ARTIUM MUSEOA LLARÍA ROSALIND NASHASIBI XABIERSALABERRIA NASHASIBI LLARÍA ROSALIND PLACERDANIEL JOSÉFÉLIXGONZALEZ PATRICIAESQUIVIAS DAVEY MOYRA CRESPO BOCKMARIANACASTILLO DEBALLBARKATE ERICBAUDELAIRE JUNE KATINKA NADIA LAMEIRO BALLESTER MORENOJUNCALBALLESTÍNMADDIBARBER+MARINA theBasque Schools Country (1963-73)(1963-1973)ANTONIO and in Art Practices • • • MUSEUM2021 TIUM AR- PROGRAMME EXHIBITION LOREA ARMESTO TXAROARRAZOLA ALFAROGERARDO 2021 EXHIBITIONS MUSEUM ARTIUM PRACTICES IN THE BASQUE COUNTRY IN THEPERIOD1977-2002. THE BASQUECOUNTRYIN IN PRACTICES line-up of international guest artists visitingtheMuseum. ofinternational guestartists line-up beginning inMay with a Z– filmmakers–Gallery inanew exhibition space with thelaunchofanexhibition and project offilmsproduced by artists Film and majorstrands moving inits2021programme images alsobe will within thiscontext withCICCTabakalera. incollaboration of theJAI Practices) study (Institute programme ofArtistic willtake place on learningandart’s capacity anelementofchange. tobe edition Thesecond since the1960s andvarious thathave historicalexperiences hadabearing crossovers andexchanges Country intheBasque andpedagogy between art andeducationalpractices withtwoartistic group exhibitions onthe willthisyear Museum onstudyingArtium the links alsofocus between andresearch. anditspubliclegacyconservation Collection exhibition programme andPermanentof womeninitstemporary artists work. Two the inclusion ofitscore principlesin2021will continuetobe programme ofsoloandgroup exhibitions thatdevelop itsmainstrands of presents a Country oftheBasque Art The MuseumofContemporary ZERUBATHAMAIKABIDE A PlacetoThink: BIGARREN BIDEA BIGARREN Experimental Experimental . ARTISTIC . ARTISTIC 1 ARTIUM MUSEOA SALABERRIA Marítima Vasca whiletheexhibition dedicatedto Albaolainitsproduction, KATINKA BOCK A2willhostthemonographicexhibitiondedicatedtoartist In March, Gallery the Museum’s galleries. ondisplayin followedformanyofthepieces a complexrestoration hasbeen process whopassedaway in2015,works alongsideotherhistoricalbytheartist, and VAD, theNGOthatinheritedartist’s legacy. The exhibitionpresents unseen A3,Gallery curatedbyFernando withANES Illana,andisaproject incollaboration space intheMuseum’s exhibition area, willhost screenings byfilmmakers andartists practices andfilmiclanguages: launched inthespringof2021thatlinksartistic A newexhibitionserieswill alsobe series ofmonographicexhibitions in2021. andwillconclude the respectively curated byXabierArakistain andCatalina Lozano inMexico,tario ArteContemporáneo) visitedinautumn.Theexhibitionsare canbe and MUACthe MuseumfürGegenwartskunst SiegeninGermany Universi (Museo MARIANA CASTILLODEBALL City, (Mexico 1975),with the latter incollaboration The exhibitionsdedicatedto sculpture and architecture. duction thatconsiderstheconstructionofexhibition devicesandthelinksbetween BALLESTÍN 1953-2015). (Vitoria-Gasteiz, exhibition programme withanexhibitiondedicatedtotheartist inJanuary (Pamplona, 1982), whichare its2021 settorununtilApril, ArtiumMuseumbegins Alongside exhibitionson Z A1,A2,A3&Gallery Galleries Temporary Exhibitions (San Sebastián, 1969) will open in Gallery A1inMay, (SanSebastián,1969) inGallery willopen withapro (Frankfurt amMain,1976), withtheparticipation ofFactoría MOYRA DAVEY (Toronto, 1958) andJUNECRESPO TXARO ARRAZOLA , cinema in Basque), anew Z(forzinema,cinemainBasque), Gallery Life asExercise (Vitoria- Gasteiz,1963) and opened on29 opened in January JUNCAL XABIER - - - 2 ARTIUM MUSEOA LAIRE artistic legacy. andresearch and contemporary institutions dedicatedtotheconservation ofmodern MuseumFoundation withtheJorge Oteiza collaboration both inAlzulza,connecting RoblesTardíoOnandia, Rocío heldin and SergioRubira.Thisgroup showwillbe sincethe1960s, Country curatedbyMikeled todisseminatingartintheBasque IMENTAL EDUCATIONAL PRACTICES dedicat thathave been andSCHOOLS by a newexhibitionproject followedinNovember onEXPER The exhibitionwillbe programme, amongotherinstitutionsandagents. working togetherforthelasttwo yearsum hasbeen aspart oftheMagnet-Erakarri Ikastola,withwhomtheMuse SormenGuneaandBarrutia with DinamoaAzpeitiko direct withArtium’s connection innercourtyard, stagedincollaboration andwillbe A3, heldinGallery Calvo Ulloa.Theexhibitionwillbe aspacecharacterisedbyits by theartist tion in July. linked Theprogramme duringthesummermonthswithexhibi- willbe unveiled willbe environmentfacility inwhichitislocated, withtheurbanandsocial Museum’s innercourtyard linkingitsfunctionasacultural inorder toactivate it, The PLAZARATU programme, aninitiativethataimsto rethink theusesof MONDRAGON. and MARINA LAMEIRO(Pamplona, 1986) with andproduced incollaboration thefilmmakers between MADDIBARBERcollaboration presenteddon, 1973). aspartofthisseriesarisingfrom Anewworkwillalsobe the renowned figures suchasPATRICIA ESQUIVIAS withtheMuseum’slaboration directors, andwillfeature theworkofinternationally curatedbyGarbiñeOrtega,incol working withmovingimages. Thisserieswillbe Self- (SaltLake City, 1973) USA, andROSALIND NASHASIBI Construction ANTONIO BALLESTER MORENO (,1977) andcuratorÁngel .

