CT-Aacplus — a State-Of-The-Art Audio Coding Scheme
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Digital Audio Broadcasting : Principles and Applications of Digital Radio
Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Digital Audio Broadcasting Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Copyright ß 2003 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (þ44) 1243 770571. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. -
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
Detail Streaming Support Protocols
Encore+ User Guide Detail Streaming Support Protocols Supported Audio Codecs Supported Container Formats • MP3 • WAV • AAC • M4A • FLAC • OGG • LPCM/WAV/AIFF • AIFF • ALAC Supported Protocols • WMA, WMA9 • SHOUTcast • Ogg Vorbis • HTTPS Supported Playlist • WMA streaming • ASX • RTSP/SDP • M3U • PLS • WPL 43 Detail Audio Codec Support Encore+ User Guide Supported MP3 encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Bit rate [kbps]: 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320, VBR • Channels: stereo, joined stereo, mono • MP3PRO playback • MP3 File extensions: *.mp3 • Decoding of ID3v1, ID3v2, MP3 ID tags including optional album art in .jpeg format up to 2 megapixels • Gapless MP3: Playback is gapless if the container provides LAME encoder delay and padding tags. Supported Vorbis encoding parameters • Sampling rates [kHz]: 32, 44.1, 48 • Resolution [bits]: 16 • Nominal bit rate [kbps] (quality level): 80 (Q1), 96 (Q2), 112 (Q3), 128 (Q4), 160 (Q5), 192 (Q6), • Channels: stereo • The audio player supports reading of Vorbis content stored in Ogg containers. Supported file name extensions: *.ogg and *.oga. • The audio player supports decoding of Vorbis comments. NOTE: There is no specification for tag names. The system relies on the OSS implementation. • Tag names decoded: TITLE, ALBUM, ARTIST, GENRE. • Binary data (e.g. for album art) is not supported. • The audio player supports gapless Vorbis playback. Supported FLAC encoding parameters • Sampling rates [kHz]: 44.1, 48, 88.2, 96, 176.4, 192 • Resolution [bits]: 16, 24 • Channels: stereo, mono • The audio player supports reading of FLAC content stored in native FLAC containers. -
Preview - Click Here to Buy the Full Publication
This is a preview - click here to buy the full publication IEC 62481-2 ® Edition 2.0 2013-09 INTERNATIONAL STANDARD colour inside Digital living network alliance (DLNA) home networked device interoperability guidelines – Part 2: DLNA media formats INTERNATIONAL ELECTROTECHNICAL COMMISSION PRICE CODE XH ICS 35.100.05; 35.110; 33.160 ISBN 978-2-8322-0937-0 Warning! Make sure that you obtained this publication from an authorized distributor. ® Registered trademark of the International Electrotechnical Commission This is a preview - click here to buy the full publication – 2 – 62481-2 © IEC:2013(E) CONTENTS FOREWORD ......................................................................................................................... 20 INTRODUCTION ................................................................................................................... 22 1 Scope ............................................................................................................................. 23 2 Normative references ..................................................................................................... 23 3 Terms, definitions and abbreviated terms ....................................................................... 30 3.1 Terms and definitions ............................................................................................ 30 3.2 Abbreviated terms ................................................................................................. 34 3.4 Conventions ......................................................................................................... -
Centauri II Multichannel Audio Gateway Codec – a New Generation Conquers the Control-Room
Centauri II Multichannel Audio Gateway Codec conquers the Control-room.– a new generation New! D 6ms Latency D 5.1 / 7.1 Multichannel D Front-panel Hot Keys D Gateway Function D Backup Function D Twin/Quad Codec D ASI Most Audio-Codecs are specialists. The CENTAURI II simply enables you to do everything. An unbeatable range of features makes the CENTAURI II simpler, safer and more cost-effective to use than any other codec. The CENTAURI II is your universal Audio cover the entire range currently in general Considering the extensive system support Codec for every imaginable project. use. Including MPEG, AES Transparent it is clear that the CENTAURI II is an and APT – simultaneously! audio codec for all situations. Whether for There are no networks that can stop a By other manufacturers this would still be Broadcasting, for DVB-H or UMTS trans- CENTAURI II, whether ISDN or Ethernet, a legitimate question but by MAYAH this missions, to name but a few. has long been possible. X.21 or E1. There are no protocols that In light of so much technical sophistica- the CENTAURI II cannot understand. This Combinations of its many and versatile tion, it’s hardly surprising to learn that codec can be simply and easily integrated features permit a wide range of applica- the CENTAURI II is also the first audio into every imaginable IT infrastructure. tions; from Gateway, Backup Codec or codec to offer professional 5.1/7.1 multi- And its more than 15 coding algorithms Streaming-Server to Multichannel Codec. channel transmissions. -
