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record Dedicated To Serving The Needs Of The Music & Record 0 Industry Vol. 21, No. 1045 June 11, 1961 In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO wwsHEnwsHoxE IN THE A Lo.,.i, I.iae lo mrne IWVHe/Hexerl THE P-A1 FEELS WORLD Peaches and Herb continue "Don't Go Out Into the Rain The Platters will get plenty A little bolero sound and to do right by those oldies. (You're Going to Melt)" is of spins with "Washed a haunting lyric make This time it's "For Your a bright and shiny new Ashore (On a Lonely Island "White Rabbit" by the Jef- Love" and it's for sales tune from Herman's Her- in the Sea," a swingy bal- ferson Airplane stand out ;Date 2-1563). mits (MGM 13761). lad (Musicor 1251). (RCA Victor 47-9248). SLEEPERS OF THE WEEK pISC IOCKEY WNF'SISY Nxq-01 o SS LWAT STEPHEN MONAHAN The Flying Machine, dis- Stephen Monahan gets hard "Why'd You Go Away" by "I'll Do It for You" by covered by Chip Taylor and rock into the grooves on Prince Harold is an ex- Toussaint McCall is already Al Gorgoni for their new this introspective ditty. tremely soulful tune and being talked about in many Rainy Day Label, make in- Stone -Greene found the lad the fellow tells it like it markets. Teens will be fectious bow on "Night (Kapp 835). is for sales (Verve 10530). clamoring (Ronn 9). New Rainy Day Label Owl" (8001). Owners Al Gorgoni & Chip Taylor (At Left ALBUMS OF THE WEEK And Right) Are Shown Signing Distribution WEsztn NP l. ,.t I rrnc Contract with Jay -Gee Records' VP Mickey Eichner. Story Pg. 4. Moby Grape is the name "The Happiest Millionaire" The Five Americans reprise Currently one of the hot- of a worthy San Francisco is the new Walt Disney their own "Western Union" test male record sellers, group making a lot of musical movie with lilting and "Sound of Love" on Ed Ames tags this new nifty noise. They are also tunes by the Oscar -winning this package of folkish- package of romantic bal- the recipient of a phe- Sherman Brothers. Fred rockish ditties (Abnak ABLP lads after his "Time, Time" nomenal promo push (Co- MacMurray, Tommy Steele 1967; ABST 2067). single (RCA Victor LPM/ lumbia CL 2698; CS 9498). (BV 5001). LSP 3834). www.americanradiohistory.comAmericanRadioHistory.Com 1BNA,tileEreirmiiK® Presents RPRIAGreat Album byA Great Group .SEALITY- oLl.. A SY 1 COULD stotp32IS' st P gp,ZtY-ÌLO VESSËAW"Atd E YNt stop E P pºS WIVES' SEVERYWOEF O VE xt3`E AIp1 p-OS£AV sto ' ¡ BYEES RD wTS-atop SOM RECO ESTER21 E SSAGE' s p13 =top-C,lM , MANY -THANK LOA. AND ,ItIE FIVE AMERICANS ABL? 1967 ABST 2067 - FOR BOOKINGS CONTACT: THE FIVE AMERICANS 6NAK® FAN CLUB BANKERS MANAGEMENT AND SERVICES, INC. c/a ABNAK MUSIC 825 OLIVE / RI 2.6111 MUSIC ENTERPRISES, IN( ENTERPRISES, INC. DALLAS, TEXAS 75201 825 OLIVE / RL 2-6111 CALL COLLECT DALLAS, TEXAS 75201 DALLAS, TEXAS A PRODUCT OF ABNAK MUSIC ENTERPRISES, INC. PRODUCED BY DALE HAWKINS "Foreign licensees contact: Publishers' Licensing Corporation, 40 West 55th Street, New Yor k 10019, (212) 581-7970." www.americanradiohistory.comAmericanRadioHistory.Com Here Comes Another BNAKÀ Big One from MUSIC ENTERPRISES, INC. The Title Fits The Sound "BIGBAN "INSIDE OUT" AB -121 CITIES" bYThe IN Crowd® FOR BOOKINGS CONTACT: THE IN CROWD BANKERS MANAGEMENT BNAK® FAN CLUB AND SERVICES, INC. c/o ABNAK MUSIC ENTERPRISES 825 OLIVE / RI 2-6111 INC. DALLAS, 825 OLIVE RI 2-6111 TEXAS 75201 MUSIC ENTERPRISES, INC. / CALL COLLECT DALLAS, TEXAS 75201 A PRODUCT OF ABNAK MUSIC ENTERF RISES INC DALLAS, TEXAS PRODUCED BY DALE HAWKINS "Foreien licensees con -act Publishers' Licensing Corporation, 40 West 55th Street, New York 10019, (212) 581-7970." www.americanradiohistory.comAmericanRadioHistory.Com Taylor and Gorgoni BMI Prexy Charges: Bow Rainy Day Label 4 Composers Nominated But