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(Lakabe, Navarre, (Lakabe, 1988) Work andPlay (Croydon, Lon ERIC BAUDE- , aproject - - - - - 3 ARTIUM MUSEOA beginning: tic noting withinthisframeworkisthecourse acquired womenartiststhathave bytheMuseum.Worth recently been by Basque key The showsuggestsanewexhibitionrouteBidea focuses. works incorporating research ofpubliclegacyare two ofthe Museum’s majorstrandsonwhichBigarren The inclusionofwomenartistsinitsPermanent and Collection andtheconservation ofthetimelineitexplores.practices informedbyfeminisminthedecades womenartists tothedebatesandartistic will analysethecontributionsofBasque anewitinerary,will propose BIGARREN BIDEA, inthePeriod1977-2002Artistic Country Practices intheBasque hamaika bide The first rotations ofworksandcasestudieslinked totheexhibitionofZerubat, Annexes A0and A01&A02 Gallery Museum Collection Artium ry. in2022,coincidingwith theMuseum’sbrate their40thanniversary 20thanniversa - sincethecreation oftheseawards, Country context oftheBasque whichwillcele forapproachingartists andpieces the constructionofvisualartdiscourseswithinthe The rotation ofworksfrom willpresent ofkey the proposed collection aselection Country. ArtoftheBasque as long-term loansintheMuseumofContemporary tions andthe Collection, comprising thepresentation ofworksfrom- ofaselection publiccollec dedicatedtothe willtake overthegallery Bat reviewIn autumn,thesecond ofZeru Tabakalera andrunningthroughout theMuseum’s annualprogramme.

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4 ARTIUM MUSEOA is inauguratedwiththesuccessivepresence of inrecent years. important practicesofartistswhohave Thisproposal become rary andprojectinghistorical legacywhileatthesametimeproducing thecontempo its under construction,theMuseumisconcernedwithconserving As acollection by theArtiumCollection. acquiredseries ofmonographicexhibitionsartistswhoseworkshave recently been tion programme entitled Finally, andfollowingonfrom theworkcarriedoutonCollection, anewexhibi loans oftheartist 1949) inthe1980s and,subsequently, byanexhibitiondedicatedtothelong-term ARMESTO ofGERARDO dedicated totheaudiovisualproduction (Vitoria-Gasteiz, Festival, programme, followedbyaproject includedintheKomisarioBerriak willbe In theAnnexA01 space, thecurrent exhibitiononthe NADIA BARKATE (, 1980)1982). and LOREA ALFARO(Estella, FÉLIX GONZÁLEZ PLACERFÉLIX GONZÁLEZ 1951-1991). (Vitoria-Gasteiz Contexts from aCollection DANIEL LLARÍA will be launchedinFebruary, willbe a Vitoria-Gasteiz MusicVideoVitoria-Gasteiz (Logroño, 1985), - - 5 ARTIUM MUSEOA Gallery A0 Gallery Gallery A02 Gallery 27 26 25 A01 Gallery 23 22 MUSEUM COLLECTION ARTIUM 19 18 17 16 Z Gallery 14 13 12 11 10 9 8 A1,A2,A3 Galleries EXHIBITIONS 31 30 29 Komisario berriak 2021 GonzálezPlacer José Félix Gerardo Armesto Legacy aPublic Constructing Zeru bat hamaika bide:Bigarren bidea Eric Baudelaire Nashashibi Rosalind Barber/Marina LameiroMaddi Esquivias Patricia theBasqueSchools Country (1963-73) in and ArtPractices Experimental A PlacetoThink: Txaro Arrazola Deball Castillo Mariana Work Moreno Play.AntonioBallester and LooseSelf-Construction. Parts. Experience. Xabier Salaberria BockKatinka Ballestín Juncal Lorea Alfaro BarkateNadia Daniel Llaría

