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8 – 14 March 2014 (Vol. 3; No.11/14)
8 – 14 March 2014 (Vol. 3; No.11/14) This Week's Newsletter : New Sponsors required - Click Ask us how you can be a sponsor of this newsletter in 2014 - click here. Feedback on the newsletter is welcomed too. Kidnaps Up; Rampant oil theft costs billions; Puntland IUU Fishing order; EU funding for Caribbean - Africa or SE Asia, which has the greater maritime piracy problem? Nigerian waters has seen a surge on seafarer kidnapping recently despite the regional forces efforts to disrupt oil theft at sea and on land. Call for collaboration continues to be made, but has yet to be effective established. a Nigerian supply vessel is delated to have been hijacked almost a week after the fact. The loss of billions in crude oil theft made it a challenging 2013 for oil companies. The boarding of three vessels underway near Singapore demonstrates that it is not just petty theft at anchor that is the threat. Increased security surveillance and patrols does not mean freedom from attacks. In East Africa, the state of Puntland officially banned IUU fishing, terminating all licenses previously granted, making all foreign fishing vessels illegal - two weeks to comply. After the EU announcing a new maritime strategy, it is now providing Euro 2.5 million towards the fight against drug trafficking and criminal networks in the Caribbean. Yemen upholds the 10-year jail term for 11 convicted Somali pirates; the validity of the EU-Mauritius pirate transfer agreement is challenged. The Italian marines held in India filed a petition against the authorities, and petition for the release of the British crew of Seaman Guard Ohio held in India is delivered to the UK PM. -
Ulrich Kaiser Die Einheiten Dieses Openbooks Werden Mittelfristig Auch Auf Elmu ( Bereitge- Stellt Werden
Ulrich Kaiser Die Einheiten dieses OpenBooks werden mittelfristig auch auf elmu (https://elmu.online) bereitge- stellt werden. Die Website elmu ist eine von dem gemeinnützigen Verein ELMU Education e.V. getra- gene Wikipedia zur Musik. Sie sind herzlich dazu eingeladen, in Zukun Verbesse rungen und Aktualisierungen meiner OpenBooks mitzugestalten! Zu diesem OpenBook finden Sie auch Materialien auf musikanalyse.net: • Filmanalyse (Terminologie): http://musikanalyse.net/tutorials/filmanalyse-terminologie/ • Film Sample-Library (CC0): http://musikanalyse.net/tutorials/film-sample-library-cc0/ Meine Open Educational Resources (OER) sind kostenlos erhältlich. Auch öffentliche Auf- führungen meiner Kompositionen und Arrangements sind ohne Entgelt möglich, weil ich durch keine Verwertungsgesellschaft vertreten werde. Gleichwohl kosten Open Educatio- nal Resources Geld, nur werden diese Kosten nicht von Ihnen, sondern von anderen ge- tragen (z.B. von mir in Form meiner Ar beits zeit, den Kosten für die Domains und den Server, die Pflege der Webseiten usw.). Wenn Sie meine Arbeit wertschätzen und über ei- ne Spende unter stützen möchten, bedanke und freue ich mich: Kontoinhaber: Ulrich Kaiser / Institut: ING / Verwendungszweck: OER IBAN: DE425001 0517 5411 1667 49 / BIC: INGDDEFF 1. Auflage: Karlsfeld 2020 Autor: Ulrich Kaiser Umschlag, Layout und Satz Ulrich Kaiser erstellt in Scribus 1.5.5 Dieses Werk wird unter CC BY-SA 4.0 veröffentlicht: http://creativecommons.org/licenses/by-sa/4.0/legalcode Für die Covergestaltung (U1 und U4) wurden verwendet: -
Piracy – It's Everyone's Problem
