Jo Rd a N Sch N Itzer M U Seu M O F a Rt

Jordan Schnitzer Museum of Art Annual Report | 2017–2018 Jordan Schnitzer Museum of Art

Annual Report 2017–2018

Director’s Report

Preparing for Change

Ten years is a good amount of time to take stock—to see what’s been accomplished, learn lessons from what hasn’t, and assess both the opportunities and challenges on the horizon. It’s been just over ten years since I was honored to become the director of this truly exceptional museum, and so it is with both pride and regret that I share my intention to retire in August 2019.

We are, fortunately, at a different place than we were in the fall of 2008, when I came on board. The JSMA, as we know it today, was just three years old, having been closed in the early 2000s to embark on a renova- tion and expansion, reopening in 2005. In just that brief period, it became clear that the “new” museum demanded a new vision and a much larger and more complex infrastructure.

My first years, despite a national financial meltdown, were exciting and filled with promise and possibili- ties. A highly supportive university, from the president on down (and there were a few presidents!), joined generous donors and other stakeholders on campus and further afield to envision what we should be and how we could get there. We prioritized our academic role and our commitment to transform students into productive, global citizens. We identified the needs of our larger community and launched K-12 programs aimed at demonstrating the value of the arts—for academic achievement, cross-cultural understanding, personal growth, creativity, and civic responsibility. We discovered that museums could help in the social services and medical fields, building empathy and reducing stress among caregivers, training better medical students, and giving agency to those facing personal and family hardships.

I have worked in the academic museum field for more than thirty years, and I know that no museum of our size has a more impressive team of collections, curatorial, education, and administrative staff. They combine knowledge with humanity, and they dream big. They conduct impressive research and share their discoveries through exhibitions, publications, teaching, and conferences. They mentor and share their passions with generations of students, including emerging museum and art-field professionals. Uniting them is a firm belief in the value of museums, especially this one, a joy and satisfaction in fulfilling our mission and each of their responsibilities, and a respect for open communication and dialogue.

And that is why the museum will flourish well beyond my tenure.

This is not to say that there aren’t pressing challenges ahead. Aligning with the goals of a parent institution, when those goals are not the arts and humanities, requires expansive thinking, advocacy on all fronts, and new partnerships. Museums are expensive institutions and sustaining support is critical. Our future depends on the university as much as it does on our community, our members, alumni, Masterworks on Loan collectors, state and federal grants, and foundations. You are an integral part of that community, and we depend on you to keep us on a strong and true path for the common good.

JSMA Executive Director Jill Hartz with artist Glenn Brown whose new works were featured in a special exhibition May 18-August 19, 2018, thanks to the Peterson Family Collection. Exhibitions & Programs

Our fall season was extraordinary in many ways. First, we opened not one, but two major shows. When Professor James Harper, a world expert on Barberini tapestries, negotiated a partnership with the Cathe- dral of Saint John the Divine in New York City to borrow their “Life of Christ” series, we knew that these large-scale textiles would not fit in our Barker Gallery, which is devoted to changing exhibitions. The only space that could, in fact, accommodate their height was the Soreng (Chinese) Gallery, which our ingenious design and prep staff reconfigured for this purpose. Concurrently, in the Barker, we presented a second special exhibition, Graphic Identity, that explored China’s Cultural Revolution, with works drawn from an esteemed private collection. Both projects were multilayered and involved students, faculty, and world scholars. Professor Harper then led a June tour of Italy’s Barberini heritage.

Our commitment to the art of the Northwest found expression in exhibitions that presented the work of Keith Achepohl, Mark Clarke, Margaret Coe, Morris Graves, Clay Lohmann, and Rick Williams (whose work was included in our summer 2018 Decade of Collecting). Losing Mark in 2016 and Keith and Rick in 2018 has been tough for so many of us. Selections from Lee and Mary Jean Michels’ Japanese print collection, Above: Photograph by University of Oregon student Ugochukwo Akabikes for the Don't Touch My Hair exhibition. Left Top: Anne Rose Kitagawa, chief curator and curator of Asian art, curated the special exhibition Graphic Ideology: Cultural Revolution Propaganda from China. Left Bottom: Professor and exhibition curator James Harper explains aspects of the Barberini Tapestries Life of Christ series.

Weegee photographs from a new gift, and shows featuring work by Herman Brookman, Barbara Mac- Callum, Michael Snow, and Rodrigo Valenzuela offered an unusual combination of aesthetic mastery, provocative ideas, and diverse materials. We partnered with members of the Art Department on Discursive, an exhibition that affirmed the fine art of craft. In this, perhaps one of the last years of full Academic Sup- port Grant funding, many of our exhibitions and other projects were made possible with the combined resources of the museum, the College of Arts & Sciences, the College of Design, and the Provost’s Office. Changes in university priorities and budget models place even successful programs like JSMA Academic Support Grants in jeopardy.

Our Art of the Athlete exhibition and mentoring program returned to Seattle for a second year to support students experiencing gang violence, and we added a new partnership with the Boys & Girls Club of Coos Bay, thanks to private philanthropy from Marcia and David Hilton, Shane Gutierrez, and Dale Hartley. Lisa Abia-Smith, our director of education, led a Global Oregon summer program with many AoA students, possible only with the generosity of so many in our community. With support and guidance from the UO Office of Equity and Inclusion, we mounted a joyful Don’t Touch My Hair, a student-focused exhibition, featuring photographs of and by students.

Masterworks on Loan

Masterworks on Loan brought us astounding works of art by many nineteenth, twentieth, and twenty- first century masters, and we remain deeply grateful to a growing group of California collectors who share their treasures with us. AI Weiwei’s Circle of Animals/Zodiac Heads, on view in our north courtyard, supported our first endowed lecture series – the J. Sanford and Vinie Miller Family Arts of Asia Distin- guished Lecture in Asian Art. We have long benefited from the Millers’ loans of literati scrolls, which anchor our Chinese Scholar’s Room, and we are thrilled to bring noted international scholars of Asian art to the museum on a regular basis.

Gina and Stuart Peterson, long-time MOL lenders, and Emilia and Tad Buchanan gave us the rare opportunity to present a mini-exhibition of new work by the fascinating British artist Glenn Brown. The Petersons’ support saw fruition in a beautiful catalog, featuring an essay by graduate student Emily Shinn, the visit to Eugene by the artist and his husband, Edgar Laguinia, and, thanks to the Gagosian Gallery, a celebratory dinner. Sometimes, the JSMA is the center of the arts world!

For the past few years, we’ve presented “Collector Conversations,” an often surprisingly fascinating topic. Collectors, we learn, have such varied passions and means by which they have developed their interests and acquired their works. Drs. Michael Powanda and Elizabeth Moyer shared their growth as collectors. We learned that Elizabeth grew up with and inherited an eclectic collection, while Michael found a path to art appreciation through Elizabeth and a printmaking course. Together, they grew as connoisseurs with shared fine art interests. Isaac Applbaum discussed his love of post-impressionist art and his willingness to travel far and wide to see the works he wanted in person. Sundaram Tagore (who joined that conversation in addition to presenting his new film on Louis Kahn’s Tiger City) enlightened us with a global perspective on the art market and his own education and career in the arts.

AI Weiwei (Chinese, born, 1957) Circle of Animals/Zodiac Heads, 2010. Set of 12; cast bronze, edition 5/6, Each approx. 154 x 66 x 77 in. Private Collection. L2017;89.1a-g Featured in the Common Seeing exhibition Conversations in the Roundhouse was this recent work by James Lavadour (American, Walla, Walla, b. 1951). Torch, 2012. Oil on panel, 48 x 60 in. This works was acquired with the assistance of the Ford Family Foundation through a special grant program managed by the Oregon Arts Commision and the Van Duyn Acquisition Endowment; 2015:9.1 Special Initiatives: Mellon Grant, Director Series, and Common Seeing

Museum Roles in Changing Times: This year, we asked ourselves what other museums are doing that could inform our own strategies and programs. We invited three academic museum directors and one public museum director (who had academic museum credentials) to share their challenges and innovative practices with us. Linda Tesner, Director of the Hoffman Gallery of Contemporary Art at Lewis & Clark College, doubled as our McCosh Visiting Lecturer and spoke about the importance of wonder in the appreciation of art and museums. Craig Hadley, Director and Curator of Exhibitions and University Collections at the Peeler Art Center, DePauw University, shared his research on curating “75 Years of Japanese-American Incarceration.” Kristina Durocher, Director of the Museum of Art at the University of New Hampshire, offered thoughtful examples of how museums can adapt to stay relevant to new audiences and social issues. Kristian Anderson, Executive Director, Utah Museum of Contemporary Art, offered perspectives on audience engagement aimed at connecting provocative contemporary art with a predominantly Mormon audience. The series drew a diverse, returning audience and sparked stimulating dialogue. Andrew W. Mellon Foundation GLAM (Galleries, Libraries, Archives, and Museums) Grant: The JSMA and UO Libraries received a $300,000 Mellon grant this year (with a match from the UO that includes funding for two graduate employees) to further museum-library collaboration. We created our first joint position and hired Dr. Jenny Kreiger as our Postdoctoral Mellon Scholar. Jenny will treat the grant itself as a research project, while she oversees two years of faculty grants that further research and pedagogy on our “shared” collections. For the coming year, Ina Asim, Associate Professor, History, will focus on “Artful Fabric of Col- lecting: Silk Textiles in Gertrude Bass Warner’s Chinese Art Collection and their Historical Context.” David Frank, Professor, Robert D. Clark Honors College is studying “James Blue’s 1963 documentary The March: The Cold War, Civil Rights, and the Politics of American Apartheid”; and Glynne Walley, Associate Professor, East Asian Languages and Literatures is researching “Japanese Votive Slips: Play and Plays.”

Conversations in the Round House: Each year, first-year students are asked to read and discuss an as- signed book. In 2016, for the first time, we partnered with the Common Reading (Coates’s Between the World and Me) on a Common Seeing exhibition that became our most used curricular offering. So we did it again! In 2017, inspired by Louise Erdrich’s The Round House, we curated Conversations in the Round House: Roots, Roads, and Remembrances, featuring works from the collection and on loan by contemporary Native American artists.

Collections

Through gift and purchase, we strengthened our collections across the board. Asian art, in particular, had a stellar year. The JSMA has unusually deep ties with artists, curators, foundations, and collectors in Korea, and we saw the benefits many times over this year. Thanks to a Korea Foundation grant, supplemented with Farwest Steel Endowment funding, we acquired major work by contemporary Korean ceramicists. Noted artist and calligrapher JUNG Do-jun and his family donated significant works by the artist. UO alumnus and gallerist Sundaram Tagore helped the museum purchase its first major piece by CHUN Kwang Young, one of Korea’s most important contemporary artists. Generous donors Kyong and John Gregor, Drs. Michael Powanda and Elizabeth Moyer, Don and Carol Dummond, and many others donated or supported the acquisition of Chinese, Japanese, Korean, and Vietnamese prints, paintings, textiles, and sculpture. Many friends of the late Dick Easley contributed to important Japanese print purchases.

As the fiscal year drew to a close, we were deeply honored to receive the gift of more than fifty mixed media pieces by San Francisco-based artist Hung Liu, created through an experimental resin-based process developed with David Salgado, owner of Trillium Graphics (see cover image). And, as I write this, we are expecting a shipment of contemporary Chinese photographs from Hong Kong, a major gift from Susy and Jack Wadsworth, which will be recorded in our next fiscal year.

Pacific Northwest art is a core collecting, research, and exhibition focus of this museum, and we added important works by Keith Achepohl, Ka’ila Farrell-Smith, David McCosh, Robert Miller, and Nelson Sandgren. Ongoing support from The Ford Family Foundation through a special grant program managed by the Oregon Art Commission helped us acquire Marie Watt’s Witness (Quamichan Potlatch 1913), a work featured in our Common Seeing exhibition. Composed of blankets, embroidery floss and thread, Witness joins a growing body of work by contemporary Native American artists. We also happily accepted a major gift of prints by Mildred Bryant Brooks (1901-95), a California printmaker and teacher, with funds to support their care and research. Caroline and Mark Foster enhanced our Cuban holdings with a major body of work, including vibrant paintings and posters. Adding to our Cuban art holdings are a fine Roberto Fabelo sculpture, given by Marla and Jeff Michaels, and one of Belkis Ayón’s most important prints, the gift of Norman Brown and Anne Cooling. Cheryl Hartup, our Associate Curator of Latin American Art and Academic Programs, came to us (most recently) from Puerto Rico, where she served as chief curator at the Ponce Museum for more than seven years. This makes the acquisition of a major work by the Puerto Rican artist Antonio Martorell especially welcome.

As a contemporary curator, I attend the Venice Biennale, Art Basel Miami Beach, and museum and gallery shows on both costs (as well as Havana, where I have a particular interest in Cuban art). This past year, walking through the Untitled Fair in Miami Beach, I noticed a photograph from an extraordinary three- channel video installation, Passage, by Mohau Modisakeng, which had represented South Africa in Venice. Much to my delight, of the edition of ten, one was still available—and affordable. Look for it in our Artist Project Space in May 2019!

Staff & Volunteers

It’s always great when you can promote from within, and we were thrilled that Esther Harclerode became our Associate Director of Development. I was personally very excited when Lauren Nichols as- sumed Esther's former position (Development Program Manager), as Lauren, a recent M.A. graduate in the UO’s Arts and Administration program, co-managed with me our 2017 AAMG conference.

We welcomed Hannah Bastian, another recent AAD graduate, as Museum Educator for Studio Programs and Special Projects. Michelle Chaewon Kim joined us for nearly a year as our Korea Foundation Global Museum Intern, and Rebecca Crowder became a valued part-time security officer. Ammas Tanveer, a fourth-year student, served as president of JSMAC, our student advocacy council.

The Exhibition Interpreter program recruited six impressive docents: Maria Gulemetova, Helen Kaufman, Adrienne Colaizzi, Valerie Bailey, Susan Creed, and Marcy Holle. Our EI instructors, Elaine Pruett and Cathy Mosqueda, led a more intensive training program, compressing nine months into three, with tours led by our newest cohort underway in the spring. A highlight this year was having students view the Ai Weiwei installation. The looks of delight as the children entered the Circle of Animals was as much a gift for the EIs as it was for the students and their teachers.

Dr. James Walker ably led the Leadership Council in his final year as president. He is succeeded by Randall Stender, who will be assisted by two co-chairs: Eugene-based Ellen Tykeson and California-based Andrew Teufel. Long-time board members Philip Piele, David Hilton, and Doug Park rotated off at the end of the year, and Ken Kato, Tucker Teague, and Susy Wadsworth joined the Council. The JSMA benefits immeasur- ably from this highly engaged group of advisors and supporters. Transforming Lives: The JSMA at 85

I arrived in Eugene just as the museum approached its 75th anniversary. That year and five years later, we launched two special exhibitions. Lasting Legacies featured highlights of our collection, a shout-out to all who had made us what we had become. Living Legacies celebrated our present, drawing from local collections and engaging collectors in meaningful ways. This year, with some trepidation, we organized a gala fundraiser, mindful that their ubiquity in the non-profit world can be a hindrance to their success. Under the direction of gala hosts Chris and Christine Smith, we set a goal of $85,000 in honor of our 85th— and we actually raised more than double that amount for our community education programs: Art Teaches, Art Inspires, and Art Heals. We also honored our benefactors—Cheryl and Allyn Ford, Hope Pressman, and Jor- dan Schnitzer, all of whom were present. They say timing is everything, and this was the last public event to honor Hope Pressman, who died this summer. Hope was the heart of this museum for more than forty years, sharing her love of art and the museum and her belief in public service with all who were fortunate enough to know her.

Gertrude Bass Warner Awards: Margo Grant Walsh and Don Dummond

Hope was also the second person to receive our Gertrude Bass Warner award, which annually recognizes an outstanding volunteer. This year, our ninth, we honored Margo Grant Walsh (UO ’59, BS ’60, BlArch), an internationally renowned interior architect and esteemed collector of silver and metalwork. In 1973, Margo joined the New York office of Gensler as Director of Interior Design, rising in the ranks to become Vice Chairman and Managing Principal. She then founded the firm’s offices in New York, London, Boston, and Washington, D.C., growing a staff of two to 143 designers. Margo has been a generous and inspiring donor to the museum since 2008, and selections from her collection are rotated in our MacKinnon Gallery.

In August 2018, Dr. Don Dummond, an emeritus faculty member and emeritus director of the Museum of Natural and Cultural History, became our tenth GBW awardee. Don and his late wife, Carol, epitomize service to the museums and thus far have given us hundreds of works of American, Asian, and European art. Our Vision VISION • We follow the highest ethical, academic, and professional The Jordan Schnitzer Museum of standards. for the JSMA Art aspires to be one of the finest university art museums in the world. • We find collaborative opportunities on- and off-campus that make the museum central BELIEF to learning and build diverse audiences. We believe that knowledge of art enriches people’s lives. • We value our visitors’ feedback and incorporate their recommendations to improve MISSION future visitor experiences. The Jordan Schnitzer Museum of Art • We are committed to sustaining enhances the University of Oregon’s a positive and productive work academic mission and furthers the environment for staff and appreciation and enjoyment of the volunteers. visual arts for the general public. KEY STRATEGIES Our Constituents Programs The museum’s primary constituents are the University of Oregon’s The museum presents stimulating, innovative, and inclusive programs students, faculty, and staff as well and exhibitions that enhance the as K-12 students and teachers academic curriculum, emphasize throughout Oregon, regional cross-cultural understanding, residents, and visitors. Our varied provide broad education activities and web presence extend experience, and support our service to an even wider audience collaborative and interdisciplinary of scholars, artists, collectors, critics, opportunities on- and off-campus. and museum professionals. Ongoing evaluation measures how effectively the museum’s program Values goals are being realized. • The museum experience enriches people’s lives. Collections • We contribute to the education The museum collects, preserves, of university students and help studies, exhibits, and interprets them become culturally competent works for the benefit of the global citizens. University of Oregon curriculum and • We recognize our visitors’ different for the enrichment of the general learning styles and the needs of public. The JSMA is dedicated to multigenerational and culturally strengthening its American, Asian, diverse audiences. European, Latin American, and • Our visitors will have enjoyable Pacific Northwest art collections and museum experiences that make to acquiring fine examples from the them want to return. history of art, from earliest times to • Our collections, programs, and the present, representing cultures research are of the highest quality. throughout the world. Research & Publications museum. The museum is committed Human Resources The museum supports high-quality to building culturally diverse The museum employs and trains research on its collections and audiences, reflective of on- and off- competent staff and volunteers programs by its staff, University of campus demographics. who strive for excellence. The Oregon faculty, students, and others museum supports diversity training who use its resources. Research is Facilities and professional advancement made accessible through teaching, opportunities for its staff and The museum performs effective exhibitions, programs, publications, volunteers and provides training and efficient maintenance for the and online. opportunities for students overall care of its facilities, including interested in the museum following preventative maintenance profession. The museum follows Funding & Development schedules, conducting timely the University’s human resources The university allocates funds for HVAC/ mechanical and equipment procedures, including annual staff, operations, security, and inspections, and other related work. evaluations. facility maintenance to the greatest The museum ensures that exhibition extent possible. The museum and work areas are clean and raises revenue for all programs not maintained at the highest standard Ethics, Academic & covered by the university’s general possible and that detailed condition Professional Standards reviews and reports are completed fund from diverse sources, including The museum, its employees, and on a regular basis. earned income, individuals, volunteers adhere to the highest foundations, corporations, and academic, ethical, and professional local, state, and federal grants Risk Management standards of the University and agencies. The museum is committed The museum develops, implements, the American Alliance of museums to a balanced budget model. and monitors preventative plans in all that they do on behalf of The Leadership Council is a key and maintains a comprehensive the museum. This commitment support group, raising money and security program for minimizing is realized in the museum’s advocating for the museum. risk to the collections, human commitment to maintain its life, and the museum facility at all accreditation from the AAM. Communications & Marketing times, during regular operations and from unexpected threats and Internal communications are Leadership Council & emergencies. proactive, direct, and honest, aiming Support Groups for transparency and inclusivity by The Leadership Council serves as and among all University of Oregon Management & Governance the museum’s primary advisory and staff and volunteers. External The museum employs strong, fund-raising body of volunteers communications represent the competent leadership that is and helps to ensure the museum’s full range of museum functions financially prudent, encourages artistic quality, educational integrity, and services and are proactive, achievement, and measures and financial strength. museum timely, direct, and engaging, performance against standards members, Exhibition Interpreters, while delivering a clear, consistent of excellence. The university’s and other support groups are message. administration and the museum’s integral to the museum’s ability to Leadership Council are supportive fulfill its mission. Visitor Experience and informed advocates of the museum. The Executive Director The museum aims to provide and senior staff are responsible consistently high-quality programs for developing, implementing, and customer service that enhance reviewing and revising the long- visitors’ on site and online art- range plan with input from the inspired experiences, leading to museum’s constituents, including ongoing engagement with the the Leadership Council. JSMA Year-end Acquistions JSMA Year-end Expense Summary $116,540 Fiscal Year 2017 Earned Revenue4% ProgrRevamsenue & Education Summary $209,923 $287,554 $3,518,515 9% Fiscal Year 2018 5% Total $3,795,067 Membership Curatorial, Marketing & PR CollectionsAnnual Care ,Funds $237,218 DesignatedExhibitions Gifts 8% $982,734Gr ants 32% $1,124,805 Development & Fundraising 30% $116,025Universit y 4% Support, Visitor Services $2,057,239 $151,272 54% 5% Endowment & Administration & Facilities Care, Security Gift Fund Earnings $789,747 $364,864 $403,100 26% 12% 11%

JSMA Year-end Marketing & PR $248,123 Expense SummarEarned Revyenue ProgrJSMAams & Y Educationear-end Fiscal Year 2018$217,553 6% $270,406*Revenue Summary 6% $3,791,455 7% Fiscal Year 2017

