PIJF 2019 Headliner Presser
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected]
Contact: Tatiana Moton FOR IMMEDIATE RELEASE 202-903-1203 February 15, 2018 [email protected] GLOBAL ICON MÝA RETURNS WITH BRAND NEW SINGLE CELEBRATING 20TH YEAR ANNIVERSARY MÝA ANNOUNCES THIRTEENTH ALBUM, ARRIVING 2018 Grammy-winning recording artist, Mýa, unveiled the release of her brand new single, from her highly anticipated upcoming 13th studio project. The global entertainer and humanitarian surprised eager fans by ushering in Valentine’s Day with a debut of her new music, once again breaking the mold with a sexy, sultry, soulful sound that is sparking scores of praise and raving fanfare. The new single, “You Got Me,” now available on all digital outlets worldwide, celebrates the 20th year anniversary of Mýa’s debut single, the Billboard chart- topping hit, “It’s All About Me,” featuring R&B singer, Sisqo. Released in 1998, it was the leading single on the self-titled, double platinum, debut album, Mýa, which would launch the then 18-year-old Mýa into the fabric of pop-culture. The celebrated singer, songwriter, producer, musician, dancer/choreographer, designer, actress, activist and philanthropist has electrified audiences over the years with world smash hits including, “It’s All About Me,” “Movin On,” “Ghetto Superstar,” “Take Me There,” “Case of the Ex,” “Best of Me,” “My Love Is Like Wo,” “Fallen” and more. Mýa’s impressive catalog of music includes her second double platinum album, Fear of Flying, released in 2000. In 2001, Mýa collaborated with Christina Aguilera, Lil’ Kim, P!nk and Missy Elliot on a remake of LaBelle’s “Lady Marmalade,” which is featured in Baz Luhrman’s “Moulin Rouge.” Selling over 5.5 million copies, it became the most successful airplay-only single in history, winning the Grammy Award for Best Pop Collaboration and garnering numerous awards. -
Phila DJ Lee Jolles Obit 20120805
FOR IMMEDIATE RELEASE Monday, August 5, 2012 Further Information See Contact on Page Two Doo-Wop DJ Lee, “Mister Lee” Jolles Dies; Philadelphia Businessman, Record Collector and Rock-and-Roll Group Harmony Expert Was Known Across U.S. From His Weekend Radio Show PHILADELPHIA -- Businessman, DJ, and doo-wop group harmony champion Lee, “Mister Lee” Bain Jolles, 66, died July 10th. A lifelong lover of the distinctly American rock-and-roll genre, Jolles owned a well-known Philadelphia cheesesteak eatery; headed the Philadelphia Group Harmony Association (PGHA) and produced sell-out oldies shows for the association for two decades. In 1986 he became DJ, “Mister Lee,” at a small Delaware Valley non-profit FM radio station whose weekend doo-wop listenership exploded coast to coast thanks to Internet streaming. Jolles’s funeral drew a “sellout” crowd of more than 500 persons, mourners who knew him from entertainment, radio, business, and listening to his 4-to-6 p.m. Saturday program on WRDV FM (streamed at WRDV.org) and the Live 365.com “Station PGHA” channel. Those Live 365 shows were recorded from his FM show and can still be heard today. Growing up in the golden age of rock n’ roll and group harmony, Jolles remembered being a nine-year-old elementary school student when Frankie Lymon’s, “Why Do Fools Fall in Love” was first released. “…it seemed that the whole school yard was on fire! I knew I found our own music,” according to autobiographical “liner notes” on the Live 365 PGHA channel. Jolles attended West Philadelphia’s John Bartram High, whose alumni include doo-wop luminaries Lee Andrews and the Hearts, Danny and the Juniors, Patti LaBelle, the Superiors, the Blendtones and Little Billy and the Essentials, and, according to Wikipedia, Solomon Burke. -
Lady Marmalade”—Labelle (1974) Added to the National Registry: 2020 Essay by Adele Bertei (Guest Post)*
“Lady Marmalade”—Labelle (1974) Added to the National Registry: 2020 Essay by Adele Bertei (guest post)* Labelle Labelle. Hear the name and most will immediately think of Patti LaBelle, diva supreme, but the story is far more profound than the connection suggests. Over the course of 16 years together, Nona Hendryx, Sarah Dash, and Patti LaBelle created a musical legacy unlike any other group before or since. Patti’s incredible voice led the way, undoubtedly. But it was Sarah Dash’s sweet soaring soprano, the deep resonance of Nona Hendryx’s voice and lyrical imagination, and the utopian vision of manager Vicki Wickham that would ultimately result in the creation of the Labellian cosmology--a map of sonic starlight. In 1962, Patti LaBelle and the Bluebelles were a traditional girl group with a few minor hits. Ten years later, they dropped the girl group tropes and became Labelle, reinventing the role of Black women in popular music as bona fide rock stars in 1974. The torque accelerating their ascendancy was a song called “Lady Marmalade.” Co-written by Bob Crewe and Kenny Nolan, “Lady Marmalade” is the story of a Creole sex worker strutting a solicitation--”Voulez vous coucher avec moi, ce soir?”