Narrative Instrumental Küi Performance: Action Through Music
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01 M.Gp Acilis Konseri 2019.Indd
VAR VAR OLMA OLMA NIN NIN KARAN AYDIN LIĞI LIĞI 47. İSTANBUL MÜZİK FESTİVALİ 11-30 HAZİRAN 2019 AÇILIŞ KONSERİ OPENING CONCERT TEKFEN FiLARMONi ORKESTRASı tEKFEN PHıLHARMONıC ORCHEStRA AZIZ SHOKHAKIMOV şef conductor SEONG-JIN CHO piyano piano (XVII. Uluslararası Fryderyk Chopin Piyano Yarışması Birincisi XVII. International Fryderyk Chopin Piano Competition Winner) SUNUŞ PRESENTATION AÇILIŞ KONSERİ OPENING CONCERT Değerli Konuklar, Hayatı, müziği, kültürü ve sanatı, tüm aydınlığı ve renkliliğiyle yaşayacağımız, tekfen filarmoni orkestrası ruhumuzu zenginleştirecek bir festival bizi bekliyor. Yıldız solistler, genç yetenekler, tekfen phılharmonıc orchestra büyük orkestralar yine festivalde İstanbul izleyicisiyle buluşacak. Şehrin tarihi mekânlarında düzenlenen konserler İstanbul’un kültürel zenginliğini göz önüne AZIZ SHOKHAKIMOV şef conductor serecek. Her yaştan müziksevere hitap eden ücretsiz hafta sonu etkinlikleriyle SEONG-JIN CHO piyano piano festival, geniş kitlelere ulaşacak. (XVII. Uluslararası Fryderyk Chopin Piyano Yarışması Birincisi Kentimizin en köklü klasik müzik etkinliği olan bu festivali, İstanbul Kültür Sanat XVII. International Fryderyk Chopin Piano Competition Winner) Vakfı olarak, 1973 yılından bu yana, kesintisiz olarak sürdürüyoruz. İstanbul’un sanat yaşamını zenginleştirmek, dünya kültür birikimine katkıda bulunmak ve gençlere 11.06.2019 Lütfi Kırdar Kongre ve Sergi Sarayı destek olabilmek, her zaman en önemli hedeflerimiz arasında yer alıyor. Verdiğimiz SA tu 20.00 Lütfi Kırdar Convention and Exhibition Centre eser siparişleriyle dünya kültür birikimine katkıda bulunmaya devam ediyoruz. Bu yıl da festivalde Zeynep Gedizlioğlu’nun ve Alexander Tchaikovsky’nin yeni eserlerini Ludwig van Beethoven dinlemek için sabırsızlanıyoruz. Gençlerin kültür yaşamına erişim ve katılımını Piyano Konçertosu No. 1, Do Majör, Op. 15 artırmak için İKSV Kültür-Sanat Kart projesini sürdürüyor, tüm konservatuvar Piano Concerto No. 1 in C Major, Op. -
IJHS Newsletter 07, 2008
NNeewwsslleetttteerr ooff tthhee IInntteerrnnaattiioonnaall JJeeww’’ss HHaarrpp SSoocciieettyy BoardMatters FeatureComment The opening of the Museum in Yakutsk Franz Kumpl An interview with Fred Crane Deirdre Morgan & Michael Wright RegionalNews PictureGallery Images from the opening of the Museum in Yakutsk Franz Kumpl WebWise IJHS website goes ‘live’ AndFinally… Correspondence NoticeBoard Membership August 2008 Spring / Summer Issue 7 Page 1 of 14 August 2008 Issue 7 BoardMatters – From the President Page 2 FeatureComment – The new Khomus Museum in Yakutsk & Interview with Frederick Crane Page 3 RegionalNews Page 5 PictureGallery Page 12 WebWise Page 13 AndFinally… Page 13 NoticeBoard Page 15 To contribute to the newsletter, send your emails to [email protected] or post to: Michael Wright, General Secretary, IJHS Newsletter, 77 Beech Road, Wheatley, Oxon, OX33 1UD, UK Signed articles or news items represent the views of their authors only. Cover photograph & insert courtesy of Franz Kumpl & Michael Wright Editorial BoardMatters NEWS HEADLINES From the president THE NEW KHOMUS MUSEUM OPENS IN Dear friends, YAKUTSK. The Journal of the International Jew‟s Harp Society, IJHS LAUNCHES ITS FIRST WEBSITE. besides this Newsletter, is indispensable to our work FRED CRANE STEPPING DOWN AS JOURNAL and an integral part the paying members get for their EDITOR. yearly membership fee. Given that the Society basically runs on goodwill, it History has shown that the difference between Journal never ceases to amaze me how much we manage to and Newsletter are as follows: achieve. Sometimes it may seem that nothing is The Journal is published ideally once per year in a happening much, but, just like the swan swimming printed version and with the objective of providing (above) majestically along on the water, the legs are paddling opportunities for the publication of scientific Michael Wight, like mad beneath. -