MembershipCuratorial, TAcotalquisitions $3,739,866 AnnualCollec Fundstions Care, $297,585 DesignatedExhibitions Gifts 8% Grants $1,490,606 $889,300 Development & 24% 40% UnivFundrersityaising Support, $2,056,238$128,998 55% Visitor Services 3% $158,068 4% Administration & Endowment & Security Facilities Care Gift Fund Earnings $843,209 $576,775$354,460 15% 10% 22% *A US Dept. of Education grant, administered thru the UO College of Education, partially covered sta costs in the amount of $63,000. Contemporary Korean Ceramics September 22, Patron Circle/Mem- February – August 2017 bers/Public Opening Receptions Curated by Anne Rose Kitagawa October 7, The East is Red, lecture by Made possible in part by the Korea artist Hung Liu Foundation October 8, Gallery Tour with Anne Public Programs Rose Kitagawa, faculty, and students Diálogos October 22, How to Conduct a Revolu- March 4 - October 8, 2017 tion with Culture: Some Core Logics of & Exhibitions Curated by Cheryl Hartup China’s Cultural Revolution, 1966-1976, lecture by Professor Laikwan Pang Cuba Ocho November 9, The Politics of Concern: July 1, 2017 – June 30, 2018 September 16, 2016 - October 8, 2017 Global Marxism and Asian Studies in Curated by Jill Hartz and Amelia the Long Sixties, lecture by Profes- Anderson, a second-year MA graduate sor Fabio Lanza student in art history November 12, Politics of the Personal: Mass Messaging in the Mao Era, lecture Art from Tanzania by Alfreda Murck March 18, 2017 -August 6, 2017 December 3, Student-led Gallery Tour Co-curated by Johanna G. Seasonwein, former senior curator of Western art, Conversations in the Round House: in collaboration with Doris Payne, Roots, Roads, and Remembrances professor of linguistics and director (Common Seeing) of the African Studies Program, and September 9, 2017 - February 11, Melissa Graboyes, assistant professor 2018 of African and medical history, Robert Co-curated by Danielle Knapp and H. Clark Honors College Cheryl Hartup with Beth Robinson- Made possible by a JSMA Academic Hartpence (Lenni Lenape) Support Grant September 22, Patron Circle/Mem- bers/Public Opening Receptions Street and Pendulum by James October 5, James Lavadour: Artist’s Nares Talk, UO Department of Art Lecture May 10 - September 3, 2017 Series Curated by Richard Herskowitz January 31, Ka’ila Farrell-Smith Artist’s Made possible by support from the Talk: A Lens on Contemporary Indig- Provost’s Office of Academic Affairs enous Art and Culture February 8, Wendy Red Star: Artist’s Míramé Bien: Portraits of Mexico by Talk, UO Department of Art Lecture Manuel Álvarez Bravo, Paul Strand, Series and Edward Weston June 7, 2017 -January 14, 2018 Barbara MacCallum: Appropriating Curated by Cheryl Hartup Science September 23, 2017 - January 28, Graphic Ideology: Cultural Revolu- 2018 tion Propaganda from China Curated by Jill Hartz July 22 - December 31, 2017 Made possible by the Hartz FUNd for Curated by Anne Rose Kitagawa, with Contemporary Art further research by Professors Roy September 22, Patron Circle/Mem- Chan, Jenny Lin, and Ina Asim and bers/Public Opening Receptions graduate students September 23, Artist’s Talk Exhibition, catalogue, and programs made possible with generous support The Barberini Tapestries: Woven from the WLS Spencer Foundation; Monuments of Baroque Rome the Coeta and Donald Barker Chang- September 23, 2017 - January 21, ing Exhibitions Endowment; the 2018 Harold and Arlene Schnitzer CARE Curated by James Harper, associ- Foundation; the Oregon Arts Com- ate professor, UO History of Art and mission, and the National Endowment Architecture, and Marlene Eidelheit, for the Arts; a federal agency; JSMA director of the Textile Conservation Academic Support grants, and JSMA Laboratory, Cathedral of St. John the members. Divine Made possible with the generous sup- The Pope’s Own Emperor: Pietro da The Long Nineteenth Century in port of the National Endowment for Cortona and the Customized Meaning Japanese Woodblock Prints the Arts, the National Endowment for of the Barberini Life of Constantine November 18, 2017 - July 29, 2018 the Humanities, Alex & Amanda Haug- Tapestries by James G. Harper Curated by Anne Rose Kitagawa land, Dentistry @ The Ten, Sharon Un- Demonstration of the Interactive Made possible in part by a JSMA gerleider, Excelsior Inn and Ristorante Virtual Gesù Project of Pascal-Fran- Academic Support Grant Italiano, and JSMA members çois Bertrand, Université Bordeaux Montaigne, presented by art history AI Weiwei: Circle of Animals/Zodiac September 22, Patron Circle/Mem- graduate student Caroline Phillips Heads bers/Public Opening Receptions Session Two: Baroque Tapestry in December 1, 2017-June 24, 2018. October 1, Curator’s Tour with Profes- America with moderator James G. May 18, Inaugural J. Sanford and Vinie sor James Harper Harper Miller Family Arts of Asia Lecture October 4, The Tapestries of Coptic Turn-of-the-Century American Art in Asian Art: AI Weiwei: A Rhetoric of Egypt, lecture by Nancy Arthur Market for Baroque Tapestry, Strategies Struggle, lecture by Jeff Kelley, art Hoskins & Opportunities, lecture by Charissa critics, author, and curator October 11, Reading, Writing and Bremer-David, J. Paul Getty Museum June 7, Film Screening: Human Flow Collecting in Baroque Rome, lecture by The Barberini Tapestries as Architec- by AI Weiwei Nathalie Hester, associate professor of ture’s Ephemeral Skin: The Case of the Italian and French Cathedral of St. John the Divine, New Morris Graves: Layers of Time October 13, Lunchtime Concert: York City, lecture by Lisa Pon, Southern January 18 - March 18, 2018 Italian Music of the Baroque Period, Methodist University Curated by Keith Achepohl performed by UO graduate students Discussion led by Valerie Soll, Senior January 18, Patron Circle Reception Holly Roberts and Alison Kaufma Textile Conservator, Cathedral of St. January 19, Members/Public Opening John the Divine, New York Reception November 16-17 Symposium: Ba‑ April 11, Design for Living: Morris roque Tapestry and the Rome of the November 29, Student Research Graves and The Lake, lecture by Law- Barberini Presentations rence Fong Made possible with the support of January 10, Where Innovation and the National Endowment for the Technology Meet: The Nexus of Geo- Humanities, the UO College of Design, graphic Technologies and the Arts and Keith Achepohl: Vision of Nature/ the Sally Claire Haseltine Endowment Humanities at UO, http://barberini.uore- Vessel of Beauty in the Department of the History of gon.edu/, lecture by Ken Kato, director, January 20 - April 29, 2018 Art and Architecture, and the Oregon UO GIS and Mapping Program Curated by Jill Hartz and Danielle Humanities Center’s Endowment for January 17, The Baroque Science of Knapp Public Outreach in the Arts, Sciences, Color, lecture by Vera Keller, associate Exhibition and catalog made possible and Humanities professor of history with the generous support of the Coeta and Donald Barker Changing November 16 Mark Clarke and Margaret Coe: Our Exhibitions Endowment; the Harold David Rogers in Concert, Lute and Lives in Paint and Arlene Schnitzer CARE Founda- Theorbo Repertoire: The Music of October 21, 2017 - April 1, 2018 tion; the Oregon Arts Commission and Giovanni Girolamo Kapsberger for Curated by Danielle Knapp, McCosh the National Endowment for the Arts, Francesco Barberini Associate Curator. a federal agency; Philip and Sandra Keynote Address: The Loom of Time: Catalog made possible by a Ford Fam- Piele; Diana Gardener; and JSMA Music and Tapestry in Five Barberini ily Foundation Exhibition Documenta- members Spaces by Frederick Hammond, Bard tion and Support Grant College October 21, Guided Tour and Opening January 18, Patron Circle Reception November 17 Reception January 19, Members/Public Opening Welcome Remarks by Jill Hartz November 19, Beyond the Frame Reception Session One: The Seventeenth Century Members Event January 20, Conversations in the Gal- with moderator Thomas P. Campbell, January 12, Our Lives in Paint, Margaret lery with the artist, curators, Robert Getty Research Institute Coe Gallery Tour and Desiree Yarber (co-directors, The Marquis of Caracena’s Scipio February 9, Curator’s Gallery Tour Morris Graves Foundation) and Cory Ensemble and Collaborative Entre- Gundlach, curator of the arts of Africa, preneurial Action in Brussels Tapestry Hallmarks of Modernism and Taxco Oceania and the Americas, University c. 1660, lecture by Koenraad Brosens, Silver: Selections from the Margo of Iowa Museum of Art University of Leuven Grant Walsh Collection March 7, Members-Only Tour with The Painting and the Palace: Valentin October 21 – summer 2018 Danielle Knapp de Boulogne’s Italia Barberiniana by Curated by Caroline Phillips, graduate Louise Rice, Associate Professor of Art student, History of Art and Architec- History, New York University ture, with Kurt Neugebauer Herman Brookman: Visualizing the Glenn Brown / Transmutations: Made possible with support from the Sacred What’s Old is New Again Cheryl and Allyn Ford Educational February 21 - August 5, 2018 May 18 - August 19, 2018 Outreach Endowment Curated by Kenneth Helphand, Philip Exhibition, catalog, and artist’s visit October 28, Art of the Athlete at H. Knight Professor of Landscape made possible with support from the Autzen Architecture, Emeritus, and Henry Peterson Family Collection November 8, Opening Reception Kunowski, Portland-based architec- June 1, Patron Circle and Members’ tural historian Opening Don’t Touch My Hair: Expressions of Made possible with to a JSMA Aca- Identity and Community demic Support Grant A Decade of Collecting February 23 - May 13, 2018 June 2 - September 2, 2018 Guest-curated by Meredith Lancaster February 24, Herman Brookman: Vi - Made possible with the generous sup- (MA 2015, History of Art and Architec- sualizing the Sacred, lecture by Henry port of the Coeta and Donald Barker ture) and Kristen Clayton (graduate Kunowski Changing Exhibitions Endowment; student, non-profit management), with the Harold and Arlene Schnitzer CARE project collaborator Roderick Hall Discursive February 28 - April 29, 2018 Foundation; the Oregon Arts Commis- Exhibition and programs generously Made possible with funding from sion and the National Endowment for funded by the UO Division of Equity the School of Art + Design and a JSMA the Arts, a federal agency; and JSMA and Inclusion Academic Support Grant members January 10, 11, 12, 16, 17, Community June 1, Patron Circle and Members’ Conversations February 28, Gallery Tour with Artists Opening February 23, Opening Reception April 28, Artist Panel and Printmaking May 2, Community Reflections StudioTour ONGOING COLLECTIONS EXHIBITIONS NewArt Northwest Kids: Nature Weegee’s Grief and Joy: Selections and Art from the Collection Threshold of the Invisible World: May 19, 2018 - September 23, 2018 March 28 - September 9, 2018 Russian Icons from the Collection May 19, Public Opening Reception Curated by Lucy Miller, graduate Curated by post-graduate intern Emily student in the History of Art and Silbergeld, with research by Dr. Johan- Schnitzer Cinema Architecture, under the guidance of na G. Seasonwein, Heghine Hakobyan, Curated by Richard Herskowitz Danielle Knapp and Anastasia Savenko-Moore April 21, Gallery Talk May 6, Galley Tour with Emily Sil- October 18, James Blue: Citizen Blue bergeld with Richard Blue and director Daniel Rodrigo Valenzuela: Work in its Miller place The Materiality of Classical Pottery November 15, The Inner World of Apha- April 25 - August 5, 2018 sia with local filmmakers Edward and Curated by Cheryl Hartup with practi- Curated by Kristen Seaman, assistant professor, Department of the History Naomi Fell cum student Erika Milo (BA, Arts and February 22, Louis Kahn’s Tiger City Administration) of Art and Architecture with filmmaker Sundaram Tagore Made possible with the generous sup- February 7, Lecture by Kenneth Lapa- March 15, Acts and Intermissions with port of the Hartz FUNd for Contempo- tain, Assocaite Curator of Antiquities, J. a Skype Q&A with director Abigail rary Art and additional support from Paul Getty Museum the UO School of Art + Design and Child Upfor Gallery Between East and West: Gandharan April 18, Short Films from the 2017 Art from the JSMA Ashland Independent Film Festival Michael Snow: Solar Breath (North- May 9, Schnitzer Cinema: Wavelength ern Caryatids) From Past to Present: Selected with a Skype conversation with Micha- May 9 - July 22, 2018 Masterworks of Korean Art el Snow May 9, Schnitzer Cinema: Wavelength and a Skype conversation with EDUCATION CORRIDOR SPECIAL LECTURES, Michael Snow EXHIBITIONS PERFORMANCES, AND Made possible with a JSMA Academic EVENTS Support Grant Brilliant and Resilient: Celebrat- Nocturna, Outdoor Family Film Reflections of the Cosmic Web: ing the Power of Disabled Women Intricate Patterns in Daoist Art Activists August 2 May 19, 2018 to April 7, 2019 June 10 - August 27, 2017 Co-curated by UO Chinese History Spanish translation made possible by 20x21 Eugene Walls Artist Reception Professor Ina Asim and Anne Rose Palo Alto Software August 2 Kitagawa Art of the Athlete VI September 2, 2017 - February 4, 2018 Curated by Lisa Abia-Smith First Saturday Tour STUDIO PROGRAMS, CLASSES, Smithsonian Magazine Museum July 1, August 5, September 2, AND FAMILY PROGRAMS Day October 7, November 4, December 2, September 23 January 6, February 3, March 3, April 7, Summer Art Camp May 5, June 2 July 10-14, July 17-21, July 24-28, July Go Ducks! Free Admission Weekend 31-August 4, August 7-11, August 14- September 2-3, September 9-10, Art in the Attic 18, August 21-25, September 30-October 1, October Organized by the Friends of the June 25-29, 2018 7-8, October 28-29, Novembeer 18-19, Museum November 25-26 August 23 Tracing Memories Workshop Sponsored by Imagiantion Internation, Be Our Guest – Thanksgiving Wee- Día de los Muertos Inc. kend Open House November 1 and 2 September 9, October 21, November November 24-26 Co-sponsored by Oak Hill School in 11, December 16 conjunction with the JSMA, MEChA de Art Museum Day UO, Adelante Sí, University of Oregon Madres Club May 19 Office of Equity and Inclusion, el September 9, September 18, October Instituto de Cultura de Guanajuato, el 14, October 23, November 11, No- Blue Star Museums Instituto Estatal de Migrante Guana- vember 20, December 2, December Memorial Day to Labor Day juatense y sus familias 18, January 27, February 24, March 17, April 21, May 26, June 16 Art and Culture Weekend UO Student Date Night June 16-18 Organized by Allen Hall Public Wednesday After-School Art Relations Workshop February 14 October 4 – November 29 Storytelling in Art Conversations with Collectors January 10 – February 28, Nature & Art September 27, Drs. Elizabeth Moyer and Michael Powanda Edison After-School Art Class February 21, Isaac Applbaum and October 5 – November 30 Sundaram Tagore January 11- March 1

Transforming Lives: The JSMA at VSA/Art Access Workshops for 85 Gala children with special needs May 11 The VSA Program is provided under a contract with the John F. Kennedy Museum Roles in Changing Times Center for the Performing Arts May 16, The David and Anne McCosh October 21, November 11, December Memorial Visiting Lecturer Series on 16, January 20, February 17, March 17, Northwest Art: Thoughts on a Museum April 21, May 26, June 16 of Wonder, lecture by Linda Tesner, Director, Ronna and Eric Hoffman Día de la Familia/Family Day Gallery of Contemporary Art, Lewis & Clark College December 9 May 30, On Display: Curating 75 Years of Japanese-American Incarceration, Spring Break Art Camp lecture by Craig Hadley, Director and March 26-30 Curator of Exhibitions and University Collection, Richard E. Peeler Art Center, Family Day: Exploring Art through DePauw University the Senses June 2, Sticky and Elastic: Museums in May 19 Times of Change, lecture by Kristina Durocher, Director, Museum of Art, ANNUAL FREE ADMISSION PRO- University of New Hampshire GRAMS June 6, Tackling Contemporary Is- sues, lecture by Kristian Anderson, Free First Friday Executive Director, Utah Museum of July 7, August 4, September 1, Contemporary Art October 6, November 3, December 1, January 5, February 2, March 2, April 6, Chalk it Up May 4, June 1 May 23 Art Influx: Student Member Apprecia- tion Night Organized by JSMAC COURSES HELD IN THE MUSEUM School of Law Student Orientation AAD 4/510 Lifelong Learning in the Dominick Vetri; August 10, general Arts gallery tour with Danielle Knapp Lisa Abia-Smith; fall 2017 Academic Use WR 121 Writing Composition I ARH 4/510 Inside Museum Exhibits Avinnash Tiwari; August 9, tour of James Harper; fall 2017 Graphic Ideology with Anne Rose Kitagawa AAD 4/530 Youth Arts Curriculum and Methods School of Law Alumni Group Lisa Abia-Smith; winter 2018 Dominick Vetri; September 8, general gallery tour with Danielle Knapp EDST 410 Art and Education Lisa Abia-Smith; spring 2018 ARH 611 Art Historical Theories and Methods ARH 399/ART 399 Making: History, Kristen Seaman; September 25, tour Media, Technique of Cuba Ocho and Conversations in Nina Amstutz and Charlene Liu; the Round House with Cheryl Hartup spring 2018 and Danielle Knapp FACULTY, STAFF AND UNIVERSITY/ ART 233 Drawing I COLLEGE CLASSES & PROGRAMS James Schauer; September 27, class Note: LCC = Lane Community College meeting AAD 252 Art and Gender MKTG 435 Consumer Behavior Julie Voelker-Morris; July 8, class as- Troy Campbell; September 28, tour of signment exhibitions with Cheryl Hartup and Danielle Knapp ARCH 611 Graduate Design Process Juli Brode; July 12, class meeting ARH 300 Critical Approach to Art History Study ARTC 199/255/355 Introduction to Joyce Cheng; October 2, class meet- Ceramics and Top Ceramic Circus ing and instructor-led gallery tour Brian Gillis; July 13, art viewing with Anne Rose Kitagawa COLT 301 Approaches to Compara- tive Literature AAD 251 Arts and Visual Literacy Katy Brundan; October 3, tour of David Turner; July 13, class assign- Diálogos and Mírame Bien with ment Cheryl Hartup ARCH 611 Graduate Design Process SPAN 448 Puerto Rico and its Cem Kayatekin; July 15, class meeting Diaspora Cecilia Enjuto-Rangel; October 4, tour FR 302 Culture et langage of Cuba Ocho and Diálogos in Span- Ana-Maria M’Enesti; July 20, class ish with Cheryl Hartup assignment COLT 211 Art and Tragedy AAD 301 Understanding Arts Robert Moore; October 4, instructor- Julie Voelker-Morris; July 30, off-site led tour of Graphic Ideology art viewing with Debbie Williamson- Smith ARH 4/557 Top Global Asia Jenny Lin; October 4, tour of Graphic AEI Elective 77 Multicultural Ameri- Ideology with Anne Rose Kitagawa can Short Stories and Story Telling Stephina Brewer; August 3, class AEIS 102 Listening and Speaking assignment Laura Jennifer; October 4, general gallery tour with curator AAD 301 Understanding Arts Julie Voelker-Morris; August 9, self- guided gallery tour ART 381 Letterpress ART 233 Drawing I LCC ART 270/272 Traditional Rebecca Childers; October 4, class Wendy Heldmann; October 15, class and Digital Etching, Linocut and assignment assignment Woodcut Susan Lowdermilk; October 25, art SPAN 303 Expresiones Artisticas ARH 353 Modern Art 1880-1950 viewing with Danielle Knapp Heather Quarles; October 5, tour of Joyce Cheng; October 17, class Diálogos and art viewing with Cheryl meeting AAD 525 Museum Ethics Hartup David Turner; October 25, instructor- SPAN 448 Puerto Rico and its led tour of Barberini Tapestries COLT 211 Art and Tragedy Diaspora Robert Moore; October 5, instructor- Cecilia Enjuto-Rangel; October 18, CHN 152 Chinese Popular Culture led tour of Graphic Ideology lecture by Cheryl Hartup Roy Chan; October 26, tour of Graphic Ideology with Anne Rose Kitagawa ANTH 161 Introduction to Cultural HIST 387 Early China Anthropology Ina Asim; October 18, class meet- ITAL 150 Cultural Legacies of Italy Timothy Herrera; October 6, instruc- ing and art viewing with Anne Rose Nathalie Hester; October 26, tour tor-led gallery tour Kitagawa of Barberini Tapestries with James Harper ARTR 245 Introduction to WGS 351 Decolonial Feminisms Printmaking Carolyn Craig; October 18, tour of EDST 4/556 Equal Opportunity: Katherine Spinella; October 11, art Graphic Ideology with Anne Rose Colonization and Genocide viewing with Danielle Knapp Kitagawa and tour of Conversations in Michelle Jacob; October 26, tour of the Round House with Cheryl Hartup Conversations in the Round House CINE 230/ARTD 251/CINE 199 with Danielle Knapp and Cheryl Remixing Media ©ritiquing ©ulture IARC 4/586 Furniture Design Hartup (Freshman Interest Group) Tom Bonamici; October 18, tour Andre Sirois; October 11, tour of Con- of Barberini Tapestries with James SPAN 303 Expresiones Artisticas versations in the Round House with Harper and Kurt Neugebauer Heather Quarles; October 26, class Danielle Knapp and Cheryl Hartup assignment on Mírame Bien CLAS 4/507 Archaeology of Pompeii CHN 607 Cult of Mao Kevin Dicus; October 18, art viewing HC 231H Sources of the Self Roy Chan; October 11, tour of Graphic with Cheryl Hartup Vera Keller; October 30, tour of Rus- Ideology with Anne Rose Kitagawa sian Icons and art viewing with Cheryl J 460 Topic: Leadership Tools Hartup ARCH 201 Introduction to Chris Chavez; October 19, facilitated Architecture discussion with Jill Hartz AAD 425 Ethics in Arts and Museums James Givens; October 11, class David Turner; November 1, facilitated meeting AAD 312 Arts Management discussion with Anne Rose Kitagawa Eleonora Redaelli; October 23, facili- JPN 4/510 Culture of Play in Early tated discussion with Jill Hartz ITAL 201 Italian Language Modern Japan Claudia Ventura; November 1, instruc- Glynne Walley; October 12, art view- IARC 4/586 Furniture Design tor-led tour of Barberini Tapestries ing with Anne Rose Kitagawa Tom Bonamici; October 23, facilitated discussion with Chris White SPAN 150/ENG 280 The Spanish- AAD 199 Portable Life Museum Speaking World in Comics Julie Voelker-Morris; October 12, VTS AAD 301 Understanding Arts David Wacks; November 2, Día de of Conversations in the Round House Scott Huette; October 23, tour of pub- los Muertos art viewing with Cheryl with Sherri Jones and Hannah Bastian lic art with Debbie Williamson-Smith Hartup

ARH 353 Modern Art 1880-1950 AAD 252 Art and Gender ITAL 201 Italian Language Joyce Cheng; October 12, class as- Julie Voelker-Morris; October 24, tour Claudia Ventura; November 4, instruc- signment on Masterworks on Loan of Graphic Ideology with Anne Rose tor-led tour of Barberini Tapestries Kitagawa and Our Lives in Paint with HC 221H HC Literature Danielle Knapp ARH 611 Grad Studies Art History Jody Seasonwein; October 12, class Kristen Seaman; November 6, class assignment CHN 152 Chinese Popular Culture meeting and tour of Barberini Tapes- Roy Chan; October 25, tour of Graphic tries with James Harper ARH 353 Modern Art 1880-1950 Ideology with Anne Rose Kitagawa Joyce Cheng; October 13, class as- ANTH 150 World Archaeology signment on Masterworks on Loan Daphne Gallagher; November 7, art viewing with Anne Rose Kitagawa JPN 4/510 Culture of Play in Early J 454 Public Relations Campaigns ARH 211 Survey of Latin American Modern Japan Connie Chandler; November 14, class Arts Glynne Walley; November 7, art view- assignment with Debbie Williamson- Derek Burdette; November 30, class ing with Anne Rose Kitagawa Smith assignment on Mírame Bien

J 331 Introduction to Digital EALL 209 Languages and Societies LCC ART 131 Introduction to Filmmaking of East Asia Drawing Rebecca Force; November 8, class Kaori Idemaru; November 15, curator- Carrie O’Coyle Richenberg; December assignment with Joey Capadona and led gallery tour and art viewing with 2, class assignment Preparators Anne Rose Kitagawa IARC 4/586 Furniture Design Studio J331 Introduction to Digital RUSS 204 Introduction to Russian Tom Bonamici; December 4, class Filmmaking Literature meeting Rebecca Force; November 9, class as- Katya Hokanson; November 15, signment with Chris White and Anne curator-led tour of Russian Icons and IARC 4/586 Furniture Design Studio Rose Kitagawa curator-led general museum tour Tom Bonamici; December 6, class with Cheryl Hartup meeting WR 121 College Composition I Steve Rust; November 9, self-guided ES 399 Race, Ethics, Justice LAS 211 Top Literature and Power gallery tour of Graphic Ideology Alai Reyes-Santos; November 15, Erin Gallo; January 10, class assign- curator-led tour of Conversations in ment on Mírame Bien J 365 Photojournalism the Round House with Danielle Knapp Torsten Kjellstrand; November 9, class and Cheryl Hartup ART 233 Drawing I assignment with Beth Robinson- James Schauer; January 10, class Hartpence LCC ART 294/295 Watercolor assignment Introduction/Intermediate ANTH 150 World Archaeology Erica Beyer; November 16, art viewing ARH 4/507 Gender, Ethnicity, and Daphne Gallagher; November 9, art and curator-led general gallery tour Status in Greek and Roman Art and viewing with Anne Rose Kitagawa with Danielle Knapp Architecture Kristen Seaman; January 10, curator- LCC ART 282 Landscape Architecture ITAL 319 Survey – 19th and 20th led tour of Conversations in the and Photography Centuries Round House and Mírame Bien with Camilla Dussinger; November 9, class Massimo Lollini; November 21, cura- Cheryl Hartup assignment tor-led tour of the Barberini Tapestries and art viewing with Cheryl Hartup MKTG 435 Consumer Behavior ARH 348 Rome in Age of Bernini Troy Campbell; January 11, class as- James Harper; November 10, curator- ITAL 201 2nd Year Italian signment led tour of Barberini Tapestries Peter Kinzig; November 22, class assignment on Barberini Tapestries IARC 4/584 Interior Architecture American English Institute Studio Misti Williamsen; November 10, HC 231H Honors College History Solmaz Mohammadzadeh Kive; facili- instructor-led gallery tour Roxann Prazniak; November 22, class tated discussion with Kurt Neugebau- assignment on Gandharan exhibit er, curator-led tour of Conversations ITAL 201 2nd Year Italian in the Round House with Danielle Riccardo Sama; November 10, class Graduate School Knapp, tour of basement storage with assignment on Barberini Tapestries Tori Byington; November 29, tour of Chris White Conversations in the Round House ITAL 201 2nd Year Italian with Danielle Knapp and Cheryl ARH 359 History of Photography Nadia Ceccacci; November 10, class Hartup Nina Amstutz; January 14, class as- assignment on Barberini Tapestries signment on Mírame Bien OA Council WR 121 College Composition Will Hatchet; November 30, tour of ARH 101 Global Masterpieces Steve Rust; November 14, curator-led Conversations in the Round House James Harper; January 16, class as- tour of Graphic Ideology with Anne with Danielle Knapp and Cheryl signment Rose Kitagawa Hartup ARH 4/510 Italian Renaissance Villa ITAL 307 Italian Oral Skills JPN 4/510 Culture of Play in Early James Harper; January 16, class as- Claudia Ventura; November 14, Modern Japan signment instructor-led tour of Barberini Glynne Walley; November 30, art Tapestries viewing with Anne Rose Kitagawa MUS 351 Bach and Handel ARH 607 Sem Objects of Protest ARCH 4/540 Human Context of Lori Kruckenberg; January 17, curator- Jenny Lin; February 1, curator-led tour Design led tour of Barberini Tapestries with of Circle of Animals/Zodiac Heads and Jenny Young and Mark Gillem; Febru- James Harper art viewing with Anne Rose Kitagawa ary 14, class meeting with Danielle Knapp and Cheryl Hartup ITAL 318 Survey: Baroque/ ARCH 4/540 Human Context of Enlightenment Design PD 301 Introduction to Design Nathalie Hester; January 17, instruc- Jenny Young and Mark Gillem; Studio tor-led tour of Barberini Tapestries repeated visits in February, class Tom Bonamici; February 15, art view- assignment with assistance from ing with Erin Doerner and Caroline ART 410 Invisible Infrastructure Debbie Williamson-Smith and Kurt Phillips Amanda Wojick; January 17, class Neugebauer assignment J 4/563 Audio Storytelling LCC ARH 209 Arts of Japan Daniel Radcliffe; February 22, class LCC Continuing Education Lenore Snowdon; February 6, art assignment Beth Habian; January 18, curator-led viewing and curator-led tour of tour of Barberini Tapestries and Con- Japanese galleries with Anne Rose HIST 186 Cultures of India versations in the Round House with Kitagawa Arafaat Valiani; February 22, art view- Cheryl Hartup ing with Anne Rose Kitagawa EDST 605 Read Indigenous Study ARH 101 Global Masterpieces Jerry Rosiek; February 7, curator-led J 206 Gateway to Media II James Harper; January 19, class as- tour of Conversations in the Round Charles Butler, February 22, class signment House with Cheryl Hartup assignments with Debbie Williamson- Smith, Sherri Jones and Cheryl Hartup GER 356 German Fairy Tales ARTC 255 Introduction to Ceramics Dorothee Ostmeier; January 24, art Brian Gillis; February 7, class assign- UO Chapter National Society of viewing with Cheryl Hartup ment with assistance from Danielle Leadership and Success Knapp Michelle Miller, February 22, general ART 612 Graduate Critique gallery tour with Danielle Knapp Carla Bengtson; January 25, class JPN 435 Advanced Readings Japa- assignment nese Literature AEIS American English for Yoko O’Brien; February 7, class as- International Students HC 434H Top Art & Film in China signment and self-guided tour of Nicole Eustice; February 23, self- Jenny Lin; January 26, curator-led tour Japanese galleries guided gallery tour of Circle of Animals/Zodiac Heads and art viewing with Anne Rose Kitagawa ANTH 150 World Archaeology J 4/532 Reporting for Electronic Alison Carter; February 8, art viewing Media Science, Environment, and Society with Anne Rose Kitagawa Ed Madison; February 23, class assign- Lab Group: Geography ment on Don’t Touch My Hair Kate Shields; January 26, curator-led WGS 315 History and Development tour of Barbara MacCallum: Appro- of Feminist Theory LCC ART 115 Basic Design priating Science and Keith Achepohl: Kemi Balogun; February 8, curator-led Kathleen Caprario-Ulrich; February 25, Vision of Nature/Vessel of Beauty with tour of Conversations in the Round self-guided gallery tour Danielle Knapp House with Danielle Knapp and Cheryl Hartup AEIS 199 iFIG American English CRWR 230 Introduction to Poetry for International Students College Amanda Cox; January 30, class assign- LAW 607 Sem Art Law Connections ment and self-guided gallery tour Dominick Vetri; February 9, art view- Korey Rice: February 27, curator-led ing and general gallery tour with tour of Circle of Animals/Zodiac J 361 Reporting I Anne Rose Kitagawa Heads with Anne Rose Kitagawa and Lori Shontz; January 31, tour of Con- curator-led tour of Don’t Touch My versations in the Round House with ARTR 347 Intaglio Hair with Kristen Clayton Debbie Williamson-Smith and Beth Noah Breuer; February 13, art viewing Robinson-Hartpence with Danielle Knapp AEIS 199 iFIG American English for International Students College HIST 4/500M Chinese Cities ARTR 245 Introduction to Printmaking Connections Ina Asim; January 31, art viewing with Jack Ryan; February 13, art viewing Angela Dornbusch; February 27, cu- Anne Rose Kitagawa with Danielle Knapp rator-led tour of Circle of Animals/Zo- diac Heads with Anne Rose Kitagawa and self-guided gallery tour WGS 199 Sp St Black Feminist His- ARH 4/507 Greek Sculpture in Cities COLT 232 Literature and Film tory and Landscapes Kenneth Calhoon; May 3, class as- Shoniqua Roach; February 28, class Kristen Seaman; April 6, self-guided signment assignment tour of Circle of Animals/Zodiac Heads and self-guided general gallery SPAN 301 Identidades Hispanas ANTH 4/511 Politics, Ethnicity, and tour Liliana Darwin López; May 3, class Nationalism assignment and self-guided tour of Maria Escallon; February 28, curator- ART 116 Core Interdisciplinary Lab Don’t Touch My Hair led tour of Don’t Touch My Hair with Jessie Rose Vala; April 11, class as- Kristen Clayton signment GEOG 142 Human Geography Olivia Molden; May 3, curator-led tour LCC ART 294/5 Beginning and Inter- ARH 210 Contemporary Asian Art of Rodrigo Valenzuela: Work in its mediate Watercolor and Architecture place and Masterwork on Loan Erika Beyer; March 1, art viewing with Jenny Lin; April 12, class assignment Danielle Knapp WGS 251 Transnational and ARC for Art + Design Freshman Indigenous Feminisms ARH 359 History of Photography Residence Community Carolyn Craig; May 9, curator-led tour Nina Amstutz; multiple visits in March, Colleen Choquette-Raphael; April 18, of Don’t Touch My Hair with Kristen class assignment to view En Noir et facilitated discussion and general gal- Clayton and art viewing with Cheryl Blanc lery tour with Kurt Neugebauer Hartup

