Dear Parents

Total Page:16

File Type:pdf, Size:1020Kb

Dear Parents 2017-18 School Year Dear Parents: At times during the school year, there are occasions when various popular films reinforce and enhance understanding of a concept or theme we are teaching in our academic classes. When such occasions arise, we like to offer students the opportunity to view these films to incorporate them into our lessons. Because some of the movies are rated PG (Parental Guidance Suggested), parental permission is required before viewing. Below is a list of PG movies that have been reviewed by our media committee for appropriateness of instructional value. The list provides teachers a selection from which to choose a movie appropriate for their curriculum. This permission slip will be in lieu of sending a separate permission slip each time we choose to view a film. This will prevent students from forgetting to get permission and thereby missing the activity. If there are movies listed that you do not want your child to view, please list the exceptions below. Please consider the list below: A BUG’S LIFE A CHRISTMAS CAROL A CHRISTMAS STORY A CRICKET IN TIMES SQUARE A CRY IN THE WILD ADROMEDA STRAIN AKEELAH & THE BEE A KID IN KING ARTHUR’S COURT AMERICA’S HEART & SOUL ANNE FRANK ANNE FRANK REMEMBERED APOLLO 13 A WRINKLE IN TIME BABE BECAUSE OF WINN-DIXIE BRIDGE TO TERABITHIA BROTHER BEAR CHARLEY CHARLOTTE’S WEB CITY OF EMBER CLASH OF THE TITANS CLUE COLOR OF FRIENDSHIP COSMIC VOYAGE CROSSING BORDERS DEEP SEA DIVE DIARY OF A WIMPY KID DIARY OF A WIMPY KID: DOG DAYS DIARY OF A WIMPY KID: RODERICK RULES DOLPHIN TALE EMPIRE OF THE SUN FANTASTIC VOYAGE FINDING NEVERLAND FIVE HUNDRED NATIONS FOOD, INC. FOREIGN LETTERS FROM THE EARTH TO THE MOON (PARTS 1, 7, 8, & 9) GANDHI GET A CLUE! GETTYSBURG GIFTED HANDS: THE BEN CARSON STORY GOD GREW TIRED OF US GONE WITH THE WIND HIDDEN FIGURES HIDING PLACE HOLES HOMEWARD BOUND I & II HOW THE GRINCH STOLE CHRISTMAS (DR. SEUSS) HUGO I AM THE CHEESE INDIAN IN THE CUPBOARD IRON WILL I.Q. IT’S A WONDERFUL LIFE KILLING LINCOLN LEGEND OF THE GUARDIANS: THE OWLS OF GA’HOOLE LIFE OF PI LIKE STARS ON EARTH LORAX MASTERPIECE THEATRE: THE DIARY OF ANNE FRANK MIRACLE MIRACLE AT MIDNIGHT MIRROR, MIRROR MULAN MURDERS IN THE RUE MORGUE MUSIC OF THE HEART NATIONAL TREASURE NIGHT AT THE MUSEUM NIGHT CROSSING OCTOBER SKY OSMOSIS JONES PATTON (OMIT SOLILIQUY AT BEGINNING) PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF POLAR EXPRESS PRANCER RABBIT-PROOF FENCE RADIO REAR WINDOW REMEMBER THE TITANS RIKKI-TIKKI-TAVI ROBIN HOOD (ANIMATED CARTOON) THE RON CLARK STORY RUBY BRIDGES RUDY SECOND HAND LIONS SELMA, LORD SELMA SEPARATE, BUT EQUAL SIMON BURCH SPARE PARTS (DOCUMENTARY) STAND AND DELIVER THANKSGIVING PROMISE THE AMAZING PANDA ADVENTURE THE ATTIC: THE HIDING OF ANNE FRANK THE CANTERVILLE GHOST THE CHILDREN’S MARCH THE COUNT OF MONTE CRISTO THE CROCODILE HUNTER: COLLISION COURSE THE DIARY OF ANNE FRANK THE EMPEROR’S NEW GROOVE THE HIDING PLACE THE HUNCHBACK OF NOTRE DAME THE JUNGLE BOOK THE LONG WALK HOME THE MOON-SPINNERS THE OUTSIDERS THE PRINCE OF EGYPT THE PRINCESS BRIDE THE SANTA CLAUS THE SCARLETT PIMPERNEL THE SWORD IN THE STONE THE TIME MACHINE THE TWILIGHT ZONE: THE MONSTERS ARE DUE ON MAPLE STREET (Episode 22) THE WITCHES THE WIZARD OF OZ TICKLE THE SKY TOM SAWYER TOY STORY TRUMAN TUCK EVERLASTING TWELVE ANGRY MEN UNDERWATER DREAMS (DOCUMENTARY) WATSONS GO TO BIRMINGHAM, THE WE ARE MARSHALL WE BOUGHT A ZOO WON’T BACK DOWN I hereby give permission for my student ____________________________________ to view the movies listed above with the following exceptions: __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ Parent Signature ____________________________________ Date _________________ .
