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• •*.. • . • • • * w'’'-"Tl r- THE EVENING STAR | P‘ mmoii nrun ~ m A-14 WafXsgtss, P. C., Mesdsy, February 9, (959 THIS SUN.—3:OO P.M. CONSTITUTION HAH ¦ * ' THE LYONS DEN Cl' "d Pionut .THE PASSING SHOW • By LEONARD LYONS ¦¦Sfynili CURZON • IN SOLO RECITAL JACK. LEWMOH-tRHIE SOVJICS WW Mil I,UUKXSIH •UQ iS5r Sonata m A,- Op. 120 Schsblrt ¦ Hi. Des/'s Richer Than Cuba in , TECHNICOtOR* Yes, Sonata C Minor loothovon Stars Are . Worth Stonos of Childhood Schumann . NEW YORK. Ball, ] Rides Again" . —‘‘Lucille . "Tall Story"' and 3 works by Johanna* Brohmi TRANS-LUX now visiting New York, carries Uiopened recently on the birthday GOOD SEATS AVAILABLE a gold cigaret lighter—a bank < of Mrs. Russel Crouse, wife of VI IS, I 63, 2 20, 2.73, 3 30, 353 j That Loot, Says Grant souvenir stamped “|2 Million l jthe. co-author. She sighed: XAYES CONCEPT BUREAU* Minimum Account.” . j“When the day was qver. I was . *y HARRY MapARTHUR Her,' (In CampbollV 1108 G St. N.W. • ‘ husband, Desi Arnas, who was': years one.” NAtionol 8 7151 Stoinwgy Bt»r Bt»ff Wrlttr , 110 older.'not Piano Havana, has *’* * * Cary Grant is among the more fluent Hollywood stars. born ih now more He. Rodgers opinions he Is letting cash than the Cuban national 1 Richard was dis- rfKsraa Is man of and not averse to a definite treasury.... Lady Beatty, cussing problem study- be known. He also is a man prepared at any time to leap Adele i the of MON.. FEB. 16—8:30 P.M. them who -press-she was ing the faces for to the defense of the movie star. told the I audience's re- CONSTITUTION HALL downtrodden heading for Nassau, flew west i actions. He told of the final The fact that all of this is well known on Mr. Grant's Cali- Hollywood. ... ] preview performance of fornia home ground has Bob Thomas, the Asso- Instead to To 1 “Okla- lust enabled help trade, Police Sidney I LAURENCE HARVEY I Hollywood man. to bolster the I homa!" Phillips, the Concordia ciated Press’ Department may cancel its bap MGM scout who’d seen all manage a yourself by trying to divine 1 the notable Journalistic on . the use of klieg lights at Broadway1 shows countless coup. At a time of the year w’hat her thoughts will be as for Broadway movie premieres. |]i years, sat in the last row of the CHOIR when a lot of us have to be she sits and looks at it. You orchestra. Rodgers watched his content with wishing we were also may wonder what another Leonard Bernstein went to 1 PAUL J. CHRISTIANSEN. DIR. Phil- BPon»orpd oy • there, star, likely Academy Washington to be honored by face1 which never moved. bt*lbdMbtil | Mr. Thomas has man- a award lips sat cold and expressionless. Natlonol Lutheron Chorus I aged business trip to Key contender, is thinking as Vice President Nixon because { Ticket* $1 *•:. 50 S 3 a she Bernstein’s South When he turned to at Ticket* Avtilobie At West. He had to find out how ponders Miss Reynolds’ medal American! leave’ HATES C ONCERT 111 REAf) had prompted good the final curtain, he noticed fin ( »mpbeir») Mr. Grant felt something, the ways of voters. tour will l 1108 G 81. N.W. about iand award understanding Rodgers and said: “Greatest NAtionol 8-7 IAI StelnvA* Pltno and apparently his bureau This be and between our 1 one would Elizabeth Only few years ago; musical I’ve ever seen.” • chief agreed. Taylor, the top competitor liations. a 1 ———— go ——— The matter Mr. Thomas was swept by to take the Bernstein had to to Wash-,* Debbie lngton fight for issuance, seeking comment on was Sam- lead in the Photoplay voting. to the FILM .f of a passport. .. William