ARH 101 Global Masterpieces ARH 206 History of Western Art III ARCH 284 Architectural Design II James Harper; March 6, self-guided Joyce Cheng; multiple visits in April, Javier Bonnin; May 9, lecture and art general gallery tour class assignment on Masterwork on viewing with Anne Rose Kitagawa Loan SPAN 303 Expresiones artísticas HIST 4/587 The Ming and Qing Liliana Darwin López; March 7, self- ARH 354 Contemporary Art Dynasties guided gallery tour of Don’t Touch Kate Mondloch; multiple visits in Ina Asim; May 9, curator-led tour of My Hair April, class assignment on Masterwork Circle of Animals/Zodiac Heads and on Loan art viewing with Anne Rose Kitagawa ARH 101 Global Masterpieces James Harper; March 9, self-guided ARH 358 History of Design ARH 206 History of Western Art III general gallery tour Jenny Lin; April 25, lecture by artist Joyce Cheng; May 10, class assign- Rodrigo Valenzuela ment on En Noir et Blanc HC 434H Global History of Color, 1400-1900 PS 109 Politics, Science and Body ARH 4/507 Art, Work, and Play Vera Keller; March 12, art viewing with Priscilla Yamin; April 26, curator-led Joyce Cheng; May 10, class assign- Anne Rose Kitagawa tour of Don’t Touch My Hair with Kris- ment on En Noir et Blanc ten Clayton and Cheryl Hartup EDST 605 Read Indigenous Study ARH 327 Medieval Art Jerry Rosiek; March 14, curator-led College of Education Maile Hutterer; May 10, class assign- tour of public art on campus with Li-Hsien Yang; April 27, VTS training ment Danielle Knapp with Sherri Jones LCC ARH 208 Arts of China ARTC 354 Industrial Ceramics WGS 101 Introduction to Women’s Lenore Snowdon; May 16, self-guided Brian Gillis; March 14, facilitated dis- and Gender Studies general gallery tour, curator-led tour cussion with Kurt Neugebauer Andrea Herrera; May 1, curator-led of Circle of Animals/Zodiac Heads and tour of Don’t Touch My Hair with art viewing with Anne Rose Kitagawa WGS 101 Introduction to Women’s Kristen Clayton and Gender Studies ARTC 4/510 Capstone Methods and Andrea Herrera; March 15, curator- SPAN 301 Identidades Hispanas Materials led tour of Don’t Touch My Hair with Liliana Darwin López; May 2, class Brian Gillis; May 16, facilitated discus- Kristen Clayton assignment and self-guided tour of sion with Jonathan Smith and Joey Don’t Touch My Hair Capadona, self-guided general gallery UO Counseling Center tour March 22, tour of Don’t Touch My Hair GEOG 142 Human Geography and museum with Kristen Clayton, Olivia Molden; May 3, curator-led tour LCC ART 282 Landscape and Danielle Knapp, and Cheryl Hartup of Rodrigo Valenzuela: Work in its Architectural Photography place and Masterwork on Loan Camilla Dussinger: May 16, instructor- UO ART 233 Beginning Drawing led tour of En Noir et Blanc and James Schauer; April 5, class assignment Weegee’s Grief and Joy LCC ART 270/271 Printmaking, Attendance Woodcut, Traditional and Digital Etching July 2195 Susan Lowdermilk; May 16, art August 3515 viewing with Cheryl Hartup and self- September 4494 guided general gallery tour October 8099 HC 421H Color Autobiography November 6754 Esther Hagenlocher; May 16, curator- December 3212 led tour of Rodrigo Valenzuela: Work in its place and instructor-led general January 5735 gallery tour February 6152 March 4727 ART 233 Drawing I Jack Ryan; May 17, class assignment April 5208 May 6807 SPAN 4/580 Top Haunted Literature June 5302 Mayra Bottaro; May 17, instructor-led gallery tour of Rodrigo Valenzuela: Total attendance: 62,200 Work in its place In addition, the JSMA reached an audience of approximately 100,000 people through AEI IEP ISS86A International Student community events and organizations, Success including the Oregon Asian Celebration, Jessica Lynch; May 18, class assign- Fiesta Cultural, 20x21EUG Mural Project, ment and Art of the Athlete at Autzen. SPAN 303 Expresiones artísticas Online Attendance (website) Juanita Devereaux; May 18, instructor- led tour of Circle of Animals/Zodiac July 4301 Heads, Rodrigo Valenzuela: Work in its August 4284 place and general gallery tour September 4732 JPN 306 Introduction to Japanese October 6403 Literature November 6326 Alisa Freedman; May 23, art viewing December 4366 and curator-led tour of Japanese galleries with Anne Rose Kitagawa January 6578 February 5772 J 463 Top Audio Storytelling March 6212 Damian Radcliffe; May 23, self-guided gallery tour April 5960 May 5753 FHS 407 Sem Suprv Iss Begin June 5733 Matt Jones; May 24, class assignment Total annual users: 66,420 IARC 447 Color Theory and Application Online Engagement Esther Hagenlocher; May 30, class (Electronic Communication assignment and Social Media) ART 116 Core Interdisciplinary Lab E news Subscribers 7063 Christopher Michlig; May 31, self- Facebook 6346 guided tour of Michael Snow: Solar Breath (Northern Caryatids) Instagram 1997 Twitter 3153 JPN 4/537 Classic Jpn Lit Lang YouTube Channel Subscribers 1038 Glynne Walley; June 6, self-guided tour of Japanese galleries YouTube video views 9,867 Total reach: 79,464 ART 233 Drawing I James Schauer; June 27, class assignment ACQUISITIONS 41 x 164 in. 2018:25.21a‑d Dynasties, 2012. Mixed media quadriptych, 48 x 120 in. LARGE GIFTS 2018:25.22a‑d Gifts of Artist Hung Liu and Trillium Sentencing Day, 2012. Mixed media, Collection Graphics/David Salgado 41 x 60 in. 2018:25.23 Hung LIU (LIU Hung), Chinese, b. Heart II, 2012. Mixed media, 60 x 41 in. Activity 1948. Girl and Crane, 2007. Mixed 2018:25.24 media, 41 x 41 in. 2018:25.1a,b Companion II, 2012. Mixed media, 41 x Full Circle, 2008. Mixed media, 26 x 24 41 in. 2018:25.25a,b x 6 in. 2018:25.2a,b Village Portrait: Little Swan, 2012. 12 Months, 2008. Mixed media, each: Mixed media, ed. 5/9, 13 ½ x 10 ½ in. 12 x 12 in. 2018:25.3a‑l 2018:25.26 Polly, 2008. Mixed media, 41 x 41 in. Village Portrait: Children of the Water, 2018:25.4 2012. Mixed media, ed. 5/9, 13 ½ x 10 ¼ in. 2018:25.27 Polly and Her Horses, 2008. Mixed media, 41 x 41 in. 2018:25.5 Village Portrait: Old Uncle, 2012. Mixed media, ed. 1/9, 13 ½ x 12 in. Women in the War ‑ Comfort Women II, 2018:25.28 2008. Mixed media diptych, 41 x 86 in. 2018:25.6a,b Waiting for Rain II, 2012. Mixed media, 41 x 41 in. 2018:25.29 Ox Year (Cow and Girls III), 2009. Mixed media, 41 x 41 in. 2018:25.7 Village Portrait: Painting Landscape, 2012. Mixed media, ed. 5/9, 13 ½ x 10 Red Curtain, 2010. Mixed media in. 2018:25.30 triptych, 60 x 81 in. 2018:25.8a‑c Leaping (Yue), 2012. Mixed media, 41 x Lovefield, 2010. Mixed media, 18 x 36 60 in. 2018:25.31 in. 2018:25.9 Grandma, 2012. Mixed media, ed. Searching for Peng Lai, 2010. Mixed 8/27, 5 x 4 ¼ in. 2018:25.32 media, 28 ¾ x 41 in. 2018:25.10 Spring Thunder, 2012. Mixed media, 41 Boat Trackers, 2010. Mixed media, 41 x x 73 in. 2018:25.33 48 ½ in. 2018:25.11 Village Portrait: Peasant Soldier, 2013. Yellow Flowers, 2010. Mixed media, 41 Mixed media, ed. 1/9, 13 ½ x 10 ½ in. x 41 in. 2018:25.12 2018:25.34 Loveland, 2010. Mixed media triptych, Village Portrait: His Mightiness, 2012. 41 x 81 ½ in. 2018:25.13a‑c Mixed media, ed. 1/9, 13 ½ x 10 ½ in. Wings II, 2011. Mixed media triptych, 2018:25.35 41 x 81 in. 2018:25.14a‑c Apsara V, 2013. Mixed media, 20 ½ x The Party Leads the Way, 2011. 20 ½ in. 2018:25.36 Mixed media diptych, 41 x 82 in. Mission Girls Series 1, 2013. Mixed 2018:25.15a,b media, 13 ½ x 13 ½ in. 2018:25.37 Communism is the Truth I, 2011. Mixed Apsaras, 2013. Mixed media, 60 x 60 media, 41 x 41 in. 2018:25.16 in. 2018:25.38 All the Ancestors, 2011. Mixed media White Rice Bowl, 2014. Mixed media, triptych, 60 x 100 in. 2018:25.17a‑c 60 x 60 in. 2018:25.39 Famine Leftover, 2012. Mixed media, Ma II, 2014. Mixed media, 41 x 41 in. 41 x 41 in. 2018:25.18 2018:25.40 Apsaras, 2012. Mixed media Ayi (Auntie) Study I, 2014. Mixed quadriptych, 41 x 250 in. media, 20 ½ x 20 ½ in. 2018:25.41 2018:25.19a‑d Cruise, 2014. Mixed media triptych, 60 Four Kings, 2012. Mixed media x 96 in. 2018:25.42a‑c diptych, 36 x 119 in. 2018:25.20a,b On the Grass I, 2015. Mixed media, 41 Cycle, 2012. Mixed media quadriptych, x 41 in. 2018:25.43 Fairy Tale ‑ Blue, 2015. Mixed media, 41 Ise no Taifu, Meiji period, ca. 1898. ōban format; ink and color on paper, x 41 in. 2018:25.44 Woodblock print in vertical ōban 10 x 14 ¾ in. 2017:36.14 format; ink and color on paper, 12 ⅞ x Boy and Donkeys, 2015. Mixed media, Yōkihi, from the series Pictures of Nō 9 ¾ in. 2017:36.39 41 x 41 in. 2018:25.45 Plays (Nōgaku zue), Meiji period, 1898. TSUKIOKA Kōgyo, Japanese, Woodblock print in horizontal ōban Portrait I, 2015. Mixed media, 41 x 41 1869‑1927. Rashōmon, from the series format; ink and color on paper, 10 x 14 in. 2018:25.46 Pictures of Nō Plays (Nōgaku zue), Meiji ⅞ in. 2017:36.15 Imperial Column, 2016. Mixed media, period, 1898. Woodblock print in Arashiyama, from the series Pictures of 93 x 82 in. 2018:25.47 horizontal ōban format; ink and color Nō Plays (Nōgaku zue), Meiji period, on paper, 10 x 14 ¾ in. 2017:36.1 Mother, Daughter and River, 2016. 1898. Woodblock print in horizontal Mixed media, 23 x 41 in. 2018:25.48 Hōka‑zō, from the series Pictures of Nō ōban format; ink and color on paper, Plays (Nōgaku zue), Meiji period, 1898. 10 ⅛ x 15 in. 2017:36.16 Fortune Cookies, 2013. Mixed media, Woodblock print in horizontal ōban Set of 20 panels, each 10 x 10 in. Tōru, from the series Pictures of Nō format; ink and color on paper, 10 ⅛ x 2018:25.49a‑t Plays (Nōgaku zue), Meiji period, 1898. 15 in. 2017:36.3 Woodblock print in horizontal ōban Sisterhood, 2016. Mixed media, 41 x Futari Okina (Dual Okina), from the format; ink and color on paper, 10 x 14 41 in. 2018:25.50 series Pictures of Nō Plays (Nōgaku zue), ⅞ in. 2017:36.17 Dandelion with Small Bird, 2017. Mixed Meiji period, 1898. Woodblock print in Yūgao (Twilight Beauty), from the series media, 41 x 41 in. 2018:25.51 horizontal ōban format; ink and color Pictures of Nō Plays (Nōgaku zue), Meiji on paper, 9 ⅞ x 14 ⅝ in. 2017:36.6 Grandma ‑ progressive, 2012. Mixed period, 1898. Woodblock print in media, 10 x 18 in. 2018:25.52 Sotoba Komachi, from the series horizontal ōban format; ink and color Pictures of Nō Plays (Nōgaku zue), Meiji on paper, 10 x 15 in. 2017:36.18 Village Portrait: The Broken Bridge, period, 1898. Woodblock print in 2012. Mixed media, ed. 3/9, 13 ¾ x 10 Fuji (Wisteria), from the series Pictures horizontal ōban format; ink and color ½ in. 2018:25.53 of Nō Plays (Nōgaku zue), Meiji period, on paper, 10 ⅛ x 15 in. 2017:36.7 1899. Woodblock print in horizontal Tribute, 2007. Mixed media, 41 x 41 in. Utsubo‑saru, from the series Pictures of ōban format; ink and color on paper, 2018:25.54 Nō Plays (Nōgaku zue), Meiji period, 10 x 14 ⅞ in. 2017:36.19 Spring Budding, 2012. Mixed media 1898. Woodblock print in horizontal Miidera, from the series Pictures of Nō diptych, 41 x 57 in. 2018:25.55a,b ōban format; ink and color on paper, Plays (Nōgaku zue), Meiji period, 1898. 10 x 14 ⅞ in. 2017:36.8 Woodblock print in horizontal ōban Sekkyō or Ishibashi, from the series format; ink and color on paper, 10 ⅛ x Gifts of Elizabeth D. Moyer & Pictures of Nō Plays (Nōgaku zue), Meiji 14 ⅞ in. 2017:36.20 Michael C. Powanda period, 1898. Woodblock print in Ishigami (Kyōgen), from the series horizontal ōban format; ink and color ASAHI Mio, Japanese, b. 1957. Pictures of Nō Plays (Nōgaku zue), Meiji on paper, 10 x 14 ¾ in. 2017:36.9 Master of the Pteosaur, Heisei period, period, 1898. Woodblock print in 2009. Etching and aquatint; ink and Koi no Omoni, from the series Pictures horizontal ōban format; ink and color color on paper, ed. 19/35, 25 ¼ x 20 ½ of Nō Plays (Nōgaku zue), Meiji period, on paper, 10 x 15 in. 2017:36.21 in. 2017:36.56 1900. Woodblock print in horizontal Su‑utai (Chanting without ōban format; ink and color on paper, You Sing and I Dance, Heisei period, Accompaniment), from the series 10 ⅛ x 15 in. 2017:36.10 2016. Etching and aquatint; ink and Pictures of Nō Plays (Nōgaku zue), Meiji color on paper, ed. 4/35, 32 ¾ x 23 ½ Fujisan, from the series Pictures of Nō period, 1899‑1901. Woodblock print in in. 2017:36.57 Plays (Nōgaku zue), Meiji period, 1901. horizontal ōban format; ink and color OGATA Gekkō, Japanese, Woodblock print in horizontal ōban on paper, 10 ⅛ x 15 in. 2017:36.22 format; ink and color on paper, 9 ⅞ x 1859‑1920. The Screen, from the series Izutsu (Well Curb), from the series 14 ⅝ in. 2017:36.11 Stories of Japan (Yamato monogatari), Pictures of Nō Plays (Nōgaku zue), Meiji Meiji period, ca. 1896. Woodblock Hashitomi, from the series Pictures of period, 1898. Woodblock print in print in horizontal ōban format; ink Nō Plays (Nōgaku zue), Meiji period, horizontal ōban format; ink and color and color on paper, 10 x 14 ¾ in. 1898. Woodblock print in horizontal on paper, 10 x 15 in. 2017:36.23 2017:36.2 ōban format; ink and color on paper, Karafune, from the series Pictures of Nō 10 ⅛ x 15 in. 2017:36.12 Mount Fuji, Meiji period, ca. 1904. Plays (Nōgaku zue), Meiji period, 1898. Woodblock print in horizontal ōban Seiobo, from the series Pictures of Nō Woodblock print in horizontal ōban format; ink and color on paper, 10 ⅛ x Plays (Nōgaku zue), Meiji period, 1898. format; ink and color on paper, 10 x 15 14 ⅜ in. 2017:36.4 Woodblock print in horizontal ōban in. 2017:36.24 format; ink and color on paper, 10 x Urashima Tarō Leaving the Palace Tamakazura, from the series Pictures 15 in. 2017:36.13 Under the Sea, from Gekkō’s of Nō Plays (Nōgaku zue), Meiji Miscellaneous Drawings, Meiji period, Yoshino Tennin, from the series Pictures period, 1898‑99. Woodblock print in 1894. Woodblock print in vertical of Nō Plays (Nōgaku zue), Meiji period, horizontal ōban format; ink and color ōban format; ink and color on paper, 1898. Woodblock print in horizontal on paper, 10 ⅛ x 15 in. 2017:36.25 14 ⅛ x 9 ⅞ in. 2017:36.5 Fujidaiko, from the series Pictures of Nō format; ink and color on paper, 10 x diptych; ink and color on paper, 15 x Plays (Nōgaku zue), Meiji period, 1899. 15 in. 2017:36.37 20 ⅜ in (combined). 2017:36.48a,b Woodblock print in horizontal ōban Bashō (Banana Tree), from the series Kumasaka (The Robber), from the format; ink and color on paper, 10 ⅛ x Pictures of Nō Plays (Nōgaku zue), Meiji series One Hundred Nō Plays (Nōgaku 15 in. 2017:36.26 period, 1898. Woodblock print in hyakuban), Taishō period, 1922‑26. Roppō, from the series Pictures of Nō horizontal ōban format; ink and color Woodblock print in vertical ōban Plays (Nōgaku zue), Meiji period, 1899. on paper, 10 x 14 ¾ in. 2017:36.38 format; ink and color on paper, 15 x Woodblock print in horizontal ōban 10 ⅛ in. 2017:36.49 Ama (Diver), from the series One format; ink and color on paper, 10 x Hundred Nō Plays (Nōgaku hyakuban), Kurama tengu, from the series 14 ⅝ in. 2017:36.27 Taishō period, 1922‑26. Woodblock One Hundred Nō Plays (Nōgaku Uta‑ura (Poetry Divination), from the print in vertical ōban format; ink and hyakuban), Taishō period, 1922‑26. series Pictures of Nō Plays (Nōgaku zue), color on paper, 15 x 10 in. 2017:36.40 Woodblock‑printed vertical ōban Meiji period, 1898. Woodblock print in diptych; ink and color on paper, 15 x Fujidaiko (Fuji’s Drum), from the horizontal ōban format; ink and color 20 ⅜ in (combined). 2017:36.50a,b series One Hundred Nō Plays (Nōgaku on paper, 10 ¼ x 15 ¼ in. 2017:36.28 hyakuban), Taishō period, 1922‑26. Rashōmon, from the series One Tomoakira, from the series Pictures of Woodblock print in vertical ōban Hundred Nō Plays (Nōgaku hyakuban), Nō Plays (Nōgaku zue), Meiji period, format; ink and color on paper, 15 x Taishō period, 1922‑26. Woodblock 1898. Woodblock print in horizontal 10 ⅛ in. 2017:36.41 print in vertical ōban format; ink ōban format; ink and color on paper, and color on paper, 15 x 10 ¼ in. Fujito (The Wisteria Gate, from the 10 x 14 ¾ in. 2017:36.29 2017:36.51 series One Hundred Nō Plays (Nōgaku Taema, from the series Pictures of Nō hyakuban), Taishō period, 1922‑26. Takasago, from the series One Hundred Plays (Nōgaku zue), Meiji period, 1898. Woodblock print in vertical ōban Nō Plays (Nōgaku hyakuban), Taishō Woodblock print in horizontal ōban format; ink and color on paper, 15 x period, 1922‑26. Woodblock‑printed format; ink and color on paper, 9 ⅞ x 10 ¼ in. 2017:36.42 vertical ōban diptych; ink and color 14 ⅝ in. 2017:36.30 on paper, 15 x 20 ½ in (combined). Hachinoki (The Potted Trees), from the 2017:36.52a,b Settai, from the series Pictures of Nō series One Hundred Nō Plays (Nōgaku Plays (Nōgaku zue), Meiji period, 1901. hyakuban), Taishō period, 1922‑26. Tamura, from the series One Hundred Woodblock print in horizontal ōban Woodblock print in vertical ōban Nō Plays (Nōgaku hyakuban), Taishō format; ink and color on paper, 10 ⅛ x format; ink and color on paper, 14 ⅞ x period, 1922‑26. Woodblock print in 15 in. 2017:36.31 11 in. 2017:36.43 vertical ōban format; ink and color on paper, 14 ⅞ x 10 ⅛ in. 2017:36.53 Nishikigi, from the series Pictures of Nō Hashitomi (The Lattice Shutter), from Plays (Nōgaku zue), Meiji period, 1898. the series One Hundred Nō Plays Tsuchigumo (Earth Spider), from the Woodblock print in horizontal ōban (Nōgaku hyakuban), Taishō period, series One Hundred Nō Plays (Nōgaku format; ink and color on paper, 10 x 1922‑26. Woodblock print in vertical hyakuban), Taishō period, 1922‑26. 15 in. 2017:36.32 ōban format; ink and color on paper, Woodblock print in vertical ōban 14 ⅞ x 10 ⅛ in. 2017:36.44 format; ink and color on paper, 14 ⅞ x Ebira, from the series Pictures of Nō 10 ¼ in. 2017:36.54 Plays (Nōgaku zue), Meiji period, 1898. Hanjo (Lady Han), from the series One Woodblock print in horizontal ōban Hundred Nō Plays (Nōgaku hyakuban), Yashima (Yoshitsune and the Battle of format; ink and color on paper, 10 ⅛ x Taishō period, 1922‑26. Woodblock Yashima), from the series One Hundred 14 ⅞ in. 2017:36.33 print in vertical ōban format; ink Nō Plays (Nōgaku hyakuban), Taishō and color on paper, 15 x 10 ⅛ in. period, 1922‑26. Woodblock print in Nomori (Field Keeper), from the series 2017:36.45 vertical ōban format; ink and color on Pictures of Nō Plays (Nōgaku zue), Meiji paper, 14 ⅞ x 10 ¼ in. 2017:36.55 period, 1898. Woodblock print in Hashi Benkei (Benkei on the Bridge), horizontal ōban format; ink and color from the series One Hundred Nō Plays on paper, 10 x 14 ¾ in. 2017:36.34 (Nōgaku hyakuban), Taishō period, Gifts in Memory of Dick Easley 1922‑26. Woodblock print in vertical Teika, from the series Pictures of Nō ōban format; ink and color on paper, with contributions from Ina Asim, Plays (Nōgaku zue), Meiji period, 1898. 