Inference on the Surveying Methods at the 8Th Century in Japan
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Sakata Tojuro, Nakamura Shichisaburo and the Creation Of
SAKATA TOJURO, NAKAMURA SHICHISABURO AND THE CREATION OF WAGOTO KABUKI IN THE GENROKU ERA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE August 2004 By Holly A. Blumner Dissertation Committee: James R. Brandon, Chair Robert Huey Tamara Hunt Montgomery Julie A. Iezzi Kirstin Pauka Acknowledgements The research for this dissertation was made possible through the very generous support of the Monbusho and the Crown Prince Akihito Scholarship Foundation. I would like to thank the managers and theatre attendants at Shochiku's Minami-za, Naka-za, and Shochiku-za theatres for granting me access to numerous performances. I wish to thank Asahi Earphone Guide Service and the Asahi English Earphone Guide staff. I am grateful to Hamatani Hiroshi at the National Theatre of Japan for his advice during my field study in Japan. I wish to thank Nakamura Ganjiro III and Kataoka Nizaemon IV for speaking with me about the current state of wagoto kabuki and nimaime acting. I am indebted to Torigoe Bunzo at Waseda University for his guidance during my two years of research at Waseda University, and to Ikawa Mayuko who tirelessly answered my questions about play texts and acting critiques. In Hawai'i, I would like to acknowledge my graduate student colleagues for their encouragement along the way. I wish to thank my committee members for their advice and assistance during the writing of this III dissertation. I am especially grateful to Dr. James R. Brandon who continues to be a great source of knowledge, inspiration, and encouragement. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
OFFICIAL GAZETTE GOVERNMENT PRINTINGBUREAU ENQLISH EDITION Ia*)--I―'4-S―/I:-I-I-Ak^Asefts^I
f OFFICIAL GAZETTE GOVERNMENT PRINTINGBUREAU ENQLISH EDITION ia*)--i―'4-s―/i:-i-i-aK^asefts^i No. 910 WEDNESDAY, APRIL 13, 1949 Price 28.00 yen of currencies and kinds of such financial instru- MINISTERIAL ORDINANCE ・ ments as indicated by foreign currencies and to be impounded by the Government in accordance Ministry of Communications Ordinance with the provisions of Article 4 of the said Cabinet No. 11 Order shall be determined as follows: April 13, 1949 Minister of Finance Regulations for Ministry of Communications IKEDA Hayato Mutual Aid Association(Cabinet Ordinance No. 30 Minister of Commerce & Industry of September, 1945),Special Regulations for Mini- INAGAKI Heitaro stry of Communications Mutual Aid Association 1. The name of owner and quantity of gold to be Camp-followers (Ministry of Communications Ordi- purchased by the Government in accordance with nance No. 97 of November, 1941) and Regulations the provisions of Article 1 of the Cabinet Order for Ministry of Communications Mutual Aid Asso- concerning gold, foreign currencies and foreign ciationsSeamen Insurance Members (Cabinet Ordi- financial instruments (Cabinet Order No. 52 of nance No. 33 of September, 1945) shallbe abolished. 1949; hereinafter to be called Order): Minister of Communications Name of owner: MINOMO Nagashiko OZAWA Saeki' Quantity: 50 gram Supplementary Provision: 2. The units of foreign currencies to be purchased The present MinisterialOrdinance shall come by the Government in accordance with the pro- into force as from the day of its promulgation and visions of Article 1 of the Order: shallbe applied as from July 1, 1948. ££■,£ Countries 1. Republica Argentina Pesos NOTIFICATIONS 2. -
Encyclopedia of Japanese History
An Encyclopedia of Japanese History compiled by Chris Spackman Copyright Notice Copyright © 2002-2004 Chris Spackman and contributors Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.1 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. A copy of the license is included in the section entitled “GNU Free Documentation License.” Table of Contents Frontmatter........................................................... ......................................5 Abe Family (Mikawa) – Azukizaka, Battle of (1564)..................................11 Baba Family – Buzen Province............................................... ..................37 Chang Tso-lin – Currency............................................... ..........................45 Daido Masashige – Dutch Learning..........................................................75 Echigo Province – Etō Shinpei................................................................ ..78 Feminism – Fuwa Mitsuharu................................................... ..................83 Gamō Hideyuki – Gyoki................................................. ...........................88 Habu Yoshiharu – Hyūga Province............................................... ............99 Ibaraki Castle – Izu Province..................................................................118 Japan Communist Party – Jurakutei Castle............................................135 -