Corporate Magazine Wilhelmsen Ship Management | Issue 2 - 2016 SPECIAL FEATURE: PIRACy – IT’S EVERYONE’S PROBLEM NAMING CEREMONY DRy-DOCKING VIKING SEA Aurora LPG Entrusts Make It A Great Experience Goes To Sea 4 New Vessels To Us Professional. Like you. CONTENTS pg 20 PRESIDENT’S MESSAGE Piracy – It’s Everyone’s Problem 2 Hello readers, WSM Joins SIGTTO As Full Member 7 Change is inevitable especially during A Grand Naming Ceremony 8 Aurora LPG challenging times. A recent decision to Organisational Changes In WSM Malaysia 10 split our Malaysia vessel management into Two Vessel Groups two groups, dry cargo group and LNG/LPG WSM Wins NYK Car Carrier Of The Year 2015 11 group, proved to be a good move. 25 Years With InterManager 12 WSM Shapes The Maritime Industry The new structure allows greater efficiency Viking Sea Goes To Sea 14 for managers to have better control over asset types and streamline the growing fleet under pg 24 our management. In recent months, the LNG/ At Wilhelmsen, we are proud to be a shaper LPG group has taken over several vessels in of the maritime industry and WSM has News And Stories... swift succession and more are expected for done so from our Barber times. 25 years Norway Maritime Conference the remainder of 2016. ago, we were among the Group of Five that At Cebu, Philippines 16 laid the foundation for ISMA (International Speaking of which, read more about the A Trainee’s Tale On Ship Management 18 Ship Manager Association), now known naming ceremony of the four Aurora LPG From Ship To Shore 19 as InterManager. -
Open Animation Projects
OPEN ANIMATION PROJECTS State of the art. Problems. Perspectives Julia Velkova & Konstantin Dmitriev Saturday, 10 November 12 Week: 2006 release of ELEPHANT’S DREAM (Blender Foundation) “World’s first open movie” (orange.blender.org) Saturday, 10 November 12 Week: 2007 start of COLLECT PROJECT (?) “a collective world wide "open source" animation project” Status: suspended shortly after launch URL: http://collectproject.blogspot.se/ Saturday, 10 November 12 Week: 2008 release of BIG BUCK BUNNY (Blender Foundation) “a comedy about a fat rabbit taking revenge on three irritating rodents.” URL: http://www.bigbuckbunny.org Saturday, 10 November 12 Week: 2008 release of SITA SINGS THE BLUES (US) “a musical, animated personal interpretation of the Indian epic the Ramayan” URL: http://www.sitasingstheblues.com/ Saturday, 10 November 12 Week: 2008 start of MOREVNA PROJECT (RUSSIA) “an effort to create full-feature anime movie using Open Source software only” URL: morevnaproject.org Saturday, 10 November 12 Week: 2009 start of ARSHIA PROJECT (Tinab pixel studio, IRAN) “the first Persian anime” Suspended in 2010 due to “lack of technical knowledge and resources” URL: http://www.tinabpixel.com Saturday, 10 November 12 Week: 2010 release of PLUMIFEROS (Argentina) “first feature length 3D animation made using Blender” URL: Plumiferos.com Saturday, 10 November 12 Week: 2010 release of LA CHUTE D’UNE PLUME (pèse plus que ta pudeur) - France “a short French speaking movie made in stop motion” URL: http://lachuteduneplume.free.fr/ Saturday, 10 November 12 -
DVD Piracy As Alternative Media: the Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009
