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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 5-2005 Fantasy and Imagination: Discovering the Threshold of Meaning David Michael Westlake Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Modern Literature Commons Recommended Citation Westlake, David Michael, "Fantasy and Imagination: Discovering the Threshold of Meaning" (2005). Electronic Theses and Dissertations. 477. http://digitalcommons.library.umaine.edu/etd/477 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING BY David Michael Westlake B.A. University of Maine, 1997 A MASTER PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) The Graduate School The University of Maine May, 2005 Advisory Committee: Kristina Passman, Associate Professor of Classical Language and Literature, Advisor Jay Bregrnan, Professor of History Nancy Ogle, Professor of Music FANTASY AND IMAGINATION: DISCOVERING THE THRESHOLD OF MEANING By David Michael Westlake Thesis Advisor: Dr. Kristina Passman An Abstract of the Master Project Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Liberal Studies) May, 2005 This thesis addresses the ultimate question of western humanity; how does one find meaning in the present era? It offers the reader one powerful way for this to happen, and that is through the stories found in the pages of Fantasy literature. It begins with Frederick Nietzsche's declaration that, "God is dead." This describes the situation of men and women in his time and today. -
Myth Y La Magia: Magical Realism and the Modernism of Latin America
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2015 Myth y la magia: Magical Realism and the Modernism of Latin America Hannah R. Widdifield University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Latin American Languages and Societies Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Widdifield, Hannah R., "Myth y la magia: Magical Realism and the Modernism of Latin America. " Master's Thesis, University of Tennessee, 2015. https://trace.tennessee.edu/utk_gradthes/3421 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Hannah R. Widdifield entitled "Myth y la magia: Magical Realism and the Modernism of Latin America." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Lisi M. Schoenbach, Major Professor We have read this thesis and recommend its acceptance: Allen R. Dunn, Urmila S. Seshagiri Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Myth y la magia: Magical Realism and the Modernism of Latin America A Thesis Presented for the Master of Arts Degree The University of Tennessee, Knoxville Hannah R. -
Science Fiction, Steampunk, Cyberpunk
SCIENCE FICTION: speculative but scientific plausability, write rationally, realistically about alternative possible worlds/futures, no hesitation, suspension of disbelief estrangement+cognition: seek rational understanding of NOVUM (D. Suvin—cognitive estrangement) continuum bw real-world empiricism & supernatural transcendentalism make the incredible plausible BUT alienation/defamiliarization effect (giant bug) Literature of human being encountering CHANGE (techn innovat, sci.disc, nat. events, soc shifts) origins: speculative wonder stories, antiquity’s fabulous voyages, utopia, medieval ISLAND story, scientifiction & Campbell: Hero with a 1000 Faces & Jules Verne, HG Wells (Time Machine, War of the Worlds, The Island of Dr Moreau), Mary Shelley (Frankenstein), Swift Gulliver’s Travels Imaginative, Speculative content: • TIME: futurism, alternative timeline, diff hist. past, time travel (Wells, 2001. A Space Odyssey) • SPACE: outer space, extra-terrestrial adventures, subterranean regions, deep oceans, terra incognita, parallel universe, lost world stories • CHARACTERS: alien life forms, UFO, AI, GMO, transhuman (Invisible Man), mad scientist • THEMES: *new scientific principles, *futuristic technology, (ray guns, teleportation, humanoid computers), *new political systems (post-apocalyptic dystopia), *PARANORMAL abilities (mindcontrol, telekinesis, telepathy) Parallel universe: alternative reality: speculative fiction –scientific methods to explore world Philosophical ideas question limits & prerequisites of humanity (AI) challenge -
Exhibition Hall
exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom. -
118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
