DOCSLIB.ORG

2018 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018 Annual Report TAKE-TWO INTERACTIVE SOFTWARE, INC. 2018 ANNUAL REPORT 25 YEARS OF PHENOMENAL ENTERTAINMENT Generated significant cash flow and ended the fiscal year with $1.4 BILLION in cash and short-term investments Delivered total Net Bookings of Net Bookings from recurrent $1.991 BILLION consumer spending grew 5% year-over-year increase 48% to a new record and accounted for Series with at least one five-million unit selling release and 60 individual multi-million unit selling titles 48% 11 of total Net Bookings One of the most critically-acclaimed and commercially successful video games of all time with over units sold-in 95 MILLION to date Digitally-delivered Net Bookings grew Employees working in game development and 18 studios 25% 3,250 around the world and accounted for Sold-in over 9 million units to date and is our 68% highest-selling sports title ever of total Net Bookings TAKE-TWO INTERACTIVE SOFTWARE, INC. 2018 ANNUAL REPORT DEAR SHAREHOLDERS, Fiscal 2018 was another outstanding year for Take-Two, underscored by operating results that greatly surpassed the initial outlook that we provided at the start of the year. We delivered $1.8 billion in net revenue, Net Bookings grew 5% to nearly $2.0 billion, and we generated earnings growth and margin expansion. Our strong business performance converted into substantial net cash provided by operating activities, which grew 19% to $393 million and, as of March 31, 2018, we had over $1.4 billion in cash and short-term investments. It bears noting that we achieved these results despite an unusually light release schedule, reflecting the strength of our robust catalog led by Grand Theft Auto and the substantial contribution that we now receive from recurrent consumer spending. Today, our enterprise is a global leader in the interactive entertainment industry and a significantly higher-margin business than at any time in our history. OUR KEY ACHIEVEMENTS Q We delivered record digitally-delivered net revenue and Net Bookings. Digitally-delivered net revenue grew 23% to $1.13 billion and digitally-delivered Net Bookings grew 25% to $1.35 billion. Q We generated record net revenue and Net Bookings from recurrent consumer spending. Recurrent consumer spending accounted for 42% of total net revenue and 48% of total Net Bookings. Q Grand Theft Auto V and Grand Theft Auto Online continued to exceed our expectations in fiscal 2018 – as they have in every year since their release nearly five years ago – with combined Net Bookings from the titles growing year-over-year. Grand Theft Auto V has sold-in over 95 million units, reflecting its status as the highest-rated title of the current console generation and the “must have” game for purchasers of PlayStation 4 and Xbox One. Moreover, Grand Theft Auto Online broke monthly audience records in June, July and December, added more new users than in fiscal 2017 and delivered its biggest year yet for virtual currency sales. Rockstar Games achieved these results through the ongoing release of a wide array of free additional content. Q We released NBA 2K18, which is now our highest-selling sports title ever with sell-in to date of over 9 million units – up 17% over last year’s release. In addition, our NBA 2K series continues to benefit from growing engagement and recurrent consumer spending. During fiscal 2018, average revenue per user, revenue per hour and unique multiplayer users all increased double-digits, and recurrent consumer spending on NBA 2K grew 34% to a new record. Q We successfully launched WWE 2K18, which has been enhanced by an array of downloadable add-on content, including a Season Pass. The WWE brand is as popular as ever, and we believe there is a substantial long-term opportunity to grow our WWE 2K series by leveraging further the development and marketing expertise of 2K and Visual Concepts. Q We formed Private Division, our new publishing label that focuses on bringing titles from top independent developers to market. Private Division will publish several titles based on new IP from renowned industry creative talent, including Panache Digital Games, The Outsiders, Obsidian Entertainment and V1 Interactive. Private Division is also the publisher of Kerbal Space Program, which Take-Two acquired in May 2017. Q During fiscal year 2018, we repurchased 1.51 million shares of Take-Two common stock for $154.8 million. Q On March 19, 2018, Take-Two was added to the S&P 500® index. 