DOCSLIB.ORG

Music Renews Us

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Renews Us MUSIC RENEWS US. NY Phil 2021/22 SEASON YOUR ORCHESTRA WELCOMES YOU BACK. Join us for the 2021–22 season. A Letter from Jaap van Zweden 05 and Deborah Borda 06 A Promise to Our Audience 07 Create Your Own Series 08 Highlights 10 2021–22 Subscription Concerts 15 Young People’s Concerts® 16 Series by Design 18 Add-On Special Events 19 Become a Member 20 2021–22 Venues Music renews us. Let’s experience it together again. nyphil.org | 212.875.5656 The reimagined David Geffen Hall. Coming Fall 2022. Dear New York Philharmonic Family, New York City is coming back, and so are we! A city as resilient as ours can’t be kept down for long. You can see it in the parks and in the streets, in restaurants and cafés. And soon, this fall, you’ll see the Philharmonic tuning up again, as we start the countdown to the thrilling and long-awaited reopening of David Geffen Hall in Fall 2022 — further proof that the city we know and love is re-emerging stronger than ever. At this very moment, construction is swiftly underway inside David Geffen Hall. While we await the completion of our reimagined, state-of-the-art home, our journey for 2021–22 brings you, our subscription family, back to live orchestral music in two nearby venues: Alice Tully Hall and the Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall. This season, please come with us on this new adventure and Create Your Own Series. What an amazing time, full of rebirth, hope, and anticipation! Choose your concerts and join us in celebrating the return of your New York Philharmonic. After this long intermission, we can’t wait to see you again. With thanks for your continued support, Jaap van Zweden Deborah Borda Music Director Linda and Mitch Hart President and CEO 4 5 nyphil.org | 212.875.5656 A PROMISE to Our Audience The New York Philharmonic has long provided our city with music that uplifts, inspires, challenges, and HOW TO comforts. The support of our resilient community has been crucial to our success since our first concert in 1842. We look forward to many more concerts, and we remain committed to excellence in every area of our work — from acclaimed performances and innovative educational programs to first-rate customer service. CREATE YOUR Our community will always sit at the center of our guiding principles. You can expect the following: OWN SERIES • In partnership with Lincoln Center and Jazz at Lincoln Center, we will comply with all federal, state, This season we are offering more flexibility than ever. Although Curated Series — and city guidelines for health and safety. These include, but are not limited to, meeting HVAC system which offer subscribers the chance to reserve the same seat for each performance requirements, cleaning surfaces regularly, and providing hand sanitizer. Any policy or schedule — are not available this year, you have the freedom to choose the concerts that changes will be communicated in a timely and transparent way. For our current health and safety most interest you with a Create Your Own (CYO) Series. guidelines, please visit nyphil.org/safety. • The safety of our guests, musicians, and staff will be our highest priority. • We are committed to creating a memorable experience in a comfortable setting How To Subscribe for every member of our audience. Simply select three or more concerts at either or both venues: If you have any questions or concerns, our Customer Relations team is ready to assist you. Contact us at 212.875.5656 or [email protected]. Alice Tully Hall at Lincoln Center Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall Purchase online at nyphil.org/subscribe or call 212.875.5656. Subscribers get the best seats at the best prices — plus so much more. • Priority access to seating in the reimagined David Geffen Hall in the 2022–23 season • Unlimited no-fee exchanges • Presale access to special events and films • Discounted additional tickets all season long Delight Guaranteed! If you don’t enjoy your first concert, cancel your subscription and we’ll refund the balance of your payment. 6 7 nyphil.org | 212.875.5656 DISCOVER HIGHLIGHTS THE 2021–22 JAAP VAN ZWEDEN JOSHUA BELL The 2021–22 season salutes our From beloved concertos The celebrated Joshua Bell SEASON and symphonies to newly returns with Beethoven’s community’s resilience. From composers’ commissioned works, Music towering Violin Concerto. tributes to lost loved ones to triumphant Director Jaap van Zweden Jaap van Zweden conducts. leads the Philharmonic in celebrations of life, this season spotlights November 24 a vast range of classic and and 26–27 the endurance of the human spirit. contemporary music. FROM SILENCE TO EMANUEL AX CELEBRATION Emanuel Ax joins Music Conducted by Jaap van Zweden, Director Jaap van the New York Philharmonic opens the Zweden in Mozart’s season with a program ranging