DOCSLIB.ORG

Senate Bill 49 Third Reader

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SENATE BILL 49 P1 6lr0445 HB 1241/09 – HGO (PRE–FILED) CF HB 215 By: Senator Young Senators Young, Kelley, and Kagan Requested: July 10, 2015 Introduced and read first time: January 13, 2016 Assigned to: Education, Health, and Environmental Affairs Committee Report: Favorable with amendments Senate action: Adopted Read second time: March 16, 2016 CHAPTER ______ 1 AN ACT concerning 2 Maryland State Song – Replacement Revision 3 FOR the purpose of changing revising the State song; and generally relating to the State 4 song. 5 BY repealing and reenacting, with amendments, 6 Article – General Provisions 7 Section 7–318 8 Annotated Code of Maryland 9 (2014 Volume and 2015 Supplement) 10 Preamble 11 WHEREAS, James Ryder Randall, a native of Maryland, wrote the poem “Maryland! 12 My Maryland!” while teaching in Louisiana during the early days of the Civil War; and 13 WHEREAS, Mr. Randall penned the poem at a time when he was extremely 14 despondent over the death of a friend who was shot while protesting Union troops as they 15 marched through Baltimore; and 16 WHEREAS, Mr. Randall’s poem calls for Marylanders to take up arms and join the 17 South in its battle against the Union and disparages Northerners and President Abraham 18 Lincoln; and EXPLANATION: CAPITALS INDICATE MATTER ADDED TO EXISTING LAW. [Brackets] indicate matter deleted from existing law. Underlining indicates amendments to bill. Strike out indicates matter stricken from the bill by amendment or deleted from the law by amendment. *sb0049* 2 SENATE BILL 49 1 WHEREAS, The poem was adopted by Southern troops as a battle hymn and 2 remains one of this country’s most martial poems, the only state song calling for the 3 overthrow of the government; and 4 WHEREAS, The poem was adopted as the State song in 1939 and has continued to 5 stir controversy, resulting in numerous legislative efforts over the years calling for its 6 repeal; and 7 WHEREAS, After close examination of the poem and the allegiance and motivations 8 of its author, it is clear that the poem is inappropriate as a State song inasmuch as it The 9 historic State song represents a bygone era when our State was divided in the midst of the 10 Civil War and expresses emotions that were characteristic of the that most divided period 11 in this country’s history; and 12 WHEREAS, John T. White, a native of Frederick County, also wrote a poem entitled 13 “Maryland, My Maryland” in 1894, which celebrates the natural beauty of this State, an 14 agreeable theme in which all Marylanders can take pride; and 15 WHEREAS, As many in this State make increased efforts to find common ground 16 and work together harmoniously in a nonpartisan manner, this State needs a song that 17 unites us moving forward and carries a theme that will endure over time; and 18 WHEREAS, John T. White, a native of Frederick County, also wrote a poem entitled 19 “Maryland, My Maryland” in 1894; and 20 WHEREAS, As a tribute to his native State, Mr. White’s poem celebrates the natural 21 beauty of this State, an agreeable theme in which all Marylanders can take pride; now, 22 therefore, The State Song Advisory Group, headed by the State Archivist, convened in 23 October 2015 and recommended alternatives to the current State song, one of which is to 24 revise the State song by merging select verses from Mr. Randall’s and Mr. White’s poems 25 that meet established State song criteria; and 26 WHEREAS, Mr. White’s poem is more representative of a unified and inclusive 27 Maryland; now, therefore, 28 SECTION 1. BE IT ENACTED BY THE GENERAL ASSEMBLY OF MARYLAND, 29 That the Laws of Maryland read as follows: 30 Article – General Provisions 31 7–318. 32 (a) The poem [“Maryland! My Maryland!”] “MARYLAND, MY MARYLAND”, 33 written by [James Ryder Randall in 1861] JOHN T. WHITE IN 1894 and set to the tune of 34 “Lauriger Horatius”, is the State song. SENATE BILL 49 3 1 (A) THE POEM “MARYLAND! MY MARYLAND!”, WRITTEN BY JAMES RYDER 2 RANDALL IN 1861 AND SET TO THE TUNE OF “LAURIGER HORATIUS”, IS THE 3 HISTORIC STATE SONG. 4 [(a)] (B) [The poem] SELECT VERSES FROM THE POEMS “Maryland! My 5 Maryland!”, written by James Ryder Randall in 1861, AND “MARYLAND, MY 6 MARYLAND”, WRITTEN BY JOHN T. WHITE IN 1894, and set to the tune of “Lauriger 7 Horatius”, [is] ARE the OFFICIAL State song. 8 (b) (C) The words of the OFFICIAL State song are: 9 [I 10 The despot’s heel is on thy shore, 11 Maryland! 