1 TAKE-TWO INTERACTIVE SOFTWARE, INC. 2018 ANNUAL REPORT SUCCESSFUL GROWTH STRATEGY Take-Two’s strategy is to develop the highest-quality, most compelling interactive entertainment franchises in the business, and deliver them on every platform around the world that is relevant to our audience. Complementing our core business with offerings that drive ongoing engagement with and recurrent consumer spending (including virtual currency, in-game purchases and add-on content) on our titles after their initial purchase is an important, high- margin growth opportunity and, therefore, a key strategic priority of our organization. We now support nearly all of our new releases with innovative offerings designed to achieve this objective. Recurrent consumer spending also helps to strengthen our results between front-line releases while providing additional entertainment to consumers. World-class creative teams: Creativity and innovation remain the core tenets of our organization, and are the lifeblood for our ongoing success. We have over 3,250 employees working in game development in 18 studios around the world – including some of the most talented visionaries in the business. The creative teams at Rockstar Games and 2K are renowned throughout the world for their consistent ability to deliver games that set new benchmarks for excellence. In addition, our Social Point studio further enhances our organization’s development capabilities with one of the few creative teams in the world possessing a track record of producing multiple hits in the free-to-play mobile sector. Whether expanding beloved franchises, launching new intellectual property or providing innovative ways for audiences to remain captivated and engaged, we have an unwavering commitment to producing the highest quality entertainment experiences. Diverse portfolio of industry-leading intellectual property: Take-Two is a financially strong, global interactive entertainment enterprise with numerous successful franchises encompassing a variety of genres. Our diverse portfolio of intellectual property includes 11 series with at least one five-million unit selling release, and 60 individual, multi-million unit selling titles. Since 2007, we have added 9 new brands to our lineup, including hits such as BioShock, Borderlands, Red Dead Redemption and WWE 2K. Capitalizing on growth of digital distribution: During fiscal 2018, we continued to capitalize on our industry’s ongoing transition towards digital distribution, and delivered both record digitally-delivered net revenue and Net Bookings, including our highest-ever from recurrent consumer spending. In addition to virtual currency for Grand Theft Auto Online and NBA 2K, recurrent consumer spending was enhanced by a variety of offerings, including free-to-play games led by WWE SuperCard, which grew over 20% year-over-year and has now been downloaded nearly 17 million times, Social Point’s mobile titles Dragon City and Monster Legends, and NBA 2K Online – which remains the #1 PC online sports game in China with over 37 million registered users. Net Bookings from add-on content grew more than 40%, led by offerings for Sid Meier’s Civilization, particularly the Rise and Fall expansion pack; XCOM 2, particularly War of the Chosen; WWE 2K; and Mafia III. Our results also benefited from ongoing growth in full-game downloads, with more than 35% of units for current-generation consoles and over 95% of units for PC delivered digitally. Moreover, nearly half of our catalog sales for old-generation consoles are being delivered through digital download. Digital distribution is disproportionately benefitting our catalog, as it gives consumers the opportunity to buy older titles that no longer receive physical shelf space. Over the long-term, we expect the trend towards digital distribution to continue, with the percentage of sales of console games through full-game download continuing to grow. Interactive entertainment is one of today’s most dynamic and popular art forms. We are actively investing in a variety of emerging platforms, business models and markets that we believe have the potential to further diversify our business, expand our audience and enhance our financial performance. Q Our January 2017 acquisition of Social Point expands our presence in the free-to-play mobile market, which is the largest and fastest-growing segment within our industry. We believe that Social Point is a perfect complement to our business because it produces high-quality entertainment that can attract and retain a loyal, highly-engaged player base and deliver sustainable results. Social Point focuses on “mid-core” games that feature greater gameplay depth than casual games, and their titles typically monetize and retain players 2 TAKE-TWO INTERACTIVE SOFTWARE, INC. 2018 ANNUAL REPORT at higher rates than its competitors in this segment. They have a number of exciting titles planned for launch in the coming years, and we continue to view Social Point as an important long-term growth opportunity for Take-Two. Q eSports is an exciting growth trend in our industry. To that end, we are very pleased with the progress of the NBA 2K League – our joint-venture with the NBA that marked the first official competitive gaming league based on a U.S. professional sports league – which kicked off its inaugural season in May 2018. Following the qualifying rounds during which more than 76,000 people participated, in April 2018, 102 of the best NBA 2K players in the world were drafted by 17 NBA teams to compete in a 15-week season that will conclude with the NBA 2K League Playoffs and Finals in August 2018.
