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Do This in Memory of Me‖: the Genealogy and Theological
―DO THIS IN MEMORY OF ME‖: THE GENEALOGY AND THEOLOGICAL APPROPRIATIONS OF MEMORY IN THE WORK OF JOHANN BAPTIST METZ A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Candace Kristina McLean J Matthew Ashley, Director Graduate Program in Theology Notre Dame, Indiana April 2012 © Copyright 2012 Candace Kristina McLean ―DO THIS IN MEMORY OF ME‖: THE GENEALOGY AND THEOLOGICAL APPROPRIATIONS OF MEMORY IN THE WORK OF JOHANN BAPTIST METZ Abstract by Candace Kristina McLean Many theologians have been influenced by Johann Metz‘s theology of memory. To examine Metz‘s sources and how others expand upon his work, I propose a two-part thesis. Part one arises from critical appraisal of sources upon which Metz relies in formulating his idea of memory. While the thinkers Metz draws upon are secular Jewish philosophers, Metz appropriates key notions in specifically theological ways by linking them with the memoria passionis of Jesus Christ and the Jewish religious roots of memory. Furthermore, Metz‘s apocalyptic/eschatological hope for the future differs from secular and postmodern hopes for something surprising, new, and redemptive because Metz advocates real, faith-filled content for these ideas. Part two of the thesis is critical-constructive. Metz‘s idea of memory has the potential to be more than an anthropological category. While reticent to speak of God‘s memory, anamnestic reason becomes a way of speaking about God‘s work of salvation for and with humanity. This becomes clearer when his idea of memory is considered in conjunction with the theology of God‘s memory in the writings of Latin American Candace Kristina McLean liberation theologian Gustavo Gutiérrez. -
Bestiary of the Realms: Volume 2
Bestiary of the Realms: Volume 2 by Thomas M. Costa and Eric L. Boyd Art by Noëlle Triaureau Editorial assistance from Joe “Warlockco” Weber A NOTE FROM THE AUTHORS Welcome to volume two of the Bestiary of the Realms. As this is our second volume, you’ll find several score new or converted monsters, as well as a few different interpretations of monsters that have already been converted. A word of caution, just as many official 3E and 3.5E monsters did not slavishly follow earlier write-ups of those monsters, neither do the monsters herein. Instead, we did our best to consider all sources, hopefully make full and creative use of the 3.5E rules (including non-core WotC books), and in many cases add a little bit here and there to many of the monsters, even if it was in only adding or updating their Realms lore. A few have even been renamed. One last note, we’ve done our best to include source references for all things where appropriate, except those found in the three core rulebooks or Expanded Psionics Handbook. Until then, Sword High! – Thomas M. Costa and Eric L. Boyd ABOUT THE AUTHORS Thomas M. Costa is a senior analyst with the Government Accountability Office. He has been a contributor to several Wizards of the Coast products including Demihuman Deities and Races of Faerûn, and is the author of several Dragon Magazine and Wizards of the Coast website articles. He can be reached at [email protected]. Eric L. Boyd is a software designer and freelance game designer. -
NYUNTU NGALI (You We Two) by Scott Rankin
Education Resources Pre‐Production STC Ed presents a Windmill and Big hART production NYUNTU NGALI (You We Two) by Scott Rankin PRE‐PRODUCTION RESOURCES About Sydney Theatre Company 2 About STCEd 2 Creative Team and Cast 2 About Windmill 3 About Big hART 3 Synopsis 4 Themes 4 Historical and social background of the play 5 Interview with the playwright 6 – 7 PRE‐PRODUCTION EXERCISES Storytelling 8 – 9 We are going 10 Photo: Tony Lewis Pijantjatjara 11 – 12 Education Resource compiled by Education manager Naomi Edwards, Education Coordinator Toni Murphy, Editor Lucy Goleby, Contributors Georgia Close, Kerreen Ely Harper and DiAnne McDonald KEY AIM of exercise or section + Extension Exercises Download and watch Drama Exercises English Exercises Play online NYUNTU NGALI Sydney Theatre Company Education Resources 2010 © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. PRE‐PRODUCTION RESOURCES ABOUT SYDNEY THEATRE COMPANY www.sydneytheatre.com.au/about “PETROL: You can’t live without him. ABOUT STCED EVA: Can’t live without him. www.sydneytheatre.com.au/stced/about ROAM: We don’t care if you kill us, do we little one. Nyuntu Ngali Scene Five – Who are you? ” CREATIVE TEAM Writer and Director – Scott Rankin Musical Director and Community Producer – Beth Sometimes Lighting Designer – Nigel Levings Choreographer – Gina Rings Objects Designer – Elliat Rich AV -
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284 -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Pj 22 -Matter Anti-Matter