from Piano Concerto No. 17, tragedy to triumph — with works by a beloved work of Anna Clyne, Aaron Copland, and virtuosity and depth. George Walker, and ending with December 3–4 Beethoven’s glorious Piano Concerto No. 4 performed by Daniil Trifonov. September 17–19 YEFIM YUJA WANG BRONFMAN Superstar Yuja Wang Philharmonic audience favorite dazzles with Lizst’s Yefim Bronfman teams up fiery Piano Concerto AUTHENTIC SELVES: THE BEAUTY WITHIN THE SCHUMANN CONNECTION with Music Director Jaap van No. 1. Jakub Hrůša Zweden to perform Beethoven’s conducts. Anthony Roth Costanzo, this year’s Mary and James G. Wallach Artist-in-Residence, Gustavo Dudamel plumbs the depths and Third Piano Concerto. joins the New York Philharmonic and Jaap van Zweden in this festival celebrating daring of the great Romantic’s symphonic February 10–12 September 23–25 the complexity of identity featuring Justin Vivian Bond, 22nd US Poet Laureate cycle in two weeks of programs that Tracy K. Smith, and more. These concerts include World Premieres by Gregory include contemporary works reflecting Spears and Joel Thompson and works by Julius Eastman and Joan Tower. on Robert Schumann’s relationship with Community partners from around New York City join us for this two-week exploration. composer-pianist Clara, his wife and muse. January 27–February 5 March 9–20 SHEKU GOLDA SCHULTZ KANNEH-MASON Soprano Golda Schultz Rising star Sheku Kanneh- makes her Philharmonic Mason performs Dvořák’s debut with songs lyrical Cello Concerto. by Richard Strauss. Simone Young conducts. Santtu-Matias Rouvali returns to conduct. November 11–13 February 17–19 8 9 nyphil.org | 212.875.5656 SEPTEMBER–NOVEMBER 2021 From Silence to Celebration* Michael Tilson Thomas Returns Alice Tully Hall, Lincoln Center Alice Tully Hall, Lincoln Center Friday, September 17 I 8:00pm Thursday, November 4 I 7:30pm Saturday, September 18 I 8:00pm Friday, November 5 I 2:00pm MICHAEL TILSON THOMAS JAAP VAN ZWEDEN, MUSIC DIRECTOR Sunday, September 19 I 2:00pm Sunday, November 7 I 2:00pm Jaap van Zweden conductor Michael Tilson Thomas conductor Daniil Trifonov piano Gil Shaham violin Ryan Roberts English horn (New York Philharmonic debut) CRAWFORD SEEGER Andante for Strings Christopher Martin trumpet BERG Violin Concerto Anna CLYNE Within Her Arms BEETHOVEN Symphony No. 3, Eroica COPLAND Quiet City WALKER Antifonys for Chamber Orchestra BEETHOVEN Piano Concerto No. 4 Simone Young and ANTHONY McGILL, PRINCIPAL CLARINET Sheku Kanneh-Mason Beethoven, Haydn, and Alice Tully Hall, Lincoln Center Hannah Kendall* Thursday, November 11 I 7:30pm Rose Theater at Jazz at Lincoln Center’s Friday, November 12 I 8:00pm Frederick P. Rose Hall Saturday, November 13 I 8:00pm Thursday, September 23 I 7:30pm Simone Young conductor SIMONE YOUNG Friday, September 24 I 8:00pm Sheku Kanneh-Mason cello (New York Philharmonic debut) Saturday, September 25 I 8:00pm J.S. BACH / Arr. Webern Fuga (Ricercata), Jaap van Zweden conductor from Musical Offering, BWV 1079 Yefim Bronfmanpiano DVOŘÁK Cello Concerto BRAHMS Symphony No. 1 Hannah KENDALL Kanashibari (New York Premiere) BEETHOVEN Piano Concerto No. 3 HAYDN Symphony No. 92, Oxford Bychkov Conducts Russian Masters Alice Tully Hall, Lincoln Center Brahms and the Schumanns* Wednesday, November 17 I 7:30pm Rose Theater at Jazz at Lincoln Center’s Thursday, November 18 I 7:30pm Frederick P. Rose Hall Friday, November 19 I 8:00pm Thursday, October 14 I 7:30pm Semyon Bychkov conductor Friday, October 15 I 8:00pm Karen Gomyo violin Saturday, October 16 I 8:00pm SHOSTAKOVICH Violin Concerto No. 1 Jaap van Zweden conductor TCHAIKOVSKY Symphony No. 1, Winter Dreams Leif Ove Andsnes piano DANIIL TRIFONOV C. SCHUMANN Romance in A minor, for solo piano R. SCHUMANN Piano Concerto Joshua Bell Performs Beethoven BRAHMS Serenade No. 2 Alice Tully Hall, Lincoln Center Wednesday, November 24 I 7:30pm An American Triptych: Friday, November 26 I 8:00pm Saturday, November 27 I 8:00pm Mazzoli, Davis, and Adams* Jaap van Zweden conductor Alice Tully Hall, Lincoln Center Joshua Bell violin Wednesday, October 20 I 7:30pm BEETHOVEN Violin Concerto Thursday, October 21 I 7:30pm CHEN Yi Duo Ye Friday, October 22 I 8:00pm STRAVINSKY Pulcinella Suite Saturday, October 23 I 8:00pm Dalia Stasevska conductor (New York Philharmonic debut) Anthony McGill clarinet Missy MAZZOLI Sinfonia (for Orbiting Spheres) Anthony DAVIS You Have the Right to Remain Silent John ADAMS Chamber Symphony *No Intermission All concerts take place at Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall or Alice Tully Hall, Lincoln Center, unless otherwise noted. 10 SEE PAGE 20–21 FOR SEATING CHARTS. 11 nyphil.org | 212.875.5656 DECEMBER 2021–FEBRUARY 2022 Mozart, Emanuel Ax, and Joan Tower Tchaikovsky’s Fifth Symphony Alice Tully Hall, Lincoln Center and Strauss Songs Friday, December 3 I 8:00pm Rose Theater at Jazz at Lincoln Center’s Frederick P.