6 ARTIUM MUSEOA and internationalcontext. institutionsto strengthen in2021 networks projects withother inthelocal The Museumwillwork withothercultural incollaboration spacesand ongoing dialoguewithinternationalcurrents. inan Country takingplaceintheBasque and theoretical debates onart The Museumwilltherefore embrace thediversity practices ofartistic contextand combinesitslocal withthatoftheinternational. isdynamic perspective whilethesecond art, of contemporary collection thefirstconcernslegacy,perspective: viewing it as the venue ofalarge Museum’sArtium exhibition designedfrom programme adual hasbeen A1,A2,A3 Galleries EXHIBITIONS Deball Castillo Mariana Ballestín Juncal Txaro Arrazola Katinka BockKatinka Antonio Ballester MorenoAntonio Ballester Xabier Salaberria 7 ARTIUM MUSEOA held atSalaAmárica(1993), Bilbao (1979) and SalaAraba(1980), in addition toothersofnote thatshesubsequently exhibitions (1978), were heldatGaleríaEderArtein Vitoria-Gasteiz GaleríaRekaldein painting, drawing,and techniques: installation, video, graphicwork, etc.Herfirstsolo ofworkcharacterisedbytheuseavariety ofmaterials, abody media developed Ballestín Trained ArtesdeBilbao, deBellas atwhatwas then known astheEscuelaSuperior Juncal a seriesand yet are key works forapproaching theartist’s trajectory. among otherinstitutions Artium Museum, Vitoria-Gasteiz City Council,Artium Museum,Vitoria-Gasteiz and MontehermosoCulturalCentre of foundin thecollections (2008).Herworkcanbe V relatingsecond three O seriesofobjects: Museum inorder tocreate two largegroupings, one withseveralseriesofpaintings and a forthisexhibition atArtium been respected The classification noted bytheartisthas works arrangedin series, withthegroup acentral place. topainting occupying dedicated 1953-2015) (Vitoria-Gasteiz, The workofJuncal Ballestín isstructured around groups of From 29 to16 January May2021 A3 Gallery Life as Exercise Ballestín Juncal 1986 AMeret.JuncalBallestín, Curator: Fernando Illana ofANESVAD. produced thankstothecollaboration This project hasbeen iolence without Limit . . Thesetwo are byworksthatdonot constitute blocks connected Galería CM2(1996), Trayecto Galería(1998, 2005and 2008) bjects Fundación

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and and 8 ARTIUM MUSEOA In 2018, shepresented herexhibition trilogyproject Toronto, Canada, and Common Guild,Glasgow, Scotland. ArtGallery,Kunstmuseum Lucerne, Switzerland;Henry Seattle, USA;Mercer Union, Kunstmuseum Stuttgart Kunstverein, andNuremberg MAMCO, Germany; and Geneva Portugal; Lisbon, amongothers, Culturgest, She hasstagedsoloexhibitionsat, Stetten Kunstpreis andPrixRicard inFrance. inGermany Lyon. Shewas artist inresidence attheVilla MediciinRomeandreceived theDorothea von Artsin Nationale desBeaux andÉcole inBerlin studiedattheKunsthochschule Katinka Bock and architecture. artisans, aswellfromby theartisttolocal theworkcarriedoutwithMuseum’s space Among theworksinexhibitionare thatarisefrom various pieces theexchanges proposed explore recent worksthatare theresult ofanalysingdifferent contextsandtheir history. Log Book or addingnewelementsthataltertheperception ofthosewhoapproach theseworks. doors, windowsandtunnels theplace:opening andaffect thatmodify through interventions ofherexhibitionsthereby are definesthespaceinwhichherpieces Each incorporated meet. isoftentheresultproduction inwhichtherationalandunexpected ofaworkingprocess thefieldsofsculpture,between architecture andlanguage. Intheartist’s own words, her (FrankfurtThe workofKatinkaBock amMain,1976) flowswithinaconstantexchange From 27 2021 March to12September A2 Gallery Log Book BockKatinka Fotografía:Gisant. 2019 KatinkaBock. Pierre Antoine. Germany. Sao Paulo, Brazil; Lafayette Anticipation,Paris, France, andKestnergesellschaftHannover, d’Art ContemporainVilleurbanne, France. soloexhibitionshave taken Recent placeatPivo, Kunstmuseum Winterthur, Switzerland;MudamLuxemburg, and Institut Luxembourg, Curator: Beatriz Herráez Curator: Beatriz withALBAOLAIn collaboration ItsasKuturFaktoria , the first exhibition dedicated to the artist in , gives us the opportunity to , thefirstexhibitiondedicatedtoartistinSpain,givesusopportunity (Cuaderno debitácora) T omorrow ’ s

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at 9 ARTIUM MUSEOA and with Bilbao His soloexhibitions include architecture andthe representation andterritory. oflandscape ofmuseography,crossroads aspects technical between of thefunctionsandhistory(ies) todelveintothesuggested rooms devices, outliningasystemofroutes inthegallery basedonthestudyofvarious exhibition Museum. Aspacethatinterprets andintervenes suchastheoneproducedmedia inproposals inthecontextofhisexhibitionatArtium techniques, materialsandobjects. Photography, drawing andinstallationare hischosen sculpture, designandarchitecture. of Hispracticeisbasedonanalysingthehistory (SanSebastián,1969)The workofXabierSalaberria thefieldsof alternatesbetween From 21 Mayto17 2021 October A1 Gallery An withoutArchitecture Exhibition Xabier Salaberria latitude35º54’Persil (island, 48,11” N, longitude5º25’03,34”), 2015 Curators: Enrique Martínez Goikoetxea and Beatriz Herráez andBeatriz Curators: Enrique MartínezGoikoetxea la He hasalsoparticipatedin group exhibitions, suchas FR Restos the installation