MATTER ANTI-MATTER & WHAT'S THE MATTER BY GYEORGOS CERES HATONN "dharma" A PHOENIX JOURNAL COPYRIGHT POSITION STATEMENT AND DISCLAIMER The Phoenix Journals are intended as a "real time" commentary on current events, how current events relate to past events and the relationships of both to the physical and spiritual destinies of mankind. All of history, as we now know it, has been revised, rewritten, twisted and tweaked by selfishly motivated men to achieve and maintain control over other men. When one can understand that everything is comprised of "energy" and that even physical matter is "coalesced" energy, and that all energy emanates from God's thought, one can accept the idea that the successful focusing of millions of minds on one expected happening will cause it to happen. If the many prophecies made over thousands of years are accepted, these are the "end times" (specifically the year 2000, the second millennium, etc.). That would put us in the "sorting" period and only a few short years from the finish line. God has said that in the end-times would come the WORD--to the four corners of the world--so that each could decide his/her own course toward, or away from, divinity--based upon TRUTH. So, God sends His Hosts--Messengers--to present that TRUTH. This is the way in which He chooses to present it, through the Phoenix Journals. Thus, these journals are Truth, which cannot be copyrighted; they are compilations of information already available on Earth, researched and compiled by others (some, no doubt, for this purpose) which should not be copyrighted. -
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
© 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road. -
Scanned Using Book Scancenter 5131
‘ae. sf<o • • • < ( C I • • Work-Study Program May Change ^ —Travis Dunn The current work-study program may hours per week (the current limit is 10 hours work-study students. change next school year if ideas proposed by per week). This proposed change would Chenoweth said that the student on-call President John Agresto, Dean Stephen Van also allow for more student supervisors, said team was implemented this current school Luchene and Placement Office director Jen the Dean. year as a “first step” in changing the current nifer Chenoweth can be fit into next year’s Chenoweth hopes both increased pay work-study program. Part of the aim of budget. These proposed changes would, and a few more hours per week would dis establishing the on-call team was “to see if according to Chenoweth, give students bet courage work-study students from seeking a students would take more responsibility if ter practical job experience by placing greater second, off-campus job. “Students who can more responsibility was given to them.” responsibility on certain positions, allow handle more [than 10] hours should be al Dean Van Luchene said he wants to see students who have assumed more responsi lowed to work more,” she said. “It’s a more teams of student workers next year— bility to earn more and to work more hours, tragedy to see students working 40 hours a particularly in Bulidings and Grounds. Dean and shorten the somewhat lengthy “transi week and try, not very successfully, to do the Van Luchene said that the work-study pro tion time” many Johnnies experience gram has already changed to some after graduating and before “[they] are extent over the last few years. -
Pittsburgh Vinyl Records
Use Command F (⌘F) or CTRL + F to search this document Call Number Composer / Group /Artist Conductor / Title Contents Format Album Year Director and/or Notes Info r RECORD AL 16043 8th Street Rox Live from the corner of rock 12” LP Decade 1987 & roll (stereo) Disc DDR- 3000 r RECORD AL 16042 ACDA Eastern Division Mack, Gerald ACDA Eastern Division recorded at 12” LP Mark MC- 1978 Honors Choir Honors Choir Wm. Penn (stereo) 9176 Hotel, Pgh., February 25, 1978 r RECORD AL 13869 Adams-Michaels Band WDVE Pittsburgh rocks analog, 33 Nova BMC- 1980 album 1/3 rpm, 80102 stereo. ; 12 in. r RECORD AL 16037 Affordable Floors, The Pittsburgh Sound Tracks 12" LP Itzy [198-?] (stereo) Records NR16371 (r) RECORD AL 15963 Alcoa Singers Glockner, An old-fashioned Christmas analog, 33 Aluminum 1979 Eleanor 1/3 rpm, Company stereo.; 12 of America in. 44-4184-J r RECORD AL 15973 All-City Senior High Schools Levin, Stanley 1965 Spring Music Festival Recorded May analog, 33 Century 1965 Orchestra of the Pittsburgh H. concert 13, 1965, in 1/3 rpm ; 12 Records Public Schools Carnegie Music in. 22274 Hall. r RECORD AL 16442 All-City Senior High Schools Levin, Stanley 1963 Spring Music Festival Recorded May analog, 33 Century 1963 Orchestra of the Pittsburgh H. concert 16, 1963, in 1/3 rpm ; 12 Records Public Schools ; Bell-Aires Carnegie Music in. 17141 Hall. r RECORD AL 16454 Allderdice Concert Band Annual spring concert 12" LP Engle [1970?] stereo Associates Recording r RECORD AL 15906 Allderdice High School DiPasquale, 1971 spring concert analog, 33 Conducto [1971] Concert Band Henry J. -