The Bandistan Ensemble, Music from Central Asia
Asia Society and CEC Arts Link Present The Bandistan Ensemble, Music From Central Asia Thursday, July 14, 7:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City Bandistan Ensemble Music Leaders: Alibek Kabdurakhmanov, Jakhongir Shukur, Jeremy Thal Kerez Berikova (Kyrgyzstan), viola, kyl-kiyak, komuz, metal and wooden jaw harps Emilbek Ishenbek Uulu (Kyrgyzstan), komuz, kyl-kiyak Alibek Kabdurakhmanov (Uzbekistan), doira, percussion Tokzhan Karatai (Kazakhstan), qyl-qobyz Sanjar Nafikov (Uzbekistan), piano, electric keyboard Aisaana Omorova (Kyrgyzstan), komuz, metal and wooden jaw harps Jakhongir Shukur (Uzbekistan), tanbur Ravshan Tukhtamishev (Uzbekistan), chang, santur Lemara Yakubova (Uzbekistan), violin Askat Zhetigen Uulu (Kyrgyzstan), komuz, metal jaw harp The Bandistan Ensemble is the most recent manifestation of an adventurous two-year project called Playing Together: Sharing Central Asian Musical Heritage, which supports training, artistic exchange, and career enhancement for talented young musicians from Central Asia who are seeking links between their own musical heritage and contemporary languages of art. The ensemble’s creative search is inspired by one of the universal axioms of artistic avant-gardes: that tradition can serve as an invaluable compass for exploring new forms of artistic consciousness and creativity inspired, but not constrained, by the past. Generously supported by the United States Department of State’s Bureau of South and Central Asian Affairs, Playing Together was established and has been -
Library of Congress Medium of Performance Terms for Music
A clarinet (soprano) albogue anzhad USE clarinet BT double reed instrument USE imzad a-jaeng alghōzā Appalachian dulcimer USE ajaeng USE algōjā UF American dulcimer accordeon alg̲hozah Appalachian mountain dulcimer USE accordion USE algōjā dulcimer, American accordion algōjā dulcimer, Appalachian UF accordeon A pair of end-blown flutes played simultaneously, dulcimer, Kentucky garmon widespread in the Indian subcontinent. dulcimer, lap piano accordion UF alghōzā dulcimer, mountain BT free reed instrument alg̲hozah dulcimer, plucked NT button-key accordion algōzā Kentucky dulcimer lõõtspill bīnõn mountain dulcimer accordion band do nally lap dulcimer An ensemble consisting of two or more accordions, jorhi plucked dulcimer with or without percussion and other instruments. jorī BT plucked string instrument UF accordion orchestra ngoze zither BT instrumental ensemble pāvā Appalachian mountain dulcimer accordion orchestra pāwā USE Appalachian dulcimer USE accordion band satāra arame, viola da acoustic bass guitar BT duct flute USE viola d'arame UF bass guitar, acoustic algōzā arará folk bass guitar USE algōjā A drum constructed by the Arará people of Cuba. BT guitar alpenhorn BT drum acoustic guitar USE alphorn arched-top guitar USE guitar alphorn USE guitar acoustic guitar, electric UF alpenhorn archicembalo USE electric guitar alpine horn USE arcicembalo actor BT natural horn archiluth An actor in a non-singing role who is explicitly alpine horn USE archlute required for the performance of a musical USE alphorn composition that is not in a traditionally dramatic archiphone form. alto (singer) A microtonal electronic organ first built in 1970 in the Netherlands. BT performer USE alto voice adufo alto clarinet BT electronic organ An alto member of the clarinet family that is USE tambourine archlute associated with Western art music and is normally An extended-neck lute with two peg boxes that aenas pitched in E♭. -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