12 His torch is at thy temple door, 13 Maryland! 14 Avenge the patriotic gore 15 That flecked the streets of Baltimore, 16 And be the battle queen of yore, 17 Maryland! My Maryland! 18 II 19 Hark to an exiled son’s appeal, 20 Maryland! 21 My mother State! to thee I kneel, 22 Maryland! 23 For life and death, for woe and weal, 24 Thy peerless chivalry reveal, 25 And gird thy beauteous limbs with steel, 26 Maryland! My Maryland! 27 III 28 Thou wilt not cower in the dust, 29 Maryland! 30 Thy beaming sword shall never rust, 31 Maryland! 32 Remember Carroll’s sacred trust, 33 Remember Howard’s warlike thrust,–– 34 And all thy slumberers with the just, 35 Maryland! My Maryland! 36 IV 37 Come! ‘tis the red dawn of the day, 38 Maryland! 39 Come with thy panoplied array, 40 Maryland! 4 SENATE BILL 49 1 With Ringgold’s spirit for the fray, 2 With Watson’s blood at Monterey, 3 With fearless Lowe and dashing May, 4 Maryland! My Maryland! 5 V 6 Come! for thy shield is bright and strong, 7 Maryland! 8 Come! for thy dalliance does thee wrong, 9 Maryland! 10 Come to thine own heroic throng, 11 Stalking with Liberty along, 12 And chaunt thy dauntless slogan song, 13 Maryland! My Maryland! 14 VI 15 Dear Mother! burst the tyrant’s chain, 16 Maryland! 17 Virginia should not call in vain, 18 Maryland! 19 She meets her sisters on the plain–– 20 “Sic semper!” ‘tis the proud refrain 21 That baffles minions back again, 22 Maryland! My Maryland! 23 VII 24 I see the blush upon thy cheek, 25 Maryland! 26 For thou wast ever bravely meek, 27 Maryland! 28 But lo! there surges forth a shriek 29 From hill to hill, from creek to creek–– 30 Potomac calls to Chesapeake, 31 Maryland! My Maryland! 32 VIII 33 Thou wilt not yield the vandal toll, 34 Maryland! 35 Thou wilt not crook to his control, 36 Maryland! 37 Better the fire upon thee roll, 38 Better the blade, the shot, the bowl, 39 Than crucifixion of the soul, 40 Maryland! My Maryland! 41 IX 42 I hear the distant thunder–hum, SENATE BILL 49 5 1 Maryland! 2 The Old Line’s bugle, fife, and drum, 3 Maryland! 4 She is not dead, nor deaf, nor dumb–– 5 Huzza! she spurns the Northern scum! 6 She breathes! she burns! she’ll come! she’ll come! 7 Maryland! My Maryland!] 8 I 9 WE DEDICATE OUR SONG TO THEE, 10 MARYLAND, MY MARYLAND. 11 THE HOME OF LIGHT AND LIBERTY, 12 MARYLAND, MY MARYLAND. 13 WE LOVE THY STREAMS AND WOODED HILLS, 14 THY MOUNTAINS WITH THEIR GUSHING RILLS, 15 THY SCENES – OUR HEART WITH RAPTURE FILLS –– 16 MARYLAND, MY MARYLAND! 17 II 18 IN TWAIN THE CHESAPEAKE DIVIDES 19 MARYLAND, MY MARYLAND. 20 WHILE OCEANWARD ITS WATER GLIDES, 21 MARYLAND, MY MARYLAND. 22 YET WE IN THOUGHT AND PURPOSE ONE 23 PURSUE THE WORK SO WELL BEGUN, 24 AND MAY OUR STATE BE NE’ER OUTDONE, 25 MARYLAND, MY MARYLAND! 26 III 27 PROUD SONS AND DAUGHTERS BOAST OF THEE, 28 MARYLAND, MY MARYLAND. 29 THINE IS A PRECIOUS HISTORY, 30 MARYLAND, MY MARYLAND. 31 BRAVE HEARTS HAVE HELD THY HONOR DEAR, 32 HAVE MET THE FOEMAN FAR AND NEAR, 33 BUT VICTORY HAS FURNISHED CHEER, 34 MARYLAND, MY MARYLAND! 35 IV II 36 “SAIL ON, SAIL ON, O SHIP OF STATE!” 37 MARYLAND, MY MARYLAND. 38 MAY WE, THY CHILDREN, MAKE THEE GREAT. 39 MARYLAND, MY MARYLAND. 40 MAY GRATITUDE OUR HEARTS POSSESS 6 SENATE BILL 49 1 AND BOLDLY WE THY CLAIMS EXPRESS, 2 AND BOW IN LOVING THANKFULNESS, 3 MARYLAND, MY MARYLAND! 4 SECTION 2. AND BE IT FURTHER ENACTED, That this Act shall take effect 5 October 1, 2016. Approved: ________________________________________________________________________________ Governor. ________________________________________________________________________________ President of the Senate. ________________________________________________________________________________ Speaker of the House of Delegates. .
Recommended publications
  • Lincoln Lore