Development and Dispersal Process of Ancient Japanese Clan
Development and Dispersal Process of Ancient Japanese Clan Development and Dispersal Process of Ancient Japanese Clan Masanobu SUZUKI Abstract In ancient Japan, how did the Yamato Kingdom (大和政権) form? In order to research this question, I studied the Ōmiwa clan (大神氏). This clan served the Yamato Kingdom and took charge of religious services in ancient times. The clan was one of the most powerful ancient Japanese clans. Therefore, knowledge of how the imperial family and the Ōmiwa clan are related is indispensable for understanding the nature of the politics of the Yamato Kingdom. Furthermore, it is indispensable for understanding the process of forming the Japanese nation in ancient times. In this paper, I extracted place names, Shinto shrine names, and clan names related to the “Miwa” (神, 三輪) or “Ōmiwa” (大神, 大三輪) from ancient historical documents. I found that they were distributed throughout almost all of the islands in ancient Japan, and some of the clans overlapped geographically. If we now find a related place name or Shinto shrine name, it is likely that related people who the Ōmiwa clan controlled lived there in ancient times. The Yamato Kingdom sent troops to or advanced into western and eastern Japan or foreign countries, so ancient people learned about the Ōmiwa god (大三輪神). They then established shrines for worship- ing that god as a war god, and the Miwa clan (神氏), the Miwahito clan (神人氏), the Miwahitobe clan (神人部 氏), and the Miwabe clan (神部氏) were established in various places in Japan to worship the god according to the local ruling systems of the Yamato Kingdom, including the Hito system (人制), the Bemin system (部民制), and the Kokuzō system (国造制). -
Statler 8/16-50
Taira Tadamori was annoyed. Very annoyed. A Chinese ship lay offshore loaded with goods that meant hefty profits. But here too were the pests he had he had tried to dodge: Dazaifu inspectors intent on boarding the ship, interrogating the captain, and inspecting the cargo so they could nab a considerable part of it in the name of taxes and fees. The ship’s captain was fuming. Had Taira Tadamori forgotten his assurance that at this out-of-the-way anchorage there would be no hungry officials? On the strength of that promise he had by-passed the familiar port of Hakata to sail a long, looping course southward around Kyushu’s western outreaches through island-clogged passages and bays then back northward more than sixty miles to the farthest shore of the gulf called the Ariake Sea. Here, he had been assured, was the security of the estate that Tadamori managed. Tadamori tried to cool the irate Chinese. He insisted that he could handle the situation. As manager he represented the owners of the estate, and though it was held by a temple in the capital that temple had been founded by imperial order and the estate was in fact part of the lanes belonging to the imperial family. In this year 1133 the head of the imperial family was the retired emperor Toba, the most influential man in the capital. Toba took a keen interest in the family lands. He was zealous in expanding them and he would not look kindly on any attempt to cut into the revenue they yielded. -
The Japanese Sword and Its Fittings, from the Collections of the Members
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Historical Development of Pesticides in Japan Hiroki
Historical Development of Pesticides in Japan 1 Hiroki Ota ■ Abstract This paper aims to provide an overview of the history and development of pesticides in Japan, following a study by the author on the role of pesticides, their impact on society and the establishment and development of the pesticide industry in Japan. Pesticides in Japan can be traced back to 1600. A document from this era, entitled Family Traditions on the Killing of Insects, records that noxious insects can be exterminated using a mixture of five types of ingredients. Researchers have also discovered that in 1670, whale oil was poured onto fields as a method of exterminating leafhoppers. These examples indicate the beginning of pest control in Japan. Up until the mid-19th century, these primitive types of pest control were the only methods used in Japan; they were accompanied by mushi-oi – prayers to ward off insects. An industry eventually started to develop in the late 19th century, when various products began to be introduced from overseas, such as lime sulphur, Bordeaux mixture and other copper agents as well as pyrethrum insect powder, nicotine and other natural products. Arsenic compounds and chlorpicrin became industrialised in the early 20th century; by the 1930s, a good foundation had been laid for the pesticide industry. However, the outbreak of war interrupted the progress of technology in Japan. Research and development continued in the West on new synthetic pesticides, even in wartime. While Japan lagged behind in its technological developments, it was not long after the introduction of DDT, BHC, parathion and other synthetic pesticides that it started producing similar products domestically. -