Recommended publications
  • DEBORAH EVANS Production Designer
    DEBORAH EVANS Production Designer FILMS (partial list) G-FORCE Jerry Bruckheimer Films/ Dir: Hoyt Yeatman Walt Disney Pictures Prod: Jerry Bruckheimer BULLETPROOF MONK MGM Dir: Paul Hunter Prod: Terence Chang, Charles Roven, Douglas Segal, John Woo REMEMBER THE TITANS Jerry Bruckheimer Films/ Dir: Boaz Yakin Buena Vista Pictures Prod: Jerry Bruckheimer, Chad Oman CON AIR Jerry Bruckheimer Films/ Dir: Simon West Buena Vista Pictures Prod: Jerry Bruckheimer COMMERCIALS (partial list) Target, Toys R Us, Adobe Experience, Ram, New Balance, L’Oreal, Nike, Vanda, Space Jam, Redfin, Haines, Southwest, Carl’s Jr., Kohl’s, Maybelline, Chobani, Lux, American Family Insurance, Beats by Dre, FDA, Apple, Google, Microsoft, eBay*, Mercedes, BMW, Cadillac, Volvo, Lexus, Mitsubishi, Peugot, Renault, Honda, Toyota, General Motors, Chevy, Coors, Miller, Budweiser, Heineken, Amstel Light, Baileys, Pepsi, Diet Coke, Revlon, Cover Girl, Victoria’s Secret, Tommy Hilfiger, Levi’s, Reebok, EA Games, NFL, ESPN, Chase, Merrill Lynch, Citibank, NYSE, MasterCard, VISA, Cannon, Olympus, Panasonic, AT&T, Virgin Mobile, Partnership for a Drugfree America, Sears, J.C. Penny, Got Milk, Yoplait, Hallmark, Earthlink, GE, Intel, Optimum, Samsung, Blue Bunny, Verizon, Iams * AICP Show Honoree, Best Art Direction DIRECTORS (partial list) Phillip Andelman, Sam Mendes, Ed Zwick, Michael Bay, Jon Favreau, Tony Scott, Oliver Stone, John Woo, Joe Carnahan, Frederic Planchon, Peter Darley Miller, Josh Taft, Jim Sheridan, Jake Scott, Dave Meyers, Henrik Hansen, Kim Jacobs, Peter
    [Show full text]
  • Anti-Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin
    ANTI-RACISM ON THE CHARACTER OF HERMAN BOONE IN REMEMBER THE TITANS DIRECTED BY BOAZ YAKIN A THESIS In Partial Fulfillment of the Requirement For Sarjana Degree Majoring American Studies in English Department Faculty of Humanities Diponegoro University Submitted by: Winda Febiana P. 13020110130065 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2014 i PRONOUNCEMENT The writer honestly confirms that she compiles this thesis entitled Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin by herself without taking any result from other researchers in S-1, S- 2, S-3, and in diploma degree of any university. The writer ascertains that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, May 2014 Winda Febiana P. ii MOTTO AND DEDICATION “Jangan takut untuk bermimpi karena tanpa mimpi orang seperti kita akan mati.” - Arai (Sang Pemimpi)- “I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.” -Hermann Hesse- “In the end I do respond to my own instincts. Sometimes they’re succesful, and obviously sometimes they’re not. But you have to, I think, remain true to what you believe in.” - Anna Wintour - This thesis is dedicated to everyone that has helped and advised me in completing my thesis. iii iv v ACKNOWLEDGEMENT Praise and gratitude are delivered to God the Almighty for His mercy and bles. So this thesis, entitled “Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin”, can be completed.
