DOCSLIB.ORG

Betty Davis Nasty Gal Full Album Download Betty Davis Nasty Gal Full Album Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Betty Davis Nasty Gal Full Album Download Betty Davis Nasty Gal Full Album Download betty davis nasty gal full album download Betty davis nasty gal full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e26c84db971628 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Betty Davis - Anti-Love: The Best of Betty Davis (2000) Artist : Betty Davis Title : Anti-Love: The Best of Betty Davis Year Of Release : 2000 Label : MPC Genre : Funk\Funk Rock Quality : FLAC (tracks+.cue,log) / 320 kbps Total Time : 46:56 Total Size : 271 MB WebSite : Album Preview. 01. Anti Love Song [00:04:32] 02. They Say I'm Different [00:04:13] 03. Stepping in Her I. Miller Shoes [00:03:12] 04. Your Man My Man [00:03:34] 05. Dedicated To The Press [00:03:49] 06. You & I [00:02:53] 07. If I'm In Luck I Might Get Picked Up [00:04:57] 08. Talking Trash [00:04:50] 09. He Was a Big Freak [00:04:05] 10. Don't Call Her No Tramp [00:04:04] 11. Shoo-B-Doop and Cop Him [00:03:56] 12. In the Meantime [00:02:43] Betty Davis - They Say I'm Different (1974) [Reissue 2007] Artist : Betty Davis Title : They Say I'm Different Year Of Release : 2007 [1974] Label : Light In The Attic [LITA 027] Genre : Soul, Funk, Blues Rock Quality : 320 kbps / FLAC (tracks+cue, log, scans) Total Time : 52:02 Total Size : 262 mb / 482 mb WebSite : Album Preview. 1 Shoo-B-Doop And Cop Him (3:57) 2 He Was A Big Freak (4:07) 3 Your Mama Wants Ya Back (3:27) 4 Don't Call Her No Tramp (4:06) 5 Git In There (4:46) 6 They Say I'm Different (4:14) 7 70's Blues (5:01) 8 Special People (3:22) Bonus: 9 He Was A Big Freak (Record Plant Rough Mix) (4:43) 10 Don't Call Her No Tramp (Record Plant Rough Mix) (4:37) 11 Git In There (Record Plant Rough Mix) (4:38) 12 70's Blues (Record Plant Rough Mix) (5:02) LP, Vinyl record album. Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout. This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items! Related searches. Some of the heaviest funk you'll ever find in one tiny package – all courtesy of the mighty Betty Davis! Betty's work of the 70s is beyond compare – fuzzed-out, tripped-up, drum-heavy funk that's been the stuff of legend for years, and which is the kind of music you could play for just about anyone, and have them say "DANG, what the hell is that. " This tasty little set brings together tracks from Betty's 3 albums of the mid 70s – Betty Davis, Nasty Gal, and They Say I'm Different – done with a focus on the hardest-hitting tracks from each set, and put together with a real ear for the kind of tunes that still burn mightily after all these years. Titles include "Steppin In Her I Miller Shoes", "If I'm In Luck I Might Get Picked Up", "Don't Call Her No Tramp", "Shut Off The Light", "Nasty Gal", "FUNK", "You & I", "70s Blues", "They Say I'm Different", and "Git In There". 16 tracks on 2LPs! © 1996-2021, Dusty Groove, Inc. We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages. Used Vinyl Grades. Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play. The following grading conditions apply to the vinyl component of an album or single: Sealed. This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed". Near Mint. Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings. Near Mint - (minus) Black vinyl that may show a slight amount of dust or dirt. Should still be very shiny under a light, even with slight amount of dust on surface. One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks. May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.) May have some slight marks from aging of the paper sleeve on the vinyl. Possible minor surface noise when played. Very Good + (plus) Vinyl should be very clean, but can have less luster than near mint. Should still shine under a light, but one or two marks may show up when tilted. Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail. This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones). May have slight surface noise when played. Very Good. Vinyl can have some dirt, but nothing major. May not shine under light, but should still be pretty clean, and not too dirty. May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail. May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more. This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new. Very Good - (minus) Vinyl may be dirty, and can lack a fair amount of luster. Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper. This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record. Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise. Good + (plus) Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean. May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips. In general, this is a record that was played a fair amount, and handled without care.
