Sirgawain and the Green Knight
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How Geoffrey of Monmouth Influenced the Story of King Arthur
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 6-10-2019 The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur Marcos Morales II [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Cultural History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Morales II, Marcos, "The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur" (2019). Student Theses, Papers and Projects (History). 276. https://digitalcommons.wou.edu/his/276 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. The Creation of a King: How Geoffrey of Monmouth Influenced the Story of King Arthur. By: Marcos Morales II Senior Seminar: HST 499 Professor David Doellinger Western Oregon University June 05, 2019 Readers Professor Elizabeth Swedo Professor Bau Hwa Hsieh Copyright © Marcos Morales II Arthur, with a single division in which he had posted six thousand, six hundred, and sixty-six men, charged at the squadron where he knew Mordred was. They hacked a way through with their swords and Arthur continued to advance, inflicting terrible slaughter as he went. It was at this point that the accursed traitor was killed and many thousands of his men with him.1 With the inclusion of this feat between King Arthur and his enemies, Geoffrey of Monmouth shows Arthur as a mighty warrior, one who stops at nothing to defeat his foes. -
Sir Gawain and the Green Knight New Verse Translation by Benedict Flynn POETRY Read by Jasper Britton
Sir Gawain and the Green Knight New verse translation by Benedict Flynn POETRY Read by Jasper Britton NA286512D 1 I. When siege and assault had ceased... 1:47 2 This fair Britain, founded by that famous knight... 0:52 3 The king lay at Camelot one Christmas tide... 1:08 4 With New Year not yet a day old... 1:16 5 Now, Arthur would not eat until all were served... 0:58 6 So he stands, the stern young king... 1:06 7 I’ll say nothing more about the meal... 1:12 8 Green, were both the garments and the grinning man... 1:31 9 Garbed in green was the gallant rider... 1:27 10 And yet he had no helm or hauberk either... 1:38 11 Stunned, the court stared... 1:00 12 From the dais Arthur watched... 1:34 13 ‘Fight? Have no worry.’ 1:28 14 If he astonished them first... 1:21 15 ‘By heaven,’ said Arthur... 0:53 16 ‘Grant me grace,’ said Gawain... 1:06 17 The king commanded the courtly knight to stand. 1:12 18 ‘By God,’ said the Green Knight... 1:24 19 The Green Knight stood... 1:30 20 For he held the head up high in both his hands... 1:29 21 And yet high-born Arthur was heavy at heart... 1:25 22 II. Arthur was granted his gift of adventure... 1:29 23 So comes the summer season... 1:10 2 24 Yet he lingers till All Hallows... 1:26 25 He dwelt there that day.. -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Vilain, Auctor : the Upward Flow of Wisdom in Sir Gawain and the Green Knight / by Gail Althea Bell.
Yf LAIN, AUCTOR: THE UPWARD PLOW OF VfSCCfl IW SIR GABAfN AMD TRE GREEN KNIGHT -m __I- -- I-_.-- ---- Gail Althea Bell THESIS SUBHXTTED IN PARTIAL FULFILLHENT Of THE REQUIREHENTS FCR THE DEGREE OF RASTER OF ARTS in the Departaent English C Gail Althea Bell 1981 SISCN FRASEX UNXVERSITP October 198 1 A11 rights reserved, This thesis may not be reproduced i~whale or in part, by photocopy or other meaos, without permission of the author, APPROVAL NAME: Gail A1 thea BELL DEGREE: Master of Arts TITLE OF THESIS: Vilain Auctor: The Upward Flow of Wisdom in Sir Gawain and the Green Knight. EXAMINING COMMITTEE: Chai rman: Dr. Michael Steig Dr. Joseph Gal 1agher, 'Senior Supervi sor Associate Professor of Engl ish Dr. dary-~nnStouck, Assistant Professor of Engl ish Dr. Harvey De i ROO, Assistant Professor of Engl ish Dr. Kieran Kealy , ~xtehalExaminer Professor of English, U.B.C. Date Approved: 3/81. PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or sing l e cbp ies only for such users or in response to a reqbest from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
Is Sir Gawain a Typical Knight?