    Lincoln Lore

    Lincoln Lore llullctin or the l..oui8 A. Wt~rrtn J_,~;nroln Libr,ary nnd MuHeum. Mnrk £. Neely, Jr.. Jo;dilor. AuguKt. I!JS:J Ruth E. Cook. Edhorinl A,.11h1Wnt l,uhli.;ched ench month by Lhe Number 1746 Lincoln Nntional Lif0 1 n~turftntt> ('ompAr\11. Port Wtwnt. Indiana IGMI . MARYLAND, MY MARYLAND In "110mt of tht most moving debates in the Senate this Cnngs of "plug-u.glies'' were a Bnltimore tradition. and the year," the Maryland sta«> legislaturec:onside~ changinjl th< town's notorious Southern sympathiN, coupled with this words to the 123-year-old Sial<! song, Maryland, My Maryland. violtnt heri1.age. made il a place Repubhcans liked to avoid So reported the New York n,.... of March 13. 1984, and tht tf at all possible. Uncoln's skulkin~e avoidance of ony public article tst.imulot.ed a modest. firestorm of replies which were appearanoe in 8ahimore en route to his inauguration had quite revulinl{ of modem anitudes tOward Lincoln's rt'C'Ord rot his administration off to o bad stan., but threats of on civil hberties. assassination from Baltimore- and t.incoln lt'amed ofsuch threats from two different 80urcet-hod to be Ln ken seriously. On April 19, 1861, the Sixth MaBSachusett.o regiment Arter all. the Lincoln administration would end in sudden marched through Bultimore t.o the relief of the notion's cuJ)it.nl, violence when another Maryland plot su~ed in assassi­ surrounded by aluvc ~t>rrilory and widely thought to be in nnting the pres·ident.
  • 1 I. This Legal Studies Forum Poetry Anthology Represents the First Effort

    1 I. This Legal Studies Forum Poetry Anthology Represents the First Effort

    JAMES R. ELKINS* AN ANTHOLOGY OF POETRY BY LAWYERS I. This Legal Studies Forum poetry anthology represents the first effort of a United States legal journal to devote an entire issue to poetry. Law journals do, of course, publish poetry, but they do it sparingly, and when they publish a poem it’s usually a poem about law or the practice of law. For this anthology we have not sought out poetry about law, lawyers, and the legal world but rather poetry by poets educated and trained as lawyers.1 The poets whose work we selected for the anthology write poetry not for their colleagues in the legal profession, but for readers of poetry, for fellow poets, and, of course, for themselves. A surprising number of the lawyer poets included in the anthology have published widely and received significant recognition for their poetry. We have also included in the anthology the work of several unpublished lawyer poets. If the focus has been more generally on published poets, it is simply because the publication of their poetry more readily brought them to our attention. Whether published or unpublished, many of these lawyers have been secret poets in our midst. One does, of course, occasionally find a poem in a law journal. In earlier times, poetry was commonly found in journals like the American Bar Association Journal, Case and Comment,2 and in still older journals like The Green Bag (1889-1914).3 But, today, a poem in a law journal * Editor, Legal Studies Forum. 1 We did not compile the collection with any preestablished criteria for the poetry or for the lawyers we would include.
  • Hecht-II: 1St Civil War Death Attributed to Fell's Pointers Union Cannons