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10 ARTIUM MUSEOA Madrid, Colección Iberdrola andFundación deAlvear Helga Nacional ofthe Museo in the Centro collections deArteReinaSofía, MUSAC CA2M in inLeón, well asingalleriesNew York, Angeles, and Los amongothers. found Berlin Hisworkcanbe Paulo Biennial, asartistandcurator, MSUBroad MuseuminMichigan and CA2M inMadrid, as Angeles. and ingroup Los Hehasalsoparticipated exhibitions,Berlin suchasatthe 33rd Sao in Madrid; Pedro Cera Christopher GrimesinSanta andPeres Monica, inLisbon; Projects in Encendida inMadrid; MAZinGuadalajara,Mexico;MUSAC GaleríaMaisterra-Valbuena in León; Moreno PatioBallester hasstagedsoloexhibitions atMuseo Herreriano inValladolid; LaCasa ways ofdoing. with spontaneous workinwhichtion asanapparatus, hisownpractice entersintodialogue aplaceforcollaborative the from author suggests, the inadditiontoaspaceliberated commonrulesgoverningthe exhibi which towork.Involvedinprojects linked to developingcreativity asthe maindriver oflearning, 1960s and 1970s, andplaytoformatheoretical-practical magmafrom basedonself-construction 1977) almostallofwhich arose returnsforthisproject, inthe experiences toaseriesofhistorical thinking usesofitsINNERCOURTYARD and fieldofPlazaratu intothe experimental Integrated (aninitiativesetupbythe Museumforre streets wewalk through daily. from aspaceother thanthe one housing it:asquare,stood playground apark, aschool orthe Self- From 25 Juneto1November 2021 A3 Gallery MorenoAntonio Ballester WorkExperience. andPlay Parts. Loose Self-Construction. In collaboration with Barrutia Ikastola and Dinamoa Azpeitiko Sormen Gunea Ikastola andDinamoaAzpeitiko withBarrutia In collaboration Moreno andÁngelCalvoCurators: AntonioBallester Ulloa that was firstly designed not to be an ordinary exhibition and secondly so that it can be under sothatitcan exhibitionandsecondly be an ordinary that was firstlydesignednot to Construction .