Load more

Recommended publications
  • Jazz at Lincoln Center Orchestra with Wynton Marsalis
    Thursday, September 29, 2016, 8pm Paramount Theatre, Oakland Jazz at Lincoln Center Orchestra with Wynton Marsalis Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums Tonight’s program will be announced from the stage and performed without an intermission. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. For more information, please visit jazz.org. Facebook: facebook.com/jazzatlincolncenter Twitter: twitter.com/jazzdotorg YouTube: youtube.com/jazzatlincolncenter Cal Performances' presentations in Oakland are generously underwritten by Signature Development Group. Jazz residency and education activities are generously underwritten by the Thatcher Meyerson Family. ABOUT THE ARTISTS he mission of Jazz at Lincoln Center is country, woven with the colorful stories of the to entertain, enrich, and expand a global artists behind them. Jazz Night in America and Tcommunity for jazz through perform- Jazz at Lincoln Center’s radio archive can be ance, education, and advocacy. With the found at jazz.org/radio. world-renowned Jazz at Lincoln Center Orch - Under music director Wynton Marsalis, the estra and guest artists spanning genres and JLCO spends over a third of the year on tour. generations, Jazz at Lincoln Center produces The big band performs a vast repertoire, from thousands of performance, education, and rare historic compositions to Jazz at Lincoln broadcast events each season in its home in Center-commissioned works, including com- New York City (Frederick P.
    [Show full text]
  • [email protected] YUJA WANG to Repla
    FOR IMMEDIATE RELEASE ARTIST CHANGE March 21, 2019 Contact: Deirdre Roddin (212) 875-5700; [email protected] YUJA WANG To Replace Maurizio Pollini In One-Night-Only Performance of SCHUMANN’s Piano Concerto Conducted by MUSIC DIRECTOR JAAP VAN ZWEDEN Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture BEETHOVEN’s Symphony No. 7 March 27, 2019 Yuja Wang will replace Maurizio Pollini, who has cancelled in order to fully recover from a brief illness, in the one-night-only performance of Schumann’s Piano Concerto with the New York Philharmonic led by Music Director Jaap van Zweden, Wednesday, March 27, 2019, at 7:30 p.m. The program will also include Johan Wagenaar’s Cyrano de Bergerac Overture and Beethoven’s Symphony No. 7. The performance will mark Yuja Wang’s 24th with the New York Philharmonic; she most recently appeared with the Orchestra and Jaap van Zweden in February–March 2018, both in New York and on tour to Asia. She will return next season for performances of Shostakovich’s Concerto No. 1 for Piano, Trumpet, and Strings, June 11–13, 2020, also conducted by Jaap van Zweden and featuring Principal Trumpet Christopher Martin. The Boston Globe wrote of her performance of Schumann’s Piano Concerto last month with the Boston Symphony Orchestra: “Not just a vehicle for virtuosic fireworks, the concerto calls for a keen listening ear and attunement to the larger ensemble… Wang demonstrated all that in spades. Like an elite figure skater or gymnast, the athletic effort she expended was palpable, but if the physical feats took any toll, the audience never saw it.” Biographies Beijing-born pianist Yuja Wang is set to achieve new heights in critical superlatives and audience ovations during the 2018–19 season, through recitals, concert series, season residencies, and extensive tours with some of the world’s most venerated ensembles and conductors.
    [Show full text]
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014.