    Hecht-II: 1St Civil War Death Attributed to Fell's Pointers Union Cannons

    Volume 10, Number 1 Spring 2011 Official Song, but Is It Maryland? Hecht-II: 1st Civil War Death BCHS Plans Contest for New One Attributed to Fell’s Pointers By Michael S. Franch By Michael J. Lisicky President, BCHS Most people who study this city’s role in Two songs commemorate violence in the Civil War are familiar with “The Baltimore Baltimore. The most famous is our national Riot,” also known as ‘The Pratt Street Riot,” anthem, inspired by the bombardment of that produced, by all accounts until now, the Fort McHenry in 1814. The other is our official first fatalities of the conflict. Trains then -ar state song, “Maryland, My Maryland,” which rived from the north along tracks on Canton commemorates the Pratt Street Riot of April Avenue, known today as Fleet Street, which 19, 1861, when a Baltimore mob attacked the “Baltimore in 1861” by J. C. Robinson fed into President Street Station. At that Sixth Massachusetts Regiment in passage Pratt Street Riot of April 19, 1861. point, the railroad cars--in this case bearing to Washington. There were deaths on both federal troops bound for Washington--were sides, the first of the Civil War. A Maryland Union Cannons Reined in City removed from the locomotive. Each car was native living in Louisiana, James Ryder Ran- then pulled by horses westward on Pratt dall, wrote the poem that, set to the carol “O By Jay Merwin Street, off limits to engines, along tracks to Tannenbaum,” was popular during the war Within a month after the April 19, 1861, Camden Station--now a museum at Oriole and eventually became Maryland’s official Baltimore riot, federal troops seized the com- Park.
  • American Song

    American Song

    LIBRARY OF THK University of California. Received ^£.<^ /^K /«9^.. Accession No. 7^ 6'd (o Class No. ^l^ 55-97 Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/americansongcollOOsimorich AMERICAN SONG A COLLECTION OF REPRESENTATIVE AMERICAN POEMS, WITH ANALYTICAL AND CRITICAL STUDIES OF THE WRITERS WITH INTRODUCTIONS AND NOTES I BY ARTHUR B. SIMONDS, A.M. Fellow in the Romance Languages at Columbia College iWrT "NIVERSITT Vor^: J) G. P. PUTNAM'S SONS NEW YORK LONDON 27 West Twenty-third Street. 24 Bedford Street^ Strand. Copyright, 1894 BY G. P. PUTNAM'S SONS Entered at Stationers' Hall, London 7 ^ 6"3 4> Electrotyped, Printed and Bound by Ube Knicfterbocftet press, flew ^ocft G. P. Putnam's Sons What is a Poet ? He is a man speaking to men : a man endowed with more lively sensibility, more enthusiasm and tenderness, who has a greater knowledge of human nature, and a more comprehensive soul, than are supposed to be common among mankind. Wordsworth's ''Preface to Lyrical Ballads.''* ; PREFACE. The present volume has two distinct aims. It in- cludes, first, a compilation of American poems (mostly short selections) drawn from the era beginning about the commencement of the century and reaching to the present day. As a compilation, therefore, it may be of interest to the general reader, as well as of special service to a student of literature wishing to acquaint himself readily with types of American poetry. Secondly, the book may, it is hoped, be useful for making an inductive study, both of the chief Ameri- can poets and, less completely, of the other poets from whose writings extracts are taken according to the plan of the volume.
  • The Story of a Southern State in the Union: Maryland in 1860 and 1861