Lesson 3 – Is Sir Gawain a typical knight? Can you use your knowledge of knights to understand Gawain better? Can you demonstrate understanding of knightly principles? Send work to your teacher via Google Classroom, Google Drive or email. Activity 1 Read the following extract taken from the opening of Sir Gawain and the Green Knight. EACH MONTH OF THE YEAR PASSED BY, however, as seasons came and went, it was difficult for Gawain not to think from time to about the terrible fate he must face - sooner now, not later. Many a long night lay awake, willing time to slow but time neither waits nor hurries for any man. It was already Michaelmas (a saint’s day celebrated in September) and he knew he must soon leave and be on his way. His spirits were raised by the love of the king and by his brotherhood of knights. Gawain stayed as long as he could, up until All Saints' Day (a day in November to celebrate all known and unknown saints). The last night before he was to leave they held a great feast in his honour, and everyone at Camelot, lords and ladies, squires and servants, did all they could to keep him merry. But try as they might the jokes and the laughter seemed flat and forced, the smiles thin, for all of them realised this was likely to be the last time they would dine with brave Gawain. No knight in that court was more well-loved and honoured than he. Figure 1 - a medieval feast Bravely, but sadly, Gawain rose to his feet. -
MANY MOTIVES: GEOFFREY of MONMOUTH and the REASONS for HIS FALSIFICATION of HISTORY John J. Berthold History 489 April 23, 2012
MANY MOTIVES: GEOFFREY OF MONMOUTH AND THE REASONS FOR HIS FALSIFICATION OF HISTORY John J. Berthold History 489 April 23, 2012 i ABSTRACT This paper examines The History of the Kings of Britain by Geoffrey of Monmouth, with the aim of understanding his motivations for writing a false history and presenting it as genuine. It includes a brief overview of the political context of the book at the time during which it was first introduced to the public, in order to help readers unfamiliar with the era to understand how the book fit into the world of twelfth century England, and why it had the impact that it did. Following that is a brief summary of the book itself, and finally a summary of the secondary literature as it pertains to Geoffrey’s motivations. It concludes with the claim that all proposed motives are plausible, and may all have been true at various points in Geoffrey’s career, as the changing times may have forced him to promote the book for different reasons, and under different circumstances than he may have originally intended. Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. ii CONTENTS INTRODUCTION 1 Who was Geoffrey of Monmouth? 3 Historical Context 4 The Book 6 Motivations 11 CONCLUSION 18 WORKS CITED 20 WORKS CONSULTED 22 1 Introduction Sometime between late 1135 and early 1139 Geoffrey of Monmouth released his greatest work, Historia Regum Britanniae (History of the Kings of Britain in modern English). -
Friday, 28-07-2017
Friday, 28.07.2017 09:00-10:30 Artusrezeption in Spätmittelalter und Früher Neuzeit Head: Mathias Herweg Room 2 Unsere Sektion zum Rahmenthema "Nachmittelalterlicher Artus: Druck und andere Medien" befasst sich mit dem Weiterleben des Artusstoffs und der Artusfiguren im Spätmittelalter und der Frühen Neuzeit. Das Spektrum reicht vom 13. bis zum 16. Jahrhundert (mit einem Schwerpunkt im 15./16. Jh.) und deckt die deutsche, französische, italienische und niederländische Literatur ab. Beleuchtet wird einerseits, wie Figuren der matière de Bretagne in verschiedenen Gattungen rezipiert werden (in längeren und kürzeren Erzähltexten, in verschiedenen lyrischen Gattungen und auf der Bühne), andererseits, welche Rolle dabei verschiedene Medienwechsel (Buchdruck, Text/Bild, Bühne) spielen. DIE FRÜHEN DRUCKE DER FRANZÖSISCHEN ARTUSROMANE Brigitte Burrichter Im ausgehenden 15. und frühen 16. Jahrhundert wurden mehrere französische Artusromane des 13. Jahrhunderts gedruckt. Gegenstand des Vortrags wird der Umgang der Drucker mit den mittelalterlichen Romanen sein (Modernisierung der Sprache, Vorworte). RÜCKBLICK AUF DES KÖNIG ARTUS ZEIT. ARTUS-ERWÄHNUNGEN IM HÖFISCH-GALANTEN ROMAN DES 15./16. JAHRHUNDERTS Cora Dietl In der höfisch-galanten Erzählliteratur des späteren 15. und 16. Jahrhunderts lässt sich zunehmend eine historische Distanz zur arthurischen Welt erkennen. Wenn ritterliche Romane dieser Zeit in England oder Frankreich spielen, dann ist es meist das nacharthurische Britannien, in dem sich zwar Konstellationen aus der Artusliteratur wiederholen, aber keine Artusritter mehr auftreten. Sie werden trotzdem als Exempel genannt – und das häufig zu Beginn der Handlung, um beim Rezipienten das entsprechende literarische Muster aufzurufen und die Rezipientenerwartung entsprechend zu lenken. Diesem Phänomen werde ich an verschiedenen Beispieltexten nachgehen (u.a. Pontus und Sidonia, Ritter Galmy, Amadis), um nach der Funktion des Arthurischen im nichtarthurischen höfisch-galanten Roman um 1500 generell zu fragen. -