Load more

Recommended publications
  • Take-Two Interactive Software, Inc. Reports Fourth Quarter and Fiscal 2004 Financial Results
    Take-Two Interactive Software, Inc. Reports Fourth Quarter and Fiscal 2004 Financial Results December 16, 2004 4:05 PM ET NEW YORK, Dec 16, 2004 (BUSINESS WIRE) -- Take-Two Interactive Software, Inc. (NASDAQ:TTWO) today announced financial results for its fourth quarter and fiscal year ended October 31, 2004. Net sales for the fourth quarter ended October 31, 2004, which included the launch of the blockbuster title Grand Theft Auto: San Andreas for the PlayStation(R)2 computer entertainment system, were $438.0 million compared to $277.6 million for the same period a year ago. Net income for the quarter was $62.6 million, which included a $7.5 million accrual to establish a reserve in connection with the Company's SEC investigation as discussed below. Fourth quarter 2004 net income of $62.6 million and diluted net income per share of $1.36 compared to net income of $26.3 million and diluted net income per share of $0.58 the prior year. Net sales for the fiscal year ended October 31, 2004 were $1.13 billion compared to $1.03 billion for fiscal 2003. Net income of $65.4 million, including the $7.5 million accrual related to the Company's SEC investigation, compared to $98.1 million in net income last year, with diluted net income per share of $1.43 compared to $2.27 last year. Take-Two has accrued a $7.5 million expense in the fourth quarter associated with the Company's previously disclosed SEC investigation into certain accounting matters related to the Company's financial statements, periodic reporting and internal accounting controls.
    [Show full text]
  • Nysba Spring 2020 | Vol
    NYSBA SPRING 2020 | VOL. 31 | NO. 2 Entertainment, Arts and Sports Law Journal A publication of the Entertainment, Arts and Sports Law Section of the New York State Bar Association In This Issue n A Case of “Creative Destruction”: Takeaways from the 5Pointz Graffiti Dispute n The American Actress, the English Duchess, and the Privacy Litigation n The Battle Against the Bots: The Legislative Fight Against Ticket Bots ....and more www.nysba.org/EASL NEW YORK STATE BAR ASSOCIATION In The Arena: A Sports Law Handbook Co-sponsored by the New York State Bar Association and the Entertainment, Arts and Sports Law Section As the world of professional athletics has become more competitive and the issues more complex, so has the need for more reliable representation in the field of sports law. Written by dozens of sports law attorneys and medical professionals, In the Arena: A Sports Law Handbook is a reflection of the multiple issues that face athletes and the attorneys who represent them. Included in this book are chapters on representing professional athletes, NCAA enforcement, advertising, sponsorship, intellectual property rights, doping, concussion-related issues, Title IX and dozens of useful appendices. Table of Contents Intellectual Property Rights and Endorsement Agreements How Trademark Protection Intersects with the Athlete’s EDITORS Right of Publicity Elissa D. Hecker, Esq. Collective Bargaining in the Big Three David Krell, Esq. Agency Law Sports, Torts and Criminal Law PRODUCT INFO AND PRICES 2013 | 539 pages Role of Advertising and Sponsorship in the Business of Sports PN: 4002 (Print) Doping in Sport: A Historical and Current Perspective PN: 4002E (E-Book) Athlete Concussion-Related Issues Non-Members $80 Concussions—From a Neuropsychological and Medical Perspective NYSBA Members $65 In-Arena Giveaways: Sweepstakes Law Basics and Compliance Issues Order multiple titles to take advantage of our low flat Navigating the NCAA Enforcement Process rate shipping charge of $5.95 per order, regardless of the number of items shipped.
