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Politicizing Islam: State, Gender, Class, and Piety in France and India
Politicizing Islam: State, gender, class, and piety in France and India By Zehra Fareen Parvez A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Burawoy, Chair Professor Raka Ray Professor Cihan Tuğal Professor Loïc Wacquant Professor Kiren Aziz-Chaudhry Fall 2011 Abstract Politicizing Islam: State, gender, class, and piety in France and India by Zehra Fareen Parvez Doctor of Philosophy in Sociology University of California, Berkeley Professor Michael Burawoy, Chair This dissertation is a comparative ethnographic study of Islamic revival movements in Lyon, France, and Hyderabad, India. It introduces the importance of class and the state in shaping piety and its politicization. The project challenges the common conflation of piety and politics and thus, the tendency to homogenize “political Islam” even in the context of secular states. It shows how there have been convergent forms of piety and specifically gendered practices across the two cities—but divergent Muslim class relations and in turn, forms of politics. I present four types of movements. In Hyderabad, a Muslim middle-class redistributive politics directed at the state is based on patronizing and politicizing the subaltern masses. Paternalistic philanthropy has facilitated community politics in the slums that are building civil societies and Muslim women’s participation. In Lyon, a middle-class recognition politics invites and opposes the state but is estranged from sectarian Muslims in the working-class urban peripheries. Salafist women, especially, have withdrawn into a form of antipolitics, as their religious practices have become further targeted by the state. -
Rick Laubscher: Forty Years of Giving Back to San Francisco, from KRON to Market Street Railway
Oral History Center University of California The Bancroft Library Berkeley, California Rick Laubscher Rick Laubscher: Forty Years of Giving Back to San Francisco, From KRON to Market Street Railway Interviews conducted by Todd Holmes in 2016 Copyright © 2017 by The Regents of the University of California Since 1954 the Oral History Center of the Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Rick Laubscher dated March 30, 2017 The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Un Análisis De Sociologı́a De La Cultura: Manchester Sound, Factory Records
Un análisis de sociologı́a de la cultura: Manchester sound, Factory Records y Joy Division LIC. CONSTANZA ALICIA ABEILLÉ DOCTORADO EN TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA DE LA UNIVERSIDAD AUTÓNOMA DE BARCELONA Directores: Dr. Enric Sullà y Dr. Antoni Marti Monterde BARCELONA, 2015 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé Página 2 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé ÍNDICE Índice 3 Agradecimientos 7 Prólogo 9 Consideraciones de estilo y citas 17 EL ESTUDIO DE LA CULTURA POPULAR Y LA MÚSICA 1. Cultura popular y cultura de masas 21 1.1 El debate sobre la cultura popular y la cultura de masas 21 1.2 Theodor Adorno y la música popular 26 1.3 Una nueva clase, una nueva cultura 1.4 La definición de cultura popular de Stuart Hall 32 2. El circuito de la cultura dentro de los Estudios Culturales 43 2.1 El trabajo de los Estudios Culturales 44 2.2 El circuito de la cultura 51 2.2.1 Producción 56 2.2.2 Representación 58 2.2.3 Identidad 60 2.2.4 Consumo 63 2.2.5 Regulación 65 3. Sociología de la cultura aplicada a la música 69 3.1 La sociología de la cultura de Pierre Bourdieu 69 3.2 Conceptos centrales de la teoría de Pierre Bourdieu 71 Página 3 Un análisis de sociología de la cultura: Manchester sound, Factory Records y Joy Division Constanza Alicia Abeillé 3.2.1 Campo 72 3.2.2 El capital cultural 3.2.3 Habitus 73 3.2.4 Illusio 74 3.2.5 Posición, disposición y toma de posición 75 3.3 La sociología de la cultura aplicada a la música 77 3.3.1 Estilo, género y estilos de vida 81 3.3.2 Nuevos planteamientos que complementan la teoría subcultural 87 4. -