We Are America's Travel Industry, A
The Honorable Mitch McConnell The Honorable Nancy Pelosi Majority Leader Speaker of the House of Representatives United States Senate United States House of Representatives Washington, DC 20510 Washington, DC 20510 The Honorable Charles Schumer The Honorable Kevin McCarthy Minority Leader Minority Leader United States Senate United States House of Representatives Washington, DC 20510 Washington, DC 20510 March 20, 2020 Dear Leader McConnell, Leader Schumer, Speaker Pelosi, and Leader McCarthy: We are America’s travel industry, an economic sector that directly employs 9 million American workers and supports a total of 15.8 million jobs. The travel and tourism industry—including but not limited to transportation, lodging, recreation and entertainment, food and beverage, meetings, conferences and business events, travel advisors, destination marketers—is comprised of businesses of all sizes, but the vast majority, 83%, are small businesses. Together we are grappling with the immediate and devastating impact of the current health crisis. Furloughs of American travel workers are happening right now. Travel to and within the United States has essentially ground to a stop due to the actions needed to halt the spread of coronavirus. Aggressive financial relief is needed immediately. Taking care of our employees will always be our top priority, but the hard fact is we cannot continue supporting them through this disaster without relief. To that end, we greatly appreciate and strongly support provisions in the ‘‘Coronavirus Aid, Relief, and Economic Security Act’’ that provide: • $300 billion for enhanced Small Business Administration (SBA) loans distributed through an expedited process and can be partially forgiven for employee retention; and • Tax relief to mitigate economic losses, including deferral of tax liability, extension of the Net Operating Loss deduction, and delay of estimated tax payments. -
Armstrong, Dor Ch 1-2 P 1-109
Introduction o This book examines the function of gender in Sir Thomas Malory’s Morte d’Arthur, arguing that an understanding of the particular construction of gender in Malory’s text is critical to any attempt to engage with its narra- tive project. Like many other medieval romance texts, the Morte d’Arthur focuses on the masculine activity of chivalry—fighting, questing, ruling— while simultaneously revealing the chivalric enterprise as impossible without the presence of the feminine in a subjugated position. However, Malory’s text differs from other Arthurian and medieval romance litera- ture in the explicit legislation (as opposed to implicit coding) of chivalric values, most notably in the swearing of the Pentecostal Oath, an event unique to Malory’s text. This study examines how the institution of the Oath defines and sharpens specific ideals of masculine and feminine gen- der identities in the Arthurian community, arguing that a compulsion to fulfill these ideals drives the narrative of the Morte d’Arthur forward to its inevitable ending. While I generally agree with scholars who see the Morte d’Arthur as, at least in part, a comment on the strife and instability of fifteenth-century England, I feel also that the Morte is a text that does much more than simply reflect and engage the anxieties of the author’s time by turning nostalgically to a long-distant past for guidance and reas- surance. Malory’s text examines the very idea of chivalry by setting into motion the knightly enterprise and following it through to its ultimate conclusion. A sustained, book-length treatment of gender in the Morte d’Arthur is long overdue; while the works of other medieval authors—most notably Chaucer—have in recent years been subjected to rigorous and fruitful scrutiny by scholars with an interest in gender and feminist studies,1 the Morte d’Arthur has received comparatively cursory attention in this area. -
Then Arthur Fought the MATTER of BRITAIN 378 – 634 A.D