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is anexhibition project - - - 11 ARTIUM MUSEOA Venice (2011). Biennale (2014);at the8thBerlin 13, Documenta Kassel(2013), and54thVenice Biennale, El Eco, MexicoCity, Mexico(2011). Shehasalsotaken partinmajorgroup shows, suchas Glasgow,CCA, UK(2013); ChisenhaleGallery, UK(2013), Experimental London, andMuseo (2014); Germany deOaxaca,Mexico(2015);Contemporáneo Berlin, HamburgerBahnhof, (2017);Germany SanFrancisco ArtInstitute, SanFrancisco, USA(2016); deArte Museo (2018); USA(2018); Savannah, SCAD GalerieWedding, Georgia, MuseumofArt, Berlin, Centre fortheArts, University ofChicago, USA(2018); Amparo, Museo Puebla,Mexico Mariana Castillo Deball’s exhibitedinplacessuchastheReva andDavid Logan workhasbeen ofwork. vast body appropriated andinvestigatedatvarious timesform a hasbeen Mexicanhistory pre-colonial interstices ofscience, narrative, fictionandthevisualarts. onthe Herpieces ways inwhich Deball worksinthe Castillo art, museums andinstitutionsoutsidethefieldofcontemporary toexploretechnology howandfrom where theworld.Oftenworkingalongside theydescribe approach intovarious tolanguage, fieldssuchasarchaeology, looking science, literature and Mariana Castillo (MexicoCity, Deball 1975) workthatisbasedonakaleidoscopic produces From 2021to13March 2022 1 October A2 Gallery Amarantus Deball Castillo Mariana “No acabaránmisflores” 2013 /fiveembroidered performance. Chinelocostumes/ Mariana Deball Castillo Curator: Catalina Lozano Contemporáneo, México) withtheMuseumfürGegenwartskunst SiegenandMUACIn collaboration Universitario (Museo Arte 12 ARTIUM MUSEOA 2008), amongotherspacesandinstitutions. 2008,Cultural Montehermoso(Vitoria-Gasteiz, Stadt (Munich 2005),andKunstarkadenDer 2019, 2014, 2014, 2011, 2007);Fundación Pedro (Tenerife Campos Modesto 2007);Centro exhibitedatGaleríaVanguardia inpublicspaces.A collective Herworkhasbeen (Bilbao, projects andgroup projects,transdisciplinary withthePlataforma includingactionsproduced Shecombinesherindividual artisticpracticeofpaintingwith methodologies. feministcritiqueofrepresentation engagement, andresearchsocial intocollaborative College (1996-1998) andhasaPhD inFineArts(2012). Herworkischaracterised by Scholarship (1996-1997) andMFA from theStateUniversity ofNew York, Purchase Arrazola graduatedinFineArtsfrom UPV/EHU in1988. Shewas awarded aFulbright the exploitationofwomenandtheirbodies. on anddestruction, aswellothervarious bypoverty formatworksfocusing and populated paintings,exploitation represented whichshedubs“social inlarge-format both landscapes” andnaturalresources. ontheexploitationofhumanbeings invariably focuses Working-class that the late1980s, aperspective usingvarious approaches toembody andtechniques ofworksince Txaro creating 1963) asolidbody hasbeen Arrazola(Vitoria-Gasteiz, From 2021to13March 5 November 2022 A1 Gallery Exploitation A Magnificent Txaro Arrazola Curator: Xabier Arakistain Gdaim Izik. Gdaim Txaro Arrazola,2011 13 ARTIUM MUSEOA years through someof theseprojects thelinksbetween andothereducational experiences. Theexhibitionisalsosituatedwithin thecontextofthose in artistictrainingandproduction. whichadvanced taken strategiesandstructures inDeba, upagain thatwouldlaterbe School Free Expression Workshop inSanSebastián.Hewas alsoacrucialpartoftheExperimental inFrance,children thatwere developed being applyinginthe whichtheyhadalready been Ferrer. were familiarwiththedidacticinnovations Both intheteachingofplasticartsfor the PilotChildren’s University inElorrio, directed byJuanAntonioSistiagaalongsideEsther Heplayed afundamentalrole artschool. programme indeveloping toestablishaBasque andinitiatorofseveraltheseprojects aspartofhis in theexhibitionasideologist beoneofthemainfigures official institutionsandontheinitiativeofartists. Oteizawill Jorge andexplores variousCountry arteducationprojects there thatwere developed outside linkedThis project todisseminatingartintheBasque dealswiththe teachingmethods From 2021to20February 12 November 2022 A3 Gallery theBasque Country (1963-73) in Schools and ArtPractices Experimental A PlacetoThink: Notes anddance.Jorge anddrawings onpelota (Archivo Oteiza. Fundación Jorge Museo Oteiza) In collaboration with Fundación Museo Oteiza, Alzuza withFundación Oteiza, Museo In collaboration RoblesTardíoCurators: Mikel Onandia,Rocío andSergioRubira 14 ARTIUM MUSEOA we cancontinuetothink,designandworktogether. how andabout thatdelveintotheideaofcollective is characterisedbyaudiovisualpieces language andquestionthegenres thathistoricallycategorisethisdiscipline. The2021season offilm thatallowthemtoexplore thepossibilities from various perspectives in storytelling authorsinterested audiencestoacommunity Zaimstointroduce ofcontemporary Gallery visitingtheMuseum. guest artists ofinternational inMay withaline-up Z–beginning a new space–Gallery with anexhibition andfilmmakers project offilmsproduced by artists in Film andmoving majorstrands ofits2021programme imageswillalsobe Z GALLERY 15 ARTIUM MUSEOA Angeles), Museo ReinaSofía(Madrid)andWhiteColumnsAngeles), Museo (New York). (Móstoles), Marco (Vigo), KunsthalleWinterthur (Switzerland),HammerMuseum(Los of theArts(2005-2007). ShehasheldsoloexhibitionsatStacion(Pristina,Kosovo),CA2M (1998-2001)Saint MartinsinLondon andfurthered herartisticstudiesatCalifornia College Patricia inCaracas Esquivias was born in1979 andlivesinMadrid. ShetrainedatCentral narrative ofthevideo. the shares thetestimonyofmanytimesanditspartial,fragmentedknowledge shapes to triggerconversationsrethink hegemonicnarratives. Thecactus, thefirst interlocutor, andherquestionsseek oftheking,butisinsteadawomanandartist, an empire attheservice concealment ofknowledge. Thepreguntador from thatofthecolonialexplorationssocloselylinked totheappropriation, manipulation or who travelled through unknownterritoriesongreat inanapproach expeditions, farremoved role ofthe atriptoMexicoandanotherSevillainwhichEsquiviastakes onthe documents The video ruins oftheformerpavilion. in 1992. Thecactuswas nexttothe laterdonatedtotheSevillaCity Council andnowsurvives California tothegardensBaja oftheMexicanPavilion fortheUniversal ofSevilla Exposition giant cactus, aPachycereuspringlei Cardón Cardinal From 14 Mayto27 June2021 Z Gallery Cardón Cardinal Esquivias Patricia preguntador arose from 26 investigatinganeventthatoccurred years ago:movinga (questioner), the name given by the indigenous people toscientists (questioner), thenamegivenbyindigenouspeople , 17 metres highandweighing18tons, from thedesertsof (2020) in thiscaseisneitherascientistnoranagentof 16 ARTIUM MUSEOA made severalshortfilms, including tiful the producer, director and screenwriter ofseveraldocumentaries, including at UnionDocs in New York City, where shewas Studio(CoLab). partoftheCollaborative Sheis Postgraduate in Audiovisual anartist-in-residence Editing atthesameuniversity andhasbeen from URJC. She completedherMaster’s atIDEC-UPF, degree in Creative Documentary a Marina Lameiro in Iruña in 1986 was born and graduatedin Audiovisual Communication her shortfilmGorria She wontheX-FILMS project ofthe PuntodeVista Festival in2019 andwithitshe completed oftheArceUrpean Lurra theterritory ) onhowtheItoizdamhasaffected Valley in Navarre. 2019, shemadeadiptych consistingofashortandmedium-lengthfilm( (Unicornio). andIratiGorostidi Ortín(Reserve) 2018(Medvedek), Gerard Between and company Pirenaika toproduce herownworksaswellshortfilmsbyAinhoaGutiérrez Ji.hlava, Porto Post andLasPalmas, Doc amongothers. In2019, shesetuptheproduction tivals suchasVisions SanSebastián(Zabaltegi),Curtocircuito, duRéel, Zinebi,Alcances, Visual from Anthropology theUniversity ofManchester. screened atfes Herworkhasbeen Maddi Barber as aframeworkforthisprogramme. serves workandexchangetheir newproduction byappropriating that thenotionof collaborative miered attheMuseumnextJuly. creators aprocessofworkingtogetheron have Both begun andLameiro areBarber The filmmakers currentlybe pre workingonanewproduction to From 2021 2 Julyto12September Z Gallery Untitled Barber/Marina LameiroMaddi Project produced in collaboration withMONDRAGONProject incollaboration produced 20 countries. Shewillrelease feature hersecond film, 2018, among others, was nominatedfortheFeroz Awards screened in more and hasbeen than spondence shehasmaintained withMexicanfilmmakerspondence Tania Hernández Velasco since2014 fight fortheirhomesand againstgentrification, and time atUnionDocs withalawyers’ in New thathelpslow-income York association people City