MARIA F. MANGAHAS 109 Kasarinlan: Philippine Journal of Third World Studies 2014 29 (1): 109–139 DVD Piracy as Alternative Media: The Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009 MARIA F. MANGAHAS ABSTRACT. Some digital materials which are documentary of specific forms of social transgression comprise an apparent “market niche” for piracy. “Scandals” as unique commodities in the Philippines’s informal market for pirated disks are quite distinct from other digital entertainment, being originally candid/unstaged or “stolen”/taken without their subject’s knowledge and usually made to non-professional standards/ equipment. Enterprisingly put on the market by pirate-entrepreneurs because of apparent consumer-audience interest in the content, such unique “reality” goods became conveniently available through networks of digital piracy outlets. In the context of consumption of pirated goods, the article reads “scandals” as expressive of everyday critique and resistance. The niche market for “scandals” functions as alternative media as these digital goods inherently evade government and (formal) corporate control as sources of news and entertainment. Indicators of the significance of “scandal” in the informal economy and the meaningful convergence between its piracy and consumer- audience demand are examined ethnographically: their translation into commodities through packaging, the range of sites for consumers to access “scandals,” pirate- entrepreneurs’ sales strategies and standards, and how the market behavior of these “scandals” apparently responded to the unfolding of the social scandals in real time as current events—events that themselves were influenced by the popular circulation and piracy of these commodities. Three cases that took place between 2005–2009—“Hello Garci,” the “Kat/Kho sex scandals,” and the “Maguindanao massacre” DVD—serve as diverse examples, each with their own issues of authenticity, morality, and social effects consequent to piracy and consumption. -
Univerzita Karlova V Praze DIPLOMOVÁ PRÁCE Petr Köppel
Univerzita Karlova v Praze Filozofická fakulta Ústav informačních studií a knihovnictví DIPLOMOVÁ PRÁCE Petr Köppel Veřejné licence a public domain jako alternativ cop ri!"tu Public licenses and public domain a# alternatives to cop ri!"t Praha 2012 !edoucí práce" M$r. !ít Šisler Prohlašuji, že jsem diplomovou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k z skán jiného nebo stejného titulu! " Praze dne 15. 8. 2012 $bstrakt Práce ne'prve představu'e oblast veře'n*ch licencí 'ako prostor mezi autorsk*m zákonem a sf+rou voln*ch d,l% Pot+ u kate$orií proprietárního softwaru. svobodného a open source softwaru. otevřen+ho hard-aru a otevřeného obsahu postupně mapu'e 'ednotliv+ druh/ veře'n*ch licencí a s nimi spo'ená společenská a kulturní hnutí, dává 'e do vzá'emných a časových souvislostí, rozebírá 'e'ich charakteristick+ r/s/ a porovnává 'e mezi sebou. ukazu'e. 'ak veře'n+ licence definu'í různá s nimi spo'ená hnutí, a také anal/zu'e, 'aké překá1ky u1ití veře'n*ch licencí v 2esk+ republice klade česk+ právo% %líčová #lova 3utorské právo, licence, open source, creative commons, voln+ dílo. software, design. $bstract 4he -ork first introduces the area of public licenses as a space between the copyri$ht la- and public domain. 3fter that, consecutivel/ for proprietar/ software. free and open source software. open hard-are and open content, it maps particular types of public licenses and the accompanyin$ social and cultural movements. puts them in mutual as -ell as historical context, examines their characteristics and compares them to each other. -
Open Source Film a Model for Our Future?