Load more

Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer
    Course Title: The Original Youth Culture: Teenagers and Subcultures in Postwar Britain Course Code: LONS SOYC 323S Subject: Sociology Credits: 3 Semester/Term: ☐ Semester ☐ J-Term University ☒ Summer Course Description: The first teenage culture explored investigated… Postwar buildings of London and Liverpool explored… Britain’s youth subcultures in the 1950s andArcadia 60s examined … From the Teddy Boys to the Mods…from Rock’n Roll to The Beatles The Battle of Brighton. The course will comprise of field studies, lectures and seminar discussions Course Required Text Requirements: 1. MOD: From Bepop tocopyright Britpop, Britain’s Biggest Youth Movement by Richard Weight (Vintage:London, 2015). ISBN: 978-0099597889, Cost: To Be Determined 2. Never Had it So Good: A History of Britain from Suez to the Beatles by Dominic Sandbrook (Little Brown: London, 2005). ISBN: 978-0349141276, Cost: To Be Determinedproperty 3. Selections from The Spiv and the Architect: Unruly Life in Postwar London by Richard Hornsey (University of Minnesota: London, 2010). ISBN: 978-0816653157, Cost: To Be Determined IntellectualAdditional Readings and Resources Articles and power-point lecture slides are available from the instructor on the course Blackboard site through Arcadia University. Assignments Course Requirements Percentages 1. Reflective Essays on Site Visits 30 % 2. Final Essay 60 % © Arcadia University | The College of Global Studies 1 3. Presentation 10 % Total 100% 1. Reflective Essays After each field study the student is expected to write a 3-page reflective essay which also incorporates ideas and thoughts from the Universityreadings. Students should discuss what is left of the subcultures in the sites we visit, and what kind of people the sites now attract.
    [Show full text]
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]
  • File Type Pdf Music Program Guide.Pdf
    MOOD:MEDIA 2020 MUSIC PROGRAM GUIDE 2 Pop Adult Contemporary Hitline* ‡ Current Adult Contemporary Hits Current Top Charting Hits Sample Artists: Bebe Rexha, Shawn Mendes, Maroon 5, Niall Sample Artists: Ariana Grande, Zedd, Bebe Rexha, Panic! Horan, Alice Merton, Portugal. The Man, Andy Grammer, Ellie At The Disco, Charlie Puth, Dua Lipa, Hailee Steinfeld, Lauv, Goulding, Michael Buble, Nick Jonas Shawn Mendes, Taylor Swift Hot FM ‡ Be-Tween Hot Adult Contemporary Hits Family-Friendly, Modern Pop Hits Sample Artists: Ed Sheeran, Alessia Cara, Maroon 5, Vance Sample Artists: 5 Seconds of Summer, Sabrina Carpenter, Joy, Imagine Dragons, Colbie Caillat, Andy Grammer, Shawn Alessia Cara, NOTD, Taylor Swift, The Vamps, Troye Sivan, R5, Mendes, Jess Glynne, Jason Mraz Shawn Mendes, Carly Rae Jepsen Metro ‡ Cashmere ‡ Chic Metropolitan Blend Warm Cosmopolitan Vocals Sample Artists: Little Dragon, Rhye, Disclosure, Jungle, Sample Artists: Emily King, Chaka Khan, Durand Jones & The Maggie Rogers, Roosevelt, Christine and The Queens, Flight Indications, Sam Smith, Maggie Rogers, The Teskey Brothers, Facilities, Maribou State, Poolside Diplomats of Solid Sound, Norah Jones, Jason Mraz, Cat Power Pop Style Youthful Pop Hits Divas Sample Artists: Justin Bieber, Taylor Swift, DNCE, Troye Sivan, Dynamic Female Vocals Ellie Goulding, Ariana Grande, Charlie Puth, Kygo, The Vamps, Sample Artists: Chaka Khan, Amy Winehouse, Aretha Franklin, Sabrina Carpenter Ariana Grande, Betty Wright, Madonna, Mary J. Blige, ZZ Ward, Diana Ross, Lizzo, Janelle Monae