    The Story of a Southern State in the Union: Maryland in 1860 and 1861

    The Story of a Southern State in the Union: Maryland in 1860 and 1861 Jack Sheehy HIS 242, “Origins of the American South” Dr. Michael Guasco Sheehy 2 Firing their rifles “wildly,” the soldiers fought back against the secessionist mob hurling stones at them as they marched down Pratt Street.1 Baltimore Mayor George William Brown thought it prudent to direct the commanding officer of the Sixth Massachusetts Regiment to slow his troops’ marching speed — double-quick time, the mayor felt, was too fast and would thus incite further panic. Brown had no military expertise, but that did not stop the determined mayor from taking charge. Nothing would. It was his city in chaos, after all. The soldiers slowed down as Brown began to march at the front of their unit, but the violence worsened.2 Rioters wrestled weapons away from the troops, continued throwing stones and bricks, and cheered in support of the newly-formed Confederate States of America.3 Four soldiers and twelve civilians died on the streets of Baltimore that day.4 Although this tumult on the morning of April 19th, 1861 terrified Marylanders, by this time they were already quite familiar with secessionism and the tense nature of the sectional crisis plaguing the nation. In Maryland, secessionists were present throughout 1860 and 1861 because of the state’s political climate, in which a disdain for outsider intervention, a fear of abolition, and a strong sense of Southernness prevailed. Maryland’s secession crisis experience has been regarded as an especially fascinating one, in part because on the surface it may appear to many that Maryland could have sided with either the Union or the seceding states.
  • Disruptive Bodies in Civil War Literature A

    Disruptive Bodies in Civil War Literature A

    UNIVERSITY OF CALIFORNIA Los Angeles “The Scars We Carve” Disruptive Bodies in Civil War Literature A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Allison Marie Johnson 2013 © Copyright by Allison Marie Johnson 2013 ABSTRACT OF THE DISSERTATION “The Scars We Carve” Disruptive Bodies in Civil War Literature By Allison Marie Johnson Doctor of Philosophy in English University of California, Los Angeles, 2013 Professor Michael J. Colacurcio, Chair “‘The Scars We Carve’: Disruptive Bodies in Civil War Literature” examines the presence of physical forms, marks, and scars in periodical literature produced during and shortly after the war in order to illuminate the ubiquity and significance of bodies in the literary record of the war. Presenting substantial archival evidence of how American civilians and combatants interacted with and represented the physical effects of war, this dissertation focuses especially on the disruptive bodies of injured and maimed combatants, African American soldiers, and war-torn women. The critical consensus on Civil War literature emphasizes the effacement of the individual in sentimental narratives of nationhood, sacrifice, and reconciliation. This study refutes and complicates such readings by demonstrating the rhetorical and discursive power of bodies touched and shaped by war. Though sentimentality did persist and many writers continued to write about war deaths in the same way they wrote about non-war deaths, a large number of Americans resisted reintegrative, reconciliatory, and apologist narratives, underscoring instead the effects of the war on individuals. The destruction and upheaval of war disrupted and complicated traditional ways of understanding and depicting death and wounding; ii in many texts created during the war, soldiers’ bodies refuse to rest quietly beneath the sod and missing limbs talk and tell of horror and suffering.
  • Nttmbrr Qiljp Editor and Sjis I&Taff

    Nttmbrr Qiljp Editor and Sjis I&Taff

    Vol. XI, No. 23 Georgetown University, Washington, D. C. March 26, 1930 1034 jFmtnbfrs Say 1TB9-1930 Nttmbrr QIljp Editor and Sjis i&taff bpg to bp&uatp ti|iB serial p&ttiott of UIIJP Hoya to tltp fottb mptttory of 3foljn Aliham (Sratipnor Att&mii Mf|ttP utyamaa (Srniaap QUtmttaa fflopUg fc^rttk {faulton JHottppra of ilpamt fEburatiott tit tljp Utttlpb &tatpa and to 3lal|tt (Uarroll Pripat - Jlrplatp - patriot - ifotutbpr ©it cmi) Diri'rtor? of (Beorcietowo College EXTEND TO ALL WHO SHALL BEHOLD THIS DOCUMENT GREETINGS IN THE LORD bos Grriecrsitv cbcrisheii aril) honored those who hooe attained preeminence in the arts and sciences. ©bat a more permanent record be kept, that greater distinction be preserved, we, the president and ©irectors of Georgetown College, after consultation with our esteemed Board of Regents, have decreed and instituted certain honorary Academies which shall bear appropriate titles from those of our faculties and Alumni who themselves haVe won renown in the several fields of academic accomplishment. Ploreover, that a lasting testimonial fce preserved to the recipient of honors, special decorations shall be solemnly bestowed which map serve as fit witnesses at our esteem and affection. So these shall be added citations under the great seal of the (University Kt is decreed that the said honors shall be given on founders' Bay lUarch the twenty-tiftb, a day sacred to the memory of Andrew White, jlohn Altbam-(5ravrnor and ©bornas ©erVase,j>f the -Society ot Jesus, who with Xeonard (jjalvert and other Pilgrim fathers on
  • Maryland Historical Magazine