(2018), Audience afeature Award thatwon theSpecial atthePunto deVista Festival in (Navarra, 1988) hasadegree inAudiovisual Communication andanMAin (2021) . Sheiscurrently workingondeveloping herfirstfeature film. 300

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& B eau - and - - . - 17 ARTIUM MUSEOA The British-Palestinian artist From 17 to14 September 2021 November Z Gallery Nashashibi Rosalind Turner Prizein2017. various awards, including theBeck’s Futures artprizein2003, andwas nominatedforthe Biennale, Manifesta7, 14 Sharjah10 andDocumenta isalsoworthnoting.Shehaswon Rotterdam, amongothers, andherpresence ininternationaleventssuchasthe52nd Venice Vienna; TheArtInstituteofChicago, andWitte deWith Art, Centre forContemporary Her recent exhibitionsincludethoseheldinmuseumsandinstitutionssuchasSecession, fromoccasion ofherparticipationinthisseriesattheMuseum. herfilmographyonthe Theartistispresenting ofpieces aselection suspended. tobe seems time thatoccasionally printmaking. Through hermeditative, slow-paced films, shesuggestsaflexible treatment of withherworkinpaintingand for herfilmwork,whichsheproduces simultaneously Rosalind Nashashibi (Croydon, 1973) London, isrenowned 18 ARTIUM MUSEOA May and A isanartistandfilmmaker.Eric Baudelaire His featurerecent filmsinclude oftheirownlives. of thefilmandsubjects co-authors becoming byfilmingforothersand ontheirownbehalf speaking ofeachperson discover thepossibility anddiscourseofthestudents, andinwhichwe thebodies perhaps, inwhichtimeworksupon of theirgroup. orfiction?Adramaticfilm, Whatare wedoingtogetherifnotadocumentary butalsototheessence form thatwoulddojusticenotonlytotheuniquenessofeachstudent, representations ofpower, violenceandidentity– social ledthemtosearch foracinematic who worked withthemforfouryears. question–which involves Answeringthispolitical (SaltLake aswellforEricBaudelaire City, MaarHighSchool, at Dora 1973), USA, What are wedoing together?Itisarecurring questionfor thestudentsinfilmclass From 19 2022 2021to9January November Z Gallery Un Dramatique Film Eric Baudelaire Curator: Garbiñe Ortega Marseille andRotterdam Locarno, widelyscreened atfilmfestivals suchas all ofwhichhave been Toronto, New York, s