Then Arthur Fought THE MATTER OF BRITAIN 378 – 634 A.D. Howard M. Wiseman Then Arthur Fought is a possible history centred on a possi- bly historical figure: Arthur, battle-leader of the dark-age (5th- 6th century) Britons against the invading Anglo-Saxons. Writ- ten in the style of a medieval chronicle, its events span more than 250 years, and most of Western Europe, all the while re- specting known history. Drawing upon hundreds of ancient and medieval texts, Howard Wiseman mixes in his own inventions to forge a unique conception of Arthur and his times. Care- fully annotated, Then Arthur Fought will appeal to anyone in- terested in dark-age history and legends, or in new frameworks for Arthurian fiction. Its 430 pages include Dramatis Personae, genealogies, notes, bibliography, and 20 maps. —— Then Arthur Fought is an extraordinary achievement. ... An absorbing introduction to the history and legends of the period [and] ... a fascinating synthesis. — from the Foreword by Patrick McCormack, author of the Albion trilogy. —— A long and lavishly detailed fictional fantasia on the kind of primary source we will never have for the Age of Arthur. ... soaringly intelligent and, most unlikely of all, hugely entertaining. It is a stunning achievement, enthusiastically recommended. — Editor’s Choice review by Steve Donoghue, Indie Reviews Editor, Historical Novel Society. Contents List of Figures x Foreword, by Patrick McCormack xi Preface, by the author xv Introduction: history, literature, and this book xix Dramatis Personae xxxi Genealogies xxxix -
Sir Gawain and the Green Knight Quiz
2. Sir Gawain and the Green Knight Quiz 1. Which of the following time brackets comprises the Anglo-Norman period in England? a) 1044-1259 b) 952-1066 c) 1066-1340 d) 1020-1450 2. The Battle of Hastings was fought between William the Conqueror of Normandy and whom? a) Harold Godwinson b) Harold Harefoot c) Harald Olafsson d) Harald Gormsson 3. Which of these was not a consequence of the Norman Conquest of England? a) The foundation of the Universities of Oxford and Cambridge b) A zest for refined life and the knightly code c) Implementation of laissez-faire economics d) Religious crusades to claim Jerusalem from the infidels 4. During the Anglo-Norman period, which of the following became the language of court? a) English b) French c) Latin d) Flemish 5. Which of these is not one of the seven deadly sins? a) Gluttony b) Sloth c) Wrath d) Dishonesty 1 6. The “Wheel of Fortune” was a pervasive idea throughout the Middle Ages. What did it not represent? a) The ephemeral nature of earthly things b) The stability of all things c) An evolution of the Old English “wyrd” d) That important things in life come from within 7. The Ptolemaic conception of the universe stated what? a) That the earth was located at the centre of the universe b) That the sun was located at the centre of the universe c) That the planets align once every decade d) That the Age of Aquarius would signify the end of the world 8. How many estates was medieval society divided into? a) 2 b) 3 c) 4 d) 5 9. -
Sparknotes on Sir Gawain and the Green Knight.” Sparknotes
Sir Gawain and the Green Knight Plot Overview DURING A NEW YEAR’S EVE FEAST at King Arthur’s court, a strange figure, referred to only as the Green Knight, pays the court an unexpected visit. He challenges the group’s leader or any other brave representative to a game. The Green Knight says that he will allow whomever accepts the challenge to strike him with his own axe, on the condition that the challenger find him in exactly one year to receive a blow in return. Stunned, Arthur hesitates to respond, but when the Green Knight mocks Arthur’s silence, the king steps forward to take the challenge. As soon as Arthur grips the Green Knight’s axe, Sir Gawain leaps up and asks to take the challenge himself. He takes hold of the axe and, in one deadly blow, cuts off the knight’s head. To the amazement of the court, the now-headless Green Knight picks up his severed head. Before riding away, the head reiterates the terms of the pact, reminding the young Gawain to seek him in a year and a day at the Green Chapel. After the Green Knight leaves, the company goes back to its festival, but Gawain is uneasy. Time passes, and autumn arrives. On the Day of All Saints, Gawain prepares to leave Camelot and find the Green Knight. He puts on his best armor, mounts his horse, Gringolet, and starts off toward North Wales, traveling through the wilderness of northwest Britain. Gawain encounters all sorts of beasts, suffers from hunger and cold, and grows more desperate as the days pass.