    [Show full text]
  • Determinants of Motion Picture Box Office and Profitability: An
    RMS (2007) 1:65-92 DOI 10.1007/s11846-007-0003-9 ORIGINAL PAPER Determinants of motion picture box office and profitability: an interrelationship approach Thorsten Hennig-Thurau Æ Mark B. Houston Æ Gianfranco Walsh Received: 13 October 2006 / Accepted: 11 December 2006 / Published online: 27 March 2007 Ó Springer-Verlag 2007 Abstract Introduction Producing and marketing motion pictures is notoriously risky, with only three out of ten movies breaking even and one becoming profitable at the box office. Extending knowledge on the factors that influence a movie’s box-office and on the interrelations between these factors can be seen as major contribution to aid in lowering the number of failures in the motion picture industry. The major aim of this study is to distinguish direct and indirect effects between potential success drivers and motion picture success by understanding the interrelationships among different determinants of movie success. Methods Hypotheses are developed with regard to the relationships among a number of factors that have been shown to impact motion-picture box office as well as movie profitability. Applying path analysis, which allows a simultaneous testing of factor interrelations, the hypotheses are subsequently tested against a sample of 331 movies. Results and conclusion The factors considered in the analysis explain a remarkable amount of a movie’s success. The findings improve the movie industry’s understanding of motion picture success because for the first time interrelationships between the var- ious factors are considered, which enables the separation of direct and indirect (i.e., Communicated by Ralf Ewert. T. Hennig-Thurau (&) Bauhaus-University of Weimar, Bauhausstr.
    [Show full text]
  • Teaching Social Studies Through Film
    Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
    [Show full text]
  • Remember the Titans
    Facilitator Reference REMEMBER THE TITANS Submitted by: Pam McDonald ........................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: Walt Disney Pictures ................................................................................ Released: 2000 Genre: Drama ...............................................................................................Audience Rating: PG Runtime: 114 minutes Materials VCR or DVD, television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), notepad, writing utensil Objective Students will identify Wildland Fire Leadership Values and Principles illustrated within Remember the Titans and discuss leadership lessons learned with group members or mentors. Basic Plot The year is 1971 and tensions are high in Alexandria, VA. The school board creates an integrated high school, T.C. Williams, by closing one white and one black high school. Coach Herman Boone (African-American) is given the head football coaching position above local Coach Bill Yoast (Caucasian). The film follows the triumphs and setbacks of the team’s quest for team togetherness and a state championship. Cast of Main Characters Denzel Washington ................................................................................... Coach Herman Boone Will Patton ......................................................................................................... Coach Bill Yoast Wood Harris .......................................................................................................
