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Howard Willard Cook, Our Poets of Today
MODERN AMERICAN WRITERS OUR POETS OF TODAY Our Poets of Today BY HOWARD WILLARD COOK NEW YORK MOFFAT, YARD & COMPANY 1919 COPYRIGHT, 1918, BY MOFFAT, YARP & COMPANY C77I I count myself in nothing else so happy as in a soul remembering my good friends: JULIA ELLSWORTH FORD WITTER BYNNER KAHLIL GIBRAN PERCY MACKAYE 4405 ACKNOWLEDGMENTS To our American poets, to the publishers and editors of the various periodicals and books from whose pages the quotations in this work are taken, I wish to give my sincere thanks for their interest and co-operation in making this book possible. To the following publishers I am obliged for the privilege of using selections which appear, under their copyright, and from which I have quoted in full or in part: The Macmillan Company: The Chinese Nightingale, The Congo and Other Poems and General Booth Enters Heaven by Vachel Lindsay, Love Songs by Sara Teasdale, The Road to Cas- taly by Alice Brown, The New Poetry and Anthology by Harriet Monroe and Alice Corbin Henderson, Songs and Satires, Spoon River Anthology and Toward the Gulf by Edgar Lee Masters, The Man Against the Sky and Merlin by Edwin Arlington Rob- inson, Poems by Percy MacKaye and Tendencies in Modern American Poetry by Am> Lowell. Messrs. Henry Holt and Company: Chicago Poems by Carl Sandburg, These Times by Louis Untermeyer, A Boy's Will, North of Boston and Mountain Interval by Robert Frost, The Old Road to Paradise by Margaret Widdener, My Ireland by Francis Carlin, and Outcasts in Beulah Land by Roy Helton. Messrs. -
&.H Urt F!"Nettv'" 5T Y
f{OTT0 tsEDUPLICATTD 0B USID b/II'HOUTPERi"iIsSi0i\ Iii SiAii:il r.lF .rlii i;fA THE CI]RE LIBRARY OF FFIANCISH. FLAHERTY ttl shaLl speak to you of riobert Flahertyt:; method, because this method and the way it came to be i-s, I bel-ieve, the impa:-bant legacy he left use becauge for rne it was ttle greatest experience of my life with hj-m." -nd Frances Hubbard Flaherty Ln THE IIDYSSIYOFAFili'"l -MAKTR f!"nettv'" 5t y -&.h_urt Be'ua Phi Mu Chapbook Urbana, Ilfinois, 196A. tis n r Al_L artrr sei6 Robert F-'t_aherty, a kind of exp.loring. io discover and ' reveal is tl-re way every altist sef,s abcut his businc:ss,r Th': explorersr the iiscoverers, are the tran;i"crmers of the bror.'l-d. They are the scientist ciscovering new fec";, the pnit::sllther d:r-sc'ove-''ing:n nerv fac; new idea' Abc-rveal-i, they are the artist, the poet, tfre seer, Lrno oui of the crucible cf nelv fact and new idea bring new.l-ife, nera'power, new motiver anci a cleep refresi.ment. They disc;ver for us the new imsge.tl t'I-t was as an exp-lorer that Robert FJ-3herty came into fil-ms...tl It is as an explorer that Frances Fiahertv has searched to srticulate the j-n essence of histrmetho,l ,irthe rneanings his struggles, the fuLfiL.l-ment in his trway of seeing.tt Seeki.ng to share the richness of tisttitnportant legacyrI she has mineci worlds of words and ci:_stilled multiple nieanings into one worci: Inon-precOnaep I ttThe word I ha,ye chosen i.s ti.on, an eXp-lorelt s wo.rd. -
Frieda Lawrence
Frieda Lawrence: An Inventory of Her Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator Lawrence, Frieda, 1879-1956 Title Frieda Lawrence Collection Dates: 1870-1969 Extent 9 boxes (3.75 linear feet), 1 galley folder, 4 oversize folders Abstract: This collection includes diaries, essays, and drafts of Not I, But the Wind, and Frieda Lawrence, the Memoirs and Correspondence, as well as correspondence. Much of the correspondence is of a personal nature, but some has to do with copyrights and royalties from husband D.H. Lawrence's works. RLIN Record # TXRC98-A6 Languages English, and German. Access Open for research Administrative Information Acquisition Purchases and gifts, 1957-1990 (R2792, R4244, R4806, R4933, R6625, R7016, R6625, R6627, G8503, G5045) Processed by Chelsea Jones, 1998 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Lawrence, Frieda, 1879-1956 Biographical Sketch Born Emma Maria Frieda Johanna Baroness (Freiin) von Richthofen, Frieda Lawrence (1879-1956) was the second of three daughters born to Prussian Baron Friedrich von Richthofen and Anna Marquier von Richthofen. The family lived in a rural suburb of Metz, an area recently conquered in the Franco-Prussian War and subjected to a regime of forced Germanization. Frieda attended a local Roman Catholic convent school but found few friends among the French population. Her social world was composed of her sisters, with whom she alternately competed for parental attention and allied herself with in order to manipulate their parents, the family servants in whose care the girls were generally left, and Prussian soldiers whom she met while playing in the trenches left over from the war. -
An Analysis of Filipino Immigrant Labor in Seattle from 1920-1940
Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 4-22-2011 Shallow Roots: An Analysis of Filipino Immigrant Labor in Seattle from 1920-1940 Krista Baylon Sorenson Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the History Commons Recommended Citation Baylon Sorenson, Krista, "Shallow Roots: An Analysis of Filipino Immigrant Labor in Seattle from 1920-1940" (2011). Undergraduate Honors Thesis Collection. 98. https://digitalcommons.butler.edu/ugtheses/98 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. Shallow Roots: An Analysis of Filipino Immigrant Labor in Seattle from 1920-1940 A Thesis Presented to the Department of History College of Liberal Arts and Sciences and The Honors Program of Butler University In Partial Fulfillment of the Requirements for Graduation Honors Krista Baylon Sorenson April 22, 2011 Sorenson 1 “Why was America so kind and yet so cruel? Was there no way to simplify things in this continent so that suffering would be minimized? Was there not common denominator on which we could all meet? I was angry and confused and wondered if I would ever understand this paradox?”1 “It was a planless life, hopeless, and without direction. I was merely living from day to day: yesterday seemed long ago and tomorrow was too far away. It was today that I lived for aimlessly, this hour-this moment.”2 -Carlos Bulosan, America is in the Heart Introduction Carlos Bulosan was a Filipino immigrant living in the United States beginning in the 1930s. -
The American Paradox Discovering America in Carlos Bulosan's
The American Paradox Discovering America in Carlos Bulosan’s America is in the Heart Dulce-Marie Flecha, McNair Scholar The Pennsylvania State University McNair Faculty Research Advisor Jeanne Britton, Ph.D Post-Doctoral Fellow in 19th Century British Literature and Culture Department of English College of Liberal Arts The Pennsylvania State University Abstract This essay examines the definition and various roles of the United States and its inhabitants in Carlos Bulosan’s semi-autobiographical America is in the Heart, a classic work of Asian American literature. The myriad of American characters in the novel reveal a vast diversity in the American population. America is in the Heart charts the paradox of the United States in the first half of the 20th century; while there are Americans who do not succumb to the common racism of the day—there are, in fact, those who rebel against it—the grand majority of the protagonist’s experiences with Americans, particularly those of the upper classes and those in law enforcement, project the darker aspects of their own desires and society on the ‘Other’; some label minorities as sex-crazed deviants while simultaneously displaying a subconscious obsession with sexuality, others accuse minorities of infesting the nation with crime while consciously and unabashedly stealing from them. But despite the protagonist’s seemingly constant contact with prejudice, he is also met with kindness from Americans throughout his travels and has reason to believe that this is a nation where equality is possible, even if it was not practiced. The conflicting nature of Americans throughout the novel reveals a degree of uncertainty, from both Americans and foreigners, as to what the word “American” actually means. -
Spectres of Modernism: Authorship, Reception and Intention in Witter Bynner and Arthur Davison Ficke's Spectra Hoax
1 Spectres of Modernism: Authorship, Reception and Intention in Witter Bynner and Arthur Davison Ficke’s Spectra Hoax A thesis presented by Stephen Jakubowicz 698542 to The School of Culture and Communication in partial fulfillment of the requirements for the degree of Bachelor of Arts (Honours) in the field of English and Theatre Studies ENGL40023 in the School of Culture and Communication The University of Melbourne Supervisor: Dr Sarah Balkin October 2017 2 Abstract This thesis draws from a range of primary materials relating to the Spectric School, a hoax poetry movement concocted in 1916 by poets Witter Bynner and Arthur Davison Ficke, to reconcile the movement’s relationship to the backdrop of modernist print culture. Specifically, it argues that Bynner and Ficke exploited a breakdown of discourses surrounding modernist conceptions of authorship, identity, and intention in their construction of the hoax movement. Additionally, this thesis considers the hoax alongside contemporary appraisals of the movement, and argues that the hoaxers’ subversion of what it meant to be an author exposes a growing disjunction during the modernist period between a culture of reviewing and modernist conceptions of authorship. Finally, this thesis considers Bynner and Ficke’s use of a hoax movement as a medium to further their poetic aims and avers that the hoaxers’ retrospective recasting of their motives alongside the development of the hoax complicate current critical valuations of the movement. Through considering Bynner and Ficke’s recasting of poetic intention, I challenge readings of the hoax that interpret it as having had a clear didactic purpose in parodying modernist poetry, and instead argue that the Spectra Hoax serves as an interface of meanings that complicates attempts to inscribe clear notions of authenticity, authorship and intentionality onto it. -