KMD 550/850 Multi-Function Display Flight Information Services (FIS) Pilot’S Guide Addendum
N B KMD 550/850 Multi-Function Display Flight Information Services (FIS) Pilot’s Guide Addendum For Software Version 02/02 and later Revision 6 Feb/2009 006-18237-0000 The information contained in this manual is for reference use only. If any information contained herein conflicts with similar information contained in the Airplane Flight Manual Supplement, the information in the Airplane Flight Manual Supplement shall take precedence. WARNING The enclosed technical data is eligible for export under License Designation NLR and is to be used solely by the individual/organization to whom it is addressed. Diversion contrary to U.S. law is prohibited. COPYRIGHT NOTICE Copyright © 2001, 2002, 2004, 2007, 2009 Honeywell International Inc. All rights reserved. Reproduction of this publication or any portion thereof by any means without the express written permission of Honeywell International Inc. is prohibited. For further information contact the Manager, Technical Publications; Honeywell, One Technology Center, 23500 West 105th Street, Olathe, Kansas 66061. Telephone: (913) 782-0400. Revision History Manual KMD 550/850 Flight Information Services (FIS) Pilot’s Guide Addendum Revision 6, February 2009 Part Number 006-18237-0000 Summary Added XM products: Precipitation Type (at Surface) Freezing Levels Winds Aloft Translated Metars Temporary Flight Restrictions (TFR’s) R-1 Revision History Manual KMD 550/850 Flight Information Services (FIS) Pilot’s Guide Addendum Revision 5, March 2007 Part Number 006-18237-0000 Summary Added XM Receiver functionality. R-2 Revision History Manual KMD 550/850 Flight Information Services (FIS) Pilot’s Guide Addendum Revision 4, November 2004 Part Number 006-18237-0000 Summary Add FIS Area Products (AIRMETs, SIGMETs, Convective SIGMETs and Alert Weather Watches). -
Compression for Great Video and Audio Master Tips and Common Sense
Compression for Great Video and Audio Master Tips and Common Sense 01_K81213_PRELIMS.indd i 10/24/2009 1:26:18 PM 01_K81213_PRELIMS.indd ii 10/24/2009 1:26:19 PM Compression for Great Video and Audio Master Tips and Common Sense Ben Waggoner AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01_K81213_PRELIMS.indd iii 10/24/2009 1:26:19 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 Elsevier Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions . This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Audio Encoding Audio Encoding Supriyanto [email protected] IINDENDEKKSS
ADU SOFTWARE Berita | Ulasan | Adu Software | Utama | Bisnis | Apa Sih Sebenarnya... | Tutorial Audio Encoding Audio Encoding Supriyanto [email protected] IINDENDEKKSS AUDIO ENCODING ABCDE 27 Grip 27 Jack 28 KAudioCreator 28 ripperX 29 Sound Juicer 29 anyak kalangan musisi yang men- Bicara mengenai berbagai format audio gatakan kalau musik atau lagu adalah digital yang ada saat ini, sebenarnya ada be- Kriteria pengujian: bahasa yang universal. Pendapat itu berapa format audio digital lain selain MP3. Kali ini kami menguji enam buah aplika- B mungkin ada benarnya, karena kalau kita li- Format audio digital lainnya itu, antara lain si audio ripping dan encoding yang ada di hat musik itu tidak mengenal batas wilayah AA, AAC, FLAC, MP3Pro, WMA, dan OGG. Linux. Sama seperti pengujian yang telah dan negara. Hampir setiap penduduk di Dari beberapa format di atas, FLAC dan dilakukan, kami tetap menggunakan em- setiap negara memiliki kesenangan pada OGG merupakan format audio digital yang pat kriteria sebagai bahan penilaian. Kriteria musik. Pada era 60-an pun, konser musik open source. Sehingga tidak perlu terbentur pertama adalah fungsionalitas. Sebuah pro- The Beatles dan Koes Plus sudah dipenuhi masalah lisensi untuk menggunakannya. Hal gram audio ripping dan encoding, harus oleh para penggemar musik. ini jelas berbeda dengan penggunaan format dapat berfungsi dengan baik pada beberapa Kalau kita lihat peningkatan teknolo- MP3 yang dikontrol lisensinya oleh Thomson tool encoder yang di-support. Dan untuk kri- gi audio untuk mendengarkan lagu, sudah Consumer Electronics. teria pertama, kami memberikan porsi yang banyak sekali peningkatan yang dicapai. Dalam “Adu Software” kali ini, kami cukup besar, yaitu 35%. -
Sirius Xm Radio Inc
SIRIUS XM RADIO INC. FORM 10-K (Annual Report) Filed 02/06/13 for the Period Ending 12/31/12 Address 1221 AVENUE OF THE AMERICAS 36TH FLOOR NEW YORK, NY 10020 Telephone 212-584-5100 CIK 0000908937 Symbol SIRI SIC Code 4832 - Radio Broadcasting Stations Industry Broadcasting & Cable TV Sector Services Fiscal Year 12/31 http://www.edgar-online.com © Copyright 2013, EDGAR Online, Inc. All Rights Reserved. Distribution and use of this document restricted under EDGAR Online, Inc. Terms of Use. UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2012 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM __________ TO ________ COMMISSION FILE NUMBER 001-34295 SIRIUS XM RADIO INC. (Exact name of registrant as specified in its charter) Delaware 52-1700207 (State or other jurisdiction of (I.R.S. Employer Identification Number) incorporation or organization) 1221 Avenue of the Americas, 36th Floor New York, New York 10020 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 584-5100 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class: Name of Each Exchange on Which Registered: Common Stock, par value $0.001 per share The Nasdaq Global Select Market Securities registered pursuant to Section 12(g) of the Act: None (Title of class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. -