The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. by Schalk Daniël van der Merwe Dissertation presented for the degree of Doctor of Philosophy (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Albert Mauritz Grundlingh Co-supervisor: Prof. Stephanus Muller December 2015 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation, I declare that the entirety of the work contained therein is my own, original work, that I am the owner of the copyright thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2015 Copyright © 2015 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Acknowledgements Firstly, I would like to extend my gratitude to my two supervisors, Professors Albert Grundlingh and Stephanus Muller – I cannot think of a more suitable combination of minds for guiding me through the specific challenges of writing on this subject. I am also grateful for the History Department of Stellenbosch University for financial support, and to my colleagues Professors Sandra Swart, Bill Nasson, Wessel Visser, Dr. Anton Ehlers, (soon-to- be Dr.) Chet Fransch, Melvyn Daniels and Leschelle Morkel, and former colleague Dr. Sarah Duff – all of whom contributed in their own ways. Thank you to Mimi Seyffert, Marina Brink and Lynne Fourie at the University of Stellenbosch’s Library Archive for their help and guidance with archival material. Thank you also to Ernéne Verster and Huibre Lombard at the University of the Free State’s Institute for Contemporary History Archives, and to Monica van Deventer at the SABC Information Library for their help and correspondence. -
Paul Weller – Porcelain God
Paul Weller – Porcelain God 2.7 1977 The Jam sign to Polydor Records for an advance of £6000 and this was announced in the press 10 days Tuesday 11th January 1977 later. Evening Concert – The 100 Club, London The Jam support Alan Clayson’s Argonauts and Saturday 19th February 1977 Stripjack. Evening Concert – The Hunt Hotel, Leighton Buzzard Saturday 22nd January 1977 Thursday 24th February 1977 Evening Concert – The Marquee, London (Attendance Evening Concert – The Roxy, London approximately 500) The Jam were supported by The Rejects and Wire. The Jam support Bearded Lady. This gig was attended by Chris Parry from Polydor who consequently asked Friday 25th February 1977 the band to record demos for the label. At the time the Polydor announce the signing of the Jam, for a one band had already received a contract offer from London single and one album deal. The sign on fee was based Chiswick Records but the advance of £500 for a £6000.00. one single deal was small and the band held out for a Evening Concert – The Fulham Greyhound, London better offer. Paul Weller burns a copy of “Sniffing Glue” at this gig Saturday 26th February 1977 as he was annoyed at comments made in the fanzine Evening Concert – The Hunt Hotel, Leighton Buzzard about the band taking too long to tune their instruments. On the same day the NME published a positive live March 1977 review of the Jam by John Tobler. The “In The City” Album Sessions, commence at Polydor Studios, London with Vic Smith and Chris Parry Tuesday 25th January 1977 and last 11 days in total. -
Oral History Interview with Tom Blackwell, 2009 September 22-November 11
Oral history interview with Tom Blackwell, 2009 September 22-November 11 Funding for this interview was provided by the Terra Foundation for American Art. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Tom Blackwell on September 22, 2009. The interview took place in Andes, New York, and was conducted by Judith Richards for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview JUDITH RICHARDS: This is Judith Richards interviewing Tom Blackwell in Andes, New York, on September 22, 2009 for the Archives of American Art, Smithsonian Institution, disc one. Tom, let's begin with you family background, if you can talk about your relatives— TOM BLACKWELL: My family background, I was born in Chicago, 1938. JUDITH RICHARDS: What was the exact date? TOM BLACKWELL: March 9, and so I'm not quite a baby boomer, pre-baby boom. JUDITH RICHARDS: Where did your grandparents come from? TOM BLACKWELL: On my father's side, they were Irish so they came from Ireland. On my mother's side, English, and who had been in the country for a long time. I think they were fairly early English settlers. On my mother's side, their family name was Tankersly. JUDITH RICHARDS: How do you spell that? TOM BLACKWELL: T-A-N-K-E-R-S-L-Y. -
Flanagan's Running Club – Issue 8