118 Reviews of Books does, the book is a pleasure. He roots it in feminist, race, and sf scholarship, just as he grounds Butler in black American women’s writing traditions and sf tropes. Moreover, he stays focused on his literary argument and doesn’t get lost in the weeds of debates about agency, humanism, and the problematic legacy of the Enlightenment. Ultimately, Of Bodies, Communities, and Voices is indispensable for any Butler scholar, primarily because of the ways he connects so many of her work’s central concerns without reducing its complexity or variety. It will function more as a source of research than pedagogy, except maybe in upper-level classes centered on Butler. I recommend it not only to scholars of Butler but sf in general, especially in terms of afrofuturism, posthumanism, or any of Bast’s focal points (agency, bodies, community, voice). Biopunk SF in Liquid Modernity. Lars Schmeink. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool: Liverpool University Press, 2016. 288 pp. ISBN 978-1-78-138376-6. £75 hc. Reviewed by D. Harlan Wilson Biopunk is among the more recent sf subgenres to emerge from the virtual citadel of 1980s cyberpunk. There have been others—most prominently steampunk, but also splatterpunk, nanopunk, dieselpunk, bugpunk, even elfpunk and monkpunk—but biopunk narratives are perhaps the first truly authentic descendant of the cyberpunks, featuring gritty dystopian settings, beat characters, corporate terrorism, techno-pathology, and body invasion. Instead of hacking computers, however, biopunks hack DNA and operate in worlds where the processes and products of genetic engineering are brought to bear by various forms of mad scientism. -
NVS 3-1-5 M-Perschon
Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G. -
The Vampire Archetype and the Steampunk Vamp Carina Maxfield
LiteraturaSubverting e Ética: the experiências Canon: The de leitura Vampire em contexto Archetype de ensino and the Steampunk Vamp Alexandra Isabel Lobo da Silva Lopes Carina Maxfield Dissertação de Mestrado em Estudos Portugueses Dissertação de Mestrado em Línguas, Literaturas e Culturas Versão corrigida e melhorada após a sua defesa pública. Especialização em Estudos Ingleses e Norte-Americanos Setembro, 2011 Novembro 2016 LiteraturaSubverting e Ética: the experiências Canon: The de leitura Vampire em contexto Archetype de ensino and the Steampunk Vamp Alexandra Isabel Lobo da Silva Lopes Carina Maxfield Dissertação de Mestrado em Estudos Portugueses Dissertação de Mestrado em Línguas, Literaturas e Culturas Versão corrigida e melhorada após a sua defesa pública. Especialização em Estudos Ingleses e Norte-Americanos Setembro, 2011 Novembro 2016 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Línguas, Literaturas e Culturas, realizada sob a orientação científica de Professora Doutora Iolanda Ramos. Acknowledgements I would like to express my sincere thanks to Professor Iolanda Ramos for her time and patience in helping me complete this dissertation. I would also like to thank the school and several public libraries around Lisbon for lending me the space to complete my research. Finally, I would like to thank all of my friends, Vítor Arnaut, and my loving family for their complete physical and moral support through this at times challenging moment in my life. Subverter o Cânone: O Arquétipo do Vampiro e o ‘Steampunk Vamp’ Carina Maxfield Resumo Esta dissertação tem como objectivo analisar os diferentes modos em que o arquétipo do vampirismo se tem modificado das normas convencionais e como prevaleceu. -
The Antique and Modern Dimensions of Fantasy Literature
Weronika Łaszkiewicz The Antique and Modern Dimensions of Fantasy Literature Annales Neophilologiarum nr 7, 103-117 2013 ANNALES NEOPHILOLOGIARUM 7 Rok 2013 Weronika Łaszkiewicz* Uniwersytet w Białymstoku THE ANtIQUE ANd MOdERN DIMENSIONS of Fantasy Literature In 1856, William Morris published a short story entitled “The Hollow Land” and two years later, in 1858, George MacDonald presented the novel Phantastes. Little did both writers probably suspect at the time of the publication of their works that almost one hundred and fifty years later Richard Mathews would name them “the pioneers of fantasy as a modern literary genre.”1 Morris was fascinated by medieval literature and culture, which served as inspiration for his poetry and prose romances, whereas MacDonald, who was deeply concerned with religion, wrote fantasy narratives of allegorical nature which addressed reli- gious and spiritual issues. Regardless of the differences in their choice of topics and styles, both writers diverged from realism in favor of their own imaginary lands. Since Morris’s and MacDonald’s publications, fantasy fiction has gradually undergone several inner transformation that reshaped its form and structure, lured new writers who contributed to its development with their individual perception of the fantastic, and gathered an international audience. At the same time, fantasy literature has been struggling to obtain a position within the literary world domi- nated by the modern novel of realism. Part of that struggle is still visible today as modern fantasy fiction is still strengthening its position among mainstream genres. The discussion of fantasy’s heritage as a mode of literary expression, * Weronika Łaszkiewicz works at the Faculty of English Philology (University of Białystok) where she teaches courses in American literature, descriptive grammar, practical grammar and aca- demic writing. -
Alternate History Fiction and Steampunk