Unmentioned at TV Awards Jubilee Distributes Just what activities, beyond the Flying Machine single, Following the omission of award winner either during the `Something Unique' might be, shapes up now as a mention at the recent Emmy dinner, on television, or in sub- list of "can't mentions" be- Awards dinner -telecast of nom- sequent .publicity material, cause, characteristically, the By DAVE FINKLE inated tunesmiths Aaron Cope- strikes us at BMI as very shab- duo is cautious about tooting land, Pete Rugolo, Earl Hagen by treatment indeed of a body NEW YORK-The latest in horns prematurely. Both would and Lalo Schifrin, BMI Presi- of people who add immeasur- the line of successful inde- say that they intend to develop dent Robert B. Sour sent the ably to television. pendent producers establishing at least one new producer to following letter to Royal E. "This neglect, whether inad- their own labels are Chip Tay- supplement their own produc- Blakeman, President of the Na- vertent or calculated, strikes us lor and Al Gorgoni, who, it was ing projects. tional Academy of Television announced as unworthy of the Academy last week by Jay- The lads will continue to rec- Arts and Sciences: and its stated aims. Gee veep Mickey Eichner, have ord Evie Sands and the Hardly `BMI believes that the origi- formed the Rainy Day diskery Worthit Players for "Certainly some explanation Cameo/ nal music which is being created is due, not only to the four men to be distributed by Jubilee. Parkway and the Just Us for for television transcends the were Kapp. The Just are, whose accomplishments Gorgoni and Taylor, who have Us typically tube to become a major factor ignored, but to the many tal- been producing and writing again, the self-effacing duo as in the music of our time. performing artists. ented people whose creativity out of the April/Blackwood "The creation of music for is so much a part of the indus- pubbery office for the past They will also continue to claim to serve." publish all their material television, which began as a try and art you couple of years, and who could under craft, has become an art. have continued to do only the A/B banner. Right now the 'III IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!11111111!IIIIIIIIIIIIIIIII that "Original music, which so quite successfully, told Record two have their "Step Out of is World week Your Mind" ditty on the charts thoughtfully integrated into last that they virtually every aspect of tele- record decided to go ahead with their in The New Breed version on Acta. vision, is the product of men of world own waxery because they feel talent, skill and taste. !JU¡ they have something unique to It's most likely that Rainy "We felt the Academy 200 offer. Day will produce pennies from that W. 57th St., New York, N. Y. 10019 shared our belief when it set up Area Code (212) 765-5020 And this statement should be heaven. a category recognizing individ- Publisher enough to make the trade sit ual Achievement in Music, up and take note, since both Stogel Hosts (specifically) Composition. Both BOB AUSTIN Taylor and Gorgoni ex- are publicity material released Editor -in -Chief tremely modest about their Heroic Party prior to the dinner and the offi- SID PARNES work and only say something NEW YORK-Leonard Sogel cial program listed the names when they mean it-and even Doug McClelland Editor and Associates, Ltd., hosted a of four men who, out of many, Dave Finkle then reluctantly. had been nominated for awards Associate Editor cocktail reception for 300 mem- R&B Editor Perhaps one of the reasons bers of the music industry and in this category. Ted Williams Taylor and Gorgoni forged Chart Editor press at the Gaslight Club in "The failure of the Academy Del Shields Jazz ahead with Rainy Day is that Editor New York on June 