14 ¾ x 10 in. 2017:36.46 Robert Carolan & Kathleen Wiley, Woodblock print in horizontal ōban Deborah Casey & John Witte, Joan format; ink and color on paper, 10 ⅛ x Kanawa (The Iron Crown or Tripod), Claffey & Anthony Meyer, Eric & Nancy 14 ⅞ in. 2017:36.35 from the series One Hundred Nō Plays Corneliussen, James Earl and Louise (Nōgaku hyakuban), Taishō period, Shōjō, from the series Pictures of Nō Bishop, Mathews & Sondra Fish, 1922‑26. Woodblock print in vertical Plays (Nōgaku zue), Meiji period, 1898. Greg Fitz‑Gerald & Susan Cox, Mari & ōban format; ink and color on paper, Woodblock print in horizontal ōban Mark Dembrow, Jill Hartz & Richard 15 x 10 ⅛ in. 2017:36.47 format; ink and color on paper, 10 ¼ x Herskowitz, Cecelia & Ronald Head, 14 ⅞ in. 2017:36.36 Kogō (Lady Kogō), from the series Andrea & Ted Heid, Adriana Huyer & One Hundred Nō Plays (Nōgaku Robert Smith, Esther Jacobson‑Tepfer Kamo, from the series Pictures of Nō hyakuban), Taishō period, 1922‑26. & Gary Tepfer, Kazuko & Bong Hyuk Plays (Nōgaku zue), Meiji period, 1898. Woodblock‑printed vertical ōban Kay, Sherrill Kirchhoff, Anne Rose Woodblock print in horizontal ōban Kitagawa & Ian Coleman, John & Benediction, 1938. Etching and Vagrant Breeze, 1935. Etching and Kathy Kitagawa, Diana G. Learner, aquatint on thin cream laid paper, drypoint on wove paper, 150, 12 x 9 in. Calvin & Yi‑Hua Lin, Helen & Yto from an edition of 150, 8 ¼ x 8 ⅜ in. 2017:52.22 Lin, Eugene Liu, Asako Matsumoto, 2017:52.3 Victorian Lace, 1935. Etching and Glenn May & Helen Liu, Duane & Boy Trouble, 1946. Etching, from an drypoint, 10 ¼ x 9 in. 2017:52.23 Maureen Mayhew, Ken McClain & edition of 60, 12 ⅛ x 10 in. 2017:52.4 Maria Bolanos‑McClain, John & Mary Dry Point (Bridge), n.d. Ed. 1/15, 3 x 4 in. Meacham, Larry & Laree Morgensern, Clouds at Rest (alternate title: 2017:52.24 John & Susan Moseley, Dale & Connie “Redwoods”), 1935. Etching and Instruments for Wind, ca. 1941. Etching Mueller, James & Jennifer Newton, drypoint on cream wove paper, and drypoint on cream laid paper, Alice Parman, Karen & Richard from an edition of 40, 14 ⅞ x 10 ⅞ in. artist proof, 10 ⅞ x 8 ⅛ in. 2017:52.25 Pfunder, Chingling & Joel Reed, 2017:52.5 George & Gwen Rhoads, Frank Rossini, Fledgling, 1936. Etching and drypoint Companions, 1935. Etching and Linda & Martin Sage, Deidre & Clinton on wove paper, 12 ⅞ x 10 ¼ in. drypoint on cream laid paper, 9 x 9 in. Sandvick, Ronald Saylor & Pamela 2017:52.26 2017:52.6 Whyte, Howard & Marvy Schuman, Elizabeth Search & Charles Search, Cypress of Monterey (alternative title: Jr., John & Dene Sihler, Craig Starr & “The Dance”), 1941. Etching and Gifts of Mark and Carolyn Foster Sandy Sheetz, Christina Svarverud, drypoint on thin cream laid paper, 8 Esperanza Iglesias Cabrera, Cuban, The Taiwanese Association of Eugene ¼ x 9 in. 2017:52.7 b. ca. 1945. Untitled (Fidel on TV), ca. Oregon, Phillis & Mitch Temple, Fish Harbor, 1931. Etching, ed. 41/75, 2007. Acrylic on scored cardstock, 18 x James & Barbara Walker, Douglas & 10 x 15 in. 2017:52.8 16 in. 2017:47.10 Jean Walker, Akiko & Glynne Walley, ⅞ Charles & Leslie Wright, and Tsuili Wu. Hotei Laughs On, 1936. Etching, Ana Marie Cruz, Cuban. edition of 75, 12 x 9 ⅛ in.. 2017:52.9 Alfabeticemos y Venceremos, 1961. Bound book, 8 ¾ x 6 ⅞ x 1 in. 2017:47.6 La Casita Vieja, n.d. Etching on cream ISHIKAWA Toraji, Japanese, wove paper, edition of 75, 12 X 12 Emeria, Cuban. Cuando El Rio Pasa, 1875‑1964. Reading (Dokusho), from ⅞ ⅞ in. 2017:52.10 1987. Silkscreen on paper, 30 x 20 in. the series Ten Types of Female Nudes 2017:47.8 (Rajo jusshu), Shōwa period, 1935. Memories, 1935. Etching and drypoint Shinhanga woodblock print; ink, on cream laid paper, published by The Eduardo Marín, Cuban. Encuentro de color and mica on paper, 14 ½ x 12 in. Print Makers Society of California, 9 x Grabado 2001, Taller Experimental de 2018:13.1 7 in. 2017:52.11 Grafica, 2001. Print on paper, 28 x 38 ½ in. 2017:47.11 KAWAKAMI Sumio, Japanese, Moods, 1935. drypoint and aquatint 1895‑1972. Nambanesque Bahavior, on paper, from an edition of 75, 9 x 11 OSPAAAL (Organization in Shōwa period, 1945. Sōsaku hanga ⅞ in. 2017:52.12 Solidarity with the People of Asia, woodblock print; ink and color on Africa & Latin America), Cuban, Morning Pattern, 1938. Edition of 150, paper, sheet: 18 ⅝ x 25 ¼ in. 2018:9.2 founded 1966. “Es necesario…” from 9 x 12 in. 2017:52.13 Unidad y antimperialismo en José Martí, UTAGAWA Hiroshige III November, 1939. Etching and aquatint Offset print on paper, 19 x 13 ½ in. (Shigemasa), Japanese, 1842‑1894. on thin laid paper, 75, 11 ½ x 9 in. 2017:47.13a Famous Place of Tokyo, Shimizu‑do 2017:52.14 at Ueno Park: Cherry Blossoms (Tokyo “Que es el arte…” from Unidad y meisho Ueno Kōen Shimizu‑dō Promise of Spring, 1935. 75, 13 x 11 in. antimperialismo en José Martí, hanazakari no shinkei), Meiji period, Gift of Beth Bryant Tucker. 2017:52.15 Offset print on paper, 19 x 13 ½ in. 1880. Woodblock-printed vertical 2017:47.13b Spring, 1932. Etching and drypoint on ōban triptych; ink and color on paper, laid paper, 9 x 12 ½ in. G2017:52.16 “Los que no tienen fe en su tierra…” 14 ¼ x 29 in (combined). 2018:9.1 ⅜ from Unidad y antimperialismo en José South Fork, 1945. Ed. 26/40, 15 x 12 in. Martí Print Portfolio, n.d. Offset print on Gift of Beth Bryant Tucker. 2017:52.17 paper, 19 x 13 ½ in. 2017:47.13c Gifts of Beth Bryant Tucker The Gateway, 1941. Etching and “Las obras magnas de las letras…” from Mildred Bryant Brooks, American, drypoint on thin cream laid paper, ed. Unidad y antimperialismo en José Martí, 1901‑1995. After the Rain, 1936. II 6/10, 12 ¾ x 10 ¾ in. 2017:52.18 n.d. Offset print on paper, 19 x 13 ½ in. Etching and drypoint on cream wove The Last Tree, 1933. Etching and 2017:47.13d paper, ed. 69/75, 13 x 7 ½ in. Gift of drypoint on cream wove paper, ed. Beth Bryant Tucker. 2017:52.1 “Nuestr a Mérica” from Unidad y 100, 11 x 9 ½ in. 2017:52.19 antimperialismo en José Martí, n.d. Among Branches, 1941. Etching The Pines of Monterey, 1935. Etching Offset print on paper, 19 x 13 ½ in. and drypoint on wove paper, from and drypoint on thin cream laid 2017:47.13e an edition of 100, 9 ¼ x 11 ⅜ in. paper, 6 ⅞ x 13 in. 2017:52.20 2017:52.2 “Los pueblos que no se conocen…” from To Aunt Kate’s, 1935. Etching and Unidad y antimperialismo en José Martí, drypoint on cream wove paper, 2nd n.d. Offset print on paper, 19 x 13 ½ in. state ed. 3/100, 8 x 8 ⅞ in. 2017:52.21 2017:47.13f “Injertese en nuestras republicas…” New Edition, first printed 1970. Rafael Enríquez Vega, Aniversario 50th from Unidad y antimperialismo en José Offset print on paper, 19 x 13 ½ in. Anniversary, 2009. Offset print on Martí, n.d. Offset print on paper, 19 x 2017:47.14j paper, 27 x 20 in. 2017:47.17 13 ½ in. 2017:47.13g Rafael Enríquez Vega, Che in star from Rafael Enríquez Vega, Che VIVE, first “La sencillez es la Grandeza” from Che Portfolio: First Edition, first printed printed 1987. Offset print on paper, Unidad y antimperialismo en José 2005. Offset print on paper, 19 x 13 ½ 22 x 17 in. 2017:47.26 Martí, n.d. Offset print on paper, 19 x in. 2017:47.15a Rafael Enríquez Vega, Esta humanidad 13 ½ in. 2017:47.13h Unknown, Hasta la victoria siempre tiene ansias de justicia, n.d. Offset print “De la mano franca…” from Unidad from Che Portfolio: First Edition, n.d. on paper, 26 x 18 in. 2017:47.22 y antimperialismo en José Martí, n.d. Offset print on paper, 19 x 13 ½ in. Rafael Enríquez Vega, Sabra y Chatila, Offset print on paper, 19 x 13 ½ in. 2017:47.15b 1982. Offset print on paper, 19 x 14 ½ 2017:47.13i Jesus Forjans Boade, October 8 Day of in. 2017:47.20 “Trincheras de ideas…” from Unidad the Heroic Guerrilla from Che Portfolio: Rafael Enríquez Vega, Solidaridad con y antimperialismo en José Martí, n.d. First Edition, first printed 1969. Cuba, n.d. Offset print on paper, 27 x Offset print on paper, 19 x 13 ½ in. Offset print on paper, 19 x 13 ½ in. 18 in. 2017:47.19 2017:47.13j 2017:47.15c Olivio Martinez, Cambodia por la Rafael Enríquez Vega, 40 aniversario Alfredo G. Rostgaard, Che silhouette independencia, 1974. Offset print on from Che Portfolio: New Edition, first with flowers from Che Portfolio: First paper, 30 x 19 in. 2017:47.21 printed 2007. Offset print on paper, Edition, first printed 1970. Offset print 19 x 13 ½ in. 2017:47.14a on paper, 19 x 13 ½ in. 2017:47.15d Rafael Morante, Power to the People, George [Jackson], 1971. Offset print on Alfredo G. Rostgaard, Che silhouette Lazaro Abreu Padron, Day of the Heroic paper, 20 x 29 in. 2017:47.27 with flowers from Che Portfolio: New Guerilla October 8 from Che Portfolio: Edition, first printed 1970. Offset print First Edition, first printed 1980. Eladio Rivadulla Pérez, OSPAAAL 30 on paper, 19 x 13 ½ in. 2017:47.14b Offset print on paper, 19 x 13 ½ in. Aniversario 1966‑1996, 1996. Offset 2017:47.15e print on paper, 26 x 20 in. 2017:47.24 Rafael Morante Boyerizo, Che with flag from Che Portfolio: New Edition, first Rafael Enríquez Vega, Che looking up Rene Portocarrero, Soy Cuba from printed 1987. Offset print on paper, from Che Portfolio: First Edition, first 12 Carteles Cubanos de Cine, 1964. 19 x 13 ½ in. 2017:47.14c printed 1985. Offset print on paper, Silkscreen print on paper, 19 x 13 ½ in. 19 x 13 ½ in. 2017:47.15f 2017:47.28a Rafael Enríquez Vega, Che with radio from Che Portfolio: New Edition, first Alfredo G. Rostgaard, Rainbow Che Unknown, Memorias del Subdesarrollo printed 1978. Offset print on paper, from Che Portfolio: First Edition, first from 12 Carteles Cubanos de Cine, n.d. 19 x 13 ½ in. 2017:47.14d printed 1969. Offset print on paper, Silkscreen print on paper, 19 x 13 ½ in. 19 x 13 ½ in. 2017:47.15g 2017:47.28b Rafael Enríquez Vega, Che looking up from Che Portfolio: New Edition, first Rafael Morante Boyerizo, Che with flag René Azcuy, Besos Robados from printed 1985. Offset print on paper, from Che Portfolio: First Edition, first 12 Carteles Cubanos de Cine, 1970. 19 x 13 ½ in. 2017:47.14e printed 1987. Offset print on paper, Silkscreen print on paper, 19 x 13 ½ in. 19 x 13 ½ in. 2017:47.15h 2017:47.28c Tomas Rodriquez (Tomy), Che on chest from Che Portfolio: New Edition, first Rafael Enríquez Vega, 40th aniversario Servando Cabrera Moreno, Retrato de printed 1997. Offset print on paper, from Che Portfolio: First Edition, first Teresa from 12 Carteles Cubanos de 19 x 13 ½ in. 2017:47.14f printed 2007. Offset print on paper, Cine, 1978. Silkscreen print on paper, 19 x 13 ½ in. 2017:47.15i 19 x 13 ½ in. 2017:47.28d Jesus Forjans Boade, October 8 Day of the Heroic Guerrilla from Che Portfolio: Rafael Enríquez Vega, Che VIVE from Eduardo Muñoz Bachs, El Bohio from New Edition, first printed 1969. Che Portfolio: First Edition, first printed 12 Carteles Cubanos de Cine, 1985. Offset print on paper, 19 x 13 ½ in. 1987. Offset print on paper, 19 x 13 ½ Silkscreen print on paper, 19 x 13 ½ in. 2017:47.14g in. 2017:47.15j 2017:47.28e Olivio Martinez Viera, October 8 Unknown, “Con los pobres de la tierra Eduardo Muñoz Bachs, Por Primera Day of the Heroic Guerrilla from Che quiero mi suerte echar,” n.d. Offset Vez from 12 Carteles Cubanos de Cine, Portfolio: New Edition, first printed print on paper, 25 x 18 in. 2017:47.16 1968. Silkscreen print on paper, 19 x 1978. Offset print on paper, 19 x 13 ½ 13 ½ in. 2017:47.28f Gladys Acosta, Asalto a la historia, in.2017:47.14h 1993. Offset print on paper, 23 x 16 in. Antonio Fernandez Reboiro, Che Alfredo G. Rostgaard, Rainbow Che 2017:47.23 comandante amigo from 12 from Che Portfolio: New Edition, irst Carteles Cubanos de Cine, 1978. Gladys Acosta, ¡No a la base naval de printed in 1969. Offset print on paper, Silkscreen print on paper, 19 x 13 ½ Guantanamo!, 1993. Offset print on 19 x 13 ½ in. 2017:47.14i in.2017:47.28g paper, 23 x 15 in. 2017:47.25 Lazaro Abreu Padron, October 8 Day of Eduardo Muñoz Bachs, Cine Movil ICAIC Alberto Blanco, Presente [Portrait of the Heroic Guerrilla from Che Portfolio: from 12 Carteles Cubanos de Cine, Augusto César Sandino], 1991. Offset 1969. Silkscreen print on paper, 19 x print on paper, 28 x 18 in. 2017:47.18 13 ½ in. 2017:47.28h Eduardo Muñoz Bachs, Aventuras John Yeon, Silver Gelatin Print, paper: Barry Lopez, Silver Gelatin Print, paper: de Juan Quinquin from 12 Carteles 14 x 11 in. 2018:24.12 15 ½ x 15 ⅜ in. 2018:24.37 Cubanos de Cine, 1967. Silkscreen Frederic Littman, Silver Gelatin Print, LaVerne Krause, 1977. Silver Gelatin print on paper, 19 x 13 ½ in. paper: 14 x 11 in. 2018:24.13 Print, paper: 10 ½ x 10 ½ in. 2018:24.38 2017:47.28i Lucinda Parker, Silver Gelatin Print, LaVerne Krause, 1977. Silver Gelatin Eduardo Muñoz Bachs, niños paper: 14 x 11 in. 2018:24.14 Print, paper: 10 ½ x 10 ½ in. 2018:24.39 desaparecidos, missing children from 12 Carteles Cubanos de Cine, 1985. Lucinda Parker, Silver Gelatin Print, Silkscreen print on paper, 19 x 13 ½ in. paper: 14 x 11 in. 2018:24.15 Gifts from Jan and Erik Sandrgren 2017:47.28j Louis Bunce, Silver Gelatin Print, paper: and Bill Rhoades Eduardo Muñoz Bachs, vampiros en la 14 x 11 in. 2018:24.16 Nelson Sandgren, American, habana from 12 Carteles Cubanos de Frederic Littman, Silver Gelatin Print, 1917‑2006. River Reflections #2, 1960. Cine, 1985. Silkscreen print on paper, paper: 14 x 11 in. 2018:24.17 Lithograph, tusche washes; ed.7/8, 19 x 13 ½ in. 2017:47.28k image:10 ¼ x 28 ¾ in.; sheet: 12 ½ x 33 John Stahl, Silver Gelatin Print, paper: Raúl Martínez González, Lucia from in. 2017:42.2 14 x 11 in. 2018:24.18 12 Carteles Cubanos de Cine, 1968. At Bandon, ca. 1982. Lithograph, Silkscreen print on paper, 19 x 13 ½ in. Henk Pander, Silver Gelatin Print, tusche washes ‑ printed on a toned 2017:47.28l paper: 14 x 11 in. 2018:24.19 ground; artist proof, image: 15 ¾ x 21 Unknown, Cuban. “Aniversario 50 del Harry Widman, Silver Gelatin Print, ¼ in.; sheet: 18 ⅜ x 24 in. 2017:42.3 triunfo…Aniversario 30 del triunfo…”, paper: 14 x 11 in. 2018:24.20 Sea Bands, ca. 1958. Lithograph, citho 2009. Offset print on paper, 28 x 18 in. Frank Boyden_, Silver Gelatin Print, crayon and tusche; ed.10/12, image: 2017:47.12 paper: 14 x 11 in. 2018:24.21 17 ⅝ x 23 ⅝ in.; sheet: 21 x 26 in. Territorio Libre De Analfabetismo, ca. 2017:42.4 Ken Kesey, Silver Gelatin Print, paper: 1961. Silkscreen on fabric, 21 ½ x 32 14 x 11 in. 2018:24.22 Spring Freshet, n.d. Watercolor, image: in. 2017:47.7 22 ½ x 30 in. 2017:42.29 Charles Heaney, Silver Gelatin Print, Salvemos a Elian, 1999‑2000. Offset paper: 14 x 11 in. 2018:24.23 There is Always the Other One, 1949. print, 25 x 17 in. 2017:47.9 Lithograph, crayon; image: 12 ½ x 11 Charles Heaney, Silver Gelatin Print, ¾ in.; sheet: 18 ⅞ x 15 ½ in. 2017:42.5 paper: 14 x 11 in. 2018:24.24 Gifts of Robert Miller and Bill Tulum By the Sea (Quintana Roo), Jay Backstrand, Silver Gelatin Print, Rhoades 1965. Lithograph, tusche washes and paper: 14 x 11 in. 2018:24.25 zincograph; ed. 16/45, image: 15 x 20 Robert Miller, American, b. 1948. Hilda Morris, Silver Gelatin Print, in.; sheet: 20 x 23 in. 2017:42.6 Jan Zach, Silver Gelatin Print, paper: paper: 14 x 11 in. 2018:24.26 14 x 11 in. 2018:24.1 Bildnis von Erich Mönch ‑ The German Carl Morris, Silver Gelatin Print, paper: Cowboy, 1968. Lithograph, litho Frederic Littman, Silver Gelatin Print, 14 x 11 in. 2018:24.27 crayon; artist proof, image: 16 x 21 in.; paper: 14 x 11 in. 2018:24.2 sheet: 20 ⅛ x 23 ⅝ in. 2017:42.7 Ed Edmo, Silver Gelatin Print, paper: 14 Ken Kesey, Silver Gelatin Print, paper: x 11 in. 2018:24.28 Space Umbilical, 1969. Lithograph, 14 x 11 in. 2018:24.3 asphaltum technique ‑ 8‑10 color runs; Christine Bourdette, Silver Gelatin Manuel Izquierdo, Silver Gelatin Print, ed. 4/6, image: 21 ⅝ x 15 ¼ in.; sheet: Print, paper: 14 x 11 in. 2018:24.29 paper: 14 x 11 in. 2018:24.4 25 ⅛ x 18 ⅜ in. 2017:42.8 Saley Haley, Silver Gelatin Print, paper: Lee Kelley, Silver Gelatin Print, paper: Moratorium Day (October 15 1969), 14 x 11 in. 2018:24.30 14 x 11 in. 2018:24.5 1969. Lithograph, tusche washes and George Green, Silver Gelatin Print, acid bitten tusche; image: 15 ½ x 21 ½ Virginia Haseltine, Silver Gelatin Print, paper: 14 x 11 in. 2018:24.31 in.; sheet: 19 x 25 in. 2017:42.9 paper: 14 x 11 in. 2018:24.6 Kiva, Silver Gelatin Print, paper: 15 x Untitled [River Bank in Winter ‑ Alsea Michelle Russo, Silver Gelatin Print, 18 ¾ in. 2018:24.32 Winter], 1969. Lithograph, image: 11 x paper: 14 x 11 in. 2018:24.7 14 in.; sheet: 13 x 16 ¾ in. 2017:42.10 Machine Parts, Silver Gelatin Print, Gordon Gilkey, Silver Gelatin Print, paper: 15 ¼ x 19 in. 2018:24.33 Crucifixion, 1963. Lithograph, crayon; paper: 14 x 11 in. 2018:24.8 ed. 20/45, image: 33 x 18 ¼ in.; sheet: Paint, Silver Gelatin Print, paper: 13 ¾ Betty Feves, Silver Gelatin Print, paper: 40 x 26 in. 2017:42.11 x 18 in. 2018:24.34 14 x 11 in. 2018:24.9 Beach Genre, 1962. Lithograph, crayon Mannequins, Silver Gelatin Print, Betty Feves, Silver Gelatin Print, paper: ‑ one of three editions developed as paper: 15 ¼ x 15 in. 2018:24.35 14 x 11 in. 2018:24.10 ⅛ variations on this subject matter; ed. Street Scene, Silver Gelatin Print, 42/45, image: 17 ¼ x 34 in.; sheet: 21 ½ Manuel Izquierdo, Silver Gelatin Print, paper: 8 ¾ 13 in. 2018:24.36 x 36 ¾ in. 2017:42.12 paper: 14 x 11 in. 2018:24.11 ⅛ Untitled [Malaga, Spain], 1965. Untitled [three figures], 1948. KIM Yik‑yung, Korean, b. 1935. Lithograph, crayon with rubbing Lithograph, crayon; from an edition of Candlesticks (Chotdae), Republic of crayon and zincographic ink with 10, image: 13 ½ x 7 ¾ in.; sheet: 16 x Korea (1945‑present). Porcelain, each: razor/blade scraping; ed.3/12, image: 11 ¼ in. 2017:42.27 4 x 4 ¼ in. Gift of John and Kyungsook 26 x 19 ¾ in.; sheet: 24 ½ x 30 ⅝ in. Gregor. 2017:49.14a,b Pueblo, ca. 1950. Lithograph, litho 2017:42.13 crayon with blade scrapings and LEE, Steven Young, Untitled [abstraction], n. d. Lithograph, possibly penned tusche; image: 9 Korean‑American, b. 1975. Vase with asphalt technique with multiple color ¾ x 13 ¾ in.; sheet: 12 ⅛ x 14 ⅞ in. Clouds and Butterflies, 2016. Porcelain, runs; image: 25 ½ x 20 in.; sheet: 29 ¾ 2017:42.28 cobalt inlay, gold luster, glaze, 22 x 22 ⅛ in.. 2017:42.14 x 9 x 9 in. Farwest Steel Korean Art Erik Sandgren, American, b. 1952. Endowment Fund Purchase. 