Music of Central Asia and of the Volga-Ural Peoples. Teaching Aids for the Study of Inner Asia No
DOCUMENT RESUME ED 295 874 SO 019 077 AUTHOR Slobin, Mark TITLE Music of Central Asia and of the Volga-Ural Peoples. Teaching Aids for the Study of Inner Asia No. 5. INSTITUTION Indiana Univ., Bloomington. Asian Studies Research Inst. SPONS AGENCY Association for Asian Studies, .an Arbor, Mich. PUB DATE 77 NOTE 68p. AVAILABLE FROMAsian Studies Research Institute, Indiana University, Bloomington, IN 47405 ($3.00). PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) -- Historical Materials (060) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Area Studies; *Asian History; *Asian Studies; Cultural Education; Culture; Foreign Countries; Foreign Culture; Higher Education; Instructional Materials; *Music; Musical Instruments; Music Education; *Non Western Civilization; Resource Materials; Resource Units; Secondary Education; Social Studies IDENTIFIERS *Asia (Central).; *Asia (Volga Ural Region); Folk Music; USSR ABSTRACT The music of the peoples who inhabit either Central Asia or the Volga-Ural region of Asia is explored in this document, which provides information that can be incorporated into secondary or higher education courses. The Central Asian music cultures of the Kirghiz, Kazakhs, Turkmens, Karakalpaks, Uighurs, Tajiks, and Uzbeks are described and compared through examinations of: (1) physical environmental factors; (2) cultural patterns; (3) history; (4) music development; and (5) musical instruments. The music of the Volga-Ural peoples, who comprise the USSR nationalities of the Mari (Cheremis), Chuvash, Udmurts (Votyaks), Mordvins, Bashkirs, Tatars, and Kalmucks, is examined, with an emphasis on differences in musical instruments. A 13-item bibliography of Central Asian music and a 17-item Volga-Ural music bibliography are included. An appendix contains examples of musical scores from these regions. -
Mountain Music Fromkyrgyzstan
Ten g ir- To o Mountain Music from Kyrg yzstan Nurlanbek Nyshanov, Artistic Director, wooden and metal jew’s harps, sybyzgy, choor, chopo choor Gulbara Baigashkaeva, komuz and jew’s harp Zainidin Imanaliev, vocal and komuz Rysbek Jumabaev, manaschi (Manas epic reciter) Kenjekul Kubatova, vocal and komuz Asylbek Nasirdinov, komuz, jew’s harp, qyl-qiyak Azamat Otunchiev, qyl-qiyak Tengir-Too is a new ensemble that plays old music. The group takes its name from the eponymous mountain range that towers over the high alpine passes linking Kyrgyzstan and China, and is better known by its Chinese name, Tien Shan, or “Celestial Mountains.” Founded and directed by Nurlanbek Nyshanov, a gifted composer, arranger, and multi-instrumentalist who grew up in the city of Naryn, Tengir-Too provides a living laboratory for Nyshanov’s efforts to find a voice for Kyrgyz music in the contemporary cultural marketplace. Kyrgyz music is rooted in the sensibility of nomads who AGA KHAN TRUST FOR CULTURE Music Initiative in Central Asia inhabit an awe-inspiring landscape of mountains, lakes, and pristine grasslands. During the Soviet era, however, much of this music was lost or adapted to European musical ideals. Nurlanbek Nyshanov has helped restore its integrity and authenticity, not through an uncritical attempt to reproduce tradition, but by innovating within it. Nyshanov draws on his compositional skills to craft striking arrange- ments for small ensembles of repertories formerly performed by solo players. Members of Tengir-Too include Kenjegul Kubatova, whose lush alto voice is the perfect medium for Kyrgyz lyrical song, Gulbara Baigashkaeva, a master performer on the komuz – the three- stringed lute that Kyrgyz regard as their national instrument, and Asylbek Nasirdinov, who plays the qyl-qiyak, a two-stringed upright fiddle with archaic ties to shamanism. -
