by Ms. Muthukumari [LEDGE_NET POETRY:ANGLO SAXON] [Type the abstract of the document here. The abstract is typically a short summary of the contents of the document. Type the abstract of the document here. The abstract is typically a short summary of the contents of the document.] 2 LEDGE_NET POETRY:ANGLO SAXON LEDGE_NET_POETRY_ANGLO SAXON AGE Anglo Saxon Age: The Anglo-Saxons were a cultural group who inhabited England from the 5th century. They comprised people from Germanic tribes who migrated to the island from continental Europe, their descendants, and indigenous British groups who adopted many aspects of Anglo-Saxon culture and language. The Anglo-Saxons established the Kingdom of England, and the modern English language owes almost half of its words – including the most common words of everyday speech – to their language. Historically, the Anglo-Saxon period denotes the period in Britain between about 450 and 1066, after their initial settlement and up until the Norman conquest. The early Anglo-Saxon period includes the creation of an English nation, with many of the aspects that survive today, including regional government of shires and hundreds. During this period, Christianity was established and there was a flowering of literature and language. Charters and law were also established. The term Anglo-Saxon is popularly used for the language that was spoken and written by the Anglo-Saxons in England and eastern Scotland between at least the mid-5th century and the mid-12th century. In scholarly use, it is more commonly called Old English. Language: Old English (Ænglisc, Anglisc, Englisc) or Anglo-Saxon is the early form of the English language that was spoken and written by the Anglo-Saxons and their descendants in parts of what are now England and southern and eastern Scotland between at least the mid-5th century and the mid-12th century. -
The Blickling Homilies R. Morris
The Blickling Homilies Translated by R. Morris In parentheses Publications Old English Series Cambridge, Ontario 2000 I. The Annunciation of Saint Mary [Jesus came into the world in order that his divine] nature might be manifested, and that sin might be eradicated; and the doom of Eve’s infelicity, which was denounced against her (that she should bring forth her children in pain and in sorrow) was reversed when Mary brought forth the Lord with rejoicing. Eve conceived through carnal lust, Mary in her womb conceived the merciful and the innocent Christ. Eve bare tears in her womb, Mary brought forth through herself the everlasting joy for all the world. Eve brought forth her child in pain because she had conceived in sin. The Holy Ghost sowed the pure seed in the undefiled womb (of Mary), wherefore she, being a virgin became a mother, because, being a virgin, she had conceived. Each of these circumstances was miraculous, both that she had conceived without defilement, and that in child-bearing she continued ever immaculate. Gabriel was the messenger of these nuptials. What spake he to her, or what heard she when he spake? ‘Hail, Mary! full of grace, the Lord is with thee!’ And through this greeting (salutation) she conceived, because he brought her everlasting salvation upon his tongue; but the devil, through the venom-bearing (venomous) adder (serpent), deceived the first woman with his evil suggestions and treachery, wherefore the angel spake to our Lord’s mother, and thus addressed her: ‘Hail (Mary) full of grace, the Lord is with thee!’ The grace was brought for the sin of the first woman. -
Reading Beowulf Now and Then
READING BEOWULF NOW AND THEN Beowulf is undoubtedly one of the most famous English poems, if not, perhaps, one of the most read. Perhaps it was ever thus: a recent commentator observes that more people read Beowulf now than can ever in the Anglo-Saxon period have had access to the fire-damaged ruin that the sole manuscript-witness remains (Anlezark 2003: 320). Moreover, Beowulf’s begrudged place at the head of the canon of English literature looks increasingly precarious, constantly threatened as a result of its difficulty and strangeness, and the fact that throughout its 3,182 lines not a single Englishman is mentioned, not a single place in England is described, and for many English Majors in universities throughout the world who are forced to read the stuff (often against their will), the language of the poem seems barely English at all.1 Modern readers have the “benefit” of a bewildering myriad of translations and interpretations, including that of Seamus Heaney (2000),2 as well as comic-books, cartoons, and several versions for the big screen,3 but the purpose of this paper is rather to survey a limited range of readers and readings from the past thousand years or so, to see how far such earlier efforts help or hinder us in our interpretations of Beowulf today. In focusing in turn on the problems faced by the scribes who wrote the single surviving manuscript, on the inaccuracies of the earliest modern edition, as well as on the poorly regarded translation of the text made by 1 Typical is the tongue-in-cheek diatribe by Brigid Brophy that Beowulf is “Boring and unattractive as a story, pointlessly bloodthirsty” (1967: 1); see further Orchard 2003: 238–64, who argues that the multiplicity of perspectives offered by modern interpreters is implicit in the original text.