2017:45.1 Roman Soldier, ca. 1975. Lithograph, Fishermen: Sun and Mist, 2004‑2016. color asphalt technique; ed.6/6, Acrylic on panel, framed: 27 X 51 in.; Jar with Flying Tigers, 2017. Porcelain, image: 20 ¾ x 26 ¾ in.; sheet: 24 ½ x panel: 24 X 48 in. Donated by Jan cobalt pigment, glaze, 15 x 15 in. 29 ½ in. 2017:42.15 and Erik Sandgren, and Bill Rhoades. Farwest Steel Korean Art Endowment 2017:42.1 Fund Purchase. 2017:46.1 Winter, ca. 1963. Lithograph, ed.5/?, image: 20 ½ x 31 ¼ in.; sheet: 24 ¼ x David McCosh, American, 1903‑81. Unknown, Chinese. Carpet with 34 ¼ in. 2017:42.16 Juniper Highlands (near Bend, OR), Bird‑and‑Flower Design and Brown 1977. Watercolor painted on toned Border, ca. 1980. Silk, 24 x 18 in. Gift Intruding Sea, n.d. Lithograph, printed ground, image: 20 ½ x 28 ½ in.; sheet: of Arthur and Aileen Guy McNett. on German Etching Paper; ed.28/50, 22 ¼ x 30 in. 2017:42.30 2017:33.1 image: 16 x 21 ¾ in.; sheet: 21 ⅛ x 30 in. Donated by Jan and Erik Sandgren, Still Life with Egg Cup, ca. 1980. Pitcher with Sunflower Design and and Bill Rhoades. 2017:42.17 Watercolor, sheet: 22 x 30 in. Inscription reading “Political Work is 2017:42.31 the Lifeline of All Economic Work – Mao Untitled [The Floaters], 1998. Zedong” (Zhengzhi gongzuo shi yiqie Lithograph, color asphalt technique; Owyhee Canyon, 1982. Watercolor, 20 jingji gongzuo de shengming xian – artist Proof, image: 14 ½ x 21 ¼ in.; ⅛ x 27 ¾ in. 2017:42.32 Mao Zedong), People’s Republic of sheet: 18 x 24 ⅛ in. 2017:42.18 Emerging Headland (Cummins China, 1966‑72. Glazed porcelain, 3 ¾ Columbia Gorge, n.d. Lithograph, Creek south of Cape Perpetua), n.d. in. Gift of Alfreda Murck. 2017:50.1 tusche washes; ed.1/20, image: 16 Watercolor. Donated by Jan and Tray with Inscription reading “For the ¾ x 22 ¼ in.; sheet: 20 ¾ x 29 in. Erik Sandgren, and Bill Rhoades. Party, I Am Not Afraid of Entering a 2017:42.19 2017:42.33 Mountain of Knives or a Sea of Fire; Mount Washington, 1981. Lithograph, Untitled [Figures on a Beach ‑ Central For the Party, I Am Most Willing to litho crayon; edition of 20, image: 21 Oregon Coast], ca. 1985. Watercolor, Sacrifice Myself – Wang Jie” (Weile ⅞ x 16 ¼ in.; sheet: 25 ⅛ x 20 ½ in. 21 ⅞ x 28 ½ in. 2017:42.34 dang, wo bupa jin daoshan ru huohai, 2017:42.20 weile dang, napa fenshen suigu woye The Quiet Aegean at Naoussa (Island of xingan qingyuan – Wang Jie), People’s Liberator, n. d. Lithograph, tusche Paros), 1990. Watercolor, 15 x 22 ½ ⅛ Republic of China, 1960s. Glazed washes; ed.14/14, image: 12 ½ x 21 ½ in. 2017:42.35 porcelain, 10 ¼ in. Gift of Alfreda in.; sheet: 17 ⅜ x 24 in. 2017:42.21 Parkside Gardener ‑ alt. title ‑ Forest Murck. 2017:50.2 Self Portrait, 1971. Lithograph, litho Walk, ca. 1998. Oil on panel, image: 36 Tray with Rising Sun and Sunflower crayon; ed. no 8, image: 24 ½ x 16 in.; x 48 in. 2017:42.36 Design and Inscription reading sheet: 29 ⅝ x 20 ⅞ in. 2017:42.22 I Have Seen This Many Times, ca. “Respectfully Wishing Chairman Strike, n. d. Lithograph, tusche 1990’s. Oil on linen, framed: 50 x 69 in. Mao Eternal Life” (Jingzhu Mao zhuxi washes; artist proof, image: 16 ⅜ x 21 2017:42.37 wanshou wujiang), People’s Republic ⅛ in.; sheet: 21 ⅛ x 25 ½ in. 2017:42.23 of China, n.d. Glazed porcelain, 10 ¼ Richard Thompson, American, b. in. Gift of Alfreda Murck. 2017:50.3 Sand Feeding, 1987. Lithograph, one 1945. Spring Like Summer, 1991. Oil of a series of seven prints with varied on canvas, 66 x 54 in. 2017:32.1 Tray with Landscape Design and color, image: 21 ¾ x 16 ¼ in.; sheet: 26 Inscription reading “Great Scenery of a x 19 ⅞ in. 2017:42.24 Vast Land, Spring Across Ten‑Thousand Miles of Lakes and Mountains” (Dadi Winter Gatherers, 1967. Lithograph, ASIAN: DECORATIVE ARTS fengguang hao, hushan wanli chun), tusche washes, crayon and People’s Republic of China, 1950s zincographic ink; artist proof, image: or post Cultural Revolution revival. 15 ½ x 22 in.; sheet: 22 x 30 in. KIM Myungjin, Korean, b. 1975. Glazed porcelain, 9 ⅞ in. Gift of 2017:42.25 Moon Jar (Dal‑hangari), 2016. Porcelain, underglaze, 16 x 13 in. Gift Alfreda Murck. 2017:50.4 Nesting Moon, n. d. Lithograph, color of KIM Myungjin. 2017:43.1 Lidded Mug with Landscape Design and ‑ crayon and zincograph; ed.8/14, Inscription reading “Clothed in Green image: 10 ¼ X 16 ¼ in.; sheet: 13 ¼ X Still Life Vessel ‑ East, 2017. Porcelain, just Emerging: Spring in Jiangnan/ 18 in. 2017:42.26 underglaze, 13 ½ x 8 ⅝ x 8 ¼ in. Gift of KIM Myungjin. 2017:43.2a,b Light Sails off Distant Shore: a Journey of Ten‑Thousand Li” (Lü yi chufa Bottle (Byeong) with Abstract Floral Jeju Island Jar Basket (Gudeok), 20th Jiangnan chun, yuan pu qingfan wanli Design, Joseon dynasty, 15th‑16th century. Woven bamboo, 10 ⅝ x 16 x cheng), People’s Republic of China, century. Buncheong ware; light 19 ½ in. Gift of John and Kyungsook 1976‑78. Glazed porcelain, to rim: 3 ¾ gray stoneware with pale celadon Gregor. 2017:49.27 in. Gift of Alfreda Murck. 2017:50.5a,b glaze over decoration painted in Grain Basket (Baguni), 20th century. iron‑brown slip on the white‑slip Tray with Abundant Grain and Woven straw, colored fabric, 17 ½ x 24 ground, 8 ⅝ x 6 ¾ in. Gift of John and Vegetable Design and Inscription in. Gift of John and Kyungsook Gregor. Kyungsook Gregor. 2017:49.15 reading “People’s Communes are 2017:49.28 Good” (Renmin gongshe hao), People’s Faceted Blue‑and‑White Bottle Unknown, Sarouk. Carpet with Republic of China, 1966. Vitreous (Baekja‑cheonghwa‑byeong) with Stylized Floral Design on Blue Ground enamel, 12 ⅝ in. Gift of Alfreda Murck. Floral Design, Joseon dynasty, late and Red Floral Border, ca. 1940. Silk, 48 2017:50.6 19th‑early 20th century. Porcelain x 26 in. Gift of Arthur and Aileen Guy with underglaze blue decoration, Bowl with Five‑Pointed Red Star Design McNett. 2017:33.2 9 ⅞ x 5 ¼ x 5 ¼ in. Gift of John and and Inscription reading “Support the Kyungsook Gregor. 2017:49.16 Army, Cherish the People” (Yongjun aimin), People’s Republic of China, Onggi Vessel (Onggi), 20th century. 1969. Vitreous enamel, 7 ⅜ in. Gift of Earthenware with blackish‑brown ASIAN: FURNITURE Alfreda Murck. 2017:50.7 glaze, 9 ½ x 10 ¼ in. Gift of John and Kyungsook Gregor. 2017:49.17 Washbasin with Design of Red Lanterns Unknown, Chinese. Round Mirror Inscribed “The People’s Communes Celadon Bowl (Wan) with Floral with Sun, Ship and Ocean Design and are Good” (Renmin gongshe hao) and Design, Goryeo dynasty, 12th century. Inscription reading “We Rely on the “Provident Harvest” (Fengshou) above Stoneware with pale bluish‑gray glaze Helmsman to Sail the Sea; To Undertake Wheat Fields and Red Flags, People’s over molded decoration, 3 ⅝ x 7 ¼ in. Revolution We Rely on Mao Zedong Republic of China, 1969. Vitreous Gift of John and Kyungsook Gregor. Thought” (Dahai hangxing kao duoshou enamel, 14 ⅛ in. Gift of Alfreda Murck. 2017:49.18 gan geming kao Mao Zedong sixiang) 2017:50.8 and Verso with Women Harvesting White Bowl (Bal), 20th century. Cotton, People’s Republic of China, Hot Water Flask with Plum Blossom Porcelain with clear glaze, 4 x 6 ⅞ in. 1966‑71. Glass, wood, metal nails, Design and Inscription reading “Plum Gift of John and Kyungsook Gregor. hemp hanging cord, 15 ½ in. Gift of Blossoms Welcome the Whirling 2017:49.19 Alfreda Murck. 2017:50.10 Snow; Small Wonder that Flies Freeze Pedestal Dish (Gubdari‑jeobsi) Base, and Perish” (Meihua huaxi man tian Unknown, Korean. Lamp Stand and Three Kingdoms period (Gaya), early xue, dongsi cangying wei zu qi), Ceramic Oil Lamp (Deungkyeong), 20th 6th century. Earthenware, 2 ⅞ x 5 ½ in. People’s Republic of China, 1966‑76. century. Carved wood, 31 ½ x 9 ½ x Gift of John and Kyungsook Gregor. Aluminum, glass, and Styrofoam 9 ½ in. Gift of John and Kyungsook 2017:49.20 cork, 15 x 4 in. Gift of Alfreda Murck. Gregor. 2017:49.9 2017:50.9a,b Covered Basket (Gori), 20th century. Osier, 7 x 17 ½ x 15 ½ in. Gift of John Unknown, Kashan. Carpet, ca. 1920. and Kyungsook Gregor. 2017:49.21 Silk, 43 x 27 in. Gift of Arthur and ASIAN: CALLIGRAPHY Aileen Guy McNett. 2017:33.3 Circular Basket (Baguni), 20th century. Woven bamboo, 6 ½ x 15 ¼ in. Gift AND PRINTS Unknown, Korean. Lacquer of John and Kyungsook Gregor. Engagement Box (Sangja), 20th 2017:49.22 century. Lacquer on wood with CHEN Yanning, Chinese, b. 1945. mother‑of‑pearl inlay, 11 ⅞ x 9 ¾ x Oval Basket (Baguni), 20th century. Chairman Mao Inspects the Countryside 2 ⅝ in. Gift of John and Kyungsook Woven bamboo, 6 ½ x 18 ¼ x 15 ¼ in. of Guangdong (Maozhuxi shicha Gregor. 2017:49.10 Gift of John and Kyungsook Gregor. Guangdong nongchun), People’s 2017:49.23 Republic of China, 1972. Lithograph; Pipe (Dambaetdae), 20th century. ink and color on paper, 21 x 30 ⅜ in. Bamboo with white brass fittings, 22 Jeju Island Baby Basket (Aegi‑gudeok), Anonymous Gift. 2017:53.4 ¾ x ¾ in. Gift of John and Kyungsook 20th century. Woven bamboo, 9 ¼ Gregor. 2017:49.11 x 17 ½ x 29 ¼ in. Gift of John and HAMANISHI Katsunori, Japanese, Kyungsook Gregor. 2017:49.24 b. 1949. Untitled [JSMA Campbell Bowl for Making Rice Cakes (Dogori) Courtyard with Gertrude Bass Warner from Jeju Island, 20th century. Carved Jeju Island Baby Basket (Aegi‑gudeok), quotation], Heisei period, 2018. wood, 14 ¼ x 24 ¼ x 4 ¼ in. Gift 20th century. Woven bamboo, 10 x 15 Mezzotint with etching and relief; ink of John and Kyungsook Gregor. x 27 ½ in. Gift of John and Kyungsook and color on paper with sprinkled 2017:49.12 Gregor. 2017:49.25 gold, ed. 1/50, 8 ½ x 6 ⅛ in. Gift of Covered Rice Bowl (Jubal) with Grain Sifter (Key), 20th century. HAMANISHI Katsunori. 2018:27.1 Characters for Longevity, Welfare, Reed, wood, 6 ⅝ x 22 ¾ x 23 ¾ in. Health and Peace (Su, Bok, Gang, Gift of John and Kyungsook Gregor. Nyeong), 20th century. Silver or 2017:49.26 silver‑plated brass, 2 ¾ x 5 ½ in. Gift of John and Kyungsook Gregor. 2017:49.13 Untitled [JSMA Campbell Courtyard (framed). Gift of the Jack and Susy China, 1979. Lithograph; ink and color with Gertrude Bass Warner quotation], Wadsworth Collection of Japanese on paper, 20 ¾ x 30 ¼ in. Anonymous Heisei period, 2018. Mezzotint with Prints. 2018:23.3 Gift. 2017:53.7 etching and relief; ink and color on Way Nara, Shōwa period, 1960. Sōsaku paper with sprinkled gold, ed. TP, 8 ½ hanga woodblock print; ink and x 6 ⅛ in. Gift of HAMANISHI Katsunori. color on paper, ed. 83/200, 29 x 23 2018:27.2 ASIAN: PAINTINGS in (framed). Gift of the Jack and Susy JUNG Do‑jun (So‑hyun), Korean, Wadsworth Collection of Japanese b. 1948. Zen (Korean Seon), Republic Prints. 2018:23.4 AHN Seongmin, Korean, b. 1971. of Korea, 2016. Calligraphic hanging Aphrodisiac_10, 2017. Minhua (folk) Shōji (C), Shōwa period, 1960. Sōsaku scroll in Chinese characters and painting; ink and color on mulberry hanga woodblock print; ink and color Korean Hangeul script; ink on paper, paper, 36 x 24 in. Farwest Steel Korean on paper, ed. 8/200, 23 ¾ x 28 ¾ in 106 ¼ x 40 ½ in. Gift of JUNG Do‑jun. Art Endowment Fund Purchase. (framed). Gift of the Jack and Susy 2018:12.1 2018:4.1 Wadsworth Collection of Japanese From the Origin (Taechorobuteo Prints. 2018:23.5 HASHIMOTO Seisui, Japanese, ‑ giyeok nieun mieum siot ieung), 1876‑1943. Peony, Meiji or Taishō Ancient City Nara, Shōwa period, 1954. Republic of Korea, 2018. Calligraphic period, circa early 20th century. Sōsaku hanga woodblock print; ink hanging scroll in Korean Hangeul Hanging scroll; ink, color and gold and color on paper, ed. 51/100, 23 script; ink on Korean paper, 85 ⅝ x 33 on paper, 45 ⅜ x 16 in. Gift of Dr. ¼ x 28 ½ in (framed). Gift of the Jack ⅜ in. Gift of JUNG Do‑jun. 2018:12.2 Don E. and Carol Steichen Dumond. and Susy Wadsworth Collection of 2017:48.4 Hunminjeongeum Preface Japanese Prints. 2018:23.6 (Hunminjeongeum seomun), Republic Hyōgyoku, Japanese, fl. ca. 1840. Unknown, Chinese. Revolutionary of Korea, 2018. Pair of calligraphic Snowy Landscape, Edo period, Modern Opera “Red Detachment of hanging scrolls in Korean Hangeul mid‑19th century. Hanging scroll; ink Women” The Army and the People script; ink on paper, 101 ⅞ x 74 in and light color on silk, 43 ½ x 16 ½ in. are One Family (Geming xiandai (combined). Gift of JUNG Do‑jun. Gift of Dr. Don E. and Carol Steichen wuju “Hongse niangzijun” junmin 2018:12.3 Dumond. 2017:48.5 tuanjie yijiaqin), People’s Republic KITAOKA Fumio, Japanese, of China, 1971. Lithograph; ink and ISHII Kinryō, Japanese, 1842‑1926. 1918‑2007. Washing Silk (Yūzen color on paper sheet: 20 ⅞ x 30 ¼ in. Willow and Herons, Meiji period, ca. nagashi), Shōwa period, 1970. Sōsaku Anonymous Gift. 2017:53.1 1890. Hanging scroll; ink and color hanga woodblock print; ink and on silk, 46 ¼ x 15 ⅝ in. Gift of Dr. The Song of the Red Detachment of color on paper, ed. 56/75, 30 ½ x 24 Don E. and Carol Steichen Dumond. Women (Hongse niangzijun lianliange), in (framed). Gift of the Jack and Susy 2017:48.3 People’s Republic of China, 1971. Wadsworth Collection of Japanese Lithograph; ink and color on paper, JUNG Yonghee, Korean, 1914‑ca. Prints. 2018:23.7 20 ⅞ x 30 ¼ in. Anonymous Gift. 1950. Landscape (Sansudo), mid‑20th LIU Dawei, Chinese, b. 1945. This 2017:53.2 century. Framed painting; ink and is How the Steel is Cast (Gangtie shi light color on paper, 45 ¼ x 15 ¼ in. Theater (Tea of the Arriving Spring); zheyang liancheng de), People’s Gift of John and Kyungsook Gregor. Theater (Chunlaicha), People’s Republic of China, 1973. Lithograph; 2017:49.5 Republic of China, 1971. Lithograph; ink and color on paper, 29 ⅞ x 20 ⅞ in. ink and color on paper, 29 ⅝ x 20 ¾ in. KANO Tan’yū, Japanese, 1602‑1674. Anonymous Gift. 2017:53.5 Anonymous Gift. 2017:53.3 Birds on Plum Branch, Edo period, SAITŌ Kiyoshi, Japanese, 17th century. Hanging scroll; ink and Netting Dance (Zhiwangwu), People’s 1907‑1997. Shōji Katsura (Bangai) color on silk, 73 ½ x 22 ¾ in. Gift of Dr. Republic of China, 1972. Lithograph; Sliding Doors of Katsura Imperial Villa, Don E. and Carol Steichen Dumond. ink and color on paper, 20 ⅞ x 30 ⅜ in. Shōwa period, designed 1954, printed 2017:48.1 Anonymous Gift. 2017:53.6 1955. Sōsaku hanga woodblock print; KO Huidong, Korean, 1886‑1965. ink and color on paper, ed. 1/2, 19 Chairman Mao is the Red Sun in Our Landscape (Sansudo), 20th century. ⅛ x 35 ⅝ in (framed). Gift of the Jack Hearts (Mao Zhuxi shi women xinzhong Framed painting; ink and light color and Susy Wadsworth Collection of de hong tai yang), People’s Republic on paper, 37 1¼ x 13 in. Gift of John Japanese Prints. 2018:23.1 of China, 1968. Silkscreen print; ink and Kyungsook Gregor. 2017:49.6 and color on paper, 20 ⅞ x 30 ⅞ in. Buddhist Nara, Shōwa period, 1955. Anonymous Gift. 2017:53.8 NA Suyeon, Korean, b. 1980. Sōsaku hanga woodblock print; ink Watching TV Show, 2012. Watercolor, and color on paper, ed. 150/150, 23 Unknown, Korean. “Utmost” (Jin), gouache on rice paper, 36 x 48 in. ½ x 28 ¼ in (framed). Gift of the Jack 20th century. Calligraphy; ink on Farwest Steel Korean Art Endowment and Susy Wadsworth Collection of paper, 17 ¾ x 17 ¼ in. Gift of John and Fund Purchase. 2018:4.2 Japanese Prints. 2018:23.2 Kyungsook Gregor. 2017:49.8 Shōji (B), Shōwa period, 1954. Sōsaku WANG He, Chinese. Let’s All Do hanga woodblock print; ink and color Radio Calisthenics (Dajia lai zuo on paper, ed. 18/50, 20 ⅞ x 28 ¼ in guangbocao), People’s Republic of PARK So Eun, Korean, b. 1976. Unknown, Korean. Monster‑Faced Woman’s Spirit 1, Republic of Korea, End Board from a Funerary Bier, Joseon ASIAN: TOOLS AND 2017. Minhua (folk) painting; ink dynasty (1392‑1910). Carved and EQUIPMENT and color on Korean paper, 37 4/5 painted wood, 14 ½ x 23 ¾ in. Farwest x 34 ¼ in. Farwest Steel Korean Art Steel Korean Art Endowment Fund Endowment Fund Purchase. 2018:18.1 Purchase. 2018:4.3 HAMANISHI Katsunori, Japanese, b. 1949. Production Materials (including Unknown, Chinese. Pine and Crane, sketch, intaglio plate and 4 color relief Qing dynasty, ca. 1870. Hanging plates) used to produce JSMA 85th scroll; ink and color on paper, 79 ¾ ASIAN: TEXTILES Anniversary Print “Untitled [JSMA x 21 in. Gift of Dr. Don E. and Carol Campbell Courtyard with Gertrude Steichen Dumond. 2017:48.2 Bass Warner quotation]”, Heisei period, Unknown, Vietnamese. Yao Unknown, Korean. Life of a Yangban 2018. Sketch (ink on paper), copper Priest’s Vest with Iconography of intaglio plate, and 4 aluminum color (Pyeongsaengdo), 20th century. Daoist Content, ca. 1970. Silk satin relief plates, Various 6 ⅛ x 4 in. (copper Ten‑panel folding screen; ink and embroidered with silk floss, 47⅛ x 36 color on paper, 70 x 180 in. Gift plate). Gift of HAMANISHI Katsunori. ¼ in. Anonymous Gift in Memory of 2018:27.3a‑f of John and Kyungsook Gregor. Cathleen Leué. 2018:1.1 2017:49.2 Unknown, Chinese. Lidded Soap Dish Unknown, Japanese. Christian Landscapes (Sansudo) with Inscriptions, with Evergreen Design and Inscription Priest’s Stole, Shōwa period, mid‑late reading “The People, and the People Joseon dynasty, late 19th century. 20th century. Silk with silk‑floss Eight‑panel folding screen; ink and Alone, are the Motive Force in the embroidery, 94 ½ x 4 ¼ in. Gift of Making of World History” (Renmin zhi color on paper, 57 ¾ x 127 ½ in. Lawrence Crumb. 2018:6.1 Gift of John and Kyungsook Gregor. you renmin cai shi chuangzao shijie lishi 2017:49.3 Unknown, Korean. Wrapping Cloth de dongli), People’s Republic of China, (Bojagi), Late Joseon dynasty or 1966‑71. Green plastic, 1 ¾ x 4 x 3 in. Landscapes (Sansudo) with Inscriptions, Colonial period, early 20th century. Gift of Alfreda Murck. 2017:50.11a,b Joseon dynasty, late 19th century. Patch-worked silk, 40 ¼ x 40 ¼ in. Eight‑panel folding screen; ink and Wallet with Sun and Pine Branch Design Gift of John and Kyungsook Gregor. and Poem about Mount Lu composed light color on paper, 69 x 152 in. 2017:49.1 Gift of John and Kyungsook Gregor. and written by Mao Zedong, People’s 2017:49.4 Republic of China, 1966‑71. Brown plastic with gold and silver printing, Landscape (Sansudo), 20th century. 3 ½ x 8 ½ in (open). Gift of Alfreda Framed painting; ink on paper, image: Murck. 2017:50.12 32 ½ x 12 ¼ in. Gift of John and Kyungsook Gregor. 2017:49.7