UNIVERSITY of CAPE COAST TRADITION in TRANSITION: the HABITS of LANGUAGE in GHANAIAN HIPLIFE LYRICS by SAMUEL KWESI NKANSAH Thes
© University of Cape Coast https://erl.ucc.edu.gh/jspui UNIVERSITY OF CAPE COAST TRADITION IN TRANSITION: THE HABITS OF LANGUAGE IN GHANAIAN HIPLIFE LYRICS BY SAMUEL KWESI NKANSAH Thesis submitted to the Department of English, Faculty of Arts, of College of Humanities and Legal Studies, University of Cape Coast, in partial fulfillment of the requirements for award of Doctor of Philosophy degree in Literature FEBRUARY 2019 i Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui DECLARATION Candidate’s Declaration I hereby declare that this thesis is the result of my own original research and that no part of it has been presented for another degree in this university or elsewhere. Candidate’s Signature: …………………… Date: ……………………… Candidate’s Name: Samuel Kwesi Nkansah Supervisors’ Declaration We hereby declare that the preparation and presentation of the thesis were supervised in accordance with the guidelines on supervision of thesis laid down by the University of Cape Coast. Principal Supervisor’s Signature: ………………… Date: ……………………… Name: Prof. Kwadwo Opoku-Agyemang Co- Supervisor’s Signature: ……………………… Date: ……………………… Name: Prof. Timothy Sola Babatunde ii Digitized by Sam Jonah Library © University of Cape Coast https://erl.ucc.edu.gh/jspui ABSTRACT The future of every nation is embedded in its youth. The older generation eats sour grape and sets the teeth of the youth on edge. A vibrant youth seeks a better future for itself since if one fails to comment on how one’s head is shaven, one ends up having a bad shave (The Author). This qualitative (textual) research is premised on the fact that research into Hiplife genre in recent years has not devoted attention to the source of its rhetorical vehemence, leading Adegbite (2006) to admonish scholars to broaden their scope of research to embrace all varieties of musical styles. -
Ing the Needs of the Music & Record 0 Industry
record Dedicated To Serving The Needs Of The Music & Record 0 Industry Vol. 21, No. 1045 June 11, 1961 In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO wwsHEnwsHoxE IN THE A Lo.,.i, I.iae lo mrne IWVHe/Hexerl THE P-A1 FEELS WORLD Peaches and Herb continue "Don't Go Out Into the Rain The Platters will get plenty A little bolero sound and to do right by those oldies. (You're Going to Melt)" is of spins with "Washed a haunting lyric make This time it's "For Your a bright and shiny new Ashore (On a Lonely Island "White Rabbit" by the Jef- Love" and it's for sales tune from Herman's Her- in the Sea," a swingy bal- ferson Airplane stand out ;Date 2-1563). mits (MGM 13761). lad (Musicor 1251). (RCA Victor 47-9248). SLEEPERS OF THE WEEK pISC IOCKEY WNF'SISY Nxq-01 o SS LWAT STEPHEN MONAHAN The Flying Machine, dis- Stephen Monahan gets hard "Why'd You Go Away" by "I'll Do It for You" by covered by Chip Taylor and rock into the grooves on Prince Harold is an ex- Toussaint McCall is already Al Gorgoni for their new this introspective ditty. tremely soulful tune and being talked about in many Rainy Day Label, make in- Stone -Greene found the lad the fellow tells it like it markets. Teens will be fectious bow on "Night (Kapp 835). is for sales (Verve 10530). clamoring (Ronn 9). New Rainy Day Label Owl" (8001). -
*Igns of Fite Giunts Meetings Abandoned, and Others Very Small
Behold, I come quickly; and My reward is with Me, to give every man according as his work shall be." Rev. 22:12. VOLUME 20. OAKLAND, CALIFORNIA, MONDAY, NOVEMBER 20, 1893. NUMBER 3. hundred of an evening, and the sectional tation a thing to be grasped or seized, but ,*Igns of fite giunts meetings abandoned, and others very small. emptied himself of himself, that God, might One speaker had three and spoke well, an- fill him with all the fullness of the Godhead PUBLISHED WEEKLY, AT OAKLAND, CALIFORNIA. other only one for an audience." Certainly (Col. 2 : 9 ; 1 :19), and that thus he might the people are not interested in devotional, manifest in the flesh God to the world (1 TERMS: • practical Christianity, or that which approxi- Tim. 1 :16; John 1 :14); and he could only Single Copy, one year (50 numbers), $1.50 In clubs of 10 or more copies to one address, each, 1.25 mates it most closely. Some noted men do this as God was in him (2 Cor. 5 : 19 ; 9'n foreign countries in postal union, ($2) - • 8s might draw, but it is the men, not the mes- John 14 :9-11). It is well known that the Sample copieS free. gav-See note at beginning of last page. Address, SIGNS OF THE TIMES, sage. The great Congress of Religions, judged whole life of Christ was a life of self-denial Twelfth and Castro Sts., OAKLAND, CAL., U. S. A. by such conditions as the above, present, as for others' good ; but in this he was only de- (Entered at the Post Office in Oakland.) the Observer says," a very sorry picture." claring the love of God.