Prahlada I Prahlada
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Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL. -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
Vidura Speaks: a Study of the Viduranīti and Its Reception History
Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2019 Committee: Richard Salomon Heidi Pauwels Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2019 Sravani Kanamarlapudi University of Washington Abstract Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi Chair of the Supervisory Committee: Richard Salomon Department of Asian Languages and Literature This thesis offers a close reading of an important yet neglected didactic text from the Indian epic Mahābhārata, namely the Viduranīti, which is a nocturnal politico-moral counsel of Vidura to Dhr̥ tarāṣṭra. Adopting the currently prevalent trend in Mahābhārata scholarship, the received epic is approached as a work of literature by treating its didactic segments as constitutive parts of the unfolding narrative, rather than simply viewing the received epic as an outcome of later didactic accretions on a supposed earlier core narrative. As such, the Viduranīti is juxtaposed thematically with the epic’s story, particularly with the epic’s portrayal of Vidura, and structurally with other didactic portions of the epic and the entire epic as a whole. The former analysis reveals that both Vidura and the Viduranīti are centered around the categories of dharma and artha, while the latter exposes similarities in the literary architectonics of the Viduranīti and other didactic tracts. Finally, a case study investigates why the Viduranīti was canonized in a modern Hindu community. Situating this textual reframing in the modern socio-historical context, I argue for the need to focus on reception histories of early South Asian texts. -
Ramayana (Krsna Dharma).Pdf
Rämayana ©2003 by Kåñëa Dharma däsa All Rights Reserved No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the publisher. This book is reproduced by permission of Torchlight Publishing who hold the copyright and copies are available at all major bookstores and web outlets. Prologue Part One 1. King Daçaratha’s Longing 2. The Birth of Räma 3. With the Sage Viçvämitra 4. The Trial of Strength 5. Crooked Advice for Queen Kaikeyi 6. The King’s Heartbreak 7. Räma Agrees to Depart 8. Grief and Fury 9. Sétä’s Plea 10. Sad Farewells Part Two 1. Into the Forest 2. Devastation in Ayodhya 3. Bharata’s Return 4. ‘We Shall Bring Räma Back’ 5. Räma Remains Firm 6. The Forest Sages 7. The Räkñasé Shurpanakha 8. Rävaëa’s Lust is Incited 9. The Kidnapping of Sétä 10. Räma’s Terrible Discovery 1 11. Räma Meets the Monkeys 12. The Search Begins 13. Hanumän Leaps to Lanka 14. Sétä is Found Part Three 1. The Army Sets Off 2. Panic in Lanka 3. Räma Confronts the Ocean 4. Rävaëa’s Evil Trickery 5. The War Begins 6. Garuòa to the Rescue 7. Rävaëa Enters the Fray 8. The Colossal Demon 9. Carnage Among the Räkñasas 10. Räma and Lakñman Laid Low 11. Lakñman Battles Indrajit 12. Rävaëa Exhibits His Prowess 13. The Final Battle 14. Sétä’s Ordeal 15. Back to Ayodhya Epilogue Appendix 1: The Story of the River Ganges Appendix 2: The History of Viçvämitra Appendix 3: The Birth and History of Hanumän Appendix 4: The Benefits of Reading Rämayana Glossary Author’s Note Prologue Coursing through the sky in his celestial chariot, Rävaëa appeared like a 2 blazing comet. -
Chapter 8 Th E Slaying of Raktabija
1 C H A P T E R 8 T H E S L AY I N G O F R A K TA B I JA The Rishi said: 1-3. After the daitya Chanda was slain and Munda was laid low, and many of the battalions were destroyed, the lord of the asuras, powerful Sumbha, with mid overcome by anger, commanded then the mobilization of all the daitya hosts: 4. ’Now let the eighty-six asuras - upraising their weapons - with all their forces, and the eighty-four Kambus, surrounded by their own forces, go out. 5. ’Let the fifty asura families of Kotiviryas and the hundred families of Dhaumras go forth at my command. 6. ’Let the asurasa Kalakas, Daurhrdas, the Mauryas and the Kalakeyas hasten at my command and march forth ready for battle.’ 7. After issuing these orders, Sumbha, the lord of the asuras and a ferocious ruler, went forth, attended by many thousands of big forces. 