    [Show full text]
  • CONCERT QUICK GUIDE™ SAT 11/18/17 at 8 PM, the Richard B
    CONCERT QUICK GUIDE™ SAT 11/18/17 at 8 PM, The Richard B. Fisher Center for the Performing Arts at Bard College, Sosnoff Theater SUN 11/19/17 at 4 PM, Peter Norton Symphony Space, Peter Jay Sharp Theatre a co-presentation with Performances #72 & #73: Season 3, Concerts 9 & 10 Gerard Schwarz, conductor The concert will last approximately 2 hours and 10 minutes Brief remarks by Matt Walley, trombone Eugene Goossens Born: 5/26/1893 in London Died: 6/13/1962 at age 69 in Middlesex, England Jubilee Variations NY Premiere “I hear a distinctly American sound in this piece. It has ten move- ments by ten different American composers, and ranges from rhythmic to lush melodies.” –Lara Baker-Finch, TŌN musician 21 min Movements Theme: Goossens Variation 6: Walter Piston Variation 1: Paul Creston Variation 7: Roy Harris Variation 2: Aaron Copland Variation 8: Anis Fuleihan Variation 3: Deems Taylor Variation 9: Bernard Rogers Variation 4: Howard Hanson Variation 10: Ernest Bloch Variation 5: William Schuman Finale: Goossens Written Premiered 1944 3/23/1945 at Music Hall in Cincinnati Cincinnati Symphony Orchestra Goossens, conductor Intermission Meet & greet Share a selfie Refreshments 20 min some of the musicians @TheOrchNow SAT: in the lobby SAT: in the lobby #TheOrchNow SUN: at Bar Thalia SUN: at the back of on the lower level the theatre WiFi SAT: BardWireless at the Fisher Center SUN: Sharp Guest at Symphony Space Restrooms at the Fisher Center are located on either side of the lobby. Restrooms at Symphony Space are located at the back of the theatre.
    [Show full text]
  • Fact Sheet 2009
    Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year .
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
    Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013.
    [Show full text]
  • Program Notes
    NOTES ON THE PROGRAM Pro Musica March 23, 2017 Academy of St Martin in the Fields Aaron Copland (1900-1990) Quiet City Aaron Copland’s compositions are divided into three periods: the early jazz-inspired works, the severely avant-garde, and the “Americana” or populist style that produced his most beloved works such as Rodeo, Appalachian Spring, Lincoln Portrait, and Fanfare for the Common Man. While Quiet City of 1940 falls into Copland’s populist style, we should be cautious about that categorization causing us to miss the work’s purely musical qualities and genius. That said, we must recognize it as one of the most evocative pieces of Copland’s output. In this case, it paints a night in a sleepless city, presumably New York, Copland’s home. Based on Copland’s incidental music for Irwin Shaw’s failed play of the same name, Quiet City was premiered in 1941 by the Saidenberg Little Symphony in New York City. Copland himself commented that the work was “an attempt to mirror the troubled main character of Irwin Shaw’s play.” He also admitted that Quiet City “seems to have become a musical entity superseding the original reasons for its composition.” On Mozart and Shostakovich In light of the combination of Mozart and Shostakovich on this program, we offer the following thoughts: On the death of the American novelist Saul Bellow, The New York Times reported that Mr. Bellow once told a reporter that “for many years, Mozart was a kind of idol to me—this rapturous singing that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.” One could say much of the same about the music of Shostakovich, thus pointing to the raison d’etre for combining these two composers on a program.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • 2020-21 Season Brochure
    2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No.
    [Show full text]
  • Ts 2017 BOCAMAG.COM FESTIVAL of the OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including
    The Pink Panther Returns to azine A ag sso a M ci id at r io lo n F Cheap Eats 2017 BOCAMAG.COM FESTIVAL OF THE OUR TOP ARTS 5 MARCH 2-12 ETHNIC Including... MARKETS Sergio Mendes Sarah Chang PLUS: Branford Marsalis RISING Jon Meacham and many more STARS OF BOCA THE PINK PANTHER and The Pink Panther character(s) are trademarks of Metro-Goldwyn-Mayer Studios Inc. © 2017 MGM. All Rights Reserved. Festival of the BOCA 131 2017 OFFICIALArts PROGRAM Festival of the BOCA This year’s celebration of the arts features performances by classical musicians, observations from popular authors and a special appearance Artsby the bumbling Inspector Clouseau. A 10-day celebration of music and literature. March 2-12, 2017 Sarah Chang February 2017 • • • • bocamag.com 132 Festival of the BOCA 2017 OFFICIALArts PROGRAM Performing Artists The Pink Panther Festival of the Arts BOCA will present the world premiere of the 1963 hit comedy, “The Pink Panther” with live orchestra, with the Henry Mancini Institute Orchestra performing Mancini’s Grammy-winning score. “The Pink Panther” and its famous saxophone theme music have become cross-generational American icons, spawn- ing a series of animated films that are instantly recognized by people young and old. Relive the original classic featuring David Niven, Peter Sellers and Robert Wagner on the giant screen at Mizner Park for a memorable and historic evening. La Boheme On March 4th Festival of the Arts Boca will bring Chatham Opera’s semi-staged produc- tion of Puccini’s “La Bohème” to Mizner Park. Puccini’s glorious, lush, romantic score will be presented in its original Italian with English supertitles in a new translation by the festival’s music director, Constantine Kitsopoulos.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]