Is Not Carried Through the Volume and Is Not One of the Book's Strong
BOOK REVIEWS 277 is not carried through the volume and is not one of the book's strong points; it does, however, allow her to bring in whatever data she finds and considers relevant to the topics she discusses. In a chapter on sex-role socialization, Tomeh reviews the literature on a range of topics, including father-absence, the working mother, birth order, siblings, and socialization patterns of the educational and occupational worlds. Another chapter reviews the history of women in the labour force and the development of the women's movement. Tomeh points out the continued discrimination against women in our institutions and the challenge of women's liberation. In these chapters, the author very nicely combines the research literature with more essay-like statements on broader topics. There follows a section on sex-roles in a cross-cultural perspective with discussions of Canada, Western Europe, Japan and the Middle East. The particular discussions, especially the one on Canada, mix time periods and shift too easily from specific researches to broad generalizations. Yet, it is clear, within the context of each of the regions, that there are common trends towards the emancipation of women and equality with men. Tomeh concludes with an overall analysis of recent changes and a broad program for increasing sex-role equality. She suggests moves on all fronts - family relationships, schools, work world opportunities, political activity, and such adaptations as day care centers, maternal benefits and a greater participa tion of men in the household. In sum, the book is not a sophisticated analysis of the family and sex roles - the focus is on women, the concepts are sometimes hazy, and the generaliza tions too facile. -
The Poets 77 the Artists 84 Foreword
Poetry . in Crystal Interpretations in crystal of thirty-one new poems by contemporary American poets POETRY IN CRYSTAL BY STEUBEN GLASS FIRST EDITION ©Steuben Glass, A Division of Corning Glass Works, 1963 Library of Congress Catalogue Card Number 63-12592 Printed by The Spiral Press, New York, with plates by The Meriden Gravure Company. Contents FOREWORD by Cecil Hemley 7 THE NATURE OF THE C OLLECTIO N by John Monteith Gates 9 Harvest Morning CONRAD A IK EN 12 This Season SARA VAN ALSTYNE ALLEN 14 The Maker W. 1-1 . AU DEN 16 The Dragon Fly LO U I SE BOGAN 18 A Maze WITTER BYNNER 20 To Build a Fire MELV ILL E CANE 22 Strong as Death GUSTAV DAVID SON 24· Horn of Flowers T H 0 M A S H 0 R N S B Y F E R R I L 26 Threnos JEAN GARR I GUE 28 Off Capri HORACE GREGORY so Stories DO NA LD H ALL S2 Orpheus CEC IL HEMLEY S4 Voyage to the Island ROB ERT HILLYER 36 The Certainty JOH N HOLMES S8 Birds and Fishes R OB I NSON JEFFER S 40 The Breathing DENISE LEVERTOV 42 To a Giraffe MARIANNE MOORE 44 The Aim LOUISE TOWNSEND NICHOLL 46 Pacific Beach KENNETH REXROTH 48 The Victorians THEODORE ROETHKE 50 Aria DELMORE SCHWARTZ 52 Tornado Warning KARL SHAPIRO 54 Partial Eclipse W. D. SNODGRASS 56 Who Hath Seen the Wind? A. M. SULLIVAN 58 Trip HOLLIS SUMMERS 60 Models of the Universe MAY SWENSON 62 Standstill JOSEPH TUSIANI 64 April Burial MARK VAN DOREN 66 Telos JOHN HALL WHEELOCK 68 Leaving RICHARD WILBUR 70 Bird Song WILL I AM CARL 0 S WILL I AMS 72 BIOGRAPHICAL SKETCHES The Poets 77 The Artists 84 Foreword CECIL HEMLEY President, 'The Poetry Society of America, 19 61-19 6 2 Rojects such as Poetry in Crystal have great significance; not only do they promote collaboration between the arts, but they help to restore the artist to the culture to which he belongs. -
Historical Reinterpretations of Race: Breaking Stereotypes, Creating Archetypes Meaghan Mari Kozar Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2003 Historical reinterpretations of race: breaking stereotypes, creating archetypes Meaghan Mari Kozar Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Kozar, Meaghan Mari, "Historical reinterpretations of race: breaking stereotypes, creating archetypes" (2003). Retrospective Theses and Dissertations. 16110. https://lib.dr.iastate.edu/rtd/16110 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Historical reinterpretations of race: breaking stereotypes, creating archetypes by Meaghan Mari Kozar A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis (Major Professor) Laura Winkiel John Schuh Iowa State University Ames, Iowa 2003 Copyright © Meaghan Mari Kozar, 2003. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Meaghan Mari Kozar has met the thesis requirements of Iowa State University Signatures have been redacted for -
A Homi Bhabhaian Reading of Carlos Bulosan‟S America Is in the Heart: a Personal History
