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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
PAPERS DELIVERED at SHARP CONFERENCES to DATE (Alphabetically by Author; Includes Meeting Year)
PAPERS DELIVERED AT SHARP CONFERENCES TO DATE (alphabetically by author; includes meeting year) Abel, Jonathan. Cutting, molding, covering: media-sensitive suppression in Japan. 2009 Abel, Trudi Johanna. The end of a genre: postal regulations and the dime novel's demise. 1994 ___________________. When the devil came to Washington: Congress, cheap literature, and the struggle to control reading. 1995 Abreu, Márcia Azevedo. Connected by fiction: the presence of the European novel In Brazil. 2013 Absillis, Kevin. Angele Manteau and the Indonesian connection: a remarkable story of Flemish book trade (1958-1962). 2006 ___________. The biggest scam in Flemish literature? On the question of linguistic gatekeeping In literary publishing. 2009 ___________. Pascale Casanova's The World Republic of Letters and the analysis of centre-periphery relations In literary book publishing. 2008 ___________. The printing press and utopia: why imaginary geographies really matter to book history. 2013 Acheson, Katherine O. The Renaissance author in his text. 1994 Acerra, Eleonora. See Louichon, Brigitte (2015) Acres, William. Objet de vertu: Euler's image and the circulation of genius in print, 1740-60. 2011 ____________. A "religious" model for history: John Strype's Reformation, 1660-1735. 2014 ____________, and David Bellhouse. Illustrating Innovation: mathematical books and their frontispieces, 1650-1750. 2009 Aebel, Ian J. Illustrating America: John Ogilby and the geographies of empire in Restoration England. 2013 Agten, Els. Vernacular Bible translation in the Netherlands in the seventeenth century: the debates between Roman Catholic faction and the Jansenists. 2014 Ahokas, Minna. Book history meets history of concepts: approaches to the books of the Enlightenment in eighteenth-century Finland. -
Hagar the Horrible Beetle Bailey Snuffy Smith
The Anniston Star MONDAY’S STAR LITE Tuesday, October 26, 2015 Blondie HOROSCOPE BY EUGENIA LAST ARIES (March 21-April 19) — A misun- derstanding will develop into a confron- Nothing will stop you from reaching the tation if you aren’t precise in the way you top this year. Using the power of persuasion, present your thoughts. Make sure you have you will entice all the allies you need to make all the facts before challenging someone’s your dreams a reality. Determination and idea or opinion. focus will be key factors that help you out- TAURUS (April 20-May 20) — Don’t maneuver any competition you encounter. jump to conclusions. Moneymaking oppor- SCORPIO (Oct. 24-Nov. 22) — Keep tunities are on the horizon, so be prepared plugging away and don’t let what others to act. Concentrate on your financial secu- do deter you from reaching your goals. Pro- rity before you take on concerns that are Hagar the Horrible mote and present your ideas and you will less pressing. convince others to pitch in and help. GEMINI (May 21-June 20) — Someone SAGITTARIUS (Nov. 23-Dec. 21) — will try to win your friendship to improve Don’t become reclusive. Get together with his or her position or status. Be wary of friends and make plans to do something anyone who presses for personal informa- out of the ordinary. Reduce your anxiety by tion. Don’t fall for someone else’s hard-luck not dwelling on past regrets or events you story. cannot change. CANCER (June 21-July 22) — A relation- CAPRICORN (Dec. -
Forward Thinking Can Help Parents Deal with Cancer Dear Abby: I’M Writing in to Cherish from Her
Page 6B East Oregonian COFFEE BREAK Thursday, August 13, 2015 PEANUTS BY CHARLES M. SCHULZ DEAR ABBY Forward thinking can help parents deal with cancer Dear Abby: I’m writing in to cherish from her. response to “Not Talking About the “Not Talking’s” wife may want to Future” (March 24), whose wife has consider doing some of these things. breast cancer, was told she has only a I send her, and everyone else dealing FOR BETTER OR WORSE BY LYNN JOHNSTON few years to live, and feels sad when with cancer, a prayer of peace. — her kids talk about their futures. My Proud Daughter, Vancouver, Wash. dad was diagnosed with stage four Dear Abby: I was 13 when my multiple myeloma, a type of blood father found out he had cancer. I cancer, in 2006. He was told that even Jeanne didn’t know what it was, and no one the most aggressive treatment would Phillips in my family sat me down and told buy him only two or three more years. Advice me he was going to die. He passed Well, he’s now working on year nine. away at a hospital out of town, and I While I must admit that it’s been wasn’t there when it happened. When hard at times for me to stay positive about I was told, I was heartbroken. his prognosis, I try not to let it show. Instead, Now, as an adult, I am crushed that I every chance I get, I talk about the future with wasn’t able to have the conversations with him — holiday plans, plans for my wedding him I needed — about his boyhood, grand- B.C. -