5. The pur- to mention this category or Tomas Fundora Latin American they have found a group they pose was to launch Heroic Age Editor are enthusiastic about. It's the Publicity, Inc., the company Kal Rudman Contributing Editor Flying Machine, discovered at which was set up for the ex- Mort Hillman Advertising Manager, New York's Night Owl and clusive press representation of 9 RCA Plants Eastern Division their first release, coincident- Stogel's acts. Brenda Ballard Circulation ally called "Night Owl" backed On Strike West Coast with "Brighten Your Night Jack Devaney With My Day," was released WASHINGTON - Some 32,- West Coast Manager last week and picked immedi- 000 electrical workers struck Biff Collie Country Report ately-on the strength of a test nine Radio Corporation of 6290 Sunset Blvd. pressing-for WMCA-New York America plants in six states Hollywood, Calif. 90028 Phone: (213) 465-6179 programming. last week after rejecting a con- The group boasts a song - tract offer that did not have Nashville writing lead singer James the recommendation of union John Sturdivant Taylor, whom the T -G team ad- leaders. Paul Perry Nashville Report mire greatly and everything 806 16th Ave. So. "We are in touch with both Nashville, Tenn. 37203 between artists and manage- sides, trying to establish a ba- ment sounds highly copacetic. Phone: (615) 244-1820 Bob Austin, Howard Fisher, Leon- sis for resuming negotiations," said a spokesman for the Fed- England Quantity Not Objective ard Stogel and Mort Hillman. Fraser White eral Mediation and Conciliation 9 Denmark St., London, W.C. 2 Taylor and Gorgoni aim to Sam the Sham, Tommy James, Service. Phone: 01-240-0196 have at least three artists on Keith and the Royal Guardsmen But Lawson Wimberly, chief Germany the label-maybe five-but not turned up at the party and negotiator for the Internation- Paul Siegel more, because quantity is not for the benefit of those present, al Brotherhood of Electrical Tauentzienstrasse 16 their objective.
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  • Nowhere to Go but In

    Nowhere to Go but In

    Nowhere To Go But In Talks given from 29/5/74 am to 9/6/74 am Original in Hindi 16 Chapters Year published: Discourse series, title in Hindi: "Nahim Ram" Nowhere To Go But In Chapter #1 Chapter title: From the Alone to the Alone 25 May 1974 am in Buddha Hall [NOTE: This is a translation from the Hindi discourses: Nahim Ram Bin Thaon. It is being edited for publication, and this version is for reference only.] Question BELOVED OSHO, BEFORE WE ASK ANYTHING WE WOULD LIKE TO OFFER OUR GRATITUDE AND GREETINGS TO YOU. THE MYSTICS HAVE ALWAYS SAID THAT "THERE IS NOWHERE TO GO BUT IN." YOU ALSO SAY THE SAME. WE ARE FAMILIAR WITH THE WORDS, BUT OUR UNDERSTANDING OF IT DOES NOT GO BEYOND THE VERBAL LEVEL. COULD YOU PLEASE EXPLAIN THE DEEPER MEANING OF IT? Understanding at the verbal level is not worth calling understanding. In the world of religion there is no greater deception than words. The words can be understood, there is no difficulty in that, but that which is hidden behind the words remains uncomprehended, and that is the real difficulty. When the word is understood, but not that which lies behind the word, life becomes a great turmoil. We create the illusion of knowing when we do not know, and nothing is more dangerous than assuming that one knows when one does not. Life begins at the point where knowing happens. Life is transformed through knowing. But if we live under the illusion that we know religion because we know the words, then our mind travels in one direction while our life travels in another, and often these directions are completely opposite.
  • Prestige Label Discography

    Prestige Label Discography

    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.