Alternate History Fiction and Steampunk (available on cassette and digital cartridge) Alternate history or alternative history is a subgenre of speculative fiction (or science fiction) and historical fiction that is set in a world in which history has diverged from the actual history of the world. Alternate history literature asks the question, "What if history had developed differently?" Most works in this genre are based on real historical events, yet feature social, geopolitical, or industrial circumstances that developed differently than our own. Steampunk is a subgenre of speculative fiction, usually set in an anachronistic Victorian or quasi-Victorian alternate history setting. It could be described by the slogan "What the past would look like if the future had happened sooner." It includes fiction with science fiction, fantasy or horror themes. Authors: Harry Turtledove (Alternate History; Assorted) Gail Carriger (Steampunk; Victorian Era, Paranormal-Fantasy) Guy Gavriel Kay (Alternate History; Early Histories) China Mieville (Steampunk; Assorted) SERIES: Anderson, Taylor – Destroyermen Series (Alternate History; WWII Era, Ships Stumble into Alternate Reality Where Dinosaurs Never Went Extinct) Baker, Kage – The Company Series (Steampunk; Victorian Era) Belcher, R.S. – Golgotha Series (Steampunk; The Old West) Card, Orson Scott – Tales of the Alvin Maker (Alternate History; Natural Magic Exists, Aztecs Beat Cortez, Puritans Successfully Revolted in Britain) Cato, Beth – The Clockwork Dagger Duology (Steampunk; Airships) Christopher, -
1 Introduction: Re-Thinking Magical Realism
Notes 1 Introduction: Re-thinking Magical Realism 1. In May 2002, a banner headline in Newsweek International offered the world the question, “Is Magical Realism Dead?” (Margolis 52). The story was taken up in Britain less than a week later by Robert McCrum in The Observer under the headline, “Has Magic Realism Run Its Course?” By contrast with these last rites, a company called Mag-Well recently adver- tised a new kind of fluid conditioning technology with the label ‘magic realism’ (see Mag-Well). 2. I am glossing over critical debates about the differences between magic realism and magical realism because, unlike, Maggie Ann Bowers in her book, Magic(al) Realism, I don’t think much is at stake in this regard. I prefer the latter term because I emphasise the fact that magical realism is a kind of modified, expanded or subverted realism. For an alternative position see Hegerfeldt (1). 3. This phrase is derived from Irlemar Chiampi, who in 1980 described processes involving the “denaturalisation of the real” and a “naturalisation of the marvellous” (see 27–32). In her 1985 book, Amaryll Chanady, drawing on Chiampi, claims magical realism “naturalizes the supernatural” (151). This chapter argues that this formulation encapsulates the key feature of magical realist narrative. 4. For more detail see my essay “The Hermeneutics of Vagueness: Magical Realism in Current Literary Discourse.” 5. See Radcliffe-Brown’s distinctions between the “expressive” and the “technical” (143); Evans-Pritchard’s between “patterns of thought that attribute to phenomena supra-sensible qualities” and those that depend on empirical patterns of thought (12); Lévy-Bruhl’s between “mystical men- tality” and the “conceptual” and “intellectual” (38, 382); Douglas’s between differentiated and undifferentiated “fields of symbolic action” (85); and Geertz’s “common-sense” and religious “orientations to reality” (122). -
Myth, Mythopoeia and High Fantasy in Contemporary Indian Novels
Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.7.Issue 3. 2019 Impact Factor 6.8992 (ICI) http://www.rjelal.com; (July-Sept.) Email:[email protected] ISSN:2395-2636 (P); 2321-3108(O) RESEARCH ARTICLE MYTH, MYTHOPOEIA AND HIGH FANTASY IN CONTEMPORARY INDIAN NOVELS Dr. SAMIR THAKUR1, Dr. SAVITA SINGH2, SHRADDHA SHARMA3 1Principal, RITEE College of Management Raipur (C.G.) 2Asst. Professor Department of English, Govt. NPG College of Science Raipur (C.G.) 3Research Scholar, Pt.Ravishankar Shukla Univercity, Raipur (C.G) doi: doi.org/10.33329/rjelal.73.235 ABSTRACT Myths are important to highlight the origin of world to society. Indian mythology and its innumerable sections have permanent influence on Indian literature as a whole, which can be considered a literary genre itself. Mythology in the Indian context encloses all-inclusive subject, to which everybody wants to be a part of life. Keywords – Myth, mythopoeia, Contemporary Indian novels . From the Greek mythos, myth means story mythology is like Chinese whispers. A story, told and or word. Mythology is the study of myth. As stories retold over generations, develops its own sub-plots, myths articulate how characters undergo or enact an introduces new characters and relatable events and ordered sequence of events. The term myth has changes perspectives according to the storyteller. come to refer to a certain genre of stories that share “Myth, history, and the contemporary – all characteristics that make this genre distinctly become part of the same chronological sequence; different from other genres of oral narratives, such as one is not distinguished from another; the passage legends and folktales.