Lincoln Center Theater Lincolncenter.Org Lct.Org 212.875.5375 212.501.3100 [email protected] [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

Lincoln Center Theater Lincolncenter.Org Lct.Org 212.875.5375 212.501.3100 Access@Lincolncenter.Org Info@Lct.Org Accessibility at Lincoln Center Lincoln Center for the Performing Arts 70 Lincoln Center Plaza, New York, NY 10023 [email protected] 212.875.5375 AboutLincolnCenter.org/Accessibility OC Cover Photo: ©Nan Melville Welcome to Lincoln Center We are excited to have you experience the best in music, theater, dance, opera, film, and performance art with us. About This Guide This guide is your key to planning a worry-free visit to Lincoln Center and enjoying the world-class performing arts presented across our campus. You can use it to: n Determine accessibility features at any Lincoln Center venue. n Arrange accommodations. n Plan transportation, including pick-ups, drop-offs, parking, and mass transit. n Find accessible entrances using the detailed campus map. n Get contact information. n Find the nearest accessible restrooms. n Choose an accessible dining option on campus. To find details for a specific venue, see pages 6 and 7. 1 Table of Contents For all accessibility questions, requests, or general support, please contact [email protected] or 212.875.5375, or contact the presenting organization directly (see pages 4–5). Lincoln Center’s Resident Organizations ..............4 Go Straight to Your Venue ................................6 Map of Campus with Accessible Entrances ...........8 Performance Accommodations ......................... 10 Adapted Tours .............................................. 11 Passport to the Arts Program for Children ......... 12 Accessibility at Lincoln Center is made possible in part by endowment support provided by AIG. Getting Here ................................................ 14 Additional endowment support for Programs and Services for People with Visual Disabilities provided by Frederick P. Daniel and Elihu Rose – In Memory of Belle B. Rose Venues ........................................................ 19 Major support for Lincoln Center accessibility programming is provided by The Taft Foundation.. Dining ......................................................... 39 2 3 Lincoln Center’s The Metropolitan Opera metopera.org Resident Organizations 212.362.6000 [email protected] The Chamber Music Society of Lincoln Center New York City Ballet chambermusicsociety.org nycb.org 212.875.5775 212.496.0600 [email protected] [email protected] The Film Society of New York Philharmonic Lincoln Center nyphil.org filmlinc.org 212.875.5656 212.875.5367 [email protected] [email protected] The New York Public Library Jazz at Lincoln Center for the Performing Arts jazz.org nypl.org/lpa 212.258.9510 917.275.6975 [email protected] The School of American Ballet The Juilliard School sab.org juilliard.edu 212.769.6600 212.799.5000 [email protected] Lincoln Center for the Performing Arts Lincoln Center Theater LincolnCenter.org lct.org 212.875.5375 212.501.3100 [email protected] [email protected] 4 5 Go Straight to Your Venue The Juilliard School ....................................... 29 Lincoln Center Theater ................................... 31 Alice Tully Hall .............................................. 19 Metropolitan Opera House .............................. 33 The Amphitheater ......................................... 26 Mitzi E. Newhouse Theater .............................. 31 The Appel Room ........................................... 27 Morse Recital Hall .......................................... 29 Bruno Walter Auditorium ............................... 35 The New York Public Library for the Performing Arts .................................. 35 Claire Tow Theater ............................................. 31 Paul Recital Hall ............................................ 29 Clark Studio Theater ..................................... 36 The Peter Jay Sharp Theater ........................... 29 Damrosch Park and Guggenheim Bandshell ....... 20 Rosemary and Meredith Willson Theater ............ 29 Daniel and Joanna S. Rose Studio .................... 36 Rose Theater ................................................ 27 David Geffen Hall (formerly Avery Fisher Hall) ........ 21 Samuel B. and David Rose Building .................. 36 David H. Koch Theater ................................... 