    Maryland Historical Magazine

    176 Maryland Historical Magazine Book Reviews Edmund G. Lind: Anglo-American Architect of Baltimore and the South. By Charles Belfoure. (Baltimore: Baltimore Architecture Foundation, 2009. 205 pages. Illustra- tions, appendices, notes, bibliography, index. Paper, $28.00.) In his introduction to Charles Belfoure’s new biography of architect Edmund Lind (1829–1909), Calder Loth writes that the historiography of American architecture has often determined our appreciation for past architects and their work. What Loth calls “a reflection of changing tastes and prejudices” (vii) has seen certain historical narratives preferred to others, so that our knowledge about our architectural legacy may tell us more about recent theoretical debates than about the available historical record. Belfoure’s book is, on the other hand, a careful attempt to document thor- oughly the work of an architect who is celebrated locally for a single building, but whose wider influence remains little known. It is, therefore, no small irony that “a reflection of changing tastes” describes Lind’s own architectural output. Working easily in styles as different as the Gothic Revival and the “Queen Anne,” Lind exemplified his period’s professional ethos, which sought to join technical innovation to increasing aesthetic eclecticism. Lind’s greatest work, the brilliant library of Baltimore’s Peabody Institute, illustrates both trends in conception and in detail. Tiers of finely-detailed, cast-iron-clad columns flank the library’s top-lit reading room, and elaborate metal railings surround the room on five levels. The effusiveness of Lind’s ornament is unforgettable and is, too, a direct result of the architect’s recourse to new material methods.
  • Southern Poems

    Southern Poems

    Southern Poems ed. by Charles William Kent Southern Poems Table of Contents Southern Poems.........................................................................................................................................................1 ed. by Charles William Kent..........................................................................................................................2 PREFACE......................................................................................................................................................4 BACON'S EPITAPH. UNKNOWN..............................................................................................................5 RESIGNATION: OR, DAYS OF MY YOUTH. ST. GEORGE TUCKER..................................................6 THE STAR−SPANGLED BANNER. FRANCIS SCOTT KEY..................................................................7 MY LIFE IS LIKE THE SUMMER ROSE. RICHARD HENRY WILDE..................................................8 I SIGH FOR THE LAND OF THE CYPRESS AND PINE. SAMUEL HENRY DICKSON......................9 A HEALTH. EDWARD COOTE PINKNEY.............................................................................................10 THE SWAMP FOX. WILLIAM GILMORE SIMMS................................................................................11 ISRAFEL. EDGAR ALLAN POE...............................................................................................................13 ANNABEL LEE. EDGAR ALLAN POE...................................................................................................15
  • Merged Testimony As of 3-10-2021 at 342 PM