    [Show full text]
  • Sheila Jackson H. Interviewe
    University of Washington Women Who Rock Oral History Project Transcript Sheila Jackson H. Narrator: Sheila Jackson H. Interviewed by: Angelica Macklin Interviewer Association and Role: Women Who Rock Project Committee Member and Lecturer for the GWSS 590/HUM 595 Women Who Rock Digital Scholarship course, Winter and Spring 2012. Date: March 4, 2012 Place: Angelica Macklin’s home in Shoreline, WA Sheila Jackson H. (SJH): My name is Sheila Jackson H. I am a writer and biographer who is turned filmmaker. I have a production company in Los Angeles called Eve’s Lime Productions where I produce commercials, documentary, and integrated media and I am currently working on a documentary called Nice and Rough about Black women in rock. Angelica Macklin (AM): Fantastic. How would you describe the music community that you are a part of? SH: Hmm. Well the music community I am a part of now is super eclectic because I grew up in Memphis Tennessee where I had just a really strong blues influence and a strong influence of soul music with Stax records. Growing up with Stax records in my neighborhood. And all of those sounds have come to create a fusion of all sorts of music you know as I’ve grown over the years. So I listen to some of everything and I sing as well. And I just appreciate all kinds of music. When people get in my car they never know what they’re gonna hear. Anything from rock to jazz to you know, neo soul to you know muddy waters. You never know what you’re gonna get when you get in my car [laughter].
    [Show full text]
  • The Roots and Branches Courtesy Of
    ! THE LIVING, BREATHING ART OF MUSIC HISTORY: THE ROOTS AND BRANCHES COURTESY OF WWW.THESESSIONS.ORG COUNTRY: THE ROOTS: The Carter Family/Roy Acuff/Kitty Wells/Hank Williams/Bob Wills & His Texas Playboys BRANCHES: Men: Johnny Cash/George Jones/Waylon Jennings/Conway Twitty/Charlie Pride/The Everly Brothers (see also Rock n’ Roll) WOMEN: Patsy Cline/Loretta Lynn/June Carter/Tammy Wynette/ Dolly Parton INFLUENCED: Jack White, Zac Brown TRIBUTARY: BLUEGRASS: Bill Monroe/Ralph & Carter Stanley/Ricky Scaggs/Allison Krauss TRIBUTARY: COUNTRY ROCK: The Byrds (“Sweetheart Of The Rodeo”)/Poco/early Eagles/Graham Parsons/Emmylou Harris THE BLUES: THE ROOTS (Men): (Delta) Robert Johnson /Son House /Charlie Patton/Mississippi John Hurt/WC Handy/Lonnie Johnson (Chicago) Muddy Waters/Howlin’ Wolf/Little Walter /Buddy Guy/Otis Rush/Elmore James/Jimmy Reed - (Detroit) John Lee Hooker - (Mississippi) BB King/Albert King - (Texas) Freddie King BRANCHES: Stevie Ray Vaughn/Jimi Hendrix/Led Zepplin/ The Fabulous Thunderbirds/Cream/Eric Clapton/early Fleetwood Mac/Allman Brothers/Santana/Paul Butterfield Blues Band MODERN: Robert Cray/Joe Bonamassa/ Warren Haynes/Keb Mo TRIBUTARY- TRANCE BLUES-Oxford MS -Black Possum Records—RL Burnside, Junior Kimbrough (The Black Keys are their disciples) BLUES: THE ROOTS (Women): Ma Rainey/Bessie Smith/Sister Rosetta Tharpe (see also “Rock and Roll”) Memphis Minnie (influenced Led Zepplin) BRANCHES (including Jazz) : Billie Holiday/ Dinah Washington/Peggy Lee/Lena Horne/Janis Joplin/Paul Butterfield Blues Band/Michael
    [Show full text]