--a phrase that became a French-language primer for every American in love with pop music. Any record company trepidation about presenting this brazen shout-out for Black women’s sexual agency to the listening world was extinguished by the undeniable brilliance of the recording. The song might not have been written by Labelle, but their delivery made it a worldwide sensation. -
Patti Labelle Singer and Actor Known for Her Passionate Stage Performances and Family and Friends Gave Labelle the Nickname Patsy
African Americans LaBelle, Patti L. L. Cool J.’s first role as an actor came in 1985 in a vancement of Colored People (NAACP). He received a film about the early days of Def Jam Recordings called Source Foundation Image Award for his philanthropy Krush Groove. The next year, he appeared in a film called and his work with JumpStart, a literacy program for low- Wildcats. Although he had only cameo appearances in income children. L. L. Cool J.’s longevity in the enter- both films, he won a starring role in Out of Sync in 1995. tainment industry is a testimony to his versatility and The film did not do well at the box office, but it did help talent. him earn a starring role in a sitcom called In the House. —Alison S. Burke The sitcom aired on NBC from 1995 to 1999. L. L. has appeared in several other films, including Halloween Further Reading H20 (1998), Deep Blue Sea (1999), Any Given Sunday Baughman, Brian. Hip-Hop: L. L. Cool J. Broomall, Pa.: (1999), Deliver Us from Eva (2003), S.W.A.T. (2003), Mason Crest, 2007. This biography for teenage read- and Last Holiday (2006). In 2009, L. L. Cool J. was given ers provides a general overview of the life of L. L. a prominent role as former Navy SEAL and special agent Cool J. and contains many full-color photographs Sam Hanna in the CBS drama series NCIS: Los Angeles. from different stages in his career. In addition to his music and acting careers, L. -
File Type Pdf Music Program Guide.Pdf
MOOD:MEDIA 2020 MUSIC PROGRAM GUIDE 2 Pop Adult Contemporary Hitline* ‡ Current Adult Contemporary Hits Current Top Charting Hits Sample Artists: Bebe Rexha, Shawn Mendes, Maroon 5, Niall Sample Artists: Ariana Grande, Zedd, Bebe Rexha, Panic! Horan, Alice Merton, Portugal. The Man, Andy Grammer, Ellie At The Disco, Charlie Puth, Dua Lipa, Hailee Steinfeld, Lauv, Goulding, Michael Buble, Nick Jonas Shawn Mendes, Taylor Swift Hot FM ‡ Be-Tween Hot Adult Contemporary Hits Family-Friendly, Modern Pop Hits Sample Artists: Ed Sheeran, Alessia Cara, Maroon 5, Vance Sample Artists: 5 Seconds of Summer, Sabrina Carpenter, Joy, Imagine Dragons, Colbie Caillat, Andy Grammer, Shawn Alessia Cara, NOTD, Taylor Swift, The Vamps, Troye Sivan, R5, Mendes, Jess Glynne, Jason Mraz Shawn Mendes, Carly Rae Jepsen Metro ‡ Cashmere ‡ Chic Metropolitan Blend Warm Cosmopolitan Vocals Sample Artists: Little Dragon, Rhye, Disclosure, Jungle, Sample Artists: Emily King, Chaka Khan, Durand Jones & The Maggie Rogers, Roosevelt, Christine and The Queens, Flight Indications, Sam Smith, Maggie Rogers, The Teskey Brothers, Facilities, Maribou State, Poolside Diplomats of Solid Sound, Norah Jones, Jason Mraz, Cat Power Pop Style Youthful Pop Hits Divas Sample Artists: Justin Bieber, Taylor Swift, DNCE, Troye Sivan, Dynamic Female Vocals Ellie Goulding, Ariana Grande, Charlie Puth, Kygo, The Vamps, Sample Artists: Chaka Khan, Amy Winehouse, Aretha Franklin, Sabrina Carpenter Ariana Grande, Betty Wright, Madonna, Mary J. Blige, ZZ Ward, Diana Ross, Lizzo, Janelle Monae -
Sheila Jackson H. Interviewe