23 Stanley H. Kaplan Penthouse .......................... 36 David Rubenstein Atrium at Lincoln Center ....... 24 Stephanie P. McClelland Drama Theater ............ 29 Dizzy’s Club Coca-Cola ................................... 27 Vivian Beaumont Theater ............................... 31 Dorothy and Lewis B. Cullman Center .............. 35 Walter Reade Theater .................................... 37 Elinor Bunin Munroe Film Center ..................... 26 The Francesca Beale Theater ........................... 26 For more information on Lincoln Center and our The Howard Gilman Theater............................ 26 rich programming, please visit the newly enhanced Irene Diamond Education Center ..................... 27 LincolnCenter.org. Jazz at Lincoln Center’s Frederick P. Rose Hall ... 27 We look forward to seeing you often! Josie Robertson Plaza and Hearst Plaza ............. 29 6 7 Central Park Central Park Columbus Circle Central Park West 8th Avenue 1 A C B D Subway M5/7/10/20/104 Bus Frederick P. Rose Hall Entrance Accessible Restrooms Elevator Escalator 58th Street West Stairs Broadway Entrance M66 Food Parking Taxi Info Subway Bus Bus 60th Street West West 63rd Street West LCT has several theaters. Please turn to p. 31 for details. 20, BXM2 Time Warner * M10/ Center West 61st Street West West 64th Street West Bus 4 62nd Street West 10 /7/ M5 Broadway David Rubenstein Atrium at Lincoln Center West 66th Street West West 65th Street West Tickets, Tours, Columbus Avenue Information M7 Bus Subway 1 ACCESS-A-RIDE Subway Jaffe Drive Jaffe 1 Subway RAMP RAMP Bus 1 4 Bus Columbus Avenue /10 4 Bus M5 M66 10 /7/ M5 Subway David Geffen Hall David H. Concourse Level 1 Koch Roslyn and Elliot Jaffe Family Drive Theater Vehicular Drop-off Alice Tully Josie Subway 1 Hall Robertson Plaza Bus The Juilliard Hearst Plaza 65th Street West Blue Garage M66 School The Irene Juilliard Diamond South 146 West Store Building 65th Street Metropolitan Plaza Elinor Bunin Munroe Film Center Film Elinor Bunin Munroe Opera House RAMP * Drop-off Vehicular Yellow Garage Damrosch RAMP Walter Reade Park Theater West 62nd Street West Bus Lincoln Center New York Public Amsterdam Avenue West 63rd Street Samuel B. and M66 Theater Library for the Entrance with 11.5’ David Rose Height Clearance Performing Arts, Building to Garage Dorothy & Lewis B. Cullman Center Amsterdam Avenue M11 Bus 8 9 Performance Accommodations Adapted Tours We offer many accommodations for our Lincoln Come behind the scenes at Lincoln Center and Center Presents performances, including Braille and discover the stories and secrets of the world’s premier Large Print programs and assistive listening devices. performing arts center. Tours can be adapted to meet a range of needs through accommodations To request additional accommodations, please including American Sign Language interpretation, contact us at least two weeks before a performance assistive listening devices, touch and verbal description, at [email protected] or 212.875.5375. or sensory supports for visitors with autism. Series, programs, and festivals included in Guided tours are 75 minutes in length and are Lincoln Center Presents are: available Monday–Saturday from 10:00 to 4:30 and Sundays from 12:00 to 4:30. n American Songbook Visit Atrium.LincolnCenter.org, call 212.875.5350, or email [email protected] for n Great Performers information, schedules, and reservations. Please n LC Kids schedule your tour accommodations at least three n Lincoln Center Out of Doors weeks in advance. n Midsummer Night Swing n Mostly Mozart Festival n White Light Festival Photo: Cait McCarthy 10 11 Passport to the Arts Program for Children Designed for children with disabilities and their families or school groups, this access program provides a welcoming, accessible, and affordable introduction to the performing arts at Lincoln Center at no cost. “My husband is a jazz fanatic. Although our kids have spent years listening to records, we had never been able to take them to hear jazz performed live because of their specific needs. Thanks to Lincoln Center, he was finally able to share his passion with his children. Thank you so much for this gift.” — Passport Program Member “This program offers us an opportunity to enjoy the concert as a family, including our special needs daughter, without the worries. We can breathe and enjoy the music and give her a truly high caliber experience we’d