Student Descriptions of Each Movie Are Also Listed. Some Movies on the List May Be Repeated More Than Once
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DEBORAH EVANS Production Designer
DEBORAH EVANS Production Designer FILMS (partial list) G-FORCE Jerry Bruckheimer Films/ Dir: Hoyt Yeatman Walt Disney Pictures Prod: Jerry Bruckheimer BULLETPROOF MONK MGM Dir: Paul Hunter Prod: Terence Chang, Charles Roven, Douglas Segal, John Woo REMEMBER THE TITANS Jerry Bruckheimer Films/ Dir: Boaz Yakin Buena Vista Pictures Prod: Jerry Bruckheimer, Chad Oman CON AIR Jerry Bruckheimer Films/ Dir: Simon West Buena Vista Pictures Prod: Jerry Bruckheimer COMMERCIALS (partial list) Target, Toys R Us, Adobe Experience, Ram, New Balance, L’Oreal, Nike, Vanda, Space Jam, Redfin, Haines, Southwest, Carl’s Jr., Kohl’s, Maybelline, Chobani, Lux, American Family Insurance, Beats by Dre, FDA, Apple, Google, Microsoft, eBay*, Mercedes, BMW, Cadillac, Volvo, Lexus, Mitsubishi, Peugot, Renault, Honda, Toyota, General Motors, Chevy, Coors, Miller, Budweiser, Heineken, Amstel Light, Baileys, Pepsi, Diet Coke, Revlon, Cover Girl, Victoria’s Secret, Tommy Hilfiger, Levi’s, Reebok, EA Games, NFL, ESPN, Chase, Merrill Lynch, Citibank, NYSE, MasterCard, VISA, Cannon, Olympus, Panasonic, AT&T, Virgin Mobile, Partnership for a Drugfree America, Sears, J.C. Penny, Got Milk, Yoplait, Hallmark, Earthlink, GE, Intel, Optimum, Samsung, Blue Bunny, Verizon, Iams * AICP Show Honoree, Best Art Direction DIRECTORS (partial list) Phillip Andelman, Sam Mendes, Ed Zwick, Michael Bay, Jon Favreau, Tony Scott, Oliver Stone, John Woo, Joe Carnahan, Frederic Planchon, Peter Darley Miller, Josh Taft, Jim Sheridan, Jake Scott, Dave Meyers, Henrik Hansen, Kim Jacobs, Peter -
CHAPTER I INTRODUCTION in This Chapter the Writer Presents The
CHAPTER I INTRODUCTION In this chapter the writer presents the discussion on the background of the study, the research questions, the definitions of key terms, the objectives of the study, the significances of the study, and the organization of the thesis. A. Background of the Study The study of these signs, codes and conventions in film is called semiotics or semiotic analysis. Semiotic analysis is a way to explain how an audience makes meaning from codes. Peirce in Manoon de Reeper (1997: 20). American philosopher Charles Sanders Peirce (1839). He wrote that a sign “is something which stands to somebody for something in some respect or capacity”. Zeman (1977: 24). All meaning is encoded in that which creates the meaning. No object or word is without meaning one cannot read or see something without associating it to a certain idea. Everyone has been taught how to decode what they see, read and hear. We have all learned to decode meaning. It is how we make sense of our surroundings, essentially, of the world. Semiotic analysis is used to “read” a film and its text. It’s mostly used in academic study of film. Peirce proposes several typologies and definitions of the signs. More than 76 definitions of what a sign is have been collected throughout Peirce's work. Some canonical typologies can nonetheless be observed, one crucial one being the distinction between "iconix", "indexical" and "symbolic". The icon, 1 2 index and symbol sign typology is chronologically the first but structurally the second of three that fit together as a trio of three-valued parameters in regular scheme of nine kinds of sign. -
Anti-Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin
ANTI-RACISM ON THE CHARACTER OF HERMAN BOONE IN REMEMBER THE TITANS DIRECTED BY BOAZ YAKIN A THESIS In Partial Fulfillment of the Requirement For Sarjana Degree Majoring American Studies in English Department Faculty of Humanities Diponegoro University Submitted by: Winda Febiana P. 13020110130065 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2014 i PRONOUNCEMENT The writer honestly confirms that she compiles this thesis entitled Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin by herself without taking any result from other researchers in S-1, S- 2, S-3, and in diploma degree of any university. The writer ascertains that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, May 2014 Winda Febiana P. ii MOTTO AND DEDICATION “Jangan takut untuk bermimpi karena tanpa mimpi orang seperti kita akan mati.” - Arai (Sang Pemimpi)- “I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.” -Hermann Hesse- “In the end I do respond to my own instincts. Sometimes they’re succesful, and obviously sometimes they’re not. But you have to, I think, remain true to what you believe in.” - Anna Wintour - This thesis is dedicated to everyone that has helped and advised me in completing my thesis. iii iv v ACKNOWLEDGEMENT Praise and gratitude are delivered to God the Almighty for His mercy and bles. So this thesis, entitled “Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin”, can be completed. -
Determinants of Motion Picture Box Office and Profitability: An
RMS (2007) 1:65-92 DOI 10.1007/s11846-007-0003-9 ORIGINAL PAPER Determinants of motion picture box office and profitability: an interrelationship approach Thorsten Hennig-Thurau Æ Mark B. Houston Æ Gianfranco Walsh Received: 13 October 2006 / Accepted: 11 December 2006 / Published online: 27 March 2007 Ó Springer-Verlag 2007 Abstract Introduction Producing and marketing motion pictures is notoriously risky, with only three out of ten movies breaking even and one becoming profitable at the box office. Extending knowledge on the factors that influence a movie’s box-office and on the interrelations between these factors can be seen as major contribution to aid in lowering the number of failures in the motion picture industry. The major aim of this study is to distinguish direct and indirect effects between potential success drivers and motion picture success by understanding the interrelationships among different determinants of movie success. Methods Hypotheses are developed with regard to the relationships among a number of factors that have been shown to impact motion-picture box office as well as movie profitability. Applying path analysis, which allows a simultaneous testing of factor interrelations, the hypotheses are subsequently tested against a sample of 331 movies. Results and conclusion The factors considered in the analysis explain a remarkable amount of a movie’s success. The findings improve the movie industry’s understanding of motion picture success because for the first time interrelationships between the var- ious factors are considered, which enables the separation of direct and indirect (i.e., Communicated by Ralf Ewert. T. Hennig-Thurau (&) Bauhaus-University of Weimar, Bauhausstr. -
An Analysis of Main Character and Characterization In“Dangerous Minds” Movie
AN ANALYSIS OF MAIN CHARACTER AND CHARACTERIZATION IN“DANGEROUS MINDS” MOVIE THESIS Submitted by CUT HANIFAH FARDHANY NIM. 160203043 Student of Fakultas Tarbiyah dan Keguruan Department of English Language Education FAKULTAS TARBIYAH DAN KEGURUAN UNIVERSITAS ISLAM NEGERI AR-RANIRY BANDA ACEH 2021 M / 1442 H ACKNOWLEDGEMENT (In the name of Allah the most Gracious the most Merciful) All praises are due to the almighty Allah SWT, who has blessed and given the researcher chance, health, and strength in writing and finishing thisstudy. Peace and salutation be upon the beloved prophet Muhammad SAW, hiscompanions, and his faithful followers who strived in Allah religion, Islam. The researcher would like to thank all of those who have given her help and guidance. Sincerely, the researcher would like to thank the primary supervisors: Mrs. Khairiah Syahabuddin, M.HSc. ESL., M. TESOL., Ph.D, and co-supervisor Mrs. Rita Hermida, S.Pd.I., M. Pd, and also her academic supervisor Mrs. Fithriyah, S.Ag., M.Pd, who have given the researcher direction, useful and helpful encouragement for writing this thesis. Her thanks go to all of the lecturers and staff of the English Department who helped and guided her during her study in the Department of English Language Education of Universitas Islam Negeri Ar-Raniry Banda Aceh. The researcher would like to express a high appreciation to beloved mother Khilmiah, S.K.M, and father Muchtaruddin Thaiby, for being the support system of the researcher‟s life. Researcher also dedicate thanks to dear younger sister Cut Fitra Fashalwa. They are precious people who make researcher keep moving forward. -
Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students. -
Acrobat Distiller, Job 39
DANGEROUS MINDS Cast : Michelle Pfeiffer, George Dzundza, Courtney B. Vance, Renoly Santiago, Wade Dominguez Director : John N. Smith Producers : Don Simpson and Jerry Bruckheimer Screenplay : Ronald Bass based on “My Posse don`t do homework” by Louanne Johnson Cinematography : Pierre Letarte Music : Wendy and Lisa U.S. Distributor : Warner Brothers In the movies, like in the real life, it isn`t enough to have a heart in the right place. Good intentions are nice, but they need to be backed up with an intelligent script telling an involving story. In the case of “Dangerous Minds” we have an example of inner city life, where, the story about crime and school is very good represented. This film based on a true story (My posse don`t do homework, written by Louanne Johnson) is a Don Simpson & Jerry Bruckheimer production which stars like Michelle Pfeiffer as former Marine LouAnne Johnson, who leaves an officer`s commission and a nine year military career to pursue her dream of becoming an English teacher. She gets a “special” class , which is full of students who have no respect for anything or anyone. LouAnne discovers quickly, which students will be hardest for her to reach . When she starts introducing the class to poetry through the lyrics of Bob Dylan, she begins to realize how much trouble the class is really in. She has to fight to save one of her brightest pupils (Bruklin Harris) from the poverty cycle of teen pregnancy and others from gang warfare. But the most notable is between LouAnne and an especially difficult pupil, Emilio (Wade Dominguez). -
Pop Culture and Pedagogy: Taking up School Documentaries in Teacher Education
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository POP CULTURE AND PEDAGOGY: TAKING UP SCHOOL DOCUMENTARIES IN TEACHER EDUCATION Reid L. Adams A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Education. Chapel Hill 2011 Approved by: James Trier, Ph.D. Cheryl Mason Bolick, Ph.D. Heather Coffey, Ph.D. Deborah Eaker-Rich, Ph.D. George Noblit, Ph.D. © 2011 Reid L. Adams ALL RIGHTS RESERVED ii ABSTRACT Reid L. Adams: Pop Culture and Pedagogy: Taking Up School Documentaries in Teacher Education (Under the direction of James Trier) In the forward to Reading Television , Fiske and Hartley (2003) write that television programs ”constitute a gigantic empirical archive of human sense-making, there for the taking, twenty-four/seven” (p.xviii). In addition, this “gigantic empirical archive” also includes fiction films, video games, documentary films, commercials, news media, radio, Internet, and many other forms of mass-produced visual media found in popular culture. In this dissertation I explore a particular piece of this contemporary archive. I suggest pedagogical projects based on a cultural studies analysis of “school docs,” a particular genre of documentary films that I have defined and catalogued. This genre includes such documentary films as: Hoop Dreams (1994) , Mad Hot Ballroom (2004), OT: Our Town (2002) , Stupid in America (2006), Waiting for Superman (2010), and The War on Kids (2009). The pedagogical projects that I conceptualize are intended to explore issues and topics relevant to teacher education coursework; specifically issues and topics associated with the teaching of Social Foundations of Education. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Remember the Titans
Facilitator Reference REMEMBER THE TITANS Submitted by: Pam McDonald ........................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: Walt Disney Pictures ................................................................................ Released: 2000 Genre: Drama ...............................................................................................Audience Rating: PG Runtime: 114 minutes Materials VCR or DVD, television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), notepad, writing utensil Objective Students will identify Wildland Fire Leadership Values and Principles illustrated within Remember the Titans and discuss leadership lessons learned with group members or mentors. Basic Plot The year is 1971 and tensions are high in Alexandria, VA. The school board creates an integrated high school, T.C. Williams, by closing one white and one black high school. Coach Herman Boone (African-American) is given the head football coaching position above local Coach Bill Yoast (Caucasian). The film follows the triumphs and setbacks of the team’s quest for team togetherness and a state championship. Cast of Main Characters Denzel Washington ................................................................................... Coach Herman Boone Will Patton ......................................................................................................... Coach Bill Yoast Wood Harris ....................................................................................................... -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
Teacher Films: Examining Hollywood Representations of Our Practice
The Councilor: A Journal of the Social Studies Volume 0 Number 1 Article 6 Teacher Films: Examining Hollywood Representations of our Practice Amy Mungur Michigan State University, [email protected] Scott Wylie Chaminade University of Honolulu Follow this and additional works at: https://thekeep.eiu.edu/the_councilor Part of the Curriculum and Instruction Commons, Elementary Education and Teaching Commons, History Commons, Junior High, Intermediate, Middle School Education and Teaching Commons, Secondary Education Commons, and the Secondary Education and Teaching Commons Recommended Citation Mungur, Amy and Wylie, Scott () "Teacher Films: Examining Hollywood Representations of our Practice," The Councilor: A Journal of the Social Studies: Vol. 0 : No. 1 , Article 6. Available at: https://thekeep.eiu.edu/the_councilor/vol0/iss1/6 This Article is brought to you for free and open access by the Journals at The Keep. It has been accepted for inclusion in The Councilor: A Journal of the Social Studies by an authorized editor of The Keep. For more information, please contact [email protected]. Mungur and Wylie: Teacher Films The Councilor: A Journal of the Social Studies Volume 0, Number 1 ARTICLE Teacher Films Examining Hollywood Representations of our Practice Amy Mungur Georgia Gwinnett College Scott Wylie Chaminade University of Honolulu Scott: Want to propose a class on film? Amy: Yes! When Scott presented me [Amy] with a course development opportunity that would merge my keen interest in critical media literacy and his work in democracy and citizenship education, I knew it was a chance to try something different; and, to offer students taking summer session courses (including in-service teachers working on their MAs) a way to engage in media re/presentations about the teaching practice and build our skills in film/media analysis and production.