University of Washington Women Who Rock Oral History Project Transcript Sheila Jackson H. Narrator: Sheila Jackson H. Interviewed by: Angelica Macklin Interviewer Association and Role: Women Who Rock Project Committee Member and Lecturer for the GWSS 590/HUM 595 Women Who Rock Digital Scholarship course, Winter and Spring 2012. Date: March 4, 2012 Place: Angelica Macklin’s home in Shoreline, WA Sheila Jackson H. (SJH): My name is Sheila Jackson H. I am a writer and biographer who is turned filmmaker. I have a production company in Los Angeles called Eve’s Lime Productions where I produce commercials, documentary, and integrated media and I am currently working on a documentary called Nice and Rough about Black women in rock. Angelica Macklin (AM): Fantastic. How would you describe the music community that you are a part of? SH: Hmm. Well the music community I am a part of now is super eclectic because I grew up in Memphis Tennessee where I had just a really strong blues influence and a strong influence of soul music with Stax records. Growing up with Stax records in my neighborhood. And all of those sounds have come to create a fusion of all sorts of music you know as I’ve grown over the years. So I listen to some of everything and I sing as well. And I just appreciate all kinds of music. When people get in my car they never know what they’re gonna hear. Anything from rock to jazz to you know, neo soul to you know muddy waters. You never know what you’re gonna get when you get in my car [laughter]. -
The Roots and Branches Courtesy Of
! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael -
PATTI LABELLE Ith a Stage Presence As Exciting As Her Belting Soprano Voice
EDUCATION APOLLO THEATER WALK OF FAME LEGEND PATTI LABELLE ith a stage presence as exciting as her belting soprano voice and “Rock and Soul” sound she helped pioneer in the 1970s, singer Patti LaBelle is nicknamed the “Godmother of Soul.” WBorn Patricia Louise Holte on May 24, 1944 in Philadelphia, Pennsylvania, “Patsy” was shy growing up. After joining her church’s youth choir in her teens, she discovered her singing had the ability to uplift audiences. Word of Holte’s talent spread quickly through Philadelphia, and before she knew it, listeners from around the city were coming to hear her sing. Encouraged by her experience in church, she formed an all-female “Doo-Wop” group in “FROM THE DAY LABELLE high school named, The Ordettes. In 1962, after auditioning with their cover of “I Sold My Heart STEPPED OUT ONSTAGE IN THOSE to the Junkman,” the vocal quartet was OUTRAGEOUS OUTFITS, PEOPLE signed to the Bluebelle Record Company and renamed, The Bluebelles. Soon after, Holte took a new name of her own, “Patti LaBelle”; “La WOULD NEVER SEE Belle” meaning “The Beautiful” in French. GIRL GROUPS THE Within days of being signed, Patti LaBelle and the Bluebelles were booked on the nationally SAME WAY AGAIN.” televised music program, American Bandstand. The following year in 1963, they played the World Famous Apollo Theater in Harlem for the first time. Audiences loved the girls so much they nicknamed them the “Sweethearts of DO NOW the Apollo.” Wear Something Silver When the British Invasion of Rock and Roll Labelle wowed audiences not hit the U.S. -
Dominican Republic Jazz Festival @ 20
NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Betty Davis Nasty Gal Full Album Download Betty Davis Nasty Gal Full Album Download
betty davis nasty gal full album download Betty davis nasty gal full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e26c84db971628 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Betty Davis - Anti-Love: The Best of Betty Davis (2000) Artist : Betty Davis Title : Anti-Love: The Best of Betty Davis Year Of Release : 2000 Label : MPC Genre : Funk\Funk Rock Quality : FLAC (tracks+.cue,log) / 320 kbps Total Time : 46:56 Total Size : 271 MB WebSite : Album Preview. 01. Anti Love Song [00:04:32] 02. They Say I'm Different [00:04:13] 03. Stepping in Her I. Miller Shoes [00:03:12] 04. Your Man My Man [00:03:34] 05. Dedicated To The Press [00:03:49] 06. You & I [00:02:53] 07. If I'm In Luck I Might Get Picked Up [00:04:57] 08. Talking Trash [00:04:50] 09. He Was a Big Freak [00:04:05] 10. -
DECLARATION of Kelly M. Klaus in Support Re
Arista Records LLC et al v. Lime Wire Arista Records LLC et al. v. Lime Wire LLC et al. Exhibit 2 Copyright Song Album Download Plaintiff Artist Title Title SR SR Bates No. SR Claimant Agreement Bates No. Source FileName UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; A6762.MaryJBlige. UMG Love @ Geffen Records, UMG-7048490; UMG-7048495; LoveFirstSight.70.1 Recording Mary J. Love @ 1st Sight RC00002634- Div. of UMG UMG-7048497; UMG-7048507; 88.161.143_8105.1 s, Inc. Blige 1st Sight (single) 340-891 RC00002635 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .zip UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; UMG Geffen Records, UMG-7048490; UMG-7048495; A6760.MaryJBlige. Recording Mary J. Love & RC00002710- Div. of UMG UMG-7048497; UMG-7048507; NotToday.173.61.0 s, Inc. Blige Not Today Life 346-345 RC00002711 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .126_31086.zip Page 900 Dockets.Justia.com Doc.