ASIAN: SCULPTURES

CHUN Kwang Young, Korean, b. 1944. Aggregation 17 ‑ DE098, Republic of Korea, 2017. Mixed media with Korean mulberry paper, 72 ⅜ x 60 ⅝ in. Mark Sponenburgh Fund Purchase. 2018:19.1 LEE Jae Won, Korean, b. 1961. Blooming Elsewhere, 2017. Porcelain, colored porcelain, mono filament, porcelain & glass beads, metal hooks, 40 x 25 x 4 in (including backing board). Gift of Lee Jae Won. 2017:44.1 Unknown, Chinese. Small Bust of Mao Zedong, People’s Republic of China, 1966‑71. Glow‑in‑the‑dark rubber with original cardboard box, 4 ⅝ in. Gift of Alfreda Murck. 2017:50.13a,b Elizabeth Keith, British, 1887‑1956. Tree Conversation #5, 2015‑16. Oil on WESTERN: PRINTS AND Korean Bride, 1938. Color etching, ink raw canvas, 49 x 73 in. Purchased with PHOTOGRAPHY and color on paper, sheet: 17 ½ x 12 ½ funds from the William A. Haseltine in. Anonymous Gift. 2017:39.1 Endowment for Pacific Northwest Art. 2018:8.11 Belkis Ayón, Cuban, 1967‑1999. Antonio Martorell, Puerto Rican, Intolerancia, 1998. Collagraph, ed. b. 1939. Las Antillas letradas, 2014. Beau Adams, American, b. 1979. 9/10, sheet: 39 ½ x 29 ½ in. Gift of Digital prints on Okawara paper, ed. Battle of the Bands, 2017. Gold leaf Norman Brown and Anne Cooling. 13/100, each: 19 x 13 ¾ in. Museum and watercolor on paper, framed: 2017:24.1 purchase through the Hartz FUNd for 40 x 20 in.; image: 14 x 20 in. Gift of Contemporary Art. 2018:2.1 Andrew Teufel. 2017:55.1 Claire Burbridge, British, b. 1971. Insect Universe, 2015. Pen and ink Regina Silveira, Brazilian, b. 1939. Myron Barlow, American, on Arches paper, Sheet: 35 ¼ x 35 Touch, 2007. Screenprint, Arches 88 1873‑1937. Mending, n.d. Oil on ¼ in.; framed: 41 x 41 in. Museum paper, ink; ed. 6/28, sheet: 22 1/2 x 30 canvas, framed: 40 x 40 in. Gift in purchase through the Hartz FUNd for 1/8 in.; image: 19-3/4 x 27-1/2 in. Gift honor of Arthur Paul Healy. 2018:3.1 Contemporary Art. 2017:41.1 of Pacific Northwest College of Art Rick Bartow, American, 1946‑2016. Printmaking Program. 2017:58.1 Alfredo Manzo Cedeño, Cuban, Buck, 2015. Acrylic on canvas, 73 ¼ b. 1964. The Cuba’s Soup: Homage The Artist, 2007. Screenprint, Arches x 70 ⅜ in. Gift of the Estate of Rick Warhol (Revolution), 2003. Collage, 88 paper, ink; ed. 6/28, sheet: 22-1/2 Bartow and Froelick Gallery. 2018:5.1 silkscreen, gouache, ink, and pencil x 30-1/8 in.; image: 19 3/4 x 27 1/2 in. Robert Canaga, American, b. 1949. on paper, A/P, 23 x 16 in. Museum Gift of Pacific Northwest College of Caravans, completed 2017. Oil and purchase through the Hartz FUNd for Art Printmaking Program. 2017:58.2 Contemporary Art. 2017:47.1 cold wax on panel, 60 x 30 in. Gift of Theodoor van Thulden, Dutch, Robert Canaga and Linda Lawrence. The Cuba’s Soup: Homage Warhol 1606‑1669. Eurycleia Washes Ulysses’ 2017:57.1 (History), 2003. Collage, silkscreen, Feet, ca. 1620‑1630. Red chalk on Mark Clarke, American, 1935‑2016. gouache, and ink on paper, ed. 4/15, paper, 6 x 12 in. Gift of James M. And Untitled (Horse and Rider), n.d. Acrylic 23 x 16 in. Museum purchase through Grace M. Blackford III. 2017:51.1 the Hartz FUNd for Contemporary Art. on canvas, framed: 26 ½ x 23 ½ in. Gift 2017:47.2 of The Give Art Foundation. 2017:37.1 The Cuba’s Soup: Homage Warhol WESTERN: MULTIMEDIA Landscape, 2008. Acrylic on panel, (Ideology), 2003. Collage, silkscreen, canvas: 20 x 34 in. framed: 26 x 40 in. gouache and ink on paper, ed. 6/10, Gift of Margaret Coe in honor of Mark 23 x 16 in. Museum purchase through Nina Katchadourian, American, Clarke. 2017:38.1 the Hartz FUNd for Contemporary Art. b. 1968. SkyMall Kitties, 2009‑2010. Ka’ila Farrell‑Smith, Native 2017:47.3 Video tablet and mouse‑shaped American, Klamath‑Modoc, b. 1982. speaker, Overall: approx. 7 x 9 x 8 Enrollment, 2014. Oil on canvas, 72 The Cuba’s Soup: Homage Warhol in. Museum purchase through the (Religion), 2003. Collage, silkscreen, x 36 in. General Acquisition Fund Hartz FUNd for Contemporary Art. purchase made possible with support gouache, and ink on paper, ed. 3/10, 2017:40.1 23 x 16 in. Museum purchase through from Native American Studies. the Hartz FUNd for Contemporary Art. Mohau Modisakeng, South African, 2018:17.1 2017:47.4 b. 1986. Passage, 2017. Triptych Gregory Grenon, American, b. video screen, runtime 17:34; ed.7/10, 1948. When all will be Revealed, 1999. The Cuba’s Soup: Homage Warhol variable dimensions. Museum (Censored), 2003. Collage, silkscreen, Oil on glass, 69 x 46 ½ in. Donated by purchase through the Hartz FUNd for Beverly Hecht‑Levy & Robert Levy and acrylic, gouache, and ink on paper, Contemporary Art. 2017:54.1 ed. 5/10, 23 x 16 in. Museum Bill Rhoades. 2018:16.1 purchase through the Hartz FUNd for Carl Hall, American, 1921‑1996. Contemporary Art. 2017:47.5 Ocean Forms, 1956. Gouache and Elyse Pignolet and Sandow Birk, WESTERN: PAINTINGS India ink on illustration board, image: American. American Procession: 27 x 36 in.; framed: 32 x 42 in. Gift of Panel 3 (Central Panel) from Imaginary Dick Stumpf in memory of his wife Keith Achepohl, American, Monument, 2018. Offset relief Irene Stumpf. 2018:10.1 1934‑2018. Skunk Cabbage #1-10, woodblock, printed in 4 panels on 2011. Watercolor and collage on Moonboat, 1967. Oil on masonite gampi paper, backed with sekishu paper, sheet: 30 x 22 in.; 38 x 30 in. panel, image: 17 ½ x 14 in.; framed: kozo paper, with hand‑painted gold (mat size). Purchased with funds from 19 ¼ x 16 in. Gift of Dick Stumpf in embellishment, ed. 1/12, 48 x 70 the William A. Haseltine Endowment memory of his wife Irene Stumpf. in. Museum purchase through the for Pacific Northwest Art. 2018:8.1-10 2018:10.2 Hartz FUNd for Contemporary Art. 2017:56.1 David McCosh, American, 1903‑81. Cecily Brown, British, b. 1969. The Self‑Portrait (Unfinished), ca. 1928. Oil INCOMING LOANS Human Seasons, 2017. Oil on linen, 97 on canvas, 18 x 20 (image); 25 x 27 x 151 in. Peterson Family Collection. (frame). Gift of Anne Kutka McCosh; Keith Achepohl, American, L2018:80.1 Transfer from the McCosh Memorial 1934‑2018. Quercus, 2017. Glenn Brown, British, b. 1966. Collection. 2018:14.1 Watercolor on paper.DIMS. Private Drawing 3 (after Tiepolo/Tiepolo), Yellow Sweater (Anne’s Portrait), 1936. Collection. L2017:154.1 2017. Indian ink and acrylic on Oil on canvas, 25 x 22 ½ in. Gift of Finding Sanctuary, 2017. Watercolor drafting film over cardboard, 16 ½ x Anne Kutka McCosh; Transfer from on paper, DIMS Collection of C. 11 ⅝ in. Peterson Family Collection. the McCosh Memorial Collection. Jeffrey Anderson. L2017:155.1 L2017:142.10 2018:14.2 AI Weiwei, Chinese, b. 1957. Circle Drawing 11 (After Tiepolo), 2017. Indian The Blue Smock (Anne), before 1937. of Animals/Zodiac Heads, 2010. Set ink and acrylic on drafting film over Oil on Masonite, 34 ¼ x28 ½ (image) of 12; cast bronze, edition 5/6, Each cardboard, 12 ⅜ x 10 ¼ in. Peterson 42x35 ⅞ (frame). Gift of Anne Kutka approx. 154 x 66 x 77 in. Private Family Collection. L2017:142.11 McCosh; Transfer from the McCosh Collection. L2017;89.1a-g Daydream Nation, 2017. Oil on panel, Memorial Collection. 2018:14.3 Njideka Akunyili Crosby, Nigerian, 44 ⅛ x 31 ½ x ⅞ in. Peterson Family b. 1983. I Refuse to be Invisible, 2011. Collection. L2017:142.12 Acrylic, charcoal and Xerox transfer Trivial Pursuit, 2017. Oil paint on acrylic WESTERN: SCULPTURES on paper, 24 x 16 in. Peterson Family on bronze sculpture, 30 x 19 ¾x 18 Collection. L2017:142.3 ⅞ in. Peterson Family Collection. L2017:142.13 Roberto Fabelo, Cuban, b. 1950. Mariotto di Biagio di Bindo Oración doméstica, 2008. Polychrome Albertinelli, Italian, 1474‑1515. This Island Earth, 2017. Oil paint on bronze, 38 x 15 x 22 in. Gift of Marla Madonna and Child Beside a Window, panel, 107 ⅞ x 72 ⅛ x ⅞ in. Peterson and Jeff Michaels. 2018:11.1 a Landscape Beyond, n.d. Tempera Family Collection. L2017:142.14 on panel, 23 ⅜ x 18 ½ in. Private Joe Feddersen, Native American, Collection. L2017:132.1 Mother’s Tongue, 2017. Acrylic paint Colville Confederated Tribes, b. on panel, frame, panel: 22 ¼ x 16 1953. Canoe Journey, 2016. Twined Jean (Hans) Arp, French; German, ⅛ in. Peterson Family Collection. waxed linen, 8 x 5 x 5 in. Museum 1886‑1966. Sculpture classique, L2017:142.8 conceived 1964; cast 1981. Bronze, 93 purchase through the Hartz FUNd for Poor Moon, 2016. Indian ink and acrylic Contemporary Art. 2017:34.1 ⅞ in. Private Lender. L2018:42.1 on panel, 36 ¼ x 29 x ⅞ in. Peterson John Baldessari, American, b. Family Collection. L2017:142.9 1931. Noses & Ears, Etc. (Part Three): (Black) Face and (Yellow) Face with Drawing 2 (after Bloemaert), 2017. WESTERN: TEXTILES Noses, Hands, and Bookcase, 2006. Indian ink and acrylic on drafting Three‑dimensional archival digital film over board, unframed: 18 ¼ x 13 Marie Watt, Native American, photographic prints mounted on ½ in.; framed: 23 ¼ x 18 ¾ x 1 ¼ in. Seneca, b. 1967. Witness (Quamichan Sintra, with acrylic paint, 91 ¾ x 73 ¼ Collection of Emilia and Tad Buchanan. Potlatch 1913), 2015. Reclaimed x 1 ¾ in. Private Collection. L2018:32.1 L2018:46.1 wool blankets, embroidery floss and Jean‑Michel Basquiat, American, Alexander Calder, American, thread, 71 x 180 in. This work was 1960‑1988. Saxaphone, 1986. 1898‑1976. Constellation with Diabolo, acquired with the assistance of The Acrylic on canvas, 66 x 60 in. Private 1943. Wood, wire and paint, 24 ½ Ford Family Foundation through a Collection. L2017:130.3 x 18 ¼ x 16 in. Private Collection. special grant program managed by L2017:130.4 the Oregon Arts Commission, and Remote Commander, 1984. Acrylic and additional support from the Hartz Xerox collage on canvas, 66 x 60 in. Marc Chagall, French, 1887‑1985. FUNd for Contemporary Art. 2018:7.1 Private Collection. L2017:135.1 Les Fleurs de Vence, ca. 1979‑80. Oil on canvas, unframed: 39 ½ x 29 ¾ in.; Tuxedo, 1982. Silkscreen on canvas, framed: 51 x 40 ½ x 3 ½ in. Private 102 ¼ x 60 in. Private Lender. Collection. L2017:66.1 L2018:42.2 George Condo, American, b. 1957. Mark Bradford, American, b. 1961. Untitled, 2016. Mixed media on canvas, Building “The Big White Whale”, 2012. 55 ⅛ x 62 ¼ in. Private Collection. Mixed media collage on canvas, 104 L2017:106.1 ¼ x 144 ¼ x 2 in. Private Collection. L2017:140.1 Mary Corse, American, b. 1945. Untitled (White Inner Band, Beveled), Rebels on the Plantation, 2016. Mixed 2017. Glass microspheres in acrylic on media on canvas, 120 x 132 in. canvas, 50 x 50 in. Private Collection, Anonymous. L2018:38.1 Los Angeles. L2017:157.1 Jean Crotti, French, 1878‑1958. acrylic ink, acrylic silkscreen medium, Thomas Houseago, British, b. 1972. Les Forces Mécaniques de l’amour en acrylic paint, 96 x 87 in. Private Small Legs, 2014. Bronze, 108 x 32 x 32 Mouvement, 1916. Oil on glass, wood, Collection. L2016:76.2 in. Private Collection. L2017:52.1 newsprint, tin, paper, wire and metal Lucian Freud, British, 1922‑2011. Donald Judd, American, 1928‑1994. tubing assemblage, 23 ¾ x 29 ¼ in. Portrait of a Woman, 1990‑1991. Swiss Box, 1991. Clear anodized Private Collection. L2017:143.2 Charcoal and pastel on paper aluminum and green acrylic sheet, Willem De Kooning, American, mounted on canvas, 24 ⅛ x 18 ⅞ in. 10 x 39 x 10 in. Private Collection. 1904‑1997. Untitled X, 1983. Oil on Anonymous. L2017:139.1 L2017:62.1 canvas, unframed: 77 x 88 in.; framed: Adrian Ghenie, Romanian, b. Wassily Kandinsky, Russian, 78 ⅜ x 89 ⅜ x 2 in. Private Collection. 1977. Lidless eye, 2016. Oil on 1866‑1944. Ohne titel, 1941. Gouache L2017:148.2 canvas, wooden frame, 16 ⅛ x 15 on black paper laid down to the Cross‑Legged Figure, 1972. Bronze with ¾ in. Peterson Family Collection. artist’s mount, 19 ⅜ x 12 ⅝ in. Private brown patina, ed. 7/7 + 3 AP, 24 x 16 x L2017:116.1 Collection. L2017:84.1 13 ¼ in. Private Collection. L2017:80.2 Self‑Portrait, 2017. Oil on canvas, 16 ½ Winterstudie mit Berg, 1908. Oil on Alessandro di Mariano, Italian, x 10 ⅝ in. Peterson Family Collection. board, 13 x 17 ½ in. Private Collection. 1445‑1510. The Madonna and Child L2017:142.7 L2018:68.1 with Saint John the Baptist and an Felix Gonzalez‑Torres, American, Alex Katz, American, b. 1927. Night Angel Before a Window, ca. 1490s. 1957‑1996. Untitled, 1992. Light House 1, 2013. Oil on linen, 126 x 96 Tempera on panel, tondo format, bulbs, porcelain light sockets and in. Private Collection. L2018:76.1 Diameter: 33 in. Loren Schlachet extension cord, Variable. Private Collection. L2017:69.1 KAWS, American, b. 1974. Untitled, Collection. L2017:149.2 2017. Acrylic on canvas, 72 x 120 Richard Diebenkorn, American, Mark Grotjahn, American, b. 1968. in. Private Collection, Los Angeles. 1922‑1993. Untitled, 1984. Gouache, Untitled (Capri 47.86), 2016. Oil on L2017:153.1 acrylic, crayon, and graphite on cardboard, framed: 35 ¾ x 28 ½ x paper, 37 ⅞ x 25 in. Private Collection. Anselm Kiefer, German, b. 1945. 2 ½ in. Peterson Family Collection. L2017:106.2 Velimir Chlebnikow: Seeschlachten L2017:142.2 ereignen sich alle 317 Jahre, 2016. Oil, Peter Doig, Scottish, b. 1959. Erich Heckel, German, 1883‑1970. acrylic, emulsion, shellac and lead on Robbins Island, 1996. Oil on canvas, Blühende Apfelbäume, 1907. Oil canvas, 74 1⅛ x 149 ⅝ x 5 ⅞ in. Private 11 x 17 in. Peterson Family Collection. on canvas, 25 ⅜ x 30 ¼ in. Private Lender. L2018:42.3 L2017:93.1 Collection. L2018:36.1 Gustav Klimt, Austrian, 1862‑1918. Jean Dubuffet, French, 1901‑1985. David Hockney, English, b. 1937. Dame mit Federhut (Lady with La Gitane, 1954. Oil on canvas, 34 x 27 Study for Portrait of an Artist (Pool with a Feather Hat), ca. 1897‑98. Oil in. Private Collection. L2017:80.1 Two Figures), 1972. Coloured pencil on on canvas, 26 x 20 ⅝ in. Private Max Ernst, German, 1891‑1976. Le paper, 13 ¾ x 17 in. Private Collection. Collection. L2017:130.1 chant du pinson, 1933. Oil and paper L2017:95.1 Franz Kline, American, 1910‑1962. collage with brush and pen and black Edwardes Square, 2002. Watercolour Intersection, 1955. Oil on canvas, 30 x ink on canvas, 32 x 39 in. Private on paper, 24 x 18 in. Private 38 in. Private Collection. L2017:144.1 Collection. L2017:147.1 Collection. L2017:95.2 KUSAMA Yayoi, Japanese, b. Ka’ila Farrell‑Smith, Native Swimming Pool, 1978. Brown ink on 1929. Infinity Net, Heisei period American, Klamath and Modoc. b. paper, 29 ½ x 22 in. Private Collection. (1989‑present), 2016. Acrylic on 1982. Un‑erasing NDN, 2016. Acrylic L2017:95.3 canvas, 63 ¾ x 63 ¾ in. Private and oil stick on panel, 30 x 24 in. Loan Collection, Los Angeles, CA. courtesy of artist. L2017:92.1 Two Trees, East Yorkshire, 2004. L2017:120.1 Watercolor on paper, 29 ½ x 41 ½ in. Joe Feddersen, Native American, Private Collection. L2018:59.2 PUMPKIN, Heisei period Colville Confederated Tribes, b. (1989‑present), 2015 (executed in 1953. Firehawk, 2005. Blown and Hans Hofmann, German‑American, 2018). Stainless steel and urethane sandblasted glass, 21 ½ x 9 ½ x 9 ½ 1880‑1966. A Certain Mood, 1959. paint, 68 ⅜ x 71 ¾ x 66 in. Private in. Collection of Jordan D. Schnitzer. Oil on canvas, 40 x 29 ⅜ in. Private Collection. L2017:125.1 L2017:86.1 Collection. L2017:83.1 Francois‑Xavier Lalanne, French, Urban Vernacular: Parking Lot, 2008. Jenny Holzer, American, b. 1950. 1927‑2008. Agneau (bebe), 2000. Blown and silvered glass with enamel, Vertical, 2016. Vertical LED sign: Epoxy stone, patinated bronze, ed. 20 x 9 ¾ x 9 ¾ in. Collection of Jordan RGB diodes, stainless steel housing, 179/500, 20 ½ x 25 x 7 in. Private D. Schnitzer. L2017:86.2 61 x 4 ⅞ x 2 in. Private Collection. Collection. L2018:41.1 L2017:114.1 Urs Fischer, Swiss, b. 1973. Silicon, LEE Ufan, Korean, b. 1936. From 2015. Aluminum panel, aramid Abuse of Power Comes as No Surprise, Line (No. 780142), 1978. Pigment on honeycomb, two‑component 2017. Dark labradorite bench, 17 x 42 canvas, 76 ⅜ x 102 x 1 ½ in. Private polyurethane adhesive, x 20 in. Peterson Family Collection. Collection. L2017:51.5 two‑component epoxy primer, gesso, L2017:142.5 Sherrie Levine, American, b. 1947. Kenneth Noland, American, Wendy Red Star, Native American, Bird Mask, 2014. Cast bronze; ed. 5/12 1924‑2010. Mysteries: Pulse, 1999. Apsáalooke, b. 1981. Rez Car 1, + 3 AP, 16 x 6 ¾ x 5 in. Peterson Family Acrylic on canvas, unframed: 60 ⅛ x 2010. Lithograph, ed. 7/12, 22 ⅜ x 30 Collection. L2017:142.1 60 ⅛ in.; framed: 60 ¾ x 60 ¾ x 2 in. in. Collection of Jordan D. Schnitzer. Private Collection. L2017:148.1 L2017:86.3 LO Fong Shen, Chinese, b. 1937. Frozen Creek, Hanging scroll; ink and Albert Oehlen, German, b. 1954. Rez Car 2, 2010. Lithograph, ed. 3/12, color on paper, image: 28 ½ x 18 in.; Selbst beim Malen, 2017. Oil and spray 22 ⅜ x 30 in. Collection of Jordan D. full scroll + mounting: 61 ⅜ x 25 ⅝ paint on canvas, 91 x 71 in. Private Schnitzer. L2017:86.4 in. Loan from the Lijin Collection: J. Collection. L2018:57.1 Sterling Ruby, American, b. 1972. Sanford & Vinie Miller. L2016:177.2 Chris Ofili, British, b. 1968. PRIMO TURBO, 2017. Acrylic, oil, elastic Robert Mangold, American, b. Ovid‑Windfall, 2011‑2012. Oil and and cardboard on canvas, unframed: 1937. Square within a Rectangle charcoal on linen, 122 ⅛ x 78 ¾ x 24 x 19 x 1 ½ in.; framed: 25 x 20 x 2 ⅝ (Blue‑Grey), 1974. Acrylic and white 1 ⅝ in. Peterson Family Collection. in. Private Collection. L2017:114.2 pencil on canvas, 36 x 37 ½ in. Bob L2017:68.3 Edward Ruscha, American, b. 1937. and Jill Bronstein. L2017:87.1 Georgia O’Keeffe, American, HONEY, 1976. Gunpowder, graphite Brice Marden, American, b. 1938. 1887‑1986. Sky Above Clouds II, and pastel on paper, 13 ¾ x 15 ⅛ in. For Mirabelle, 1986. Oil on linen, 48 x 1962‑1963. Oil on canvas, 48 x 84 in. Private Collection. L2018:44.1 40 in. Private Collection. L2018:21.1 Private Collection. L2017:130.2 Julian Schnabel, American, b. Agnes Martin, American, Robert Philp, British, dates 1951. Untitled (Portrait of Leonardo 1912‑2004. Leaves, 1966. Acrylic and unknown, worked as clockmaker DiCaprio), 2017. Oil, plates, and graphite on canvas, 72 x 72 in. Private in London in latter half of 18th Bondo on wood, 72 x 60 in. Private Collection. L2017:149.1 century. Flight of the Butterfly, ca. Collection. L2017:136.1 1785. Ormolu and enamel musical Untitled #12, 1980. Gesso, acrylic and Kurt Schwitters, German, automaton table clock, Height: 32 ¾ graphite on canvas, 72 x 72 in. Private 1887‑1948. Merzzeichnung, 1919. in. Private Lender. L2017:32.1 Collection. L2017:51.2 Cardboard, paper, wood, wire, nails, Pablo Picasso, Spanish, 1881‑1973. chalk, sheet: 6 ¾ x 5 ½ x 1 in. Private Henri Matisse, French, 1869‑1954. Deux hirondelles, 1932. Oil on Collection. L2017:143.4 Grille, 1953. Paper laid down on canvas, 16 x 16 in. Private Collection. canvas, 118 x 43 ¼ in. Private Mz 185, 1920 or 1921. Collage on ⅛ L2017:146.1 Collection. L2017:147.2 paper, image: 5 ¼ x 4 ¼ in.; mount: 7 Pomme, 1914. Gouache and x 5 ½ in. Private Collection c/o Eykyn Joan Miro, Spanish, 1893‑1983. watercolor on paper, 5 ⅜ x 7 in. Maclean, LP. L2018:6.1 Personnages, oiseau, etoiles, 1944. Private Collection. L2018:67.1 Oil on canvas, 5 ½ x 29 ½ in. Private SEKINO Jun’ichirô, Japanese, Lender. L2018:42.4 Tête d’Homme, 1964. Oil on canvas, 1914‑1988. Bingata, Shôwa period framed: 29 ⅞ x 25 ⅞ in. Private (1926‑1989), 1975. Sôsaku hanga Joan Mitchell, American, Collection. L2018:84.1 woodblock print; ink and color on 1925‑1992. Untitled, 1965. Oil paper, ed. 99/128, framed: 36 x 27 ⅞ on linen, 76 ¾ x 44 ¾ in. Private Richard Prince, American, b. 1949. in. On loan from Ken McClain & Maria Collection. L2017:43.1 Untitled (Every Window In The Place), Bolaños‑McClain. L2011:40.1 1987. Acrylic and silkscreen on Henry Spencer Moore, British, canvas, 66 x 54 in. Private Collection. Richard Serra, American, b. 1938. 1898‑1986. Four Piece Reclining L2018:29.1 Carver, 2009. Paintstick on handmade Figure, Conceived in 1972. Bronze paper, 78 ½ x 78 ½ in. Private Lender. with brown patina, ed. 4/9, 17 ¾ School Nurse, 2005. Acrylic and L2018:42.8 x 32 x 15 ½ in. Private Collection. inkjet on canvas, 70 x 49 in. Private L2017:27.1 Collection. L2018:4.1 Frank Stella, American, b. 1936. York Factory (Sketch) VI, 1970. Acrylic Bruce Nauman, American, b. Untitled (Cowboy), 2016. C‑print, ed. and graphite on canvas, 55 x 162 in. 1941. Rolled Up Body Gasket, 1966. 2/2, unframed: 60 x 90 in.; framed: 71 Private Collection. L2017:51.3 Watercolor and graphite on paper, ⅛ x 101 in. Peterson Family Collection. 18 ⅞ x 24 in. Private Collection. L2018:62.1 Florine Stettheimer, American, L2017:67.1 1871‑1944. Portrait of Marcel Man Ray, American, 1890‑1976. Duchamp and Rrose Sélavy, 1923. Oil NOGUCHI Isamu, Catherine Barometer, 1920. Wood on canvas laid down on board, 29 ⅞ x Japanese‑American, 1904‑1988. box assemblage with glass, metal 26 in. Private Collection. L2017:143.3 Olmec & Muse, 1985. Basalt with brackets, felt, metal washboard, tube, granite base, sculpture: 53 ½ x 47 ¼ wire, colored wood, gouache on black Rudolf Stingel, Italian, b. 1956. x 19 ½ in.; base: 4 ½ x 47 x 19 ¼ in. paper, paper stamp and steel wool, Untitled, 2012. Oil and enamel on Private Lender. L2018:42.5 48 ⅛ x 12 x 2 ⅛ in. Private Collection. canvas, 95 x 76 in. Peterson Family L2017:143.1 Collection. L2017:142.4 Gail Tremblay, Native American, Loaned to the Metropolitan Onondaga and Micmac, b. 1945. OUTGOING LOANS Museum of Art for exhibition The Red Leader Points to the Garden Diamond Mountains: Travel of Good and Evil, 2016. 35mm film, and Nostalgia in Korean Art, 16mm red leather and metallic braid, Loaned to the Asia Society, Hong 2/7/2018‑5/20/2018 17 x 10 x 10 in. Courtesy of the artist Kong for exhibition Painting Her and Froelick Gallery. L2017:91.1 Way: The Ink Art of Fang Zhaoling, Elizabeth Keith, Scottish, 9/27/2017‑12/31/2017 Cy Twombly, American, 1928‑2011. 1887‑1956. The Diamond Mountains, Sunset, 1957. Oil based house paint, Korea, A Fantasy, 1921. Woodblock Zhaoling FANG, Chinese, print; ink and color on paper, 15 7/16 wax crayon, colored pencil and lead 1914‑2006. Banana Tree and Chicks, pencil on canvas, 55 ¾ x 70 ⅞ in. x 7 ¾ in.; Murray Warner Collection. 1958. Hanging scroll; ink and color MWB51:K11 Private Collection. L2017:147.3 on paper, 71 ½ x 23 ¾ in. Museum Untitled No. 3 (Winter Pictures), 2004. Purchase. Ch32:Fa1 Nine Dragon Pool, Diamond Household paint on wood panel, Mountains, Korea, 1922. Woodblock 99 ¼ x 72 ¾ in. Private Collection. Loaned to the Cascadia Art print; ink and color on paper, 15 ⅜ x 7 L2017:51.4 Museum for exhibition Territorial 11/16 in.; Murray Warner Collection. Hues: The Color Print and Gunther Uecker, German, b. 1930. MWB51:K36 Washington State 1920‑1960, Fluß, 1984. Nails and white paint on 10/5/2017‑1/7/2018 canvas on wood, 35 ⅜ x 35 ⅜ x 5 in. Loaned to Wieden+Kennedy for Private Collection. L2017:152.1 Jim Riswold exhibition, approx. Maude Irvine Kerns, American, 9/28/2017-11/02/2017 Alexej von Jawlensky, Russian, 1876‑1965. Road to Kyoto, 1928. 1864‑1941. Mit rundem Tisch, ca. Woodblock print; ink and color on Jim Riswold, American, b. 1957. 1910. Oil on board, 22 x 20 in. Private paper, Image: 7 ⅝ x 9 ⅝ in.; Frame: 17 Marie Antoinette Before, 2006. Color Collection. L2018:68.2 ¼ x 19 ⅜ in. Murray Warner Collection digital print on museo silver rag, 46 Mary Weatherford, American, of Oriental Art. MWA51:K1 x 30 in. Jordan Schnitzer Acquisition b. 1963. Ice House Canyon (trees, Fund Purchase. 2010:22.1.1 rocks, water), 2017. Flashe and Loaned to the Hallie Ford Museum neon on linen, 66 x 70 x 3 ¼ in. of Art for exhibition Jim Riswold: Coupe Ici Marie Antoinette, 2006. Color Private Collection, Los Angeles, CA. Undignified, 6/2/2018‑8/26/2018 digital print on museo silver rag, 46 L2017:120.2 x 30 in. Jordan Schnitzer Acquisition Jim Riswold, American, b. 1957. Fund Purchase. 2010:22.1.2 Tom Wesselmann, American, Coupe Ici Marie Antoinette, 2006. Color 1931‑2004. Smoker #21, 1975. Oil on digital print on museo silver rag, 46 Marie Antoinette After, 2006. Color shaped canvas, 84 ½ x 77 x 4 ¾ in. x 30 in. Jordan Schnitzer Acquisition Private Collection. L2017:81.1 digital print on museo silver rag, 46 Fund Purchase. 2010:22.1.2 x 30 in. Jordan Schnitzer Acquisition Fund Purchase. 2010:22.1.3 Marie Antoinette After, 2006. Color digital print on museo silver rag, 46 Marie Antoinette¹s Head, 2006. Color x 30 in. Jordan Schnitzer Acquisition digital print on museo silver rag, 30 Fund Purchase. 2010:22.1.3 x 46 in. Jordan Schnitzer Acquisition Fund Purchase. 2010:22.1.4 Marie Antoinette¹s Head, 2006. Color digital print on museo silver rag, 30 x 46 in. Jordan Schnitzer Acquisition Fund Purchase. 2010:22.1.4