    Merged Testimony As of 3-10-2021 at 342 PM

    SB0008-FAV-DTMG-3-11-21.pdf Uploaded by: Bartlett, Olivia Position: FAV Olivia Bartlett, DoTheMostGood Maryland Team Committee: Education, Health, and Environmental Affairs Testimony on: SB0008 - General Provisions - State Song - Repeal Position: Favorable Hearing Date: March 11, 2021 Bill Sponsor: Senator Cheryl Kagan DoTheMostGood (DTMG) is a progressive grassroots organization with more than 2500 members who live in a wide range of communities in Montgomery and Frederick Counties, from Bethesda near the DC line north to Frederick and from Poolesville east to Silver Spring and Olney. DTMG supports legislation and activities that keep its members healthy and safe in a clean environment, uplift all members of our communities, and promote equity. DTMG strongly supports SB0008 because it will repeal Maryland’s Confederate state song “Maryland! My Maryland!”, removing a symbol of hate from the Maryland experience. The deaths of George Floyd, Anton Black, and many others call attention to the structural and institutional racism before us and the need to continue fighting for a more equitable and just society. The Maryland state song is a Confederate embarrassment, from the first line, which refers to President Lincoln as a “despot,” through the fifth stanza, which urgers Marylanders to “burst the tyrant’s chain” – the chain being not slavery, but Lincoln’s call for abolition. Maryland! My Maryland! was written to protest Union Troops in Baltimore and Southern Confederate soldiers used it as a Civil War battle hymn. Maryland did not adopt Maryland! My Maryland! as our State song until 1939 – a time when Maryland was sadly among our nation’s segregated “Jim Crow” states.
  • MARYLAND * HISTORICAL MAGAZINE Summer 2010 MSA S^Swhl-Y/F

    MARYLAND * HISTORICAL MAGAZINE Summer 2010 MSA S^Swhl-Y/F

    MARYLAND * HISTORICAL MAGAZINE Summer 2010 MSA S^SWhl-y/f Friends of the Press of the Maryland Historical Society THE MARYLAND HISTORICAL SOCIETY (MdHS) is committed to publishing the finest new work on Maryland history. In late 2005, the Publications Committee, with the advice and support of the development staff, launched the Friends of the Press, an effort dedicated to raising money used solely for bringing new titles into print. Response has been enthusiastic and generous and we thank you. The Friends of the Press published two new titles in 2009, Clara Ann Simmons, Chesapeake Ferries: A Waterborne Tradition, 1632-2000 and Joseph R.L. Sterne, Combat Correspondents: The Baltimore Sun in World War II, already in its second printing. Both books have recieved outstanding reviews and Mr. Sterne has been a featured speaker at several local events. Forthcoming books include Helen Jean Burn, Betsy Bonaparte, which will be available this fall. This is the definitive biography of Elizabeth "Betsy" Patterson Bonaparte. Born to a wealthy Baltimore family, Betsy Patterson shook local and Parisian society when she wed Jerome Bonaparte, brother of the Emperor Napoleon. Insisting on a better future for his brother, the emperor annulled the marriage, but not before it produced a son, Jerome Napoleon Bonaparte. Betsy's quest to win royal status for her son and grandsons consumed the remainder of her ninety-four years, decades that transformed her from the glamorous "belle of Baltimore" to a shrewd and successful businesswoman determined to protect her family. Histories such as these would not be possible without your generous contriburions.
  • Columbia and Her Sisters: Personifying the Civil War

    Columbia and Her Sisters: Personifying the Civil War

    Columbia and Her Sisters 31 Columbia and Her Sisters: Personifying the Civil War Allison M. Johnson A month after the bombardment of Fort Sumter and the beginning of hos- tilities between the Union and the newly formed Confederacy, Columbia, the female personification of the United States, slumbers peacefully amid the tu- mult. S.J.A.’s poem “Not Dead” (1861), printed in Harper’s Weekly, the leading periodical of the day, begins with an epigraph taken from a “motto on a New York banner”—a flag most likely designed and produced by local women for a regiment: “The Union is not dead but sleeping.”1 Through the “dark night of wickedness” caused by the rebellion, the people of the North must guard both “our Union and our liberty.” S.J.A. calls on “each soldier’s arm to grasp the sabre,” since only the return of “each star by traitor bands disgraced”—each seceded state—will allow the Union to “joyously” awake from her slumber and “never sleep again.” The personified Union’s slumber and intact state promise hope for future reconciliation and reunion but also warn of her vulnerability and need for protection. These characteristics make S.J.A.’s womanly Union representative of a wartime trope ubiquitous in print and visual culture on both sides of the conflict. Analogous female personifications of the Confederacy and, more often, individual states appear in Southern periodicals and illustrations; despite their similarities to Northern counterparts, they serve categorically op- posed rhetorical purposes. While Columbia, traditionally interchangeable with the goddess of liberty, represents the Northern states and the hope of reunifica- 0026-3079/2016/5501-031$2.50/0 American Studies, 55:1 (2016): 31–57 31 32 Allison M.