    [Show full text]
  • 2K and Turtle Rock Studios Announce Evolve™ Now Available February
    2K and Turtle Rock Studios Announce Evolve™ Now Available February 10, 2015 8:00 AM ET Hunt together or kill alone online and offline in adrenaline-pumping 4v1 action Join the conversation on Twitter using the hashtag #4v1 NEW YORK--(BUSINESS WIRE)--Feb. 10, 2015-- 2K and Turtle Rock Studios announced today that Evolve™, the 4v1 shooter in which four Hunters cooperatively fight to take down a single-player controlled Monster, is now available worldwide for Xbox One, the all-in-one games and entertainment system from Microsoft, PlayStation®4 computer entertainment system, and Windows PC. Evolve is a cooperative and competitive experience enjoyed online, as well as offline solo. “2K and Turtle Rock Studios did a remarkable job delivering such a creative and ambitious game,” said Christoph Hartmann, president of 2K. “Evolve is an innovative and highly replayable experience that will define this console generation for years to come.” Evolve features a wealth of content playable both online and offline, with three playable Monsters, 12 playable Hunters across four unique classes, four game modes, and 16 maps. Evolve also includes Evacuation, a unique experience that combines the full array of maps, modes, Hunters, and Monsters into a single dynamic campaign offering near-limitless variety. In Evacuation, players choose a side – Monster or Hunter – and play through a series of five matches, where the outcome of each match directly impacts the next, totaling over 800,000 possible gameplay combinations for ultimate replayability. “Our philosophy is to build incredibly fun game experiences that we can’t find anywhere else, and we’ve achieved that with Evolve,” said Chris Ashton, co-founder and design director at Turtle Rock Studios.
    [Show full text]
  • Read Book Archaeological Theory in a Nutshell
    ARCHAEOLOGICAL THEORY IN A NUTSHELL Author: Adrian Praetzellis Number of Pages: 344 pages Published Date: 21 Dec 2016 Publisher: Left Coast Press Inc Publication Country: Walnut Creek, United States Language: English ISBN: 9781629581590 DOWNLOAD: ARCHAEOLOGICAL THEORY IN A NUTSHELL Archaeological Theory in a Nutshell PDF Book In-depth case studies by partner organizations of Oxfam and Novib as well as by some Oxfam staff show how a variety of approaches to impact assessment - qualitative, quantitative, and participatory - in a range of situations from large-scale integrated development programs to projects involving only one community. Its three sections, Classical and Early Modern Ideas of Memory; Enlightenment and Romantic Memory, and Memory and Late Modernity lay out the key psychological, rhetorical, and cultural concepts of memory in the work of a range of thinkers from Plato to Walter Benjamin. Un Monton de Regalos 6pkAn engaging Maths activity book to really help boost your child's progress at every stage of their learning. If you are copying these guys, you aren't learning from them. Vaginal Birth After Caesarean: The VBAC HandbookInterest in natural ways to improve fertility is soaring. Containing over 8,000 names, from Aachen to Zyrardow, this is a unique and fascinating guide for geographers, travellers, and all with an interest in current world affairs. Cesarsky, France; A. The Company publishes and develops products through various wholly owned subsidiaries including: Rockstar Games, Rockstar North, Gotham Games, Gathering
    [Show full text]
  • TESIS: Grand Theft Auto IV. Impacto Y Contexto En Los Videojuegos Como
    UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO FACULTAD DE ESTUDIOS SUPERIORES ACATLÁN Grand Theft Auto IV. Impacto y contexto en los videojuegos como parte de la cultura de masas Tesis para obtener el título de: Licenciado en Comunicación PRESENTA David Mendieta Velázquez ASESOR DE TESIS Mtro. José C. Botello Hernández UNAM – Dirección General de Bibliotecas Tesis Digitales Restricciones de uso DERECHOS RESERVADOS © PROHIBIDA SU REPRODUCCIÓN TOTAL O PARCIAL Todo el material contenido en esta tesis esta protegido por la Ley Federal del Derecho de Autor (LFDA) de los Estados Unidos Mexicanos (México). El uso de imágenes, fragmentos de videos, y demás material que sea objeto de protección de los derechos de autor, será exclusivamente para fines educativos e informativos y deberá citar la fuente donde la obtuvo mencionando el autor o autores. Cualquier uso distinto