Loaned to the Schneider Museum of Art for exhibition The Animated Image, 4/12/2018‑5/12/2018

Stacey Steers, American, b. 1954. Night Hunter Cottage, 2011. Mixed media: video, wood, paint, electrical and Nixplay digital frame, Edition of 5 + 1AP; edition 4/5, 20 ½ x 17 x 15 in. Museum purchase through the Hartz FUNd for Contemporary Art. 2017:28.1 CONSERVATION

Carpenter Foundation grant for treatment of Chinese textiles Anonymous, Chinese. Hanging with Design of a Scholar’s Garden with Ten Treasures Motif and Decorated with Dragons and Deer, Qing dynasty, 18th century. Silk and gold‑wrapped thread kesi (tapestry weave) with selected painted details, 176 x 74 in. Murray Warner Collection. MWCH43:43 Anonymous, Chinese. Daoist Priest’s Robe (Jiangyi), Qing dynasty, circa 1800‑50. White silk satin embroidered with multicolored silk and gold‑wrapped thread and gilt paper strips silk satin embroidered with couched silk cord and gold‑wrapped thread, 57 1/8 x 71 ¾ in. Murray Warner Collection. MWCH45:2 Anonymous, Chinese. Hanging with Design of the Three Star Gods (Sanxing) and Children Admiring Scroll of Peaches and Bats, Qing dynasty, late 18th‑19th century. Blue and cream silk satin embroidered with silk floss and gold wrapped thread, 125 7/16 x 47 ⅝ in. Murray Warner Collection of Oriental Art. MWCH46:4 Museum-supported conservation projects Anonymous, Egyptian. Funerary Mask, Ptolemaic period, 306‑285 BCE. 17 height x 10 ½ diam. in. Widmer Fund Purchase. Eg11:1 Anonymous, Chinese. Jade Pagoda, Qing dynasty, circa 1711. Jade, teakwood, metal, 9 feet (including wooden base). Gift of Mr. Winston Guest. Ch4:1 Anonymous, Chinese. Living a Long Life as Pine Trees and Cranes, Ming dynasty (1368‑1644). Hanging scroll; ink and color on silk, 81 ½ x 49 in. Murray Warner Collection. MWCH32:7

$10,000 + Margaret and Daniel Erickson Honor Roll Anonymous (28) Ann MA ‘77 and David Fidanque The Andrew W. Mellon Foundation Colleen and James Fitzgibbons Arlene Schnitzer Trust JoMae and Joseph Gonyea II Karla and William Chambers Marceline Hammock and Herbert Merker ‘62 The Coeta & Donald Barker Foundation Jill Hartz and Richard Herskowitz Anne Cooling and Norman Brown, Jr. ‘68 Lynda Lanker Fidelity Charitable Gift Fund Betty Merken The JSMA greatly values Gagosian Gallery Inc. Vinie and J. Sanford Miller Janine and Joseph Gonyea III Anne Niemiec and David Kolb its members and donors Marcia and David Hilton Nancy ‘68 and Michael Rose ‘62 Jewish Community Fdn of Los Angeles Florence and James Shephard ‘80 without whose support our Josh Krute Linda Sheppard ‘67 public programs, exhibitions, Carey ‘79 and Dennis McNally ‘78 Tamara Stenshoel ‘77, MS ‘80 Elizabeth Moyer and Michael Powanda Jill and Lowell Teschmacher publications, and other Stuart and Gina Peterson Carrie and Eric Thompson Nancy and David Petrone ‘66, MBA ‘68 Tonya Turner-Carroll special projects would not David Salgado* Karen Warren Harold & Arlene Schnitzer CARE Foundation Cindy and Paul Weinhold ‘86 be possible. The following Arlene Schnitzer Mary ‘76, JD ‘80 and Brett Wilcox Jordan Schnitzer ‘73 Megan MS ‘00 and Thomas Wuest are supporters who gave Susan and Heinz Selig gifts to the JSMA between Christine and Chris Smith ‘67 $1,000 - $1,499.99 Ellen Tykeson ‘76, MFA ‘94 and Ken Hiday Joyce Benjamin ‘71, JD ‘74 July 1, 2017, and June 30, Sharon Ungerleider ‘74, MFA ‘77 Polly and Mark Brockett Barbara MS ‘83, PhD ‘89 and James Walker Silva Chambers ‘91 and Matthew Hoertsch, Jr. 2018. Every effort is made Margo Grant Walsh ‘60 Erin Chaparro MS ‘04, PhD ‘06 and Jeremy Hall The W.L.S. Spencer Foundation Douglas DeWitt and Dom Vetri to compile a comprehensive The Friends of the JSMA $5,000 - $9,999.99 Kathryn and Herbert Hahn list. Any omissions are Anonymous (7) Joy and John Haines City of Eugene Elizabeth and Roger Hall inadvertent. Please call us FoodState, Inc. Catherine ‘94 and Todd Hamilton ‘93 at 541-346-0974 with your Cheryl ‘66 and Allyn Ford Imagination International, Inc. Diana Gardener and Judson Parsons Judith and Kirk Johansen ‘71, JD ‘74 updated information. Thank Sue Keene MM ‘72 Deborah and Dale Johnson JD ‘81 Keith Achepohl Trust Anne Kubisch you for your support! Mary Jean and Lee Michels Jon LaBranch ‘67 Oregon Arts Commission Kenneth O’Connell ‘66, MFA ‘72 Sandra ‘62, MEd ‘67 and Johnnie Ralph Philip Piele MS ‘63, PhD ‘68 Lois Safdie and Charles Bader Hope Pressman ‘42, MS ‘72 * Kenda ‘74 and Kenneth Singer Carol ‘75 and Keith Richard ‘64 Catharine and Raymond Staton Susanne and Randall Stender Yvonne and Charles Stephens PhD ‘72 From left: Former Leadership Molly ‘92 and Devon Vendetti Willie Tykeson Council president Philip Piele, Elizabeth Wadsworth and Paul Peppis Susy and Jack Wadsworth Gertrude Bass Warner Awardee $3,000 - $4,999.99 $500 - $999.99 Margo Grant Walsh, Executive Bank of America Foundation Marie and Michael Andreasen Director Jill Hartz, and Leadership Judith Beard-Strubing and Elaine Bernat ‘78, MLA ‘79 and Council President Jim Walker Robert Strubing, Jr. Roger Saydack JD ‘80 Anne and Terrence Carter Louise Bishop and James Earl The Ford Family Foundation Marna Broekhoff MA ‘66 and Paul Peppis (Professor of English; Susan ‘71 and Mortimer Fuller III Ralph Shattuck ‘66 Director, Oregon Humanities Center; The Oregon Community Foundation Laurie Cracraft MA ‘69, MA ‘75 and Leadership Council member) Jennifer ‘97 and Ryan Papé ‘97 Kay Crider and Patrick Phillips Christine ‘76 and John Rude MS ‘79 Carol ‘71 and James Cure and artist Libby Wadsworth with UO Elizabeth Stormshak and Douglas Park JD ‘93 Frances and Michael Curtis ‘67 President Michael Schill Andrew Teufel Roscoe Divine ‘69 Victoria and Jeffrey Wilson-Charles The Field Museum Patron Circle member Marcy Sarah Finlay and Patrick Murcia $1,500 - $2,999.99 Dale Hartley Hammock with two former Gertrude John Andersen Phyllis Helland and Raymond Morse DMA ‘85 Bass Warner Awardees (and Ruth ‘69 and Frank Asbury Elizabeth ‘89 and Mark Holden Leadership Council members) Sue Patti and Thomas Barkin Jennifer Jonak and Michael Bragg Keene and the late Hope Hughes Ruth Beyer Diana Learner Jill and Bob Bronstein Cynthia Lewis-Berry Pressman. Dee Carlson and Michael Balm Michael Liebling Susan Cox and F. Gregory Fitz-Gerald Wendy Loren MS ‘90 Hillary ‘96 and John Darland ‘96 Martha McMillen and Allan Gemmell

* Deceased Kurt Neugebauer MS ‘93 Scott Coltrane Joanne Gulsvig Patricia Neuner Pamela Whyte ‘77 and Ronald Saylor ‘70, MS ‘75 Jani Gutierrez Ellen and Alan Newberg MFA ‘69 Maureen and Daniel Williams ‘62 Shane Gutierrez ‘08 Julianne Newton and Rick Williams * Ann and Jeff Hansen Tris O’Shaughnessy and Gregory Stripp ‘85 $100 - $249.99 James Harper Joby and G. James Patterson Martha Abbott ‘71 Drew Harrington MLS ‘76 Karen and Tenold Peterson Ann Aiken ‘74, JD ‘79 Ronald Head Albert Poston ‘69 Joyce and Jim Akse Tina and Michael Heffernan Sally and Jim Weston Alice Allen Andrea MS ‘71 and Edward Heid JD ‘73 Lynette Williams ‘89, MA ‘94 and Joyce MS ‘67 and Richard Anderson John Heintz Derek Johnson ‘82 Susan Archbald John H. Herman ‘60 Ina Asim Mary and Jack Holley $250 - $499.99 Patricia Allene Atkins Monica Houck Gregory Ahlijian ‘71 Jeannette Baker Miriam and Herbert Hubbard Vernon Arne ‘71 Elizabeth Beckett ‘10, MS ‘11 Wendy Huhn Francine and Scot Berryman Judith and David Berg Cindy and Mark Humphreys Pamela and Sherwood Bosworth Robin and Roger Best PhD ‘75 Jane Huyer and Robert Smith MA ‘59 Pilar Bradshaw ‘91 Cheryl and Darrell Bidstrup Corinne ‘88 and David Jacobs ‘88, JD ‘93 Stacy Brady Jill Blackhurst-Sheridan and Mary and Jerry Jaqua Brandborg Vineyard & Winery George Sheridan Jr. Kathleen and Darrel Jenson ‘76 Allen Breed Melva and Shawn Boles Carol and G. Wallace Johansen Breed-Ericson Rev Trust Virginia and Bernard Bopp James L. Johnson, Sr. Ruby Brockett Adrienne Borg Severena Johnston ‘88 and Michael Rear ‘89 Linda MLS ‘71 and Donald Brodie Audrey ‘59 and Ray Bradshaw * Anthony Kaperick Karla and Frederick Carr Kathy Brewer Helen and George Kaufman Jennifer Carroll ‘01 Pamela Brills Max Kellenberger RosaLinda Case and Bry Engle Janet MS ‘81 and Jon Buerstatte JD ‘82 Joshua Kerber ‘03, MActg ‘07 Ellen Climo and Marc Lipson Theodore Bushek ‘71 Nancy and Allen Kibbey ‘62 Nancy and Eric Corneliussen Alice Callicott ‘83 and William Simmons Donald Kirby Elizabeth Credle Janet and Leonard Calvert ‘55, MS ‘76 Torsten Kjellstrand Susan Creed Joanne Carlson and Alexandre Lockfeld Christine Kollmorgen and Charles Zachem III Diane MS ‘82 and Larry Dann Rebecca and James Carlson MA ‘73 Lisa ‘92 and Steven Korth ‘92 Claire Dannenbaum Marian and Pete Cassinelli Greg Kucera Michelle DeKlyen MA ‘72 and Miriam Castellon Jordan MS ‘09 and Andrew Lagerquist Jerome Silbergeld MA ‘72 Max Jordan Gayle Landt ‘75 and Martin Jones Jr. Sue and Matthew Evans Craig Cherry Hope Lewis Margot Fetz Kyungsook Cho Gregor ‘61, MS ‘63 and Kathleen Lindlan MS ‘92, MS ‘98 and Theodora Glenn John Gregor ‘56 Michael Raymer Rosalyn Goodman Margaret Clarke ‘63, MFA ‘78 Christine ‘73, MBA ‘76 and Leonard Lonigan Colette Govan MS ‘82 Nancy and George Classen ‘71 Lisa Lorens and Michael Webb MS ‘83 Melinda Grier JD ‘88 Suzanne Congdon and Randy Garitty Pamela Love and George Koris Susan Graham and Tom Rau Paula MA ‘78, MArch ‘84 and Dennis Conn Ronald Lovinger Cynthia and Akshay Gupta Corneliussen’s Nursery Linda MS ‘83 and Philip Lynch MS ‘69 Mary ‘74 and Scott Halpert Martha and Robert Crist Maria Magers ‘72 Kathryn and Mark Heerema Ellen and Lawrence Crumb Patricia Mallick ‘81 and Gordon Anslow Dorothy Heger Wendy Daniel Susan Markley ‘64 Jerrlyn MEd ‘80 and Kip Henery Helen Dart and Martin Henner Alexander Mathas MA ‘84 Marlene ‘72, MEd ‘83 and Duane Iversen MS ‘75 Rosemary Delgado MLS ‘76 and Sandra and Robert Mattielli Catherine ‘77 and David Johnson ‘77 Joseph Udovic MS ‘88 Elizabeth and Frederick Maurer Mary MS ‘03 and Kenneth Kato MCRP ‘00 Diane and Jerome Diethelm Pamela McClure and Leroy Johnston * Carol Lavery and William Powell Deborah Dotters and Vern Katz Patrick McCusker Jaylynn and Michael Milstein Rose Downey Heather McDonough Constance and Dale Mueller ‘68 Susan Due-Donohue ‘91 Laura McIntyre Barbara MS ‘78 and John Mundall Arthur Edelmann MFA ‘82, PhD ‘91 J. Douglas McKay ‘59 Glenn Munro Angela and Paul Elstone Rebecca Mikesell and Charles Fuller Natalie and Robin Newlove Eugene Foot Health Center Ruth Miller MS ‘76 James Peterson Sherilyn and Michael Farris Modern LLC Mary Pugsley and Steven Butt Virginia Fifield Nancy Moody Ginny ‘64 and Roger Reich Jesse Fittipaldi Michael Mooser Eric Roedl Keith Frady Lawrence Moran Richard Ruh Patricia Gisborne ‘58, MA ‘70 Letty Morgan Eric Schabtach Adriana and Ansel Giustina Mary and Richard Mowday Andrea Scofield and John Barnam Margaret Gontrum Ann ‘86 and Erik Muller MA ‘65 Mary Lou ‘67 and Marty W. Smith Alix Goodman Morgan Munro Mary Smith Marcia and Glenn Gordon Lynn Nakamura ‘76, MUP ‘85 Sandra ‘92 and Jerry South Linda Gourlay-Nelkin and David Nelkin Jean Names-Cross ‘76, MS ‘78 and Jane Souzon Heidi and Scott Grew Gary Cross ‘64, MS ‘65 Richard Stumpf MS ‘87 Joyce Griffith ‘81 Sally Nill ‘57 United Jewish Foundation Erica Goss and Don Peters Louis Osternig PhD ‘71 Wendy Wheeler-Coltrane and Dawn and David Guenther Linda and Ralph Overgard

* Deceased Kenneth Pendleton PhD ‘98 Ann Actis Alice ‘68, MA ‘73 and Ronald Carlson Emaly and Hugh Perrine Janice Addi ‘76 Katherine Carlson ‘13, ‘16 Barbara Perry ‘68, MA ‘76, PhD ‘93 and Donald Addison ‘65, PhD ‘98 * Jewon and Kenji Carp Robert Weiss Patricia Adlum William Carter ‘84 Sharon and Michael Posner Linda Ague and Kirk Kneeland ‘70 Deborah Casey MFA ‘78 and Sue ‘75 and Hubert Prichard MEd ‘72 Joanna Alexander John Witte MFA ‘77 Ivy MS ‘76 and Mark Pruett Gerald Alexanderson ‘55 Kathryn MS ‘05 and Joshua Chamberlain ‘97 Elizabeth and Klaus Putjenter Mary Allardt Kenar Charkoudian MS ‘57 Martha Ravits Lucille Allsen MLS ‘69 Sandra and Craig Cheshire ‘58, MFA ‘61 Robert Reeves ‘97 David Alman Linda MEd ‘76, MS ‘76 and Stephen Rhodes ‘69, JD ‘74 and Lillian and Peter Almeida Gary Christensen MS ‘74 Douglas Hedden Lisa Alsip Joan and Craig Clark II ‘63, MFA ‘72 Victor Richenstein ‘77 Florence Alvergue MA ‘89 Karin Clarke ‘92 Sue Ellen and Earle Richmond, Jr. ‘63 Janice Anderson ‘70 and John Joyce ‘70 Scott Clarke MArch ‘00 Linda and James Robertson ‘73 Mija Andrade Julie ‘87 and Patrick Claybaugh Cathy MS ‘80 and Stephen Robinson Blake Andrews Crystal Clemens Janet Robyns MEd ‘80 and Karen MEd ‘76 and Sarkis Antikajian Robin Cochran MA ‘84 George Jones MEd ‘73, PhD ‘77 Susan Applegate ‘67 Paula and Riccardo Coen Tiffany and Eric Rosenfeld Andrea Arlington ‘67, MS ‘72 Marjan Coester ‘91 and Todd Jeffries Frank Rossini MA ‘74, MFA ‘77 Andrea ‘67, MS ‘72 and Carol and David Cohen Sheila Roth David Arlington MA ‘69, PhD ‘73 * Meredith Compton John Roupe ‘04 Patricia and Charles Arrera Patricia Condron and Ronald Dobrowski Priscilla Rowe Barbara Aten Victor Congleton Russo Lee Gallery, Inc. Elizabeth Atkerson Juliana Coons ‘98, ‘99, JD ‘02 Paula and James Salerno Gwendolyn MS ‘87 and Dennis Bailey ‘70 Copper Windmill Ranch Rachelle Saltzman Darelle Baker ‘82, MA ‘83 Lynn Corbett Phyllis and Royce Saltzman Patricia Baker MEd ‘78 Katherine ‘81 and Michael Coughlin ‘79 Phyllis ‘77 and Brad Sargeant Rebecca Banyas Carolyn Craig and Michael Bateman Barbara and Norman Savage Cary Barber Kathleen and Gary Craven MA ‘68 Linda Schaefers ‘69, MLS ‘76 Cathy Barnes and Donald Pate Tom Croen Jan and Andrew Schink Walter Bartlett ‘89 Priscilla and David Croft Leslie Scott ‘88, MA ‘91 and Charles Lefevre ‘90 Hannah Bastian MS ‘17 Carla Crow Elizabeth and Charles Search, Jr. Jean and Howard Baumann Stacey Crow Marsha Sexton and LaMonte Cherrick Marcia Belzner Jon Cruson ‘64, MFA ‘67 Mary and Ronald Sherriffs Joan Benson Linda and John Cummens Georgette and Robert Silber Bradley Berg Elizabeth Currier Nancy Smith Elizabeth ‘72 and Richard Berg, Jr. MM ‘77 Dennis Currin-Duvaul Valerie Soll ‘75 and Michael Morris ‘74 Carol and Marvin Berkman Susan Curtin ‘76, MS ‘85, PhD ‘93 Dawn ‘91 and David Stephens Marcia Berman Deborah Dailey Janell Sorensen ‘79 and William Sullivan MA ‘79 Laura and Daniel Betty Pamelyn PhD ‘92 and Michael Dane Stacey Sullivan Margaret Bidart Ryan Darwish MBA ‘90 Fay Sunada and Patrick Wagner Carol Blackwell ‘69, MS ‘83 Alice Davenport and Ernst Schwintzer Christina Svarverud ‘94 Sara MEd ‘10 and David Blackwell Barbara Davis Virginia and Joseph Sventek Amanda Blaeuer Suzan Dawe and John Sattenspiel Sandy Sverdloff Celeste Blythe Victoria and Michael De Luise Marion Sweeney Ingrid Bodtker Soledad Del Guercio Ingeborg Tarantola ‘00 Maria Bolanos-McClain and Ken McClain Anne DeLaney MArch ‘89 and Nathaniel Teich Johnny Bojarsky Rudy Berg MArch ‘89 Elizabeth ‘77 and Kelly Tower Roberta and Scott Bolling Rebecca ‘87 and Mark Delavan Hildur ‘90 and Todd Tritch Sheila and David Bong Brigitte and John Delay Daniel Udovic Jill Bradley ‘70 Mari and Mark Dembrow MEd ‘74 Maron and Maurice Van MFA ‘57 Emma Bramwell Gail and Paul des Granges Carol Vandervort Stephen Brander Dale DeShaw Alice Warner Ruth BreMiller Kanchan ‘78, MS ‘78 and Kathryn Weit Elizabeth Broadhead ‘94 and Jeff Mulford Nilendra Deshpande Angela Wilhelms Michael Brodie Caroline DeVorss ‘94 Carol and Tom Williams Robert Brown Joan Dickey Norma and Everett Winter ‘56 Albert Bruno Kirsten Diechmann MS ‘82 Susan Weil and Anatole Klebanow Donna ‘56, PhD ‘75 and Donald Bruyere Maria-Manela and Antonio Diez ‘70 Cynthia Wenks ‘03, MEd ‘05 and Frances Bullis Jennifer DiFrancesco Michal Young ‘83 Lynn ‘71 and Bill Buskirk ‘71 Eric Dil Kathi Wiederhold ‘76 and Kent Howe MA ‘78 Donna Byrd ‘79 Dock No. 2 Design Connie and Harry Wonham Kevin Caldwell Robert Dow ‘09 Stephanie Wood and Robert Haskett Karrin MS ‘80 and Theodore Calhoun May ‘64, MEd ‘74 and John Downey Joan Wozniak MA ‘70, MA ‘95, PhD ‘03 Kathleen Campeau Wendy Dudelheim Sarah Wyer ‘14, MA ‘17 Angela Canaday Judith Duff and Brian Bralley Thomas Caples Nancy Duff $1 - $99.99 Karli Capp Sharon and James Duncan Anonymous (1) George Cardenas Sandra and Lawrence Dunlap Larry Abel Susan Carkin MA ‘71 Katherine Eaton MS ‘52, MS ‘68