Izumo (No Kuni) Fudoki
Japanese Journal of Religious Studies 37/2: 185–222 © 2010 Nanzan Institute for Religion and Culture Anders Carlqvist The Land-Pulling Myth and Some Aspects of Historic Reality Izumo fudoki describes Izumo Province, situated in today’s Shimane Prefec- ture and facing the Japan Sea. It is the oldest surviving Japanese text compiled by aristocrats from a region, hence giving us unique information about a Japa- nese province during the Nara period. However, Izumo fudoki has been little consulted by Western scholars. The land-pulling myth is the first myth to be related in Izumo fudoki; it narrates how one of the local deities looks across the Japan Sea and decides to pull land from four of the places that he can see, including from the Korean Peninsula. This land he cuts off, pulls across the sea, and attaches to Izumo, hence making the province larger. This article dis- cusses two ways of interpreting the myth. One possible interpretation is that the four places from which land is being pulled correspond to an area that was in different ways connected to Izumo during the late Yayoi period. The other, perhaps more worthwhile, explanation of the myth is to see how it sup- ported the local aristocracy in Izumo Province as it tried to maintain partial autonomy vis-à-vis the central government. keywords: Izumo fudoki—Izumo Province—Izumo no Omi—myths—deities— burial mounds—kofun—Yayoi period—Nara period Anders Carlqvist teaches at Morioka Junior College in Iwate Prefectural University. 185 he eighth-century text Izumo (no kuni) fudoki 出雲国風土記 (733) narrates several intriguing myths, most of them not mentioned in the official records,Kojiki 古事記 (712) and Nihon shoki 日本書紀 (720), com- Tpiled by the central government.1 The myths not only differ from the ones of the central tradition; some of them even outright oppose the hegemony of the court. -
Japanese Folk Tales
Yanagita Kum'o Japanese Folk Tales Translated* by Fanny Hagin Mayer 氺 The Japanese original is : Yanagita Kunio, Nippon no mukashibanashi 田國男,日本の昔話) . Revised edition. Illustrated by Hattori Aritsune (服部有恒). Tokyo, Mikuni Shob6 (三國書房),1942. TABLE OF CONTENTS Page Introduction to the Revised Edition ................................................ Foreword ....................................................... .................................. xi 1 . Why the monkey’s tail is short {Saru no o wa na^e mijikai 猿の 尾はなせ=短い)...............................................—Izumo* 出雪 2. , Why the jellyfish has no bones {Kurape hone nashi 海月骨無し)•. 3. The sparrow and the woodpecker {Su^ume to kitsutsuki 雀と 啄木鳥)....................................................... —Tsugaru津輕 4. The pigeon’s obedience to his mother {Hato no koko 鳩の孝行) .............. .......................................................... ~-Noto 能登 5. The cuckoo brothers {Hototogisu no kyodai 時鳥の兄弟)............ ..................................................................... ■~Etchu 越中 6. The cuckoo and the shrike {llototogisu to mo^u 時鳥と百舌) ......... .......... v.......................—KisM ,Naka-gun 紀州那賀郡 ......... ^............................... —Kishu, Arita-gun 紀州有田郡 4 7. The owl dyer (Fukurd someya 梟染め屋).................................. ..................................... -—Rikuchu, Iwate~gun 陸中岩手郡 4 8. The cicada and Daishi Sama {Semi to D ais hi Sama 蟬と大pip 檨) ..................................................................—Hitachi 胃 g 5 9. The wren counted -
Zeami's Demon Pacifying <I>Noh</I> and Nobumitsu's Demon Killing
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Spring 6-13-2019 Confronting Noh Demons: Zeami's Demon Pacifying Noh and Nobumitsu's Demon Killing Noh Jitsuya Nishiyama Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Japanese Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Nishiyama, Jitsuya, "Confronting Noh Demons: Zeami's Demon Pacifying Noh and Nobumitsu's Demon Killing Noh" (2019). Dissertations and Theses. Paper 5132. https://doi.org/10.15760/etd.7011 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Confronting Noh Demons: Zeami's Demon Pacifying Noh and Nobumitsu's Demon Killing Noh by Jitsuya Nishiyama A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Japanese Thesis Committee: Laurence Kominz, Chair Jon Holt Suwako Watanabe Portland State University 2019 © 2019 Jitsuya Nishiyama i Abstract Noh is often described as a drama of the exploration of the soul. This focus on the human soul is largely attributed to Zeami Motokiyo 世阿弥元清 (c. 1363-c. 1443), the greatest playwright in the history of noh drama. This thesis, however, attempts a more comprehensive examination of the characteristics of noh plays by including works by Kanze Nobumitsu 観世信光 (1435-1516). Zeami and Nobumitsu wrote several demon noh plays, which are plays whose primary characters are demons.