como el lucro, reproducción, edición o modificación, será perseguido y sancionado por el respectivo titular de los Derechos de Autor. Grand Theft Auto IV Impacto y contexto en los videojuegos como parte de la cultura de masas Agradecimientos A mis padres. Gracias, papá, por enseñarme valores y por tratar de enseñarme todo lo que sabías para que llegara a ser alguien importante. Sé que desde el cielo estás orgulloso de tu familia. Mamá, gracias por todo el apoyo en todos estos años; sé que tu esfuerzo es enorme y en este trabajo se refleja solo un poco de tus desvelos y preocupaciones. Gracias por todo tu apoyo para la terminación de este trabajo. A Ariadna Pruneda Alcántara. Gracias, mi amor, por toda tu ayuda y comprensión. Tu orientación, opiniones e interés que me has dado para la realización de cualquier proyecto que me he propuesto, así como por ser la motivación para seguir adelante siempre.
    [Show full text]
  • Chinatown Wars Kevin George
    International Journal of English Literature and Social Sciences, 5(2) Mar-Apr 2020 |Available online: https://ijels.com/ The Dark Side of GTA: Chinatown Wars Kevin George Department of English, K.E College, Mannanam, Kerala, India Abstract—Released way back in 2009, Grand Theft Auto: Chinatown Wars is an action-adventure videogame, developed for a console meant for teenagers. However, the videogame drew flak for its inclusion of certain controversial mini-games and missions involving drugs like cocaine and heroin. This short essay/review will focus on the corruptive influence of something as trivial as a videogame and how it works insidiously as a lure to a world of crime, which young minds find irresistible. Keywords—Addiction,Arson, Delusions of power,Drug-dealing, GTA: Chinatown Wars. INTRODUCTION adolescent innocence as portrayed in his novel The Lord of I was having a hard time coming to terms with the the Flies. ‘Influence’ plays a big role and so does the quarantine in India (and the world over). Usually, I would milieu. The pandemic (COVID19) which is wreaking find solace in reading philosophy and literature or I would havoc on our planet has made their lives insular and more binge on my favourite films or series. But, the headlines susceptible to ‘influence’ (at least for now) and things and podcasts made sure that my usual sangfroid was kept aren’t much different (from the novel). The teenagers who at bay. My penchant for etymology compels me to spent hours playing games like GTA: Chinatown Wars, (I mention the origins of the word ‘sangfroid’.
    [Show full text]
  • Mario's Legacy and Sonic's Heritage: Replays and Refunds of Console Gaming History
    Mario’s legacy and Sonic’s heritage: Replays and refunds of console gaming history Jaakko Suominen University of Turku / Digital Culture P.O. Box 124 28101 Pori +35823338100 jaakko.suominen at utu.fi ABSTRACT In this paper, I study how three major videogame device manufacturers, Microsoft, Sony and Nintendo use gaming history within their popular console products, Microsoft Xbox 360, Sony PS 3 and Nintendo Wii. These enterprises do not only market new game applications and devices but also recycle classic game themes, game characters as well as classic games themselves. Therefore, these corporations are a part of the phenomenon which can be called retrogaming culture or digital retro economy. The paper introduces the different ways in which the corporations began to use history and how they constructed their digital game market strategies to be compatible with the current retrogaming trend. In addition, the paper introduces a model for different phases of uses of history. The paper is empirically based on literary reviews, recreational computing magazine articles, company websites and other online sources and participatory observation of retrogaming applications and product analyses. Sociological and cultural studies on nostalgia as well as history culture form the theoretical framework of the study. Keywords retrogaming, classic games, history management, uses of history, consoles INTRODUCTION When a game company utilizes its older products to make a new application, when the same company mentions the year it was established in a job advertisement or when it celebrates a game figure’s 20-year anniversary, the company uses history. The use of history can be a discursive act, which underlines continuity and in so doing, for example, the trustworthiness and stability of the firm.