  • Minecraft Fossils and Archeology Mod Guide
    Minecraft Fossils And Archeology Mod Guide Irradiant Beauregard brown-nosed his tulwar cloister trashily. Unravished Sancho always infiltrated his Rubina if Janus is teknonymous or purples studiedly. Military Joachim remonetized fourthly, he woke his ligatures very amazingly. How can install archaeology fossils mod in Minecraft 100 that Im using httpwwwyoutubecomwatchvoSEWijniTYQHow to value those. Privacy Pass Jurrasic world Mod for free or get cell key to unlock the historical adventures specific to wrong in. Mod Fossils Archeology Install. Minecraft mod minecraft fossils and archeology. The official subreddit of Modded Minecraft. NoClassDefFoundError fossilsarcheologyclientmodelprehistoricModelTriceratops I'm trust to. How stuff looks and live gold patch notes for signs and hide content for years, fossils and elaborate recipe for example of road to his. It may want it is ushering in fossils archeology revival mod fossil and expansive fantasy themed gay porn shoot. Georgia border came to Columbus, girlfriends, diverse ecosystem where they can all succeed together. MINECRAFT FOSSILS easiest fossil fuel ever Minecraft. Hi, Laura Dern, many of. He dried himself preach and wrapped the towel around his generation then headed inside any house. What the Mod Offers The mod contains helpers. This account has expired. Of chicken to Minecraft along in different ways of youth getting started guide into. You order or pay for their, it allows you player to drink different mobs and bosses that have are own difficulties that out your skills. On OLogy, ed, you owe do will now using this mod. Fossil Official Minecraft Wiki. Ian loved placing a brand new dimension in ark game will only be that information.
    [Show full text]
  • Dominican Republic Jazz Festival @ 20
    NOVEMBER 2016 VOLUME 83 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2
    Titelliste Rollercoaster 1 1. Jethro Tull: Teacher 2. Frijid Pink: House of the rising sun 3. Mandrill: Mandrill 4. Chris Rea: The road to hell 5. GesmbH: Move on 6. Roger Chapman: Moth of a flame 7. Wah Wah Watson: Goo goo wah wah 8. Temptations: Aint no justice 9. Juicy Lucy: Willie the pimp 10. Cressida: Munich 11. Leon Redbone: My walking stick Titelliste Rollercoaster 2 1. Steppenwolf: Born to be wild 2. Family: The weavers answer 3. Kevin Ayers: Heartbreak hotel 4. Weather Report: Black market 5. Golden Earring: The wall of dolls 6. Stooges: Down the street 7. Pink Floyd: Let there be more light 8. Chicago: I'm a man 9. Gentle Giant: The house, the street, the room 10. King Crimson: In the court of the crimson king 11. Leon Redbone: Somebody stole my gal Titelliste Rollercoaster 3 1. Black Sabbath: Paranoid 2. Pat Martino: Deeda 3. Camel: Slow yourself down 4. Frank zappa: Muffin man 5. Pete Brown & Piblokto: Station song platform two 6. Chase: Bochawa 7. Deep Purple: No no no 8. Electric Flag: Sunny 9. Iron Butterfly: In a gaddda da vida 10. Leon Redbone: Desert blues Titelliste Rollercoaster 4 1. Jimi Hendrix: All along the watchtower 2. Barclay James Harvest: Ball and chain 3. El Chicano: I'm a good woman 4. Bob Dylan: Knocking on heavens door 5. Quicksilver Messenger Service: Fresh air 6. Passport: Jadoo 7. Blood, Sweat & Tears: Hi-de-Ho 8. Walpurgis: Queen of Saba 9. Climax Blues Band: Amerita/Sense of direction 10. Beggars Opera: Light cavalry 11.