Sar- uel Goldwyn’s recent remarks ** * * I oyan returned to New York iHEttenksrEOoME YEAR." to the Screen Producers Guild lastT DARK—Once again portfolio MMCttMTtD FiLMI unhappy AFTER with a of new plays. SINCE —Tlm-8. V. Part Sam declared himself the Blue Room has demanding fees up Shoreham Porky Oliver, the golf pro, DAYS with stars come up with top-notch enter- TONY to a million dollars a film, plus was in the same Army group ®"IIST tainment. is provided this ? producership deals. It with Joe Louis. They played time by George and Bert Ber- golf mg Hollywood nine holes of near the MlSjßjfflb "The artists of nard, record pantomimists. To try camp and Oliver spotted Louis would do well not to to merely panto- of call them record four strokes. The heavyweight take over the functions the course, m THE independ- mimists. of is some- champ won the match, col- NIGHT { JANET IMI producers.” declared what akin trying convey "*jP producer Goldwyn. Mr. to to lected his money, then said: L“best ent Sophia a full description of "Porky, wanna get heaven mi LEIGHjaBM Key West filming even?" * Grant, in Ipwauscoet* . J by saying merely ifr Vjf Mm Ohia' AwtM Loren that "Operation Petticoat,” Oliver was interested. "When was she's an Italian girl. ready reply, Thomas we get. back to camp." said g KJacques Tati’s with a Mr. There is the Ber- [ —•— —KEENAN WYNN• ELAINESTRITCH today. more, to if' Louis, "we’ll go four rounds—, Mr'**¦ reports nard Brothers well as to ••^[r^UNOACRISTAL ** * * as and I'll spot you the first' IMYUNCLE’ Sophia Loren and how she got three.” • TRANS-LUX PLAZA "The producers made a mess -I,N. Y. Avs. • I4»l» $».. ST. 3-4777 in here only my psychiatrist; GAMBLER GOES TO SEA **** ' •—ISSBHMKEEa— . of the pioture business," said j will ever know. This is sup-j ' “Why give act- James Garner, instantly recognizable to almost Maria Schell' flew in from; s*, -fa/- Grant. not us posed be about the Bernard BB to | - *ft ft Aftft ft ft*ftftftAAftA ftAft IftAftA Ml*. producing? Maybe everyone as the head man of TV’s "Maverick,” plays Paris to rehearse in the px< [¦ IJlrtAtl'A ors a try at Brothers and what funny act CBS-j All ll*llfffflillllKftl11 paused a 1 in "Up Periscope.’’ three-hour of “For, - MOR[ we can do better." He they have. It's a wild and zany a theater-screen-size Naval officer TV version It dft A I uiln y S Nrlliiinlinnillio to except Goldwyn, David Selz- It is at the Metro- Whom the Bell Tolls.” avoid ° L,FI ¦• turn that will have you laugh- scheduled.to follow "Auntie Marne” To 1 > UT 0F ¦) Spiegel and a few paying excess baggage, she left I? 7 IXll£J<L nick. Sam ing almost constantly from the politan and Ambassador Theaters. ° other “really creative produc- j behind the 300-page. 7-pound 80 ut moment they dispel, in the! Ik ' ' J script. Rod Steiger loses ers.” then went on. first 15 seconds, any aversion Hhwr F®» TO A MOVIEi/X JL flfa say actor five a "Who is to an you have to running pounds on matinee-day j producer? Why, men shouldn't be a around in dresses. of Rashomon." because of his 1 actor-managers have been suc- 14 sword fights, eight Their gestures and facial dagger; Routine Merit DBIVE-IM THEATERS cessful in the theater for many contortions are wildly idiotic. fights and other violence. His. Films of More Than legs Tony years." Their costumes are nonsensi- are scarred because the “THE DEFIANT ONES”—Sidney Poitier and Curtis hollywoodMl ... On the matter of salaries. Their recorded musical ac- swords are real. Clara Wil-j in a searing melodrama on racial prejudice. LEE HWY ARL. BLVD. cal. split-up Mr. Grant offered another companiment is appalling. Hams said of her with, ¦•’HENRY V”—Sir Laurence Olivier in his fine movie tran- DRIVE-IN THEATER. JE. 3-9500 ready question in reply. John Barrymore, jr.: "It was scription of the Shakespearean drama. Between 7 Corners bnd Poirfax Their assaults upon things By ILAH GRAHAM Circle. Entrances lee Hwy. or "Who can say it is too much?. musical, from the Andrews SHE a contest over who loved John "LES GlßLS’—Mitzi Gay nor, Kay Kendall and Gene Kelly Arl. Blvd. (Via Gallows Reod).