normally not be able to provide due to her challenges.” — Passport Program Member Photo: Jared Siskin 12 13 Getting Here Pick-Up and Drop-Off Lincoln Center is on the Upper West Side of Manhattan, between West 62nd and 65th Streets and Columbus and Amsterdam Avenues. Guests can be picked-up/dropped-off on public streets according to traffic signage. However, we Lincoln Center Main Campus have designated several areas for your convenience. BY SUBWAY: Lincoln Center is a short walk from Jaffe Drive & the Concourse: the 1 train at West 66th Street and a slightly The Jaffe Drive pick-up and drop-off area is longer walk from the A, B, C, D, or 1 trains at located on Columbus Avenue at West 65th Street. 59th Street—Columbus Circle. Both subway Enter from Broadway (southbound traffic). stations are accessible via elevator. The clearance for vehicle drop off is nine feet. BY BUS: The M5, M7,
Recommended publications
  • Jazz at Lincoln Center Orchestra with Wynton Marsalis
    Thursday, September 29, 2016, 8pm Paramount Theatre, Oakland Jazz at Lincoln Center Orchestra with Wynton Marsalis Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums Tonight’s program will be announced from the stage and performed without an intermission. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. For more information, please visit jazz.org. Facebook: facebook.com/jazzatlincolncenter Twitter: twitter.com/jazzdotorg YouTube: youtube.com/jazzatlincolncenter Cal Performances' presentations in Oakland are generously underwritten by Signature Development Group. Jazz residency and education activities are generously underwritten by the Thatcher Meyerson Family. ABOUT THE ARTISTS he mission of Jazz at Lincoln Center is country, woven with the colorful stories of the to entertain, enrich, and expand a global artists behind them. Jazz Night in America and Tcommunity for jazz through perform- Jazz at Lincoln Center’s radio archive can be ance, education, and advocacy. With the found at jazz.org/radio. world-renowned Jazz at Lincoln Center Orch - Under music director Wynton Marsalis, the estra and guest artists spanning genres and JLCO spends over a third of the year on tour. generations, Jazz at Lincoln Center produces The big band performs a vast repertoire, from thousands of performance, education, and rare historic compositions to Jazz at Lincoln broadcast events each season in its home in Center-commissioned works, including com- New York City (Frederick P.
    [Show full text]
  • Fact Sheet 2009
    Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year .
    [Show full text]
  • NYC Student Discounts
    NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces.
    [Show full text]
  • Classical Jazz
    LIVE FROM LINCOLN CENTER May 29, 2003, 8:00 p.m. on PBS Marsalis at the Penthouse In the summer of 1987 a "Classical Jazz" concert series was established at New York City's Lincoln Center for the Performing Arts, under the inspired leadership of trumpet player, Wynton Marsalis. Seven years later this indispensable activity was redefined and became the autonomous jazz division at Lincoln Center--Jazz at Lincoln Center. Thus this essential American musical form took its place at Lincoln Center alongside such other constituents as the New York Philharmonic and the Metropolitan Opera, with Marsalis continuing as the driving force behind it. We have been privileged over the years on Live From Lincoln Center to be able to bring you several performances by this outstanding ensemble, most recently in concert with Kurt Masur and the New York Philharmonic. (Interestingly, during the years of the Masur family's residence in New York, the Maestro's son-- himself an aspiring conductor--became a great jazz enthusiast.) Our next Live From Lincoln Center telecast, on Thursday evening, May 29, will be devoted to yet another live performance by Jazz at Lincoln Center. But with a difference! Our previous sessions with Jazz at Lincoln Center have originated in one of the several concert halls in the Lincoln Center complex and have featured the artistry of the large ensemble. On May 29 the 90-minute performance will take place in the intimate confines of the Kaplan Penthouse high atop the building that houses Lincoln Center's administration offices. The Kaplan Penthouse has served as the locale for three previous Live From Lincoln Center telecasts: two featuring Itzhak Perlman, the other spotlighting Renée Fleming.