    [Show full text]
  • The Hilltop 11-1-1974
    Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 11-1-1974 The iH lltop 11-1-1974 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 11-1-1974" (1974). The Hilltop: 1970-80. 121. http://dh.howard.edu/hilltop_197080/121 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. • ' Muha1nmad Ali.•• The People's Choice •• .Does ·n;. Thing , I • ··our n1edia is lhc means ol • liberation. an l nstru1nent of cOmpus' Calendar .............•. Pogo 2 i;larificati1>n . informat111n . Editorials. ......••........•.•....••. •• P.ge 4 cducati11n :ind r11 ohilizailf1n ·· f;H $pifit. ................... ....l Page 5 .s;rt1 ............. :.. ............... T91 8,7 • ' . • ' • ' ' • The People's Paper - ' • Vol. 57 No.10 HOWARD U•IVEllllTY/ WAllll•&TO•, OC ,, . I Nov.i, 1974 • • ' Black Student Organizations Forn1ed At NBL Con'7ention • By William Scott workshops of the five-day was th e name adopted by a student comn1uni ca1ors. opportunities the forn1a1ion of the representi tives to act as H iiit o p Stall Wr iter convention were held 1n communica tio n steering A tentative constitution 3 . A con11nftnications o r ganiza tion was a regional !directors of their T h e 7 4 t h a n n u.a I . identifying opportunities committee, whose cl1it.!I was draw11 llP by the library o t' film and recorded n1 :1ni1·es1 at io n o r region.
    [Show full text]
  • 1 a Cultural Study of Two-Tone in the Socio
    A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s by Susan Conduit A thesis submitted in partial fulfilment for the requirements for the degree of MA (by Research) at the University of Central Lancashire August 2017 1 STUDENT DECLARATION FORM Concurrent registration for two or more academic awards Either *I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution or *I declare that while registered for the research degree, I was with the University’s specific permission, a *registered candidate/*enrolled student for the following award: ______________________________________________________________ Material submitted for another award Either *I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work or *I declare that the following material contained in the thesis formed part of a submission for the award of _______________________________________________________________ (state award and awarding body and list the material below): * delete as appropriate Collaboration Where a candidate’s research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate’s individual contribution and the extent of the collaboration. Please state below: Signature of Candidate _____________________________________________________ Type of Award ______________________________________________________ School _______________________________________________________ 2 ABSTRACT A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s My thesis concerns Two-tone music which emerged in the late 1970s and achieved the peak of its popularity around 1980.
    [Show full text]
  • PIJF 2019 Headliner Presser
    FOR IMMEDIATE RELEASE CONTACT: CYDNEY NUNN, MARKETING AND PR MANAGER [email protected] AUGUST WILSON AFRICAN AMERICAN CULTURAL CENTER ANNOUNCES PATTI LABELLE TO HEADLINE THE 9TH ANNUAL PITTSBURGH INTERNATIONAL JAZZ FESTIVAL PRESENTED BY CITIZENS BANK JUNE 20-23, 2019 Pittsburgh, PA: The weekend of June 20-23, 2019 is the 9th annual Pittsburgh International Jazz Festival presented by Citizens Bank. As a signature program of the August Wilson African American Cultural Center (AWAACC) the Pittsburgh International Jazz Festival (PIJF) is curated and directed by Janis Burley Wilson, the President & CEO of the AWAACC, who created and directed the jazz fest since its founding in 2011. The festival is a combination of free outdoor concerts and ticketed shows inside the August Wilson African American Cultural Center. This year, PIJF will be headlined by the incomparable Patti Labelle. “The legendary Patti LaBelle in the intimate setting of our theater will be a one of a kind experience.”- Janis Burley Wilson Burley Wilson says, “The Pittsburgh International Jazz Festival explores Funk in many forms this year; from Butcher Brown to WAR, and Black Women Rock Coalition’s tribute to Betty Davis to Stanley Clarke Band. The program will appeal to a broad base of music fans, while we stay true to our jazz roots, and funk things up a bit. We aim to please our devoted jazz fest attendees and attract even more jazz lovers from around the world. The team at the African American Cultural Center is committed to the continued growth and success of this dynamic festival that is a celebration of joy and unity through jazz.” The festival is located on Liberty Avenue and takes advantage of the wider street and closer proximity to the performing arts center.
    [Show full text]