    [Show full text]
  • Time Highest Grossing Movies in the United States Since 1977, Inflation Adjusted
    All Time Highest Grossing Movies in the United States Since 1977, Inflation Adjusted The chart below contains figures for all 457 movies to make over $100 million at the US box office, adjusted for ticket price inflation. Note: This chart is adjusted for ticket price inflation. The gross is estimated based on how much the movie would have made if it sold as many tickets today as when it was originally released. The chart takes into account re-releases during the life of the movie. Released Film Name Total Box Office 1 1977 Star Wars $1,012,785,986 2 1982 ET: The Extra-Terrestrial $836,075,432 3 1997 Titanic $801,330,773 4 1980 Empire Strikes Back, The $591,388,817 5 1983 Return of the Jedi $578,423,035 6 1993 Jurassic Park $536,911,818 7 1999 Star Wars: Phantom Menace $529,866,325 8 1981 Raiders of the Lost Ark $515,440,596 9 1994 Forrest Gump $499,673,369 10 1994 Lion King, The $475,768,310 11 1977 Close Encounters of the Third Kind $463,013,454 12 1978 Grease $444,630,884 13 1984 Ghostbusters $441,694,049 14 2004 Shrek 2 $436,721,700 15 2002 Spider-Man $432,940,282 16 1996 Independence Day $430,853,566 17 1990 Home Alone $421,602,958 18 1984 Beverly Hills Cop $421,137,739 19 1989 Batman $391,577,724 20 2003 Lord of the Rings: The Return of the King $386,177,918 21 2004 Spider-Man 2 $373,524,485 22 2004 Passion of the Christ, The $370,498,399 23 1985 Back to the Future $367,692,308 24 2002 Lord of the Rings: The Two Towers $363,231,113 25 1999 Sixth Sense, The $359,498,553 26 1978 Superman $356,767,550 27 1982 Tootsie $355,525,404 28 1977 Smokey and the Bandit $353,500,806 29 2003 Finding Nemo $350,418,466 30 2001 Harry Potter and the Sorcerer's Stone $349,106,326 31 2001 Lord of the Rings: The Fellowship of the Ring $342,395,481 32 1996 Twister $340,394,967 33 1997 Men in Black $338,991,039 34 1984 Indiana Jones and the Temple of Doom $332,974,134 35 1993 Mrs.
    [Show full text]
  • Remember the Titans - Five Step Analysis
    Jamie Velez Elizabeth Hughes Paul Way EDUC 268 Remember the Titans - Five Step Analysis Plot Summary In April of 1971, the United States Supreme Court issued a ruling that ended all state- imposed segregation in public schools. This was the same year that T. C. Williams High School located in Alexander Virginia was integrated. This is the setting for the movie Remember the Titans, staring Denzel Washington who portrays Herman Boone the head coach of the Titans. Herman Boone is brought in as an assistant coach to join the all white coaching staff. When Herman Boone is appointed head coach over a wining white coach he is reluctant to accept because the same things had happened to him when a white coach had been appointed over him in South Carolina. He finally accepts the head coach position when he sees that the black residents see him as a symbol of pride and respect that is lacking in their community. The movie starts with a riot after a white storeowner kills a black teenager. This incident underscores the racial tensions that exist as a result of the desegregation of the high school. Coach Boone has to overcome the racism within the team, the coaching staff, and the community to build a winning racially mixed football team. Leader Description In the movie we have four primary leaders: · Herman Boone, the black head coach · Bill Yoast, the white assistant coach · Gerry Bertier, the white unofficial leader of the White athletes · Julius Campbell, the black unofficial leader of the black athletes Racism and football is the backdrop for the clash of leadership styles and personal perspectives that each man must learn and understand from each other in order to become a winning team.
    [Show full text]
  • CAPTER I INTRODUCTION A. Background of the Study
    CAPTER I INTRODUCTION A. Background of the Study Remember the Titans is an American sports film produced by Jerry Bruckheimer and directed by Boaz Yakin. The plot was conceived from a screenplay written by Gregory Allen Howard. Boaz Yakin was born in New York City in 1966 and after graduating from high school, Yakin opted to study filmmaking at New York University College. He soon moved on to New York University and made his first deal for a screenplay at the age of 19. After finishing school, Yakin worked in the film business helping to develop projects for several companies, and the saw his first screenplay reach the screen in 1989 when The Punisher was released. Wanting to take on more personal material, Yakin drew from his experiences growing up in New York's inner city for his next screenplay, Fresh. Yakin opted to direct his screenplay for Fresh himself, and the film won critical raves, earning the Filmmaker's Trophy at the 1994 Sundance Film Festival. Yakin went back to his youth for inspiration on his next project; while his parents were non-practicing Jews, they enrolled their son in an Orthodox private school when he was five, and his experience with the Chassidic community informed his screenplay for A Price Above Rubies, a 1 2 more difficult project which did not fare quite as well with critics or audiences as Fresh. Yakin rebounded with his next assignment, which was his first film that he directed but did not write; Remember the Titans was a major box- office success, and moved him to the upper tier of bankable Hollywood talent.