    [Show full text]
  • Edrgroup.Com Website
    The Economic Role & Impact of Lincoln Center Prepared for by 2 Oliver Street, Boston, MA 02109 in association with Mt. Auburn Associates 408 Highland Ave., Somerville, MA 02144 September, 2004 Table of Contents Table of Contents Acknowledgments ................................................................................................. A Executive Summary: The Economic Role & Impact of Lincoln Center........... I Introduction ............................................................................................................1 1.1 Purpose of This Report ......................................................................................1 1.2 Overview of Lincoln Center .............................................................................2 1.3 Methodology .....................................................................................................4 1.4 Organization of the Report .................................................................................8 Economic Impact of Lincoln Center Operations ................................................9 2.1 Overview ............................................................................................................9 2.2 Direct, Indirect, and Induced Effect of Lincoln Center Spending ...................10 2.3 Total Impact of Lincoln Center Operations .....................................................12 Economic Impact of Spending by Lincoln Center Visitors ..............................15 3.1 Overview ..........................................................................................................15
    [Show full text]
  • 2020 Monterey Jazz Festival
    2020 MONTEREY JAZZ FESTIVAL PARTNERSHIP PRESENTATION VISION ¡ Our mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. MISSION ¡ We envision a sustainable organization that sets the standard of excellence for jazz, connects a diverse community, and helps people appreciate and learn about jazz as fans and performers. Founded in 1958 as a 501(c)3 PRESS QUOTES ¡ “The 62nd Monterey Jazz Festival will go down in the history books as perhaps the first to navigate the slippery slope of big change with a strong focus on new generations of listeners. The arc stretched wide, with funky electric styles, big band jazz, classic piano-led ensembles, world music, contemporary jazz and beyond. There literally was something for everyone.” –Monterey Herald ¡ “…Tim Jackson has created an important festival entity, which manages to capture an overview of a music which is less a specific or demographically-limited idiom, but a diversified musical world, ever in motion. Monterey continues to be a go-to press report zone on the state of jazz.” –All About Jazz ¡ “Monterey Jazz Festival has so much else to offer, from yummy food options to fun shopping and a warm and friendly atmosphere that is unparalleled among big music events.” –San Jose Mercury News ¡ “It was a terrific start to one of the best weekends of the year.” –San Jose Mercury News PRESS QUOTES ¡ “One of the most interesting parts of the Monterey Jazz Festival is its willingness for experimentation. While there are still plenty of traditional straight-ahead jazz acts—like that of Kenny Barron and Dave Holland’s piano and acoustic bass duo in Dizzy’s Den on Saturday night, which gave the audience a softer, timeless jazz club feel—many younger artists are bringing different sounds to their sets.” –Monterey County Weekly ¡ “Monterey has a gift for catching giants at the height of their powers.
    [Show full text]
  • Jazzslam Jazz Supports Language Arts & Math
    JazzSLAM Teacher’s Guide JazzSLAM Jazz Supports Language Arts & Math JazzSLAM TEACHERS: We hope that you and your students enjoyed the JazzSLAM presenta- tion at your school. This guide will help you reinforce some of the concepts we presented and will give you more information for your students about the music of jazz! What is Jazz and Where Did It Come From? Jazz and Blues are types of music that are totally American. Early jazz and blues tunes evolved out of the Southern slaves’ tradition of “call & response” work songs. Slave ships transported Africans to North America, South America, and the Caribbean islands. Many of the enslaved people came from the Congo and spread the Bamboula rhythm throughout the “New World” The people from the Congo brought the Bamboula rhythm and spread it throughout the Western Hemisphere. In colonial America the Africans worked on farms and plantations. While in the fields, they set a beat and communicated to each other through call-and-responses, called "Field Hollers." Spirituals also used the same strong African rhythms and call-and-response patterns. The simple Field Holler form soon evolved into the 12 bar Blues form. African Americans were freed after the Civil War, and many migrated into New Orleans, Louisiana, considered to be the birthplace of jazz. African-American and Creole musicians, who were either self-taught or schooled in the melodies and harmo- nies of European classical music, played in jazz bands, brass bands, military bands and minstrel shows in New Orleans. Field Hollers, Blues, and Spirituals are the roots of today's jazz and blues music.