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19 ARTIUM MUSEOA of Artium Museum’sof Artium programme in2021. andresearch twoconservation ofpubliclegacywill alsobe core principles The inclusionofwomen initsPermanent artists and Collection andhelps to makeconstruction processes itmore visible. andnew acquisitionsfromcollections thatreflect theCollection its The Museumpresents aprogramme ofexhibitions androtation of decades. inrecent practices Country developed inthecontextartistic oftheBasque manifestationsandisessentialforapproaching the artistic contemporary traces ajourney throughconstruction collection theplurality of City Parliament). CouncilVitoria-Gasteiz andBasque Thisunder- of publiclyowned works (Alava Provincial Government, Council, Basque legacy isanexceptional MuseumCollection The Artium contemporary A0,A01,A02 GALLERIES COLLECTION MUSEUM ARTIUM 20 ARTIUM MUSEOA New additionstotheexhibition Rotations A0 Gallery Zeru bat, hamaika bat, bide Zeru 21 ARTIUM MUSEOA Linda Nochlin’s article large partofthe movement’s inthe iconography formofposters, leaflets, stickers, etc. challenging artinstitutions themselves. responsible for creating These a artistswouldalsobe femalerepresentations women,producing and/orthat objectify from their ownperspective pathinartbyquestioningwho representssecond whom andhow, denouncing femalestereotypes tofollowthis partinthese shows andbegan took Juana Cima,ItziarElejaldeand JuncalBallestín egindako hamaika 1989 and exhibitions of in Bilbaoin 1981,art institutions, Gaur 1983 organised exhibitions suchasEmakumeok and on theexclusion in 1977 focusing ofwomen artists from Lejona and thefeminist movement, and exploitation ofwomen.Basque Thus,Country thefirst Women’s Conference was heldin tocombatthediscrimination, oppression Country itswork in theBasque began were alsoapart, Alongside anti-Franco movements, ofwhichwomenartists an incipient feminist movement, and feminismthat for thefirsttime, generatinganartisticandtheoretical practiceatthecrossroadsbetween art Women undertheauspicesofUnited Nations. Thissamewave alsoreached thefieldofart International Women’s Year andtheholdinginMexico ofthefirst World Conference on since the1960s sidesoftheAtlantic, onboth reached of amilestonewiththedeclaration the year ofFranco’s deathinSpain, the third great growing wave offeminism,whichhadbeen Feminism aninternationalismeversinceitsenlightenmentorigins. In1975, been hasalways From 5 March 2021 Bigarren bidea Zeru bat, hamaika bide of artistic pieces and documentation of the period thatfollows of the period anddocumentation of artisticpieces ak

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22 ARTIUM MUSEOA Constructing From 2021 24 September Legacy aPublic Constructing Untitled, Gure ArteaAwards, 1985. JuanLuisMoraza collections promotedcollections bytheMuseum.Theexhibition ofpubliclyowned by bringing totheforefront function ofconservation theimportant in order toconsolidatetheMuseum’s legacy Government’sof joint workwiththeBasque ofLinguistic Policy Department and Culture The Gure ArteaAwards brought totheMuseum’s hasbeen collection galleriesasaresult dedicatedtoitsPermanentrooms Collection. thatare from2021, alongside otherpieces already thecompetition on displayin the prominentlyCollection willbe featured in theexhibition’s historicalitineraries in late thatare ofthiscompetition long-termworks inthecollections loans in theMuseum With since itsopening. thisin mind, celebrating its20thanniversary Museum willbe acentral place, in2022,willoccupy atthesametimeas Artium their 40thanniversary ofworksfrom aselection theGure ArteaAwards,In thisrespect, whichwillcelebrate from the1980sCountry until2002. routes revolving around in theBasque theartisticdiscoursesand practicesdeveloped therefore new works andauthorsafterthesummer, incorporate extending theproposed

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will will 23 ARTIUM MUSEOA Case studies linked hamaika bat, bide toZeru A01 Gallery 24 ARTIUM MUSEOA exhibition on emerging video creationexhibition on emerging video in Spain organised atMNCARS in 1987 the exercise ofteachingledtoworks suchas early workin painting, theanalysis oftheperception ofform,colourand lightappliedto the 1980s, and drawings, and sculpturalobjects. alongside sketchbooks Afterhis models C projectthe collection 1949) Armesto(Vitoria-Gasteiz, This exhibitionbyGerardo isanewcasestudyof From 31 March to20June2021 A01 Gallery Gerardo Armesto Armesto. material.Gerardo HamaikaBide. ZeruBat Documentary analogically and through digitalexperimentation. award attheNational Video Festival both developed inMadrid,and lateranimation pieces moving imageworks intheexhibition,was includedin ountry ,