8. Seeing that most terrible army coming, Chandika filled into space between the earth and the sky with the twang of her bow-string. 9. Thereon her lion made an exceedingly loud roar, O King, and Ambika magnified those roars with the clanging of the bell. 10. Kali, expanding her mouth wide and filling the quarters with the sound (hum ) overwhelmed the noises of her bow-string, lion and bell by her terrific roars. 11. On hearing that roar the enraged asura battalions surrounded the lion, the Devi (Chandika) and Kali on all the four sides. 12-13. At this moment, O King, in order to annihilate the enemies of devas and for the well- being of the supreme devas, there issued forth, endowed with exceeding vigour and strength, Shaktis from the bodies of Brahma, Shiva, Guha, Vishnu and Indra, and with the form of those devas went to Chandika. -
Bala Bhavan Bhajans Contents
Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe .......................................................................................... -
Parsis, Despite Parsi Women Marrying Non-Zoroastrians, Despite Their Children Not Being Accepted, As There Will Be Zarathushtis Shining in the World
HAMAZOR - ISSUE 3 2012 Homi & Feroza Seervai, p43 C o n t e n t s 04 Celebration of a Life - Mehraban Zartoshty - aban rustomji 05 WZOs Annual London Seminar 07 Zoroastrianism’s influence on Islam - keki bhote 09 The Avesta & its language at Oxford University from 1886 to present: Part II - elizabeth tucker 12 A critical approach to the Holiness of Chishm-e-Shafa - said reza 16 Charles Poston - shahin bekhradnia 18 A Classicist Parsi - farrokh vajifdar 20 Lord Karan Bilimoria CBE, DE, addresses the House of Lords 21 Two Zarathushtis at Thanksgiving Service at St Paul’s 22 Chef Cyrus Todiwala prepares luncheon for Her Majesty, The Queen 23 Jehangir Sarosh - New Year’s Honour’s List 24 Zenobia - sam kerr 27 Parsi History in danger - dinyar patel 30 The Maharaja Exhibition & the silver carriage of Pestonjee Press - nazneen spliedt 32 Our sacred city of Udvada 36 A 13-year old mobed tells his story - dinshaw magol COVER 38 Young Doctor writes his first medical book ‘Love Indeed’ Philippa 39 The Parsi-Zarathushtis & the American Encounter! - shahrokh mehta Minoo Vafadari at the 43 Homi & Feroza Seervai - sheryar ookerjee Pavillion Theatre, 47 Philippa Minoo Vafadari - soonu engineer Brighton. 50 The Z Factor - adrian locher Photo: David Churchill 53 Ratan Tata receives Lifetime Achievement Award PHOTOGRAPHS 53 Ashvans: A legacy of leadership 54 She seeks to humanise education - freny manecksha Courtesy of individuals 57 Zia Mandviwalla walks the Red Carpet - farida master whose articles appear in the magazine or as 60 The First Zarathushti -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance. -
Maha Shivratri 2020
CONTENTS (Alphabetic Order) 15.Haraya Namah Om Namah Shivaya 1. Asato Ma 16.Hare Shiva Shankara Sashanka 2. Aum Jai Jagadisha Hare Shekara 3. Bam Bam Bholaa 17.Hari Om Namaha Shivaya 4. Bhaavo Sharana Saamba Shankar Kii 18.Hey Shiva Shankar Namami Shankara 5. Bol Man 19.Jai Guru Omkara 6. Bolo Bolo Saba Mila Bolo 20.Jai Shiva Aumkaraa 7. Brahma Paraat 21.Jai Shiva Kee Bolo 8. Chandrasekhar Ashtakam 22.Jai Shiva Shankar 9. Chandra Shekharaaya 23.Jai Tripuraree 10.Dam Dam Dam Dam Damarū Baje 24.Jaya Bhola Bhandari Shivhar 11.Dhimika Dhimika Dhim 25.Jaya Jagadeesha Harey 12.Galaddāna Ganḍaṁ 26.Karpura Gauram / Opening Prayer 13.Gaurānga Ardhānga 27.Krishna Das Om Namah Shivaya 14.Hara Hara Hara Mahadeo 28.Lingashtakam 1 CONTENTS (Alphabetic Order) 29. Mahadeva 40. Om Namah Shivaya, Shivaji Sadaa 30.Mahamrityunjaya Mantra Sahai 31.Marga Bandhu Stotram 41.Om Namah Shivaya, Shivaya Namah 32.Mera Bhola Hai Bhandari Om 33.Namah Parvati Pataye Hara Hara 42.Om Mangalam Omkaar Mangalam 34.Namah Shivaya Om Namah Shivaya, 43.Om Pūrnamadah Pūrnamidam Hara Hara Bole Namah Shivaya 44.O Shankar Mere Kab Honge Darshan 35.Nataraja Nataraja Natanashekara Tere Raja 45.Pārvatī-Pancakam 36.Nataraj Nataraja 46.Rudraashtakam 37.Nirvanasatkam 47.Rudra Rudra 38.Om Namah Shivaya 48.Sadguru Ki Aarti 39.Om Namah Shivaya (By Sahil 49.Sai Centre Om Namah Shivaya 50.Shambho Shankara Deva Jagtiani) 2 CONTENTS (Alphabetic Order) 51. Shankara Sankata Haranaa 63. Shiva Shiva Shiva Shambhu, Shiva 52.Shankar Shiva Bhole Umapati Shambhu Mahadeva Mahaadev 64.Shiva Shiva Shiva -