Flanagan's Running Club – Issue 8 Introduction The first rule of Flanagan's Running Club is everyone should talk about Flanagan's Running Club! Feel free to forward on to anyone you want, tell people about it the works, and just get them to sign up. Can I ask you all a favour, please can you review my book on Inkitt, and the link is below. Even if you don’t take time to read it properly, please flick through a few chapters, give it ratings and a review and vote for it please. It may help me get it published. https://www.inkitt.com/stories/thriller/201530 London Pub Crawl date has been finalised – Saturday 28th July, full route and theme to be confirmed, but a date for the diary. On This Day – 25th May 1660 – Charles II lands at Dover at the invitation of the Convention Parliament (England), which marks the end of the Cromwell-proclaimed Commonwealth of England, Scotland and Ireland and begins the Restoration (1660) of the British monarchy. 1935 – Jesse Owens of Ohio State University breaks three world records and ties a fourth at the Big Ten Conference Track and Field Championships in Ann Arbor, Michigan. 1953 – The first public television station in the United States officially begins broadcasting as KUHT from the campus of the University of Houston. 1977 – Star Wars is released in theatres. It’s Geek Pride Day And it’s Towel Day in honour of the work of the writer Douglas Adams Mapping The London Year 1850 - Obaysch arrives at London Zoo, the first hippopotamus seen in Great Britain since prehistoric times and the first in Europe since the Romans. -
It's Only Minnesang
It’s only Minnesang (but I like it) Minnesang, Pop and Rock Peter Christian June 1982 Preface This paper was written as the basis of a briefer exposition on the similarities between the medieval German love lyric (‘Minnesang’) and rock music, given to the German Society, Goldsmiths’ College, London, in the summer term of 1982. The aim was to show how: Rock and Minnesang are based on a similar relation between composition, performance and text Rock and Minnesang depend on a similar relation between artists and audience Rock can help us to appreciate what is missing from Minnesang as it has come down to us. Since it was intended for an audience with a knowledge of German and at least some familiarity with the poetry of medieval Germany, there will be a number of points and quite a few quotations which are not readily comprehensible to those who don’t have this background. But even so, and even without translation of the medieval texts, I think the general argument can be followed by the non‐ specialist. The basic characteristics of Minnesang are more or less covered along the way, but the Wikipedia article on Minnesang summarises the main features of the tradition for those who want initial orientation. Wikipedia also has articles on several of the poets discussed and quoted. Of course, the world of rock music was in many ways very different in 1982 — we were still recovering from Punk. We had yet to experience Live Aid, MTV, and all the other things that helped make Rock mainstream for pretty well everyone under 70. -
Album Reviews
ALBUM REVIEWS RUNNING ON EMPTY - Jackson Browne - Asylum 6E-113 New Copyright Law Seen as - Producer: Jackson Browne - List: 7.98 Jackson's fifth album is a live album, but not in the traditional sense of the genre. None of the material has appeared on any of Benefit Despite Upped Cost (continued from page 7) his previous albums and though it was recorded on his recent years. The shift from 1977 to 1978 is par- fall tour, not all of it was recorded on stage in front of a live Some of the definitions could have been ticularly problematic. audience. The songs all revolve around life on the road, from made clearer, however. I am concerned 'Strengthens Protection' the loneliness and boredom in "Nothing But Time" to a tribute to with the area of assignment. Of course, "One of the most signficant changes is roadies in "The Load Out." The superior sound quality is just licensing is going to have to be changed. that it tremendously strengthens the one more factor that lifts this well above most live LPs. And it will be more expensive to file for protection afforded to us and writers of registration. I am very happy that foreign sound recordings. I'm very pleased with the DON DAUGHTER JUAN'S RECKLESS - Joni Mitchell - material can now be copyrighted. I also like clarity of the language of the new act and Asylum BB 701 - Producer: Joni Mitchell - List: 12.98 that lyrics can be copyrighted by them- also the open possibility of a performance From the multi -layered, orchestrated "Paprika Plains" (a 16 - selves. -
Free Download of Ebook (Pdf)