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25 ARTIUM MUSEOA documents from theartist’sdocuments archive. others. Thiscasestudywilldisplayworksfrom of theCollection alongsideawideselection pop artofKitajandHockney,lines and,inmanycases, influencedbytheBritish among attention. inexecution,particular paid figurative withextremelywork was His openly elegant towhichthey related aspects theirvarious tohumanbeings, identitiesandthesocial always animation, ofwhichhewas oneoftheforerunners Country. intheBasque Hisinterests were His artisticinterests were extremely encompassingpainting,illustrationandfilm vast, ofFineArtsandworkedSchool extensivelyduringthelate1970s andthroughout the1980s. José Félix González Placer (Vitoria, 1951-1991) was trainedattheBilbao anartistwho From 2021 2 Julyto3October A01 Gallery José GonzálezPlacer Hand 1, Hand2,Foot 1, Placer Foot 2.González Family Long-Term Loan 26 ARTIUM MUSEOA been relevant Country.been todevelopingthecontextofartisticpracticesinBasque casestudies, artists’specific careers, texts, exhibitions, spacesandotherinitiativesthathave ofcurating: ofaddressing thehistorical andnarrativeaspect that considertheimportance callatArtium The aimofthecompetition Government’s ofLinguisticPolicy Department and Culture. Culture (SanSebastián)andAzkuna Zentroa (Bilbao),ontheinitiativeofBasque Tabakalera Art(Vitoria-Gasteiz), of Contemporary InternationalCentre ofContemporary Museum Artium,Basque projectKOMISARIO between BERRIAK(KBK)isacollaborative K OMISARIO BERRIAK 2021 OMISARIO istoresearch anddevelopcuratorialpractices 27 ARTIUM MUSEOA the pulseofamomentcharacterisedbyitsvitality andcomplexity. forkeeping afingeron of newacquisitionshelpsachievethisgoalandisalsoanessentialtool legacyandtofosterartiststheirproductions. TheCollection’scontemporary programme undoubtedly oneoftheMuseum’s of functions:toencouragetheproduction mostimportant and recount Thisis thedebatesandpracticescurrently takingplaceinthefieldofart. andarchivesof pieces, intotheMuseum’s documents ofworkshelpstoexplore collection comprisingalmost2,400collection theincorporation Within thiscontext, worksofart. istoraiseawareness public purpose oftheArtiumCollection, anexceptional contemporary marks thestartofaseriesexhibitionsinadditiontootherMuseumprogrammes whose addedtoitsCollection. Theproposal showcasing theworksofartiststhathave recently been heldintheMuseum’sThis newseriesofexhibitionsisbeing spacewiththeaimof A02gallery ACQUISITIONS FROMACOLLECTION: CONTEXTS A02 GALLERY Daniel Llaría Nadia BarkateNadia Lorea Alfaro 28 ARTIUM MUSEOA such as the Skowhegan ofPainting School andSculpture. Hehasparticipated ingroup exhibitions in ArtatParsons Histrainingwas completedinthesummerof2017 forDesign. School at York in2015 thankstoaFulbright Scholarshipandthere completedhisMaster’s degree Llaría graduatedinFineArtsfrom theUniversity Country. oftheBasque HemovedtoNew BilbaoArte). get-rich- has provided. Theartisthere presents himselfasanexampleofthisreality, onthe betting proletariat ofitsown,yet hasnoideology simply–andprecariously– adaptsthatwhichpower forwhichthe directly language. toanintellectualism Theaimistopoint the biasofhip-hop creative progeny (orviceversa).Thetitle, TheGet-Rich assolemnunionistprogenitors andascynicaltheir proto-nostalgia lumpenproletariat Fordist worker (aka“freelance creative”). Sculpture ismadeuseofhere tosuggesta thatseparatestheFordistthe space-time worker from (aka“union thepost- labourer”) packaging,plates, address metal–andthepieces questionsofclassidentity in –cement, jumpsuits, coveralls– andtheirphysicalrelationship toelementsofanindustrialnature seriesofsculptures isanumbered workclothes– basedondeconstructing The Get-Rich From 19 February to23May2021 A02 Gallery Daniel Llaría (20 Montehermoso), 1 9 ,

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29 ARTIUM MUSEOA Espai 01 (Olot, 2012),Espai 01 andCentro (Olot, CulturalMontehermoso(Gasteiz,2010). Alhóndiga (Bilbao, 2018); Carreras Múgica(Bilbao, 2015); 2015); AltesFinanzamt(Berlin, ArtesdeBilbao(2018); Tabakalerade Bellas 2018); (Donostia, etHall(, 2018); Projects 2019); (Barcelona, Bombón Westfälischer Kunstverein (Münster, 2019); Museo (Prague, 2020); She hashadsoloandgroup exhibitionsinvenuessuchasLìtostGallery gestures shewouldmake withherhandswhileshewas concentrating. from aware momentsofself-absorptionto theartist, inherstudiowhichshebecame ofthe large formatwatercolours throughout produced 2018. thatBarkate Theyemerged,according lucidity orhallucination. traditional gestures theedgesandloseformorsharpness, thatgobeyond andtechniques narrative willthatlinkstheeveryday, themanualandword inherpractice. Shedealswith and notionsofidentity, interiority andotherness, amongotherthings. There isacertain between anddesire, technique body to theflow leaves onthe theimprintthatexperience Nadia Barkate’s ofdrawing anditsinertias. workrefers Italsorefers tothespace-time From 2021 4 Juneto6September A02 Gallery BarkateNadia Tuya gigante,tuyaoccidental Tuya gigante, tuya occidental series,Tuya gigante,tuyaoccidental 2019. Nadia Barkate belongs toagroup ofsmalland belongs 30 ARTIUM MUSEOA Estimulantes: cualidades amongothers. Herlatestworksincludehersoloexhibition Pieters andElbaBenítez, ArtesdeBilbao,Bellas andgalleriessuchasCarrerasMugica, Jorge Museo Oteiza Tatjana inmuseumssuchasCA2M, seen GuggenheimBilbao,Her workhasbeen de Museo ability ofactuality. ofallthistocreate acertainexperience image. From thatunfoldsandthe fashiontopure amateurism,aninterest intheimaginary In 2014 ahollowbrandlike aprotected shefoundedLA, environment, inorder togenerate From 17 2022 2021to9January September A02 Gallery Lorea Alfaro 3 SP<3INK, No

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