Medientechnik First Bachelor Thesis Open Source Film A model for our future? Completed with the aim of graduating with a Bachelor of Science in Engineering From the St. Pölten University of Applied Sciences Media Technology degree course Under the supervision of FH-Prof. Mag. Markus Wintersberger Completed by Dora Takacs mt081098 St. Pölten, on June 30, 2010 Medientechnik Declaration • the attached research paper is my own, original work undertaken in partial fulfillment of my degree. • I have made no use of sources, materials or assistance other than those which have been openly and fully acknowledged in the text. If any part of another person’s work has been quoted, this either appears in inverted commas or (if beyond a few lines) is indented. • Any direct quotation or source of ideas has been identified in the text by author, date, and page number(s) immediately after such an item, and full details are provided in a reference list at the end of the text. • I understand that any breach of the fair practice regulations may result in a mark of zero for this research paper and that it could also involve other repercussions. • I understand also that too great a reliance on the work of others may lead to a low mark. Day Undersign Takacs, Dora, mt081098 2 Medientechnik Abstract Open source films, which are movies produced and published using open source methods, became increasingly widespread over the past few years. The purpose of my bachelor thesis is to explore the young history of open source filmmaking, its functionality and the simple distribution of such movies. -
“Blender, a Classic Underdog Story, Is the World's Most Widely Used 3D
The art of open source Open source powers every part of the creative arts. Jim Thacker explores how Blender is conquering animation and movie effects. lender has been used to create It may not be the market leader – animations for national commercial tools, particularly those television channels and developed by Autodesk, are still used for Bcommercials for Coca-Cola, the majority of professional animation, Pizza Hut and BMW. It creates slick visual effects and game development marketing images for brands ranging from projects – in the West, at least. But it is Puma to Philippe Starck. It has even been capable of great work. used on Oscar-nominated movies. And Over the next four pages, we’ll meet best of all, it’s open- source software. “Blender, a classic underdog Blender is a classic underdog story. story, is the world’s most Originally the in-house 3D toolset of a small widely used 3D software.” Dutch animation firm, it has survived early financial hardships and some of the companies using Blender for even the collapse of its original distributor to commercial projects, from illustrations win widespread popular acclaim. With over for cereal boxes to the visual effects four million downloads each year, it is now by for Red Dwarf. We’ll explore how the far the world’s most widely used 3D software. software powers an international But more importantly for the purposes network of animation studios on every of this article, it’s software that commands continent except Antarctica. And we’ll even the respect of professional artists. Once try to answer the question: ‘If Blender is so dismissed as a tool for hobbyists, Blender is great, why doesn’t it get used on more now praised by some of the world’s largest Hollywood movies?’ animation studios. -
Digital Movie-Making Digital
BLENDER Your project guide to preproduction, animation, and visual effects using the short fi lm Mercator YOU CAN DO IT WITH BLENDER, AND HERE’S HOW Create professional assets for fi lm, video, and games with open-source Blender 3D animation software and this project guide. Using the Blender-created short fi lm Mercator as a real-world tutorial, this unique book reveals animation and STUDIO PROJECTS movie-making techniques and tricks straight from the studio. Master the essentials of preproduction. Organize sequences and shots and build an asset library. Re-create an action BLENDER STUDIO PROJECTS scene from Mercator using actual movie assets. It’s all here and more in this hands-on guide. • Learn key Blender attributes, tools, and pipelines for professional results • Conceptualize, write a story, sketch the art, and storyboard your concepts • Organize sequences and shots, build an asset library, and create 2D and 3D animatics • See step by step how to add textures and materials for added realism Digital Movie-Making • Learn organic and inorganic mesh modeling and add clothing that wrinkles and moves • Master the rigging of objects, environments, and characters Digital Movie-Making Assemble 3D animatics Learn character rigging Create driven normal Set up cloth simulations maps using sculpting VALUABLE COMPANION DVD The DVD includes starter, intermediate, and fi nal fi les, as well as movie fi les to help you every step of the way. About the Authors Tony Mullen, PhD, teaches computer graphics and programming at Tsuda College and Musashino Art College in Tokyo. His screen credits include writer, codirector, or lead animator on several short fi lms, including the award-winning live-action/stop-motion fi lm Gustav Braustache and the Auto-Debilitator. -
Made with Creative Commons MADE with CREATIVE COMMONS