Açiliş Konseri Opening Concert
49. İSTANBUL MÜZİK FESTİVALİ 18 AĞUSTOS - 16 EYLÜL 2021 AÇILIŞ KONSERİ OPENING CONCERT tekfen filarmoni orkestrası tekfen phılharmonıc orchestra azız shokhakımov şef conductor anna vınnıtskaya piyano piano İstanbul Kültür Sanat Vakfı 49. İstanbul Müzik Festivali’nin gerçekleştirilmesine büyük destek sağlayan TC Kültür ve Turizm Bakanlığı'na teşekkür eder. The Istanbul Foundation for Culture and Arts would like to thank the Ministry of Culture and Tourism, whose contributions have made the 49th Istanbul Music Festival possible. Kültür ve Turizm Bakanlığı’nın desteği ile hazırlanan bu projenin içeriği hiçbir surette Kültür ve Turizm Bakanlığı’nın görüşlerini yansıtmamakta olup, içerik ile ilgili tek sorumluluk İstanbul Kültür Sanat Vakfı’na aittir. İstanbul Kültür Sanat Vakfı, Açılış Konseri’nin gerçekleştirilmesindeki değerli katkıları için Yüksek Katkıda Bulunan Gösteri Sponsoru Tekfen Vakfı’na ve değerli işbirliği için İstanbul Büyükşehir Belediyesi ve iştiraklerinden Kültür AŞ'ye teşekkür eder. Istanbul Foundation for Culture and Arts would like to thank the Performance Sponsor with the Highest Contribution Tekfen Foundation for their support and Istanbul Metropolitan Municipality and Kültür AŞ for their kind collaboration towards the realisation of this concert. Bu yıl sanatçılarımıza, adlarına dan dikerek teşekkür ediyoruz. Festival sahnesini onurlandıran her bir sanatçı için dan bağışında bulunuyor, sanatçılarımıza bağış sertikalarını sahnede bizzat takdim ediyoruz. This year, we thank our artists by planting trees on their behalf. For each artist honouring the festival stage, we donate saplings and personally present their donation certicates on the stage. SUNUŞ PRESENTATION Uzun bir aradan sonra, 49. İstanbul Müzik Festivali’nin açılışında sizlerle yeniden bir araya gelmekten büyük mutluluk duyuyoruz. Festivale hoş geldiniz! Bu yıl festivalimiz “Başka Bir Dünya Mümkün” diyerek, özlemle olduğu kadar umut ve heyecanla karşılıyor izleyicilerini. -
Music and Musicians Along the Silk Road by Theodore Levin
Music and Musicians along the Silk Road by Theodore Levin So many musicians, so many stories - each a window into a life, a society, a history. Each story is unique, yet connected to other stories, other histories. The lands of the Silk Road contain a remarkable musical cross-section of this dense web of human connectedness. What are the origins of musical connections? How is it that musicians separated by great distances play similar instruments or perform in similar musical styles? And conversely, why, in some cases, do musicians living only a valley or mountain pass away perform music that is utterly different? 73 Musicians, musical instru realm to the other. ments, and music itself have surely It may well have been along been on the move since antedilu the Silk Road that some of the first vian times. The astonishing diver "world music" jam sessions took sity of the world's music is matched place. For both Europeans and only by the reassuring similarity of Asians, the mesmerizing sound of the basic tools used to produce it: exotic instruments must have had foremost, of course, the human an appeal not unlike the visual voice, followed by instruments allure of exotic textiles, ceramics, made from ubiquitous natural and glass. Innovative musicians materials such as wood and animal and luthiers adapted unfamiliar parts and classified into groups instruments to perform local such as flutes, fiddles, lutes, and music while simultaneously intro drums; melodies and scales usually ducing non-native rhythmic containing no more than three to patterns, scales, and performance seven separate pitches; rhythms techniques. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Instrument Glossary