Shiva ≡ the Supreme
|| || ॐ नमो भगवते वासुदेवाय || नमः || ी कृ णाय Shiva ≡ The Supreme It is a foregone conclusion in Advaita Vedanta that Vishnu = Shiva. Why then point to scriptural passages that extol Shiva (also) as the Supreme? There is one purpose, though not very lofty. Most Hindus grow up in families that read the Ramayana and the Gita, celebrate festivals like Ramanavami and Gokulashtami, and make a pilgrimage to Tirupathi. This does not go unnoticed by some Vaishnavas, who time and again selectively quote the scriptures to ‘prove’ that Vishnu alone is the Supreme, and that Shiva is an ‘inferior’ deity. They (often) go on to claim that Vishnu is to be exclusively worshipped, suggesting that worshipping Shiva is less recommended in the Scriptures – or worse, that it may actually be ‘wrong’ to do so! As this issue keeps popping up repeatedly, this present write-up will (hopefully) end any doubts in that regard. Only two Scriptures will be cited here, which are accepted by all Hindus – the Mahabharata and the Yajur-Veda. The English translation of a verse will be supplied first, after which will follow (in most cases) its Sanskrit transliteration (saMskRRitam ) in the ITRANS format. The translation of the Mahabharata by Kisari Mohan Ganguli has been used almost verbatim, with negligible changes. Unless otherwise specified, “Shiva” will refer to the Being who resides in Kailasa, has a Blue Throat, uses Nandi for a vehicle, etc.; and “Vishnu” will denote the Being who resides in Vaikuntha, bears the Kaustubha gem, uses Garuda for a vehicle, etc. If one wants to skip the explicit details and directly obtain the conclusion, please visit the last Section V below. -
Essence of Hindu Festivals & Austerities
ESSENCE OF HINDU FESTIVALS AND AUSTERITIES Edited and translated by V.D.N.Rao, former General Manager of India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:- Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras* Essence of Sankhya Parijnaana*- Also Essence of Knowledge of Numbers Essence of Narada Charitra Essence Neeti Chandrika* [Note: All the above Scriptures already released on www. Kamakoti. Org/news as also on Google by the respective references. The one with * is under process] 2 PREFACE Dharma and Adharma are the two wheels of Life‟s Chariot pulling against each other. -
Soundarya Lahari by ADHI SANKARA BHAGAVAT PADA
Soundarya Lahari BY ADHI SANKARA BHAGAVAT PADA. Translated in to English verse BY P.R.Ramachander, Bangalore. Introduction Soundarya Lahari meaning waves of beauty consists of two parts viz. Ananda Lahari meaning waves of happiness (first 41 stanzas) and Soundarya Lahari(the next 59 stanzas). It is believed that Lord Ganesha himself has etched the Ananda Lahari on Mount Meru(Some people believe that Sage Pushpa Dhantha did the etching).It was read from there by Sage Gouda Pada who taught it to Adhi Sankara. Adhi Sankara himself added the rest of the 59 stanzas and completed it. These 100 stanzas are supposed to be the foremost among Manthra literature. It is also believed that by Making suitable Yanthras and reciting particular stanzas and worshipping the yantras almost anything can be obtained in the world .There are more thn 36 commentries to Soundarya Lahari written in Sanskrit itself.Of them the most famous is that written by Lakshmi Dhara alias Lalla,His commentary is used to understand the meaning of the different verses.Though there are large number of translations and commentaries of Soundraya Lahari available this is perhaps the first time an attempt is made by a mere novice to translate them in to English verse. The aim is to bring to the notice of the devotes who know English better than other languages , the majesty of the medium of worship called Soundarya Lahari.A transliteration in roman script is also given. May all those who read this be drenched forever by this “Wave of happiness” Part I - Ananda Lahari (The waves of happiness)* Shivah shakthya yukto yadi bhavati shaktah prabhavitum Na chedevam devo na khalu kusalah spanditumapi; Atas tvam aradhyam Hari-Hara-Virinchadibhir api Pranantum stotum vaa katham akrta-punyah prabhavati Lord Shiva, only becomes able.