    [Show full text]
  • COACH CARTER AS a Reflection on the Sports – Academic Debate
    ‘I LEARNED ALL ABOUT LIFE WITH A BALL AT MY FEET’: COACH CARTER AS A REFLECTION ON THE SPORTS – ACADEMICS DEBATE AND EDUCATION HO MANH TOAN 11413016 ‘I learned all about life with a ball at my feet’: Coach Carter as a reflection on the sports – academics debate and education ABSTRACT How does Coach Carter (Carter, 2005) reflect the debate between sports and academics in reality? The research examines the case of a sports movie Coach Carter, which possesses many characteristics of the education film genre but has often been excluded from the academic realm. This exclusion reflects a debate on sports versus academia and the priority of academics in an education system. The film follows formulas of a conventional sports film but creates its main conflict around sports – academics tension with the spirit of an education film. In conclusion, Coach Carter denies supporting the myth that success can be easily found in sports and advocates for a balance between sports and academics. KEYWORDS Education; cinema; film; movie; sports; academic; school; Coach Carter. 1 ACKNOWLEDGEMENT Upon the finish and submission of this thesis, I would like to express my gratitude to my advisor Professor Joseph Progler for his guidance, suggestions, and advice since the beginning until the finishing of this thesis. ‘A teacher like you cannot be found’. I would like to thank my older brother Ho Manh Tung and his wife Nguyen Hong Kong, my friend Nguyen Hai Phong for their feedbacks in the editing process. In addition, I would like to express my appreciation to my friends Nguyen Ngoc Phu, Yuki Ueno, Phung Anh Hao, Hoang Minh Dong, Pham Tran Hai, Dang Minh Phuong, and Nguyen Viet Dung for their mental support and great friendship throughout the years of college and the intense period of writing.
    [Show full text]
  • Student Descriptions of Each Movie Are Also Listed. Some Movies on the List May Be Repeated More Than Once
    Student descriptions of each movie are also listed. Some movies on the list may be repeated more than once. -Amistad -Antwone Fisher -Barbershop -Barbershop 2- Back In Business -Bend It Like Beckham -Boyz in the Hood -Charlotte Sometimes -Dangerous Minds http://www.youtube.com/watch?v=cvEtX38Ik9k -Do the Right Thing http://www.youtube.com/watch?v=muc7xqdHudIand -Freedom Writers http://www.youtube.com/watch?v=MT0L1U-Rdj4 -Gap Poet http://www.youtube.com/watch?v=_geAi-IMSfQ -Grand Canyon -Guess Who -Guess Who’s Coming to Dinner -House of Sand and Fog -In the Time of the Butterflies -Jungle Fever http://www.youtube.com/watch?v=AgNhn2GXhHMThey -John Q. -Kissing Jessica Stein -Mark Sampson http://www.youtube.com/watch?v=P6IZOPlxRoM -North Country -Once Upon a Time…When We Were Colored -Real School http://one.revver.com/watch/193063 -Remember the Titans -Roots -School Ties -Sesame Street http://www.movieweb.com/video/HU09g508bWdx25 -The Color Purple -The Joy Luck Club -The Office http://www.spike.com/video/office-awkard-party/2825365 Crash is a very powerful movie dealing with diversity issues in a very real manner. It's a great movie for beginning discussions, Crash especially discussions that examine your own prejudices. Highly recommended. American History X is another powerful movie. It deals with issues of transformation and also deals with racial identity American History X development. Higher Learning also deals with issues of racial identity development and racism. Higher Learning Monster's Ball is set in the South and approaches a variety of racial issues, including the racism and interracial relationships.
    [Show full text]
  • Best Movies in Every Genre
    Best Movies in Every Genre WTOP Film Critic Jason Fraley Action 25. The Fast and the Furious (2001) - Rob Cohen 24. Drive (2011) - Nichols Winding Refn 23. Predator (1987) - John McTiernan 22. First Blood (1982) - Ted Kotcheff 21. Armageddon (1998) - Michael Bay 20. The Avengers (2012) - Joss Whedon 19. Spider-Man (2002) – Sam Raimi 18. Batman (1989) - Tim Burton 17. Enter the Dragon (1973) - Robert Clouse 16. Crouching Tiger, Hidden Dragon (2000) – Ang Lee 15. Inception (2010) - Christopher Nolan 14. Lethal Weapon (1987) – Richard Donner 13. Yojimbo (1961) - Akira Kurosawa 12. Superman (1978) - Richard Donner 11. Wonder Woman (2017) - Patty Jenkins 10. Black Panther (2018) - Ryan Coogler 9. Mad Max (1979-2014) - George Miller 8. Top Gun (1986) - Tony Scott 7. Mission: Impossible (1996) - Brian DePalma 6. The Bourne Trilogy (2002-2007) - Paul Greengrass 5. Goldfinger (1964) - Guy Hamilton 4. The Terminator (1984-1991) - James Cameron 3. The Dark Knight (2008) - Christopher Nolan 2. The Matrix (1999) - The Wachowskis 1. Die Hard (1988) - John McTiernan Adventure 25. The Goonies (1985) - Richard Donner 24. Gunga Din (1939) - George Stevens 23. Road to Morocco (1942) - David Butler 22. The Poseidon Adventure (1972) - Ronald Neame 21. Fitzcarraldo (1982) - Werner Herzog 20. Cast Away (2000) - Robert Zemeckis 19. Life of Pi (2012) - Ang Lee 18. The Revenant (2015) - Alejandro G. Inarritu 17. Aguirre, Wrath of God (1972) - Werner Herzog 16. Mutiny on the Bounty (1935) - Frank Lloyd 15. Pirates of the Caribbean (2003) - Gore Verbinski 14. The Adventures of Robin Hood (1938) - Michael Curtiz 13. The African Queen (1951) - John Huston 12. To Have and Have Not (1944) - Howard Hawks 11.
    [Show full text]
  • African American History Month
    February 2004 A Monthly Publication of the USA Mission to Poland. Warsaw ● Kraków ● Poznań Volume I. Issue 1. BLACK HISTORY MONTH Originally established as Negro History Week in 1926 by Dr. Carter G. Woodson, The a noted African-American author and scholar, this event evolved into the establishment in 1976 of February as "Black History Month." Supreme Court rules on the landmark case Brown v. Board of Education of Topeka, Kans., African-Americans have made remarkable progress since the 1960s. They are now more educated, earn higher salaries, work in more prestigious jobs, and participate more fully in politics. Still, racial disparities persist in many areas, including education, income, and politics. The black population numbered more than 33 million in 1999. In 1970, only about one-third of African-American adults had graduated from high school. In 1998, 86% of blacks ages 25 to 44 graduated from high school, close to the percentage for whites and Asians. Black households enjoyed a 31% boost in real median household income between 1967 and 1997, compared with a 18 percent increase for whites. However, African-Americans still tend to earn less than whites - even when they have similar educational levels. In 1998, there were 8.4 million African- American families, nearly half of whom were married-couple families. (U.S. Census Bureau: www. census.gov) Dr. Carter G. Woodson Carter Dr. unanimously agreeing African-Americans History Milestones that segregation in c 1619: A Dutch frigate brings 20 African indentured servants to Jamestown, Virginia, the first Africans known to set foot in England's North American colonies.
    [Show full text]