    [Show full text]
  • Take-Two Interactive Software, Inc. Announces Formation of 2K Games Publishing Label
    Take-Two Interactive Software, Inc. Announces Formation of 2K Games Publishing Label January 25, 2005 8:04 AM ET NEW YORK--(BUSINESS WIRE)--Jan. 25, 2005--Take-Two Interactive Software, Inc. (NASDAQ:TTWO) announced today that it has established a new publishing label, 2K Games. 2K Games will publish a wide variety of both internally and externally developed console, PC and handheld products, including sports titles under the 2K Sports label. Numerous new products for the 2K Games label are expected to be announced in the coming months. 2K Games will incorporate Take-Two's internally-owned development studios Visual Concepts, Kush Games, Indie Built, Venom Games, PopTop Software and Frog City Software, as well as the team at Take-Two Licensing. Paul Eibeler, Take-Two's President commented, "Consistent with our strategy to diversify Take-Two's product portfolio, the team at 2K Games is rapidly building a sweeping lineup of high-profile licensed and proprietary titles for console, PC and handheld platforms, leveraging the exceptional successes and capabilities at Take-Two. From high-profile Hollywood licenses to PC-only titles to sports titles, 2K Games will be defined by exceptional games for all genres and platforms." Certain titles previously planned for release on Take-Two's Global Star label will now be released under the 2K Games label. About Take-Two Interactive Software Headquartered in New York City, Take-Two Interactive Software, Inc. is an integrated global developer, marketer, distributor and publisher of interactive entertainment software games and accessories for the PC, PlayStation(R) game console, PlayStation (R)2 computer entertainment system, PSP(TM) handheld entertainment system, Xbox(R), Nintendo GameCube(TM) and Game Boy(R) Advance.
    [Show full text]
  • On Liberty It’S Our Best Best Of
    On Liberty It’s Our Best Best of... Issue Ever A guide to the city’s top Sights Entertainment Restaurants Bars Important Health Warning About Playing Video Games Table of Contents Photosensitive Seizures A very small percentage of people may experience a seizure when exposed to certain 02 Installation visual images, including flashing lights or patterns that may appear in video games. 04 Game Controls Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching 08 Letter from the Editor video games. 10 Places Best Sights These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, 12 Entertainment Best Place to Chill confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking 14 Restaurants Best Burger nearby objects. 16 Bars Best Brew Immediately stop playing and consult a doctor if you experience any of these 18 Feature Dating in the City symptoms. Parents should watch for or ask their children about the above symptoms—children and teenagers are more likely than adults to experience these 20 Technology Top Gadgets seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well- 22 Credits lit room; and do not play when you are drowsy or fatigued. 32 Warranty If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing.