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 3, No. 5, pp. 776-780, May 2013 © 2013 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.3.5.776-780 A Homi Bhabhaian Reading of Carlos Bulosan‟s America Is in the Heart: A Personal History Yali Zhang Shanxi Normal University, Linfen, Shanxi, China Abstract—Homi Bhabha’s concept of simulation is broadly used in the post-colonial literary and cultural criticism. Bhabha’s simulation transcends his post-colonial predecessor Said’s dichotomic way of thinking in Orientalism and makes the disadvantaged power’s mild resistance to the hegemonic power become possible. This paper means to give a Homi Bhabhaian reading of Carlos Bulosan’s America Is in the Heart: A Personal History. It explores the strategic interaction between the American colonizers and the Filipino colonized in which Bhabha’s simulation serves both as a strategy of control for the colonizers and a strategy of rebellion for the colonized. This strategy embodies an operational process of power and helps Bulosan to realize his initial purpose of writing: “to give literate voice to the voiceless one hundred thousand Filipinos in the US, Hawaii and Alaska”. Index Terms—post-colonial criticism, Carlos Bulosan, America Is in the Heart: A Personal History Carlos Bulosan is one of the most important Filipino American writers in the 1940s. His America Is in the Heart: A Personal History was published in 1946 and was once hailed by Look as one of the fifty most important American books ever published (Campomanes, 1995). It portrays how Carlos, together with his families, struggled in vain to shake off the poverty nightmare in his Philippine motherland that had been colonized by Spain and America in turn, how they longed for the democracy, the freedom and modern civilization in America as were propagandized by the colonizers and how they were ill-treated, however, when they later on emigrated to America. -
LIBRARY of CONGRESS MAGAZINE MARCH/APRIL 2015 Poetry Nation
LIBRARY OF CONGRESS MAGAZINE MARCH/APRIL 2015 poetry nation INSIDE Rosa Parks and the Struggle for Justice A Powerful Poem of Racial Violence PLUS Walt Whitman’s Words American Women Poets How to Read a Poem WWW.LOC.GOV In This Issue MARCH/APRIL 2015 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 4 No. 2: March/April 2015 Mission of the Library of Congress The Power of a Poem 8 Billie Holiday’s powerful ballad about racial violence, “Strange Fruit,” The mission of the Library is to support the was written by a poet whose works are preserved at the Library. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. National Poets 10 For nearly 80 years the Library has called on prominent poets to help Library of Congress Magazine is issued promote poetry. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Beyond the Bus 16 The Rosa Parks Collection at the Library sheds new light on the research institutions, donors, academic libraries, learned societies and allied organizations in remarkable life of the renowned civil rights activist. 6 the United States. Research institutions and Walt Whitman educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at www.loc.gov/lcm. -
Download Shelley Sang-Hee Lee, “Multiethnic Seattle”
1 © Multiethnic Seattle Two Views of Jackson Street n two well-known works of Asian American literature—one autobio- graphical and the other fictional—that offer descriptions of life in pre– World War II Seattle, the bustling tempo and multiethnic character of Iurban life immediately strike the reader. In her 1953 memoir, Nisei Daughter, Monica Sone recalls an idyllic childhood preceding and contrasting starkly with the jarring experience of wartime Japanese internment. Born in 1919, she portrayed 1920s and 1930s Seattle, especially the working-class Jackson Street neighborhood, as an exhilarating place, pulsing with business activity and people from all walks of life. “Our street itself was a compact little world, teeming with the bustle of every kind of business in existence in Skidrow,” writes Sone.1 Aware that others derided the neighborhood she called home and where her parents operated hotel and laundry businesses as “skid row,” she nonetheless recollects with fondness, “This was the playground where I roamed freely and happily.”2 Her daily treks to school were adventures in and of themselves: When I finally started grammar school, I found still another enchant- ing world. Every morning I hurried to Adams Hotel . and called for Matsuko. Together we made the long and fascinating journey— Copyright © 2011. Temple University Press. All rights reserved. Press. All © 2011. Temple University Copyright from First Avenue to Twelfth Avenue—to Bailey Gatzert School. We meandered through the international section of town, past the small Japanese shops and stores, already bustling in the early morn- Lee, Shelley Sang-Hee. Claiming the Oriental Gateway : Prewar Seattle and Japanese America, Temple University Press, 2011.