    [Show full text]
  • SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022
    FOR IMMEDIATE RELEASE SFJAZZ Announces 2021-2022 Season Programming September 23, 2021 – May 29, 2022 Tickets on Sale to SFJAZZ Members, Thursday, July 29 at 11:00amPST Tickets on Sale to Public, Thursday, August 5 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, July 22, 2021) -- SFJAZZ announces the 2021-2022 Concert Ceason running September 23, 2021 to May 29, 2022. The organization will be presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Grace Cathedral, and Paramount Theatre in Oakland. Tickets will go on sale to SFJAZZ Members on Thursday, July 29 at 11:00am PST and on sale to the general public on Thursday, August 5 at 11:00amPST. For more information, visit sfjazz.org. SFJAZZ will celebrate the official Re-Opening of the SFJAZZ Center with its first full-capacity concert since March 2020 on Thursday, September 23 featuring Thelonious Monk Competition winner and soundtrack composer for Bridgerton and Green Book, pianist Kris Bowers. The SFJAZZ Center Re-Opening weekend includes concerts featuring Zakir Hussain, Eric Harland, and Abbos Kosimov on Friday September 24, and Pat Metheny’s Side-Eye project with James Francies and Joe Dyson on Saturday, September 25 and Sunday, September 26. “Over the past 18 months, all of us have been torn from the rhythms of everyday life and with the SFJAZZ 2021-2022 Season, and what is the our 39th year, we – artists, staff, and board -- are looking forward to a new rhythm and welcoming audiences back to the SFJAZZ Center,” says SFJAZZ Founder and Executive Artistic Director Randall Kline.
    [Show full text]
  • Jazz at Lincoln Center Orchestra
    Jazz at Lincoln Center Orchestra Spaces with Lil Buck and Jared Grimes WHEN: VENUE: WEDNESDAY, BING SEPTEMBER 26, 2018 CONCERT HALL 7∶30 PM Program Artists Spaces by Wynton Marsalis: Jazz at Lincoln Center Orchestra Wynton Marsalis, Ch-Ch-Ch-Chicken Music Director, Trumpet Monkey in a Tree Ryan Kisor, Trumpet Pachyderm Shout Kenny Rampton, Trumpet Leap Frogs Marcus Printup, Trumpet Mr. Penguin Please Vincent Gardner, Trombone Chris Crenshaw, Trombone — INTERMISSION — Elliot Mason, Trombone Sherman Irby, Alto and Soprano Like a Snake Saxophones, Flute, Clarinet Those Sanctified Swallows Ted Nash, Alto and Soprano Saxophones, A Nightingale Flute, Clarinet King Lion Victor Goines, Tenor and Soprano Bees Bees Bees Saxophones, Clarinet, Bass Clarinet Greg Tardy, Tenor and Soprano Saxophones, Clarinet This program is generously supported by Paul Nedzela, Baritone and Soprano Stephanie and Fred Harman and the Koret Foundation, Saxophones, Bass Clarinet with additional support from the Western States Arts Federation Dan Nimmer, Piano and the National Endowment for the Arts. Carlos Henriquez, Bass The Koret Jazz Project is a multiyear initiative to support, expand, and celebrate Charles Goold, Drums the role of jazz in the artistic and educational programming of Stanford Live. Lil Buck and Jared Grimes, Dancers Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra Jazz at Lincoln Center’s commissioning of Spaces was made possible, in part, with Wynton Marsalis. by a leadership gift from Jody and John Arnhold and a generous grant from the Howard Gilman Foundation. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms.