    [Show full text]
  • Pdf (Accessed 2.10.14)
    Notes 1 Introduction: Video Games and Storytelling 1. It must be noted that the term ‘Narratological’ is a rather loose application by the Ludologists and the implications of this are pointed out later in this chapter. 2. Roland Barthes states that the ‘infinity of the signifier refers not to some idea of the ineffable (the unnameable signified) but to that of a playing [ ...] theText is plural’. Source: Barthes, R., 1977. Image, Music, Text, in: Heath,S.(Tran.), Fontana Communications Series. Fontana, London. pp. 158–159. 3.In Gaming Globally: Production, Play, and Place (Huntemann and Aslinger, 2012),theeditors acknowledgethat ‘while gaming maybe global, gaming cultures and practices vary widely depending on the power and voice of var- ious stakeholders’ (p. 27). The paucity of games studies scholarship coming from some of the largest consumers of video games, such as South Korea, China and India, to name a few, is markedly noticeable. The lack of represen- tation of non-Western conceptions of play culture and storytelling traditions is similarly problematic. 4. Chapter 8 will engage with this issue in more detail. 5. ‘(W)reading’ is preferred over the more commonly used neologism ‘wread- ing’toemphasise the supplementarity of the reading and writingprocesses and also to differentiate it from earlier usage that might claim that the two processes are the same thing. 3 (W)Reading the Machinic Game-Narrative 6. For whichhe is criticisedby Hayles (see Chapter 2). 7. Landow respondstothis by rightly stating that Aarseth misreads his original comment where heclaims that ‘the reader whochooses among linksortakes advantage of Storyspace’s hypertext capabilities shares some of the power of theauthor’(Landow, p.
    [Show full text]
  • D2.2.1 Official Deliverable
    D2.2.1 Version 1.0 Author URJC Dissemination CO Date 22/01/2015 Status Final D2.2: State-of-the-art revision document v1 Project acronym: NUBOMEDIA Project title: NUBOMEDIA: an elastic Platform as a Service (PaaS) cloud for interactive social multimedia Project duration: 2014-02-01 to 2016-09-30 Project type: STREP Project reference: 610576 Project web page: http://www.nubomedia.eu Work package WP2 WP leader Victor Hidalgo Deliverable nature: Report Lead editor: Luis Lopez Planned delivery date 01/2015 Actual delivery date 22/01/2015 Keywords State-of-the-art revision The research leading to these results has been funded by the European Union’s Seventh Framework Programme (FP7/2007-2013) under grant agreement nº 610576 FP7 ICT-2013.1.6. Connected and Social Media D2.1: State-of-the-art revision document v1 DISCLAIMER All intellectual property rights are owned by the NUBOMEDIA consortium members and are protected by the applicable laws. Except where otherwise specified, all document contents are: “© NUBOMEDIA project -All rights reserved”. Reproduction is not authorized without prior written agreement. All NUBOMEDIA consortium members have agreed to full publication of this document. The commercial use of any information contained in this document may require a license from the owner of that information. All NUBOMEDIA consortium members are also committed to publish accurate and up to date information and take the greatest care to do so. However, the NUBOMEDIA consortium member scan not accept liability for any inaccuracies or omissions
    [Show full text]
  • Abstract the Goal of This Project Is Primarily to Establish a Collection of Video Games Developed by Companies Based Here In
    Abstract The goal of this project is primarily to establish a collection of video games developed by companies based here in Massachusetts. In preparation for a proposal to the companies, information was collected from each company concerning how, when, where, and why they were founded. A proposal was then written and submitted to each company requesting copies of their games. With this special collection, both students and staff will be able to use them as tools for the IMGD program. 1 Introduction WPI has established relationships with Massachusetts game companies since the Interactive Media and Game Development (IMGD) program’s beginning in 2005. With the growing popularity of game development, and the ever increasing numbers of companies, it is difficult to establish and maintain solid relationships for each and every company. As part of this project, new relationships will be founded with a number of greater-Boston area companies in order to establish a repository of local video games. This project will not only bolster any previous relationships with companies, but establish new ones as well. With these donated materials, a special collection will be established at the WPI Library, and will include a number of retail video games. This collection should inspire more people to be interested in the IMGD program here at WPI. Knowing that there are many opportunities locally for graduates is an important part of deciding one’s major. I knew I wanted to do something with the library for this IQP, but I was not sure exactly what I wanted when I first went to establish a project.
    [Show full text]