AGA KHAN TRUST FOR CULTURE Music Initiative in Central Asia Instrument Glossary 1 2 Glossary of Instruments Choor Chopo Choor Daf Dayra Choor Chopo Choor Daf End-blown flute made from A clay ocarina with 3-6 holes A small frame drum with reed or wood with four or found in southern Kyrgyzstan jingles used to accompany five holes. Under various and most commonly played both popular and classical names and in various sizes, by children. There is music in Azerbaijan. such end-blown flutes are evidence that horse herders widespread among Inner used ocarinas as signalling Dap Asian pastoralists, e.g., tsuur instruments in thick forests, (Mongolian), chuur (Tuvan), where they would often graze Uyghur name for a frame sybyzghy (Kazakh), and kurai their horses at night. drum. (Bashkir). Dayra A frame drum with jingles, commonly played by both men and women among sedentary populations in Central Asia. 3 3 Dombra Dutar Garmon Kemanche Dombra Dutar Ghijak Refers to different types of Designates different kinds Round-bodied spike fiddle two-stringed long-necked of two-stringed long- with 3 or 4 metal strings and lutes, best known of which necked fretted lutes among a short, fretless neck used by is the Kazakh dombra – a Uzbeks, Tajiks, Turkmens, Uzbeks, Tajiks, Turkmens, and fretted lute that is considered Qaraqalpaks, Uyghurs, and Qaraqalpaks. Kazakhstan’s national other groups. instrument. Its large and Kemanche varied repertory centres Garmon around solo instrumental Spike fiddle identical to a pieces, known as kui, which, A small accordion used in the ghijak, important in Iranian like the analogous Caucasus and among female and Azeri classical music and Kyrgyz kuu, are typically wedding entertainers known in the popular music of Iran. -
Aga Khan Music Initiative 2016/17 Performance Programmes
AGA KHAN MUSIC INITIATIVE 2016/17 PERFORMANCE PROGRAMMES AGA KHAN TRUST FOR CULTURE Music Initiative These performance programmes are curated and produced by the Aga Khan Music Initiative, an interregional music and arts education program with worldwide performance, outreach, mentoring, and artistic production activities. The Initiative supports artists and artistic communities in the Middle East and North Africa, West Africa, Central Asia, and South Asia that seek to reassemble and further develop diverse expressions of a shared musical heritage in contemporary forms. Working with partners and collaborators around the world, its performance, outreach, and production activities offer a broad platform for contemporary, tradition-inspired music. In parallel, it develops new models for community-based arts education that revitalise cultural heritage as a source of livelihood for musicians while promoting pluralism. The Music Initiative is a programme of the Aga Khan Trust for Culture. The Trust, in turn, serves as the cultural development agency of the Aga Khan Development Network, one of the world’s largest private development networks, and the only one that prioritises cultural development on a par with economic and social development in all of its projects and commitments. AGA KHAN MUSIC INITIATIVE SERIES AT WIGMORE HALL “THE OTHER CLASSICAL MUSICS” In the walled cities and wide steppe of the lands of the Silk Route, lineages of master musicians stretching back centuries honed virtuosic vocal and instrumental repertories rooted in local spiritual practices to create profound traditions of classical music. 10 MARCH Forcibly westernised and secularised during 7.30PM THURSDAY the twentieth century, these traditions are In the Footsteps of Babur: now being actively revitalised by a new Musical Encounters from generation of master performers.