Super-Heróis Negros E Negras: Referências Para a Educação Das Relações Étnico-Raciais E Ensino Da História E Cultura Afro-Brasileira E Africana
caminhos SUPER-HERÓIS NEGROS E NEGRAS: REFERÊNCIAS PARA A EDUCAÇÃO DAS RELAÇÕES ÉTNICO-RACIAIS E ENSINO DA HISTÓRIA E CULTURA AFRO-BRASILEIRA E AFRICANA Fernanda Pereira da Silva Dissertação apresentada ao Programa de Pós-graduação em Relações Étnico-raciais do Centro Federal de Educação Tecnológica Celso Suckow da Fonseca, CEFET/RJ, como parte dos requisitos necessários à obtenção do título de Mestre. Orientador (a): Roberto Carlos da Silva Borges Rio de Janeiro Agosto de 2018 SUPER-HERÓIS NEGROS E NEGRAS: REFERÊNCIAS PARA A EDUCAÇÃO DAS RELAÇÕES ÉTNICO-RACIAIS E ENSINO DA HISTÓRIA E CULTURA AFRO-BRASILEIRA E AFRICANA Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Relações Étnico-raciais do Centro Federal de Educação Tecnológica Celso Suckow da Fonseca, CEFET/RJ, como parte dos requisitos necessários à obtenção do título de Mestre Fernanda Pereira da Silva Banca Examinadora: ______________________________________________________________________ Presidente, Professor Dr. Roberto Carlos da Silva Borges (CEFET-RJ) ______________________________________________________________________ Professora Dra. Talita de Oliveira (CEFET-RJ) ______________________________________________________________________ Professor Dr. Aldo Victório Filho (UERJ) SUPLENTES ______________________________________________________________________ Professora Dra. Glenda Cristina Valim de Melo (UNIRIO) ______________________________________________________________________ Professor Dr. Samuel Silva Rodrigues de Oliveira (CEFET-RJ) Rio de Janeiro Agosto de 2018 AGRADECIMENTOS O percurso de construção de uma pesquisa não é uma tarefa fácil, em muitos momentos precisamos do apoio de outras pessoas, afinal, nada se constrói sozinho. Agradeço, primeiramente, a Deus por ter me dado forças para superar as dificuldades e concluir este sonho, o qual, por tanto tempo, lutei para conseguir. À minha família, em especial meus pais Wilma Figueredo e Francisco Pereira (in memoriam) e a minha irmã Izabel Pereira, que sempre me apoiaram com amor incondicional e incentivo. -
Includes Rarities from the STAN LEE ARCHIVES!
THE UNIVERSE Interviews with and mementos from “THE MAN” who changed comics and pop culture Includes rarities from THE STAN LEE ARCHIVES! edited by Danny Fingeroth and Roy Thomas CONTENTS About the material that makes up THE STAN LEE UNIVERSE Some of this book’s contents originally appeared in TwoMorrows’ Write Now! #18 and Alter Ego #74, as well as various other sources. This material has been redesigned and much of it is accompanied by different illustrations than when it first appeared. Some material is from Roy Thomas’s personal archives. Some was created especially for this book. Approximately one-third of the material in the SLU was found by Danny Fingeroth in June 2010 at the Stan Lee Collection (aka “ The Stan Lee Archives ”) of the American Heritage Center at the University of Wyoming in Laramie, and is material that has rarely, if ever, been seen by the general public. The transcriptions—done especially for this book—of audiotapes of 1960s radio programs featuring Stan with other notable personalities, should be of special interest to fans and scholars alike. INTRODUCTION A COMEBACK FOR COMIC BOOKS by Danny Fingeroth and Roy Thomas, editors ..................................5 1966 MidWest Magazine article by Roger Ebert ............71 CUB SCOUTS STRIP RATES EAGLE AWARD LEGEND MEETS LEGEND 1957 interview with Stan Lee and Joe Maneely, Stan interviewed in 1969 by Jud Hurd of from Editor & Publisher magazine, by James L. Collings ................7 Cartoonist PROfiles magazine ............................................................77 -
Donor Report Inside P R O F E S S O R J O H N W O O D I N Photography
Non Profit Org THE UNIVERSITY OF THE ARTS US Postage 320 South Broad Street PAID Philadelphia, PA 19102 Philadelphia, PA UArts.edu Permit No. 1103 THE MAGAZINE OF THE UNIVERSITY OF THE ARTS edg e THE edge MAGAZINE OF T HE U NIVERSITY OF THE A RTS FALL FALL 2013 2013 NO . 11 Donor Report Inside PROFESSOR JOHN WOODIN photography S EAN T. B UFFING T ON PRESIDENT L UCI ll E H UG H E S PUBLISHER VICE PRESIDENT FOR ADVANCEMENT P AU L F. H EA LY EDITOR ASSOCIATE VICE PRESIDENT OF UNIVERSITY COMMUNICATIONS E LY ss E R ICCI B FA ’ 0 8 ART DIRECTOR & DESIGNER J AME S M AU R E R PRODUCTION MANAGER D ANA R O dr IGUEZ CONTRIBUTING EDITOR CONTRIBUTING PHOTOGRAPHERS S T EVE B E L KOWI T Z J A S ON C H EN B FA ’ 0 8 S AMUE L N AGE L M IC H AE L S P ING L E R S T EVE S tr EI S GU th B FA ’ 0 9 th EY B K LYN J O H N W OO D IN CONTRIBUTING WRITERS A NI S A H AI D A R Y P AU L F. H EA LY E L I S E J U S KA C A th E R INE G UN th E R K O D A T S A R A M AC D ONA ld D ANA R O dr IGUEZ J OANNA S UNG L AU R EN V I ll ANUEVA COVER IMAGE S T EVE B E L KOWI T Z , 2 0 1 1 POSTMASTER : SEND ADDRESS CHANGES TO edge c/o University Communications, The University of the Arts, 320 S. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
Arthur Suydam: “Heroes Are What We Aspire to Be”
Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics.