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The Fidelio Wireless Hi-Fi Speaker Range Feature
Contents Obsessed with sound Philips sound heritage 05 Defining sound since the 1920s The radio goes global 06 A legend of the recording industry Obsessed with sound 08 The birth of portable audio 09 The CD revolution Pioneering connected audio 11 Fidelio heralds a new era Philips holds a special place within the world of Philips competencies audio. An admired innovator, Philips has defined 14 Fidelio sound 15 Golden Ears the standards of what we hear and how we 17 Design and acoustic engineering 18 Sound and acoustics innovation engineers experience it, bringing to consumers numerous 20 Product designers ground-breaking products such as portable Philips Fidelio 25 Headphones radio, compact cassette and recorder, compact M1BT S2 disc, and wireless Hi-Fi. With the launch of Philips 30 Portable speakers P9X premium Fidelio range, our obsession with sound 35 Docking speakers SoundSphere continues. Primo 40 Wireless Hi-Fi 44 Audio systems As we near a centenary in audio innovation, Sound towers 48 Home cinema sound we share our philosophy and introduce you E5 SoundSphere DesignLine to the people behind it. Join us on our sound SoundHub journey - Philips’ quest to improve and enhance The journey continues the listening experience of music lovers, offering them the most authentic sound possible: just as the artist intended. 2 3 Philips sound heritage Speech by Dutch Queen Wihelmina and Princess Juliana via a Philips short-wave Anton Philips, co-founder of Royal Philips N.V., with the one millionth radio set sold transmitter, 1927. in 1932. Defining sound since the 1920s The radio goes global For almost a century, Philips has pioneered audio innovations Philips’ next major innovation, introduced in 1927, was the that have transformed the way the world enjoys sound. -
Detail Streaming Support Protocols
Encore+ User Guide Detail Streaming Support Protocols Supported Audio Codecs Supported Container Formats • MP3 • WAV • AAC • M4A • FLAC • OGG • LPCM/WAV/AIFF • AIFF • ALAC Supported Protocols • WMA, WMA9 • SHOUTcast • Ogg Vorbis • HTTPS Supported Playlist • WMA streaming • ASX • RTSP/SDP • M3U • PLS • WPL 43 Detail Audio Codec Support Encore+ User Guide Supported MP3 encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Bit rate [kbps]: 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320, VBR • Channels: stereo, joined stereo, mono • MP3PRO playback • MP3 File extensions: *.mp3 • Decoding of ID3v1, ID3v2, MP3 ID tags including optional album art in .jpeg format up to 2 megapixels • Gapless MP3: Playback is gapless if the container provides LAME encoder delay and padding tags. Supported Vorbis encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Nominal bit rate [kbps] (quality level): 80 (Q1), 96 (Q2), 112 (Q3), 128 (Q4), 160 (Q5), 192 (Q6), • Channels: stereo • The audio player supports reading of Vorbis content stored in Ogg containers. Supported file name extensions: *.ogg and *.oga. • The audio player supports decoding of Vorbis comments. NOTE: There is no specification for tag names. The system relies on the OSS implementation. • Tag names decoded: TITLE, ALBUM, ARTIST, GENRE. • Binary data (e.g. for album art) is not supported. • The audio player supports gapless Vorbis playback. Supported FLAC encoding parameters • Sampling rates [kHz]: 44.1, 48, 88.2, 96, 176.4, 192 • Resolution [bits]: 16, 24 • Channels: stereo, mono • The audio player supports reading of FLAC content stored in native FLAC containers. -
Centauri II Multichannel Audio Gateway Codec – a New Generation Conquers the Control-Room
Centauri II Multichannel Audio Gateway Codec conquers the Control-room.– a new generation New! D 6ms Latency D 5.1 / 7.1 Multichannel D Front-panel Hot Keys D Gateway Function D Backup Function D Twin/Quad Codec D ASI Most Audio-Codecs are specialists. The CENTAURI II simply enables you to do everything. An unbeatable range of features makes the CENTAURI II simpler, safer and more cost-effective to use than any other codec. The CENTAURI II is your universal Audio cover the entire range currently in general Considering the extensive system support Codec for every imaginable project. use. Including MPEG, AES Transparent it is clear that the CENTAURI II is an and APT – simultaneously! audio codec for all situations. Whether for There are no networks that can stop a By other manufacturers this would still be Broadcasting, for DVB-H or UMTS trans- CENTAURI II, whether ISDN or Ethernet, a legitimate question but by MAYAH this missions, to name but a few. has long been possible. X.21 or E1. There are no protocols that In light of so much technical sophistica- the CENTAURI II cannot understand. This Combinations of its many and versatile tion, it’s hardly surprising to learn that codec can be simply and easily integrated features permit a wide range of applica- the CENTAURI II is also the first audio into every imaginable IT infrastructure. tions; from Gateway, Backup Codec or codec to offer professional 5.1/7.1 multi- And its more than 15 coding algorithms Streaming-Server to Multichannel Codec. channel transmissions. -
Compression for Great Video and Audio Master Tips and Common Sense
Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Audio Encoding Audio Encoding Supriyanto [email protected] IINDENDEKKSS
ADU SOFTWARE Berita | Ulasan | Adu Software | Utama | Bisnis | Apa Sih Sebenarnya... | Tutorial Audio Encoding Audio Encoding Supriyanto [email protected] IINDENDEKKSS AUDIO ENCODING ABCDE 27 Grip 27 Jack 28 KAudioCreator 28 ripperX 29 Sound Juicer 29 anyak kalangan musisi yang men- Bicara mengenai berbagai format audio gatakan kalau musik atau lagu adalah digital yang ada saat ini, sebenarnya ada be- Kriteria pengujian: bahasa yang universal. Pendapat itu berapa format audio digital lain selain MP3. Kali ini kami menguji enam buah aplika- B mungkin ada benarnya, karena kalau kita li- Format audio digital lainnya itu, antara lain si audio ripping dan encoding yang ada di hat musik itu tidak mengenal batas wilayah AA, AAC, FLAC, MP3Pro, WMA, dan OGG. Linux. Sama seperti pengujian yang telah dan negara. Hampir setiap penduduk di Dari beberapa format di atas, FLAC dan dilakukan, kami tetap menggunakan em- setiap negara memiliki kesenangan pada OGG merupakan format audio digital yang pat kriteria sebagai bahan penilaian. Kriteria musik. Pada era 60-an pun, konser musik open source. Sehingga tidak perlu terbentur pertama adalah fungsionalitas. Sebuah pro- The Beatles dan Koes Plus sudah dipenuhi masalah lisensi untuk menggunakannya. Hal gram audio ripping dan encoding, harus oleh para penggemar musik. ini jelas berbeda dengan penggunaan format dapat berfungsi dengan baik pada beberapa Kalau kita lihat peningkatan teknolo- MP3 yang dikontrol lisensinya oleh Thomson tool encoder yang di-support. Dan untuk kri- gi audio untuk mendengarkan lagu, sudah Consumer Electronics. teria pertama, kami memberikan porsi yang banyak sekali peningkatan yang dicapai. Dalam “Adu Software” kali ini, kami cukup besar, yaitu 35%. -
a CCOEC 266 Amtners 26
USOO891848OB2 (12) United States Patent (10) Patent No.: US 8,918,480 B2 Qureshey et al. (45) Date of Patent: Dec. 23, 2014 (54) METHOD, SYSTEM, AND DEVICE FOR THE (56) References Cited DISTRIBUTION OF INTERNET RADO CONTENT U.S. PATENT DOCUMENTS (75) Inventors: Safi Qureshey, Santa Ana, CA (US); S3. A 's Stille Daniel D. Sheppard, Brea, CA (US) WW-1 (Continued) (73) Assignee: Black Hills Media, LLC, Wilmington, DE (US) FOREIGN PATENT DOCUMENTS (*) Notice: Subject to any disclaimer, the term of this E. 8:303 E; patent is extended or adjusted under 35 U.S.C. 154(b) by 847 days. (Continued) OTHER PUBLICATIONS (21) Appl. No.: 11/697,833 "A Music Revolution ... SoundServer” imerge, 2 pages. (22) Filed: Apr. 9, 2007 (Continued) (65) Prior Publication Data Primary Examiner — Duyen Doan (57) ABSTRACT US 2007/O18OO63 A1 Aug. 2, 2007 A network-enabled audio device that provides a display device that allows the user to select playlists of music much Related U.S. Application Data like a jukebox is disclosed. The user can compose playlists (63) Continuation of application No. 11/563,227, filed on from disk files, CD’s, Internet streaming audio broadcasts, Nov. 27, 2006 Pat. N s O45 953 hi hi online music sites, and other audio Sources. The user can also OV. Z. f. , now Fal. No. S.U4),932, Which 1S a select a desired Web broadcast from a list of available Web (Continued) broadcasts. In addition, the user can play standard audio CDs and MP3 encoded CD’s and have access to local AM/FM (51) Int. -
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DDX7015BT DDX5015BT DDX5015DAB DDX5015BTR МОНІТОР З DVD РЕСИВЕРOM ІНСТРУКЦІЯ З ЕКСПЛУАТАЦІЇ © 2014 JVC KENWOOD Corporation B5A-0377-08 (QN) DDDX_Mid_E_UK.indbDX_Mid_E_UK.indb 1 117/12/20147/12/2014 44:54:17:54:17 PPMM ЗЗМІСТМІСТ ППЕРЕДЕРЕД ПЕРЕД ВИКОРИСТАННЯМ ....................................2 BLUETOOTH.......................................................... 35 Переустановлення параметрів пристрою .......... 3 НАЛАШТУВАННЯ ................................................43 ВВИКОРИСТАННЯМИКОРИСТАННЯМ ПОЧАТКОВІ НАЛАШТУВАННЯ ............................ 4 Налаштування для використання програм УВАГА! ОСНОВИ ................................................................. 6 iPod/iPhone/Android ....................................................43 Перед використанням пристрою прочитайте Назви та функції компонентів ................................... 6 Регулювання звуку .......................................................44 цей посібник, щоб дізнатись, як правильно Загальні операції ............................................................ 7 Налаштування відтворення відео .........................46 використовувати даний пристрій. Обов'язково Загальні операції з екраном ......................................8 Зміна вигляду дисплея ...............................................48 прочитайте і дотримуйтесь ПОПЕРЕДЖЕНЬ та Вибір джерела відтворення.....................................10 Налаштування екрану <TOP MENU> ..................49 ЗАСТЕРЕЖЕНЬ, зазначених у цьому посібнику. ДИСКИ ..................................................................11 -
ENERGY STAR Consumer Audio/Video Product List
ENERGY STAR Consumer Audio/Video Product List List Posted on July 15, 2010 *Includes All ENERGY STAR Qualified Models Submitted to EPA, Including Models that Are Not Available in the U.S. and Models that May No Longer Be Available in the Market Organization Name Brand Name Model Name Model Number Product Name Watts in Standby Altec Lansing, LLC Altec Lansing inMotion Compact iMT320 Powered Speaker 0.045 Audio Partnership PLC Cambridge Audio azur 550A Stereo Amplifier 0.75 Compact Disc Audio Partnership PLC Cambridge Audio azur 550C Player/Changer 0.82 Audio Partnership PLC Cambridge Audio azur 650A Stereo Amplifier 0.75 Audio Partnership PLC Cambridge Audio azur 650BD DVD Product 0.77 Compact Disc Audio Partnership PLC Cambridge Audio azur 650C Player/Changer 0.81 Audio Partnership PLC Cambridge Audio azur 650R Receiver 0.9 Audio Partnership PLC Cambridge Audio azur 650T Tuner 0.9 Audio Partnership PLC MordauntShort Aviano 7 Powered Speaker 0.42 Audio Partnership PLC MordauntShort Aviano 9 Powered Speaker 0.45 Audio Research Corp. Audio Research DS450 DS450 Stereo Amplifier 0.05 Audio Research Corp. Audio Research DSi200 DSi200 Stereo Amplifier 0.9 iPod CD USB Shelf Beautiful Enterprise Co., Ltd. INSIGNIA System NSES6113 Micro Systems 0.828 Best Buy Corp. Exclusive Insignia Blu Ray Brands Insignia DVD Player NSBRDVD DVD Product .51 Best Buy Corp. Exclusive Compact Disc Brands Insignia NSB3112 NSB3112 Player/Changer 0.8 Best Buy Corp. Exclusive Compact Disc Brands Insignia NSB4111 NSB4111 Player/Changer 0.8 Best Buy Corp. Exclusive Compact Disc Brands Insignia NSB4113 NSB4113 Player/Changer 0.29 Best Buy Corp. -
CT-Aacplus — a State-Of-The-Art Audio Coding Scheme
AUDIO CODING CT-aacPlus — a state-of-the-art Audio coding scheme Martin Dietz and Stefan Meltzer Coding Technologies, Germany CT-aacPlus is a combination of Spectral Band Replication (SBR) technology – a bandwidth-extension tool developed by Coding Technologies (CT) in Germany – with the MPEG Advanced Audio Coding (AAC) technology which, to date, has been one of the most efficient traditional perceptual audio-coding schemes. CT-aacPlus is able to deliver high-quality audio signals at bit-rates down to 24 kbit/s for mono and 48 kbit/s for stereo signals. The forthcoming Digital Radio Mondiale (DRM) broadcasting system, among others, will use CT-aacPlus for its audio-coding scheme. CT-aacPlus will enable DRM to deliver an audio quality, in the frequency range below 30 MHz, that is equivalent to – or even better than – that offered by today’s analogue FM services. This article describes the principles of traditional audio coders – and their limitations when used for low bit-rate applications. The second part describes the basic idea of SBR technology and demonstrates the improvements achieved through the combination of SBR technology with traditional audio coders such as AAC and MP3. Advanced Audio Coding (AAC) has so far been one of the most efficient traditional perceptual audio-coding algorithms. In combination with the bandwidth-extension technology, Spectral Band Replication (SBR), the coding efficiency of AAC can be even further improved by at least 30%, thus providing the same audio quality at a 30% lower bit-rate. The combination of AAC and SBR – referred to as CT-aacPlus – will be used by the Digital Radio Mondiale transmission system [1] in the frequency bands below 30 MHz and will provide near- FM sound quality at bit-rates of around 20 kbit/s per audio channel. -
An Introduction to Internet Radio
NB: This version was updated with new Internet Radio products on 26 October 2005 (see page 8). INTERNET RADIO AnInternet introduction to Radio Franc Kozamernik and Michael Mullane EBU This article – based on an EBU contribution to the WBU-TC Digital Radio Systems Handbook – introduces the concept of Internet Radio (IR) and provides some technical background. It gives examples of IR services now available in different countries and provides some guidance for traditional radio broadcasters on how to adapt to the rapidly changing multimedia environment. Traditionally, audio programmes have been available via dedicated terrestrial networks broad- casting to radio receivers. Typically, they have operated on AM and FM terrestrial platforms but, with the move to digital broadcasting, audio programmes are also available today via DAB, DRM and IBOC (e.g. HD Radio in the USA). However, this paradigm is about to change. Radio programmes are increasingly available not only from terrestrial networks but also from a large variety of satellite, cable and, indeed, telecommunications networks (e.g. fixed telephone lines, wire- less broadband connections and mobile phones). Very often, radio is added to digital television plat- forms (e.g. DVB-S and DVB-T). Radio receivers are no longer only dedicated hi-fi tuners or portable radios with whip aerials, but are now assuming the shape of various multimedia-enabled computer devices (e.g. desktops, notebooks, PDAs, “Internet” radios, etc.). These sea changes in radio technologies impact dramatically on the radio medium itself – the way it is produced, delivered, consumed and paid-for. Radio has become more than just audio – it can now contain associated metadata, synchronized slideshows and even short video clips. -
1 Quick Guide 11 2 Basic Function 29 3 Navigation
1 QUICK GUIDE 11 2 BASIC FUNCTION 29 3 NAVIGATION SYSTEM 71 4 AUDIO/VISUAL SYSTEM 137 5 VOICE COMMAND SYSTEM 297 6 INFORMATION 313 7 PERIPHERAL MONITORING SYSTEM 317 8 PHONE 343 9 LEXUS ENFORM 381 10 12.3-INCH DISPLAY 409 INDEX 417 About the following equipment, see the “Owner’s Manual”. Air conditioning Fuel consumption Energy monitor (LS600hL) Vehicle customization settings Lexus night view 1 LS460_600h_Navi_U Introduction NAVIGATION AND MULTIMEDIA SYSTEM OWNER’S MANUAL This manual explains the operation of the system. Please read this manual carefully to ensure proper use. Keep this manual in your vehicle at all times. The screen shots in this document and the actual screens of the system differ depend- ing on whether the functions and/or a contract existed and the map data available at the time of producing this document. In some situations when changing between screens, it may take longer than normal for the screen to change, the screen may be blank momentarily or noise may be displayed. Please be aware that the content of this manual may be different from the system in some cases, such as when the system’s software is updated. NAVIGATION SYSTEM (WITH NAVIGATION FUNCTION) The Navigation System is one of the most technologically advanced vehicle accesso- ries ever developed. The system receives satellite signals from the Global Positioning System (GPS) operated by the U.S. Department of Defense. Using these signals and other vehicle sensors, the system indicates your present position and assists in locating a desired destination. The navigation system is designed to select efficient routes from your present starting location to your destination. -
Auteursrecht Lust of Last
Auteursrecht, economische lust of last? Een empirische studie naar de economische aspecten van het auteursrecht in het Nederlandse multimediacluster In opdracht van het Ministerie van Economische Zaken Eindrapportage Dialogic, Utrecht en SEO, Amsterdam September 2003 Auteurs: Dr. Rudi Bekkers, Dialogic Dr. Barbara Baarsma, SEO Drs. Rob Bilderbeek, Dialogic Drs. Sven Maltha, Dialogic Drs. Hilde de Groot, Dialogic Drs. Rens Vandeberg, Dialogic Drs. Natasja Brouwer, SEO Drs. José Mulder, SEO Managementsamenvatting 1. Bij auteursrecht gaat het om het uitsluitend recht van de maker van een werk van letterkunde, wetenschap of kunst, of van diens rechtsverkrijgenden, om dit openbaar te maken en te verveelvoudigen, behoudens de beperkingen die bij de wet worden gesteld. ‘Waarom zou de overheid zich bemoeien met de bescherming van de maker?’ kan men zich vanuit economisch oogpunt afvragen. Auteursrecht heeft betrekking op het economisch goed informatie. Zonder auteursrecht zou er sprake zijn van marktfalen, waardoor marktwerking niet leidt tot sociale efficiëntie. Bij het gebruik en/of de productie van het goed informatie treden de volgende drie vormen van marktfalen op: (1) externe effecten (2) publieke goederen en (3) informatieasymmetrie. 2. Auteursrecht leidt in wezen tot een nieuwe vorm van marktfalen, namelijk een wettelijk monopolie. De auteursrechthebbende is in feite een soort ‘monopolist’ betreffende zijn werk, omdat hij of zij immers het voor de rechter afdwingbare recht krijgt om anderen te verbie den gebruik te maken van zijn/haar werk als hij of zij daarvoor geen toestemming heeft verleend. Het gaat hierbij om een afweging tussen de belangen van rechthebbenden en gebruikers ; ofwel vanuit economisch perspectief het zoeken naar een balans tussen het monopolie dat via een te hoge prijszetting kan leiden tot onderbenutting enerzijds en (bij het ontbreken van het monopolie) de drie vormen van marktfalen die aanleiding kunnen geven tot onderproductie anderzijds.