    [Show full text]
  • Jazz at Lincoln Center Orchestra with Wynton Marsalis September 30 / 7:30 Pm Bing Concert Hall
    PROGRAM: JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS SEPTEMBER 30 / 7:30 PM BING CONCERT HALL ARTISTS PROGRAM We gratefully acknowledge the generous support of Stephanie and Fred Harman. Wynton Marsalis, music director This evening’s program will be announced and trumpet from the stage and will be performed Ryan Kisor, trumpet with one intermission. Brooks Brothers is the official clothier of Kenny Rampton, trumpet the Jazz at Lincoln Center Orchestra with Wynton Marsalis. Marcus Printup, trumpet At 6:30 pm, the National Jazz Museum Vincent Gardner, trombone in Harlem’s Loren Schoenberg joins Visit us at jazz.org. Chris Crenshaw, trombone trombonist and composer Vincent Gardner “ Most banks wouldn’t put any energy into a Become our fan on Facebook: Elliot Mason, trombone for a pre-show conversation. facebook.com/jazzatlincolncenter Sherman Irby, alto and soprano saxophones, Follow us on Twitter: twitter.com/jazzdotorg nonprofi t startup. First Republic makes all clients flute, and clarinet Watch us on YouTube: youtube.com/jazzatlincolncenter Ted Nash, alto and soprano saxophones, feel valued.” flute, and clarinet Victor Goines, tenor and soprano CODE2040 saxophones, clarinet, and bass clarinet Laura Weidman Powers, Co-Founder and CEO Walter Blanding, tenor and soprano Tristan Walker, Co-Founder and Board Chair saxophones and clarinet Paul Nedzela, baritone and soprano saxophones and bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and (855) 886-4824 or visit www.fi rstrepublic.com New York Stock Exchange Symbol: FRC watch alarms, and unwrap all lozenges prior to the performance.
    [Show full text]
  • 2020 Artist Sponsorship Program
    2020 Artist Sponsorship Program Join the Monterey Jazz Festival family by sponsoring a Monterey Jazz Festival Artist. As a sponsor, you can make a personal connection with an MJF musician, while ensuring the professional and artistic growth of all MJF artists and tomorrow’s rising stars. Your contribution goes to support the Monterey Jazz Festival’s comprehensive, pre-eminent year-round jazz education and mentorship opportunities. Artist Sponsorships range between $10,000 to $20,000. SPONSORSHIP LEVELS Jazz Legend - $20,000 – SPONSORED 2020 Jazz Legend Artist and Advocate – Pat Metheny and Darlene Chan During the annual Jazz Legends Gala, the Monterey Jazz Festival honors one or two amazing performers with the Jazz Legends Award. Prior Jazz Legends include Dave Holland, Kenny Barron, Dianne Reeves, Herbie Hancock, Quincy Jones, Chick Corea, Charles Lloyd, Wayne Shorter, Jack DeJohnette, Terence Blanchard, George Wein, Gerald Wilson, and Dave Brubeck. Monterey Jazz Festival will present the 2020 Jazz Legends Award to Pat Metheny and Darlene Chan during this year’s Gala. Pat Metheny first burst onto the international jazz scene in 1974. Metheny’s trademark playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility—a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, “Bright Size Life” in 1975, he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to redefine the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.
    [Show full text]
  • Check out the Full Bios
    2021 Next Generation Jazz Orchestra Biographies Kobie Andrews Pannist Kobie Andrews is from Springdale, Maryland and is a graduate of College Park Academy. He began playing steel drums at age eight and since then, he’s performed at the 2016 International Panorama in Trinidad and Tobago, is a member of the Bethesda Blues and Jazz Orchestra, and the Jose Andre Quartet. He now studies under his longtime mentor Victor Provost and will attend the University of Maryland in the fall of 2021. This is his first time in the Next Generation Jazz Orchestra. Chase Bautista Chase Bautista, a California All-State Jazz bass trombone and tuba instrumentalist from San Jose, California, is a senior at Prospect High School. As a member of the SFJAZZ All-Stars Big Band, Chase has participated in the annual Mingus Festival at Jazz at Mannes School of Music (commonly known as The New School) ; performed at the National Endowment for the Arts Awards with Dee Dee Bridgewater; and recently finished a recording session with Bobby McFerrin. Chase has additionally performed and recorded with the SFJAZZ Monday Night Big Band featuring Adam Thesis; Stanford Jazz Workshop Miles Ahead Big Band; California Youth Symphony; San Jose Youth Symphony Philharmonic; San Jose Youth Symphony Jazz Ensemble; California All-State Jazz Band, with side projects with members of the SFJAZZ Monday Night Band. His passion for jazz led him to create the only youth-based jazz jam and improv night in the Bay Area, providing a place for young jazz players to network and perform. This is his first time in the Next Generation Jazz Orchestra.
    [Show full text]