^ Everybody’s making money. more. He won." Sisters to “The King and I” frolic musically in Paris. ¦ IN-CAR HEATERS The banks continue to lend murderous. What they do Miss Williams was sent to "MODERN TlMES”—Charlie Chaplin has his satirical say dollars the are New York by ex-i YULE BRYNNEH- millions of on to "Figaro” and to Flagstad’s Universal to on the modern battle of man vs. machines. CLAIRE BLOOM strength names, ploit . Cag- ”—Hemingway say of star and Valkyries may stamp out opera her film with James 1 “THE OLD MAN AND THE SEA has his “THE BUCCANEER” you know they aren’t going to altogether. They’ll remain at Ford Departs Smiling ney, "Never Steal Anything (via Spencer Tracy) on the old battle of man vs. fish. VU’taYlaiOP and Color. 9:lft only throw their money away.” Small.” The studio supplied a' “TORPEDO RUN”—One of the best submarine warfare films GUY MADISON- the Blue Room from tomorrow HOLLYWOOD • (NANAI. Metro, was answering nonstop ' RHONDA FLEMING Furthermore, Mr. Grant wardrobe for the trip. “I hope . yet. Crisply acted by Glenn Ford and Ernest Borgnine. bullwhip night through Saturday night Glenn Ford took off for Europe questions about the condition ' scops added to make Mr.. Thomas’ that includes a Frank . OF LOVE’’—Doris Day and Richard Widmark C and_Color._7 35 and a lot of people will be the with a smile on his good- of wife Audrey Hepburn.
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  • Johnny Loves Nobody Atrick Mcgoohan Was a Tough Man to Know

    Johnny Loves Nobody Atrick Mcgoohan Was a Tough Man to Know

    The Rank Villainy of PATRICK McGOOHAN Ray Banks Johnny Loves Nobody atrick McGoohan was a tough man to know. Famously guarded and often opaque, his longest interviews often feature a moment of exasperation on the reporter’s part, typically manifested as an admission of failure. Two pages into a lengthy pro- file for Cosmopolitan in 1969, Jeannie Sakol sets Pout the impossibility of her task: “To even begin to understand the complexities of a man like Patrick McGoohan could mean a lifetime study of James Joyce, Irish Catholicism, the history of Ireland from Brian Boru to Brendan Behan, the heroes and scoundrels, and the woven threads of poetry, idealism, mother love and thwarted sexuality.” The real truth is that McGoohan’s chosen career was dictated not by ancestral history but by a bucket of coal. At sixteen, McGoohan was academically averse and painfully shy, the kind of boy who would watch the youth club dance from the street, safely swaddled in his favorite Mackintosh, “one of those universal, mass-produced, putty- coloured garments that make the average Englishman about as distinguishable as a grain of sand in the Sahara.” But when McGoohan was forced into a bit-part in the youth club play, carting a bucket of coal from one side of the stage to the other, he discovered that “being on stage, sheltered by the bright glare of the footlights, was a much better cloak of anonymity than a mere Mackintosh. On stage I found I didn’t mind what I had to do, or who I had to pretend to be.