1 2 3 Pol Dodu Discographie personnelle de la New Wave Vivonzeureux 4 Discographie personnelle de la New Wave, 2015. Ce livre est publié sous licence Creative Commons Attribution - Pas d’utilisation commerciale - Partage dans les mêmes Conditions 3.0 France (CC BY-NC-SA 3.0 FR) http://creativecommons.org/licenses/by-nc-sa/3.0/fr/ L'édition numérique est disponible gratuitement : http://vivonzeureux.fr/newwave Illustration de couverture : Fabienne Mazay (2014) d'après la couverture de Pearce Marchbank pour International discography of the new wave : volume 1982|1983 (1982) ISBN : 978-2-9536575-6-2 Vivonzeureux http://vivonzeureux.fr [email protected] 5 INTRODUCTION 6 En 1978, nous sommes allés en famille en vacances de neige dans le Jura. Au dernier moment avant de repartir, alors que nous étions déjà tous dans la voiture, nous nous sommes arrêtés, pour prendre de l'essence sûrement, et j'ai demandé à sortir pour aller fûreter rapidement dans le rayon presse du magasin devant lequel nous étions. J'en suis revenu, délesté de 6 francs, avec dans les mains le n° 116 du magazine Best, daté de mars 1978 et donc sorti courant février. Cela faisait sûrement une bonne année que j'avais commencé à m'intéresser sérieusement à la musique, en achetant plus de disques, en écoutant la radio, en en discutant avec les copains, et en leur empruntant disques et revues, mais, à presque quinze ans, c'est la première fois que j'ai acheté en kiosque au moment de sa sortie l'un des deux titres phares de la presse rock de l'époque, Rock & Folk et Best. -
O "Grupo De Los Ses
MUSICA CLASICA CD está editado por Hispovox en tar de la popularísima canción Seis", entre los que se encontraban 1991. "Maite"!. músicos de lo tollo de Poulenc, Mil También recomiendo lo escucho haud o Honegger, es muy triste el de alguno versión de sus "Variacio Blancafort, Manuel. (1897- hecho de que un compositor de nes sobre un tema papular vasca" o 1987) Estos líneas o la me maria esto categoría hoya sido -y seo de su "Suite Vasca" y. por supuesta de este importantísimo compositor ton poco conocido. Recomiendo lo de su zarzuela de ambiente castizo cata Ión en el centenario de su naci integral de su obro pioníslico , en madrileño: "la del manojo de rasas". miento. Seguidor de los premisas - tres CD, del sello Mondolo, a ¡Qué menos que la adquisición de posteriores a la primera guerra mun cargo del gran pianista Antoni Bes algún CD para recordar al compasi- díal- del llamado "Grupo de los ses . • •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• o " Q O ;:¡ bit ;:¡ O iIl ( Recomle da ( .., (J) .,J .,J ¡;¡ O « U¡¡. .... 1l. THE JAM SON THE JAM SON, poro los que más alejados de este movimiento, esto suscriben, uno de los cuatro serían los que más tiempo se man mejores grupos de lo historio tuvieron fieles a su espíritu , incluido haciendo sencillos. Si o esto le su repentina desaparición en el sumamos las buenas canciones que año 1982. poblaban sus elepés, su acti tud y su premoturo desaparición, su paso Pero volvamos 01 año 1977. par lo escena musical adquiere tin Comisas blancos, corbatos estre tes míticos. chos, Rickenbocker en bandolero, "In the city" dejo bien cloros los Poul Weller, Bruce Foxton y Rick influencias de los Jam. -
Smash Hits Volume 38
30p May 15-28 1980 Words to the TOP SINGLES including In The City This World Of Water Hold On To Mylove KATE BUSH PHIL lYNOft ROCK ON TV UNDERTONES TOYAH in colour Albums to be w6n * Their very existence menaced by a strange civilization. ^s * - ;>^ 'f MISSION- jTIGfi "% V $. J * I v • I Slmiij 'MISSION GALACTICA: The Cyian Attack' A 6LEN A LARSON PROQUCTIGN RICHARD HATCH DIRK RENEDICLLM GREENE Urn SfttiilGiislSlii Liimlci Cm Sl """!ieLEN A.IARSON.JIM CARLSON &TERRENCE McDONNELL '"IJKEN PEJLUSJLEN A.LARSON...MIGHAEL SLOAN %S GLEN A.LARSON Midi ,l """ """ ' '" " *1 iiiinb[[unnnuoiiiiinnioiinnICE (RWARDSh-CHRISIIAN i.nioiI. NYBY IIii i!hi..S1U PHILLIPS I"" READ THE BAHLESTAR GALACTICA SERIES FROM FUTURA BOOKS. A UNIVERSAL PICTURE. Wi DISTRIBUTED BY CINEMA INTERNATIONAL CORPORATION. % ©1979 Universal City Studios, Inc. All Rights Reserved NOW Separate MAY 22 progs daily 1.003.306.008.30 FULHAM ROAD Late show Fri. & ANDATABCAND Sat. 11.15p.m. ABC For details of all BAYSWATER programme times phone OTHER LEADING CINEMAS In the super «. :mioi anna-ki win Teledata 01-200 0200 (24 hours) EDGWARE ROAD reality of _g| ACROSSTHE COUNTRY !»'' IN THE CITY May 15-28 1980 Vol. 2 No. 10 The Jam 4 TERRIBLE. INNIT? I mean, how could ALL AROUND THE WORLD they do it? How could they cause so much suffering among the innocent? The Jam 4 TV's till . No more was September . MODERN WORLD But we must be brave and carry on. Actually, you can read what Tony The Jam 4 Parsons (he of the Sex Pistols article BREATHING fame) thinks of Tiswas and other music programmes in this issue's Kate Bush 6 special feature on rock on TV on pages 12-14.