* Deceased Karin Edla Mary ‘82 and Stephen Hebert Nancy Lang Edward Feil Productions Henriette PhD ‘87 and Elwin Heiny MA ‘77 Marylyn and Thomas Larsen MS ‘78 Penny Edwards ‘02 John Heinzkill Lacie LaRue and Charles Nguyen Rina and Lee Eide ‘69 * Megan and Mark Helfrich Darlene and John Lashbrook Judith and Dennis Ellison MD ‘69 Lynne ‘79, MS ‘91 and Dennis Hellesvig ‘60 Linda Laskowski Caitlin Elwood ‘08, MS ‘10 Leah Hemelstrand ‘79 and Steven Kale Susan Lax and Richard Chartoff Kay and Arthur Emmons Rita Hennessey Joyce Leader Larissa Ennis MA ‘04, PhD ‘12 Janet Hiller Jamie Leaf and Kim Eschelbach Joann and Benjamin Epstein Mary Hindman Susan Leek Diane Etzwiler MArch ‘90 and Laura Hofer Renee Legris Robert Thallon MArch ‘73 Barbara and Jon Hofmeister MA ‘68 Ann and Edward Lichtenstein Nancie Fadeley MA ‘74 Anne Hohenemser Adriene Lim and Mary Galvin Judith and Thomas Fawkes Ruth Hollander David Lloyd Naomi and Edward Feil Nancy Holloman Virginia Lo and Paul Nicholson Marie ‘94 and Eric Felgentrager Carol Jo and Clyde Horn Karen Locke ‘73, MFA ‘76 Phyllis Fisher Nancy MS ‘78 and Blaine Hoskins Jessica Lohff-Phillips Kelly Fitzpatrick Sharon and Mark Housen MBA ‘66 Sandra Luks Donna Fogelstrom ‘97 James Howard Sr. ‘62, MEd ‘64, EdD ‘70 Kyle Luttrell Kylene Folson Ellen Hubbe Elisabeth Lyman MS ‘80 Rhea MEd ‘74, PhD ‘80 and Donald Forum * Joan and Mark Hudson M & J Antiques and Auction Lois Foss-Taylor MEd ‘75 Lynn Hughes Jeanne Maasch Carolyn and Mark Foster JoAnne and Joseph Hynes Jr. Sarah MacArthur Kris and Walter Fox Clem Imfeld MS ‘93 Coral Mack ‘85 Jennifer Frenzer-Knowlton and Peter Frenzer Lee Imonen MFA ‘96 Martha MacRitchie and Michael Lewis Linda Frison ‘69 Jane Ingle Peggy and John Mahon Karen Frohnmayer-Van Horne ‘83 and Annette Ironplow ‘72 Eleanor and Jerome Maliner Todd Van Horne Christian Ives Margaret Malsch Deena and David Frosaker ‘75 Janet MLS ‘74 and John Jacobsen Susan Mannheimer Shirley Froyd Joanne James Hana Marino Becki Fujii ‘76, MEd ‘89 and Peter Patricelli Karen James Scott Marsh MS ‘95 Mary Fullenkamp Donnel Jansen ‘90 Joy Marshall and Robert Uhler MS ‘91 Ellen Gabehart Marcia and John Jarrett Nicole ‘94 and Cameron Martin ‘93 Barbara and James Gant DMD ‘57 Patty and Ralph Jaszkowski Debra Martin ‘74 Laeh Garfield Catherine Jedlicka JD ‘13 Wayne Martin Emily Gerstman and Dean Beyerman Barbara and Timothy Jenkins Marlys and William Martin Bentley Gilbert Stephanie Jennings and Robert Inerfeld Genevieve MM ‘95, DMA ‘01 and John Gilbert MS ‘69, PhD ‘74 Christine and Daniel Jepsen Timothy Mason ‘89, MM ‘96 Carolyn Gilman-Garrick and Paul Garrick Michael Johns Terry Mauney ‘67, MA ‘71 Carolyn Glasier Kathellen Johnson Lisa Mazzei George Glasser Gregory Jones Beverly Mazzola and John Simoni Hannah and Daniel Goldrich Kim Jones Hally McCabe ‘90 Judy Goldstein Penelope Jones Grace and Michael McCabe MS ‘88 Elizabeth and Edward Gordon Milton Jones Patrice McCaffrey M.J. Gordon Glenna Jordan and Michael McGann Catherine McClure ‘81 Donna Gould ‘80 Clare and Ryan Josef-Maier Joule Linda McConnell Faye ‘75, MS ‘87 and Stuart Greenleaf Mary Kalego Joshua McCoy Dawn and Douglas Gubrud ‘84 Karyn Kaplan ‘77 Karen and Bob McDonald Denise Gudger Christina Kapsa ‘05 Deborah and Mark McGinley Marina Guenza and Andrew Marcus Karin Clarke Gallery, LLC James McGrath ‘50 Annette Gurdjian ‘84 Alice Kaseberg ‘67, MA ‘69 and Donna ‘69 and George McGuinness ‘71 Jamie Guyn ‘80 and Michael Levick ‘82 Robert Bowie Terrance McIlrath Pamela Haggard Suzanne Kaykas-Canterbury Jill and Gary McKenney ‘76 Emily and Shawn Hall Joan Kelley MS ‘92 Mary McKrola MEd ‘86 Hallis Arthur Kennedy, Jr. Scott McNeeley Michael Hallsenius Jane King Mona Meeker Karen MEd ‘89 and George Hamilton Steven King MS ‘80 Ann Meeks Judith Hankin ‘75 Sherrill Kirchhoff ‘82 Emel and Johan Mehlum Esther Harclerode MA ‘11 and Eunice Kjaer Vicky Mello Grayson Andrews Charles Klausmeier Terry Melton MFA ‘64 Brett Harding Lynn Klingensmith Harriet Merrick ‘75 Linda Harding Danielle MA ‘10 and Christopher Knapp Tylar Merrill ‘90 Victoria Harkovitch ‘75, MA ‘90 and Cynthia and George Kokis Ellen Meyi-Galloway John Holtzapple III ‘91 Rebecca and Peter Kovach ‘74 Valerie ‘95, ‘13 and Dennis Mickelson ‘96 Judith ‘64 and Timothy Harold ‘63, ‘65 Cina Kraft Marsha MEd ‘86 and Leland Miller Nicole Harris Dana and Eric Kvernland ‘74 Maggie Mitteis MA ‘16 Erin Hart MBA ‘08 Judith Lamb ‘79 and Brian Alexander Elizabeth and James Mohr Sylvia Hart Margan Lambert and Michael Fox JD ‘74 Carol Monahan Cheryl Hartup Jerilyn and Ronald Lancaster MA ‘68 Erica Monge Carmen Hayes Megan Landers Eleanor Montagna Kay Hayford Jacqueline Lane Erin Moore and Christopher White

* Deceased Margaret and Larry Moore Sandra MEd ‘81 and Richard Quigley Judith Spector-Volem and Geraldine Moreno-Black and Edward Black Claudia Lapp and Gary Rabideau Timothy Volem MS ‘92 Jeffrey Morgan ‘88 Michael Ragsdale Molly and Jonathan Stafford MA ‘69 Stephanie Morgan Marjory Ramey ‘47 Bonnita Stahlberg ‘68, MA ‘73 Vicki Morgan and Michael Duran Cynthia Ramsey Sheila and Richard Steers Laree and Larry Morgenstern Jeffrey Rear ‘89 Susan Steffen MS ‘04 Karen and Darian Morray Helen Reed ‘70, MA ‘77 Karen Steffensen ‘86 Susan ‘82 and John Moseley Sharon Reed and Mark Horney PhD ‘91 Robert Stein Betsy and Frank Moss Mary and Raymond Rees JD ‘76 Barbara Stevens-Newcomb ‘80 and Teresa Mueller MFA ‘93 and Beverley Parish Marcia and David Regnier Steven Newcomb Raven Muir Jessica and Omer Reichman III Claire Stewart Elizabeth Muller-Lorish ‘72, MA ‘77 and Charles Reinhardt Jennifer Stewart Fred Lorish MA ‘68 Emily Reinwald Kimberley Still ‘80 Bonnie Murdock Michele Renee Heidi and Gerald Stolp MS ‘88 Martha Murray and Kent Duffy ‘71 Gwen and George Rhoads ‘76 Lucy Strandlien Robert Murray Laura and John Rice Lotte Streisinger * Beverly ‘67 and Richard Murrow, Jr. ‘65, MFA ‘67 Colette MA ‘84 and Stephen Richardson Marie Stringer Catherine Mushel Peggy Ries Kristin Strommer ‘94, ‘00 Evelyn Nagy Richard Ries Kimberly Strong and Brian Holte ‘85 Donald Nahnsen Theresa Ripley PhD ‘71 Key Sun Nancy and Saul Naishtat MA ‘95 Mary Robert Debby Sundbaum-Sommers Naoko Nakadate MA ‘92 Marilyn Robert ‘74, ‘90, MFA ‘95 and Merrily and Martin Sutton MA ‘78 Carol Namkoong Bernard Koenigsberg ‘71, MA ‘73 Win Swafford Elizabeth Naylor and James Watson MS ‘91 J. Hallie Roberts Carol Sweet Carolyn and William Neel Marc Roche Sylvia Sycamore JD ‘99 Howard Newman JD ‘84 Helen JD ‘76 and Gordon Rockett Anne Teigen and Robert Smith Lauren Nichols MS ‘17 Linda and Paul Rockey Pauline and Simon Thaler ‘89 Sandra and Paul Nichols, Jr. Linda and Thomas Roe MD ‘61 Cathy Thomas Laurie Nicholson Pamela MS ‘79, MS ‘85, PhD ‘92 and Elizabeth Thomas ‘05 Sharane and Sidney Norris Richard Roman MS ‘82 Kathy Thomas Northwest Exposures Photography Camille and Alan Ronzio MA ‘70 Patricia Thomas and Russell Mecredy MArch ‘80 Sarah Nunn ‘68 Mary Ann Roos Angela Thompson PhD ‘06 Rosemarie Oakman Barbara Rose ‘68, MA ‘84 Carmelita Thomson Patrick O’Grady ‘96, MS ‘99, PhD ‘06 Janice Rutherford ‘63 Andrea Timmermann ‘60 Mark O’Harra Walker Ryan Annick Todd Le Douarec ‘80, MA ‘87 Joan and Alexander Ojerio Jill Sager Matias Torres Alan Ott Stephen Saltekoff ‘08 Sharon Torvik ‘67, ‘69 Mary Overgaard and David Cook ‘86 Judith Sander Jennifer Tucker Laramie MS ‘83 and Theodore Palmer Nancy Scharf ‘71 Sarah Ulerick Shiela Pardee Arline Schneider Rebecca and Nicholas Urhausen Alice Parman Tina Schrager Jason Valentine Kenneth Paul Linn and John Schulte Shirley ‘70 and Joseph Valentine Linda Pauly ‘89, MLA ‘90 Rebecca Schulte Peter Van Allen Pellitier & Pellitier Wendy and William Schwall ‘76 Eugenia ‘70 and Robert Van Iderstine Michelle ‘83 and John Pellitier ‘82, MLA ‘85 Nancy Schwecke Jacqueline Van Rysselberghe and Barbara Perrin Chris Scofield Stuart Kaufman Cecelia Perry and Gayland Hokanson * Raymond Scofield Caroline and Dennis Viene Nathaniel Perry ‘63 Heather and Theodore Scott Phyllis Villec Pamela Perryman MA ‘74 and Stephanie MA ‘80 and Douglas Sears MA ‘69 Deborah Vukson Robert Whitman Elaine Sedlack William Waddel, Jr. Susan Pickrel Andrew Seger Jeanne ‘74 and Darrell Walker ‘75, JD ‘80 Antonette Pham and Paul Trakarn ‘12 Karen Seidel Gregory Walker Catherine and David Piercy Marsha and Steven Shankman Karalyn Walker Linda and David Pompel Jr. ‘61, MS ‘71 Nancy ‘70, MEd ‘89 and Robert Shapiro Denise Wallace ‘89 Nancy Ponder ‘84, MA ‘94 and Curtis Sheldon Janice and James Ward David Feinstein ‘04 Victoria Shellcerf and Stuart Faulk Terri Warpinski James Pontious Kathleen Shelley ‘49, PhD ‘78 Jocelyn Warren Sharon and Otto Poticha Heather and Frederic Shepard Robert Warren Christopher Potter MS ‘97, PhD ‘05 Catherine Simard Pamela ‘69 and John Watson ‘69 Elisabeth Potter ‘60 Lawrence Siskind MEd ‘09 Sandra Weingarten Brian Poverman Becky and Rodney Slade MLS ‘76 Fredricka Weishahn Pamela Griffin and James Poverman Jane and James Smith Mary Weldon and David Smith Linda Powell Catherine and John Smith Bradley Welt ‘83 Phillip Prince Marjorie Smith ‘57 Elizabeth and Louis Wenzl ‘68, MS ‘69 Maureen and John Procopio Michael Smith Linda Wergeland Maxine and Andrzej Proskurowski Scott Smith MaryEllen West ‘53 Virginia Prouty Sara and Oliver Snowden III MBA ‘90 Carol Whipple Kathleen ‘78, MS ‘80 and Charles Pyfer Victoria Snyder Laura Whitman Jacqueline ‘58 and John Pynes MEd ‘70 Thelma Somerquist and Larry Robidoux Susan Whitney Lisa Quaid Glen Spain Lee and Ray Wiley

* Deceased Patricia MS ‘83 and David Williams JD ‘76 Judith Johansen ‘71, JD ‘74 Hue-Ping Lin MS ‘86, PhD ‘91 Jerold Williams ‘53, MS ‘60 Anne Kubisch Arthur McNett ‘42 Patsy Williams Carrie Thompson Marla and Jeffrey Michaels Verite and Paul Williams Mary Wilcox ‘76, JD ‘80 Robert Miller Debbie Williamson-Smith Alfreda Murck Dina Wills PhD ‘80 In honor of Jill Hartz Elizabeth Moyer and Michael Powanda Joshua Wilson Adriene Lim and Mary Galvin Bill Rhoades Laura ‘02 and Michael Wilson ‘03 David Salgado Patricia Wilson In honor of Hope Hughes Pressman and Carol Steichen Dumond ‘45 * and Julie Wind Jordan D. Schnitzer Don E. Dumond ‘62 David Winett Ellen Tykeson ‘76, MFA ‘94 and Ken Hiday Richard Stumpf MS ‘87 Stephanie Winsor MS ‘82 Sharon Ungerleider ‘74, MFA ‘77 Grace Teigen Herbert Wisner Jack and Susy Wadsworth Elizabeth Witt and Ron Williams In honor of Jordan D. Schnitzer Gene Wigglesworth Kathy and John Woodman ‘77 Tiffany and Eric Rosenfeld Kyle Woodman Donors to Acquisitions Leslie and Charles Wright In honor of Sharon Ungerleider Ruth ‘69 and Frank Asbury Douglas Yook Hope Pressman ‘42, MS ‘72 Frances and Michael Curtis ‘67 Heather Young ‘95, MA ‘05 and Claire Dannenbaum Alain Rebeyrol ‘94, MS ‘98 Gail and Paul des Granges Yvonne Young MS ‘88 Arnold Bennet Hall Legacy Society Patricia Gisborne ‘58, MA ‘70 Dani Zack The ABHLS honors individuals who Theodora Glenn Judy Zehr and Christopher Overton ‘80 provide for the future of the University of Janine and Joseph Gonyea III Ann MFA ‘89 and William Zeman Oregon in their estate plans. The following Rosalyn Goodman Heather and Kurt Zimmer ‘91 individuals have included the Jordan Marina Guenza and Andrew Marcus Schnitzer Museum of Art in their wills. We Esther Harclerode MA ‘11 and Gifts in Memory are grateful for their support. Grayson Andrews In memory of Keith Achepohl Kathryn and Mark Heerema Virginia Fifield Anonymous Dorothy Heger Sherrill Kirchhoff ‘82 Rozy Almes Fred Hoffman Sally and Jim Weston Maureen Bernard ‘58 Donald Kirby Ann Brewer ‘53 Cynthia Lewis-Berry In memory of Philip N. Blythe Julie Collis Maria Magers ‘72 Celeste Blythe Linda Lawrence-Canaga and Robert Emel and Johan Mehlum Canaga ‘90 Stephanie Morgan In memory of Richard P. Easley Harryette Lindley Elizabeth Moyer and Michael Powanda Ina Asim Lucile McKenzie ‘78, MA ‘83 Catherine Mushel Maria Bolanos-McClain and Ken McClain Arthur McNett ‘43 Johnnie Ralph Nancy and Eric Corneliussen Vinie and J. Sanford Miller Martha Ravits Mari and Mark Dembrow MEd ‘74 Ellen and Alan Newberg MFA ‘69 Priscilla Rowe Diana Learner Nancy ‘68 and Michael Rose ‘62 Christine ‘76 and John Rude MS ‘79 Susan ‘82 and John Moseley Christine and David Sahn Victoria Shellcerf and Stuart Faulk Lynn Nakamura ‘76, MUP ‘85 Christine and Chris Smith ‘67 Mary Lou ‘67 and Marty W. Smith Frank Rossini MA ‘74, MFA ‘77 Mary Smith Barbara MS ‘83, PhD ‘89 and James Walker Eba and Gerard Sohn Terri Warpinski In memory of Wan Koo Huh Sharon Ungerleider ‘74, MFA ‘77 Carol and Tom Williams Janine and Joseph Gonyea III Barbara MS ‘83, PhD ‘89 and James Walker Margo Grant Walsh ‘60 In memory of Prof. A. Dean McKenzie Terri Warpinski Nancy Duff Carol Monahan Donors of Art Barbara Perry ‘68, MA ‘76, PhD ‘93 and Ina Asim Robert Weiss Judy Bjorge Mary and Raymond Rees JD ‘76 Kyungsook Cho Gregor ‘61, MS ‘63 and Andrea Timmermann ‘60 John Gregor ‘56 Johnnie Ralph Margaret Coe Clarke ‘63, MFA ‘78 Anne Cooling and Norman Brown, Jr. ‘68 In memory of Hope Hughes Pressman Ellen and Lawrence Crumb Emel and Johan Mehlum Carolyn and Mark Foster Carol and Tom Williams Give Art Foundation KellyAnn Griffiths In memory of Ann Louise Dingledy Kathryn and Herbert Hahn Rodiefor Barbara Healy Heather McDonough Beverly Hecht-Levy ‘77 and Robert Levy Linda Lawrence-Canaga and Gifts in Honor Robert Canaga ‘90 In honor of Allyn C. Ford and Cheryl Hung Liu Ramberg Ford JUNG Do-jun Ruth Beyer KIM Myungjin Karla Chambers LEE Jae Won * Deceased Grants & Foundation Support

Coeta and Donald Barker Foundation $19,000.00

Ford Family Foundation $20,000.00

Kennedy Center for the Arts $12,000.00

Andrew W. Mellon Foundation $150,000 (300,000 grant, shared with UO Libraries)

National Endowment for the Humanities $ 6,000.00

Oregon Arts Commission $7,000.00

Spencer Foundation $42,750.00

Oregon Arts Commission $11,670.00

Oregon Arts Commission Ford Family Foundation $25,000.00

Total $193,420

The JSMA thanks the following businesses and individuals for in-kind donations: John Andersen, Bijou Art Cinemas, Pamela and Sherwood Bosworth, Mike Bragg and Jennifer Jonak, Brandborg Vineyard & Winery, Campus Bubble Tea, Tonya Turner-Carroll, Karla and William Chambers, Cosmos Creations, Laurie Cracraft, The Duck Store, Eugene Magazine, The Field Museum, Adam Grosowsky, Katsunori Hamanishi, David and Marcia Hilton, Jack and Mary Holley, Imagination International, Inc., Deborah and Dale Johnson, Keith Achepohl Trust, KLCC, Josh Krute, Lynda Lanker, LaVelle Vineyards, La Que Buena Radio, Hung Liu, Betty Merken, Modern LLC, Oakway Heritage Courtyard, Oregon Quartetly Magazine, David Salgado*, Linda Nunn Schaefers, Jane Souzon, Randy and Susanne Stender, Sandy Sverdloff, Trillium Graphics, Ellen Tykeson, Sharon Ungerleider, Paul and Cindy Weinhold

The JSMA provided in-kind donations to support the following organizations: Arc Lane County, Arts and Business Alliance of Eugene, Bags of Love, Big Little School, Buena Visita Elementary School, Cambell Community Center, Catholic Community Services, Charlemagne Elementary School, Community Alliance of Lane County, Crescent Park Senior Living , DisOrient Film Festival, Duck Store, Eugene Cultural Services, Eugene Darkroom Group, Eugene International High School, Eugene Public Library, Eugene Symphony, Eugene- Springfield Youth Orchestra, Event Planners Group, Fanconi Anemia Silent Auction, Greenhill Humane Society, Holt International, Karin Clarke Gallery, Lane Transit District, Looking Glass, Malabon Elementary School, Maple PTA, Nearby Nature, Network Charter School, No Lost Generation at the University of Oregon, Oregon Supported Living Program, PTO 5th Grade Japan Trip, River Road and Santa Clara Volunteer Library, Rogue Gallery, Roosevelt Middle School, Saint Thomas Moore Catholic Church, Serenity Lane, Shasta Middle School, Spring Creek Elementary, Springfield High School Athletic Department, Springfield Lions Club , Springfield Public Library STEAM Family Night, Temple Beth Israel, Travel Lane County, Waldorf School of Bend, Western Museums Association, Western Association of Convention & Visitors Bureaus, and Willamalane Adult Activity Center Isabel Engel Michelle Chaewon Kim Lucy Miller Erika Milo Lee Moore Staff, Students & Volunteers Christin Newell Emily Shinn Emily Silbergeld Esther Weng STAFF Jonathan Hanson Glyn Wilson-Charles Development Alexandr O’Ryan Shaungting Xiong Administration Esther Harclerode Victoria Railsback Jill Hartz Associate Director of Molly Roman Executive Director Development Shade Streeter Development Angela Canaday Lauren Nichols Baily Thompson Breanna DeMontigny Administrative Assistant Development Program Giang Vu Ammas Tanveer Kurt Neugebauer Manager (January-) Associate Director of Visitor Services & Events Education Administration and Paul Nordquist Tiara Adams Exhibitions Education Special Events Assistant Ugo Akabike Karri Pargeter Lisa Abia-Smith Jamie Leaf Kimberly Allen Business Manager Director of Education Visitor Services & Facility Sisy Anderson Lisa Montgomery Sherri Jones Rental Coordinator Kiyomi Arbuckle Accounting Tech Museum Education Erin Boley Program Coordinator Receptionists: Bronwyn Buffalino Collections Hannah Bastian Jacob Armas Jenny Canalas Miranda Callander Museum Educator (August-) Isabelle Cho Megan Conder Registrar Isabel Engel Lily Cronn Joey Capadona Facilities Savannah Evans Margo Dedrick Chief Preparator Carlos Rodriguez Sara Fatimah Miranda Einy Beth Robinson-Hartpence Custodian Marianna Finke Ali Garwood Preparator-Conservator Justin Stuck Deena Frosaker Shayna Horowitz Mark O’Harra Facilities Services John Guzman Sterling Isreal Preparator-Carpenter Coordinator Liana Hu Malik Lovette Jonathan Smith Asha Logan Anneli Maley Collections Database Risk Management Susan Mannheimer Erin Meyer Coordinator & Anthony Cranford Bradford McMullen Dexter Meyers Photographer Museum Security Elizabeth Renchler Erika Milo Chris White Administrator (-December) Dakota Theim Jessica Nettles Collections Manager Wayne Hutton Sophia Warner Rosemarie Oakman (GE) Museum Security Caitlyn Park Communications Administrator (March-June) STUDENT WORKERS, Lupe Partida Mike Bragg Security Officers: PRACTICUM STUDENTS, August Raskie Design Services Manager Rebecca Crowder (October-) INTERNS, ARTISTS, & Shannon Rhodes Debbie Williamson-Smith Dee Atkinson VOLUNTEERS John Rustik Communications Manager Dawn Davey Administration Alexandra Schneider Kim Diaz Shane Davis Cassidy Shaffer Curatorial Kerry Wade Cristin Newell Jordyn Shaw (Laurel) Anne Rose Kitagawa Sophia Warner Hannah Shlesinger Chief Curator, Curator of Student Monitors Calder Smith Asian Art & Director of Marcus Beskow Communications Pani Soltani Academic Programs Bojczuk Camarg Bueno Lena Freeman Connor Thorud Cheryl Hartup Kiana Burns Jalontae Walker-Burris Associate Curator of Claire Byrd Collections/Curatorial Esther Weng Academic Programs and Joseph Cappuccio Jacob Armas Latin American Art Bryan Carl Yinxue Chen World of Work Internship Richard Herskowitz Kayla Degenfelder Yue Chen Program Curator of Media Arts Sara Fatimah Clay Chou Noshin Rahman Danielle Knapp Jack Fleming Margot Dedrick Hannah Schlesinger McCosh Associate Curator Tamsin Fleming Breanna DeMontigny A.J. Owens Drenna Thompson Paul Peppis Eric Roedl, Chair Bette Rice Haven Burley Philip Piele, Past President Lauren McHolm Nancy Schwecke Sahalie Albone Hope Hughes Pressman, Philip Piele Susan Selig Grace Rodrigues Honorary* Dom Vetri Kelli Sherman Kirah Bernard Eric Roedl James Walker Tobbie Thornton Cameron Robertson Christine Smith Hildy Tritch Ammas Tanveer, Student Long-Range Planning Jen West Events Team Representative Committee Kim Williams Leo Bae Ellen Tykeson David Hilton, Chair Sarah Zachem Breanna de Montigny Sharon Ungerleider Chris Chavez Jeremy Eclarinal Dom Vetri James Harper Exhibition Interpreters Christian George Sue Keene Valerie Bailey Hope Gilbert Lee Michels Patti Barkin Alfredo Gonzalez Cruz Executive Committee Paul Peppis Rebecca Bradvica Julio Jaquez James Walker, Eric Roedl Janet Buerstatte Lizzy Rivera Chair and President Christine Smith Helene-Carol Brown Judd Smith David Hilton James Walker RosaLinda Case Gavin Uppal Lee Michels Rick Williams Adrienne Colaizzi Doug Park Susan Creed Event Volunteers Paul Peppis Program Support Ann Fidanque Ugo Akabike Philip Piele Committee Jennifer Frenzer-Knowlton Jacob Armas Eric Roedl Paul Peppis, Chair Ellie Gosselink-Orr Grace Hanich Randy Stender Chris Chavez Maria Gulemetova Brad McMullen Andrew Teufel Jeff Hanes Mary Halpert Jung Pao Ryan Pech Tina Heffernan Andrew Robbins Nominating Committee Ellen Tykeson Ruth Hollander Kelley Roberts Doug Park, Chair James Walker Marcy Holle Felicia Strand Philip Piele Cindy Humphreys Hope Pressman Friends of the JSMA Cathy Irwin JSMA Student Advocacy Sharon Ungerleider (formerly Gourmet Group) Marlene Iversen Council (JSMAC) Dom Vetri Robin Babb Helen Kaufman 0. Ammas Tanveer, President James Walker Marilyn Bartusiak Penny Klein Jacob Armas Francine Berryman Ruth Koenig Isabelle Cho Collections Committee Lori Beyerlein Anita Larson Rebecca Cruze Lee Michels, Chair Patti Brommelsick Ralene Linneman Brea DeMontigny Ina Asim Julie Budge Bob Marquis Mackenzie Deutsch Terry Carter Dee Carlson Nicki Maxwell Marianna Finke Brian Gillis Leanne Collis Cathy Mosqueda Grace Floyd James Harper Kate Coughlin Nancy Naishtat Julia Granet Sue Keene Deb Corey Elaine Pruett Bradford McMullen Caroline Phillips Fran Curtis Colette Richardson Avery Underwood Ellen Tykeson Kathryn Daniel Janet Robyns Lilli Wheary James Walker Delyn Dunham Camille Ronzio Rick Williams Colleen Fitzgibbons Sheila Roth Leadership Council Cheryl Ford Linda Schaefers James Walker, President Development Committee Trish Gory Jan Wagner Randy Stender, Randy Stender, Chair Dawn D Gubrud Allison Walker Co-Vice President David Hilton Denise Gudger Mary Maggs Warren Andrew Teufel, Sue Keene Cindy Gupta Co-Vice President Philip Piele Megan Helfrich Dragon Puppet Theatre Chris Chavez Hope Pressman Kate Hudson Paula Coen Cheryl Ramberg Ford, Chris Smith Marlene Iversen May Downey Honorary Christine Smith Lisa Korth Paula Naas-Gilbert James Harper Ammas Tanveer Andrea Macha Margaret Leutzinger David Hilton Sharon Ungerleider Rebekah Marsh Jean Nelson Sue Keene James Walker Nicole Martin Sharane Norris Lee Michels Martha McMillen Yvonne Stephens Doug Park Finance Committee Donna Moore Lee Wiley Ryan Pech, Student Jennifer Papè Representative Connie Redhead 54

Jill Hartz, Editor Mike Bragg, Designer Printed by Brown Printing © 2018 University of Oregon Press. All rights reserved. No portion of this publication may be reproduced without the written permission of the publisher. An equal-opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. Jordan Schnitzer Museum of Art Annual Report | 2017–2018