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DDX7015BT DDX5015BT DDX5015DAB DDX5015BTR МОНІТОР З DVD РЕСИВЕРOM ІНСТРУКЦІЯ З ЕКСПЛУАТАЦІЇ © 2014 JVC KENWOOD Corporation B5A-0377-08 (QN) DDDX_Mid_E_UK.indbDX_Mid_E_UK.indb 1 117/12/20147/12/2014 44:54:17:54:17 PPMM ЗЗМІСТМІСТ ППЕРЕДЕРЕД ПЕРЕД ВИКОРИСТАННЯМ ....................................2 BLUETOOTH.......................................................... 35 Переустановлення параметрів пристрою .......... 3 НАЛАШТУВАННЯ ................................................43 ВВИКОРИСТАННЯМИКОРИСТАННЯМ ПОЧАТКОВІ НАЛАШТУВАННЯ ............................ 4 Налаштування для використання програм УВАГА! ОСНОВИ ................................................................. 6 iPod/iPhone/Android ....................................................43 Перед використанням пристрою прочитайте Назви та функції компонентів ................................... 6 Регулювання звуку .......................................................44 цей посібник, щоб дізнатись, як правильно Загальні операції ............................................................ 7 Налаштування відтворення відео .........................46 використовувати даний пристрій. Обов'язково Загальні операції з екраном ......................................8 Зміна вигляду дисплея ...............................................48 прочитайте і дотримуйтесь ПОПЕРЕДЖЕНЬ та Вибір джерела відтворення.....................................10 Налаштування екрану <TOP MENU> ..................49 ЗАСТЕРЕЖЕНЬ, зазначених у цьому посібнику. ДИСКИ ..................................................................11 -
Request for Proposal for Satellite Radio Programming Services Pursuant to FCC Qualified Entity Set-Aside
Request for Proposal for Satellite Radio Programming Services Pursuant to FCC Qualified Entity Set-Aside Issued March 25, 2021 - Deadline to Respond - April 25, 2021, 11:59 pm Eastern Time Sirius XM Radio Inc. Qualified Entity RFP, March 25, 2021 I. INTRODUCTION Sirius XM Radio Inc. (“Sirius XM,” “we,” or “us”) invites interested and qualified parties (the “Proposer” or “you”) to participate in this Request for Proposal (“RFP”) process for providing satellite radio programming that we will carry on satellite radio channels pursuant to the Qualified Entity set-aside required by the Federal Communications Commission (“FCC”). Company Background Sirius XM is America’s satellite radio company. We deliver over 130 channels of audio entertainment, including commercial-free music, premier sports, news, talk, entertainment, traffic and weather, to more than 34 million customers. SiriusXM’s satellite and streaming audio platform is the home of Howard Stern's two exclusive channels. Its ad-free, curated music channels represent many decades and genres, from rock, to pop, country, hip hop, classical, Latin, electronic dance, jazz, heavy metal and more. SiriusXM's programming includes news from respected national outlets, and a broad range of in- depth talk, comedy and entertainment. For sports fans, SiriusXM also offers live games, events, news, analysis and opinion for all major professional sports, fulltime channels for top college sports conferences, and programming that covers other sports such as auto sports, golf, soccer, and more. SiriusXM is also the home of exclusive and popular podcasts including many original SiriusXM series and a highly-curated selection of podcasts from leading creators and providers. -
Lossy Audio Compression Identification
2018 26th European Signal Processing Conference (EUSIPCO) Lossy Audio Compression Identification Bongjun Kim Zafar Rafii Northwestern University Gracenote Evanston, USA Emeryville, USA [email protected] zafar.rafi[email protected] Abstract—We propose a system which can estimate from an compression parameters from an audio signal, based on AAC, audio recording that has previously undergone lossy compression was presented in [3]. The first implementation of that work, the parameters used for the encoding, and therefore identify the based on MP3, was then proposed in [4]. The idea was to corresponding lossy coding format. The system analyzes the audio signal and searches for the compression parameters and framing search for the compression parameters and framing conditions conditions which match those used for the encoding. In particular, which match those used for the encoding, by measuring traces we propose a new metric for measuring traces of compression of compression in the audio signal, which typically correspond which is robust to variations in the audio content and a new to time-frequency coefficients quantized to zero. method for combining the estimates from multiple audio blocks The first work to investigate alterations, such as deletion, in- which can refine the results. We evaluated this system with audio excerpts from songs and movies, compressed into various coding sertion, or substitution, in audio signals which have undergone formats, using different bit rates, and captured digitally as well lossy compression, namely MP3, was presented in [5]. The as through analog transfer. Results showed that our system can idea was to measure traces of compression in the signal along identify the correct format in almost all cases, even at high bit time and detect discontinuities in the estimated framing.