ii Made With Creative Commons MADE WITH CREATIVE COMMONS PAUL STACEY AND SARAH HINCHLIFF PEARSON Made With Creative Commons iii Made With Creative Commons by Paul Stacey & Sarah Hinchliff Pearson © 2017, by Creative Commons. Published under a Creative Commons Attribution-ShareAlike license (CC BY-SA), version 4.0. ISBN 978-87-998733-3-3 Cover and interior design by Klaus Nielsen, vinterstille.dk Content editing by Grace Yaginuma Illustrations by Bryan Mathers, bryanmathers.com Downloadable e-book available at madewith.cc Publisher: Ctrl+Alt+Delete Books Husumgade 10, 5. 2200 Copenhagen N Denmark www.cadb.dk [email protected] Printer: Drukarnia POZKAL Spółka z o.o. Spółka komandytowa 88-100 Inowrocław, ul. Cegielna 10/12, Poland This book is published under a CC BY-SA license, which means that you can copy, redistribute, remix, transform, and build upon the content for any purpose, even commercially, as long as you give appropriate credit, provide a link to the license, and indicate if changes were made. If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. License details: creativecommons.org/licenses/by-sa/4.0/ Made With Creative Commons is published with the kind support of Creative Commons and backers of our crowdfunding-campaign on the Kickstarter.com platform. iv Made With Creative Commons “I don’t know a whole lot about non- fiction journalism. The way that I think about these things, and in terms of what I can do is. essays like this are occasions to watch somebody reason- ably bright but also reasonably average pay far closer attention and think at far more length about all sorts of different stuff than most of us have a chance to in our daily lives.” - DAVID FOSTER WALLACE Made With Creative Commons v vi Made With Creative Commons CONTENTS Foreword xi Introduction xv PART 1: THE BIG PICTURE 1 The New World of Digital Commons by Paul Stacey 3 The Commons, the Market, and the State . -
Chapter 3 Principles, Materials and Methods Used When Reconstructing
‘Under the shade I flourish’: An environmental history of northern Belize over the last three thousand five hundred years Elizabeth Anne Cecilia Rushton BMus BSc MSc Thesis submitted to the University of Nottingham for the Degree of Doctor of Philosophy December 2014 ABSTRACT Environmental histories are multi-dimensional accounts of human interaction with the environment over time. They observe how and when the environment changes (material environmental histories), and the effects of human activities upon the environment (political environmental histories). Environmental histories also consider the thoughts and feelings that humans have had towards the environment (cultural/ intellectual environmental histories). Using the methodological framework of environmental history this research, located in sub-tropical northern Belize, brings together palaeoecological records (pollen and charcoal) with archival documentary sources. This has created an interdisciplinary account which considers how the vegetation of northern Belize has changed over the last 3,500 years and, in particular, how forest resources have been used during the British Colonial period (c. AD 1800 – 1950). The palaeoecological records are derived from lake sediment cores extracted from the New River Lagoon, adjacent to the archaeological site of Lamanai. For over 3,000 years Lamanai was a Maya settlement, and then, more recently, the site of two 16th century Spanish churches and a 19th century British sugar mill. The British archival records emanate from a wide variety of sources including: 19th century import and export records, 19th century missionary letters and 19th and 20th century meteorological records and newspaper articles. The integration of these two types of record has established a temporal range of 1500 BC to the present. -
Maritime Governance: How State Capacity Impacts Piracy and Sea Lane Security
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 4-2018 Maritime Governance: How State Capacity Impacts Piracy and Sea Lane Security Yuito Ishikawa Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Asian History Commons, Criminology and Criminal Justice Commons, Defense and Security Studies Commons, European History Commons, International Relations Commons, Military History Commons, and the Transportation Commons Recommended Citation Ishikawa, Yuito, "Maritime Governance: How State Capacity Impacts Piracy and Sea Lane Security" (2018). Undergraduate Honors Theses. Paper 1161. https://scholarworks.wm.edu/honorstheses/1161 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Ishikawa ii Abstract Maritime piracy varies from place to place and from age to age. This thesis aims to explain the variation of piracy across time and space by exploring the capability of establishing maritime governance against piracy. The spatial variation in the number of piratical attacks is explained by calculating the state capacity for governing the surrounding seas called Sea Power Index. The thesis argues that pirates particularly target waters near a state with “medium” levels of sea power because such states are not capable of enforcing strict regulations on piracy but can provide enough infrastructure and economy for pirates to have a profitable “business.” The variation in the frequency of piratical attacks across time is determined by the capability of the hegemonic powers in that time period.