Daimonic Imagination
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Time, Infinity, Recursion, and Liminality in the Writings of Jorge Luis Borges
Kevin Wilson Of Stones and Tigers; Time, Infinity, Recursion, and Liminality in the writings of Jorge Luis Borges (1899-1986) and Pu Songling (1640-1715) (draft) The need to meet stones with tigers speaks to a subtlety, and to an experience, unique to literary and conceptual analysis. Perhaps the meeting appears as much natural, even familiar, as it does curious or unexpected, and the same might be said of meeting Pu Songling (1640-1715) with Jorge Luis Borges (1899-1986), a dialogue that reveals itself as much in these authors’ shared artistic and ideational concerns as in historical incident, most notably Borges’ interest in and attested admiration for Pu’s work. To speak of stones and tigers in these authors’ works is to trace interwoven contrapuntal (i.e., fugal) themes central to their composition, in particular the mutually constitutive themes of time, infinity, dreaming, recursion, literature, and liminality. To engage with these themes, let alone analyze them, presupposes, incredibly, a certain arcane facility in navigating the conceptual folds of infinity, in conceiving a space that appears, impossibly, at once both inconceivable and also quintessentially conceptual. Given, then, the difficulties at hand, let the following notes, this solitary episode in tracing the endlessly perplexing contrapuntal forms that life and life-like substances embody, double as a practical exercise in developing and strengthening dynamic “methodologies of the infinite.” The combination, broadly conceived, of stones and tigers figures prominently in -
Hindu America
HINDU AMERICA Revealing the story of the romance of the Surya Vanshi Hindus and depicting the imprints of Hindu Culture on tho two Americas Flower in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand. Little flower— but if I could understand What you arc. root and all. and all in all, I should know what God and man is — /'rimtjihui' •lis far m the deeps of history The Voice that speaVeth clear. — KiHtf *Wf. The IIV./-SM#/. CHAMAN LAL NEW BOOK CO HORNBY ROAD, BOMBAY COPY RIGHT 1940 By The Same Author— SECRETS OF JAPAN (Three Editions in English and Six translations). VANISHING EMPIRE BEHIND THE GUNS The Daughters of India Those Goddesses of Piety and Sweetness Whose Selflessness and Devotion Have Preserved Hindu Culture Through the Ages. "O Thou, thy race's joy and pride, Heroic mother, noblest guide. ( Fond prophetess of coming good, roused my timid mood.’’ How thou hast |! THANKS My cordial chaoks are due to the authors and the publisher* mentioned in the (eat for (he reproduction of important authorities from their books and loumils. My indchtcdih-ss to those scholars and archaeologists—American, European and Indian—whose works I have consulted and drawn freely from, ts immense. Bur for the results of list investigations made by them in their respective spheres, it would have been quite impossible for me to collect materials for this book. I feel it my duty to rhank the Republican Governments of Ireland and Mexico, as also two other Governments of Europe and Asia, who enabled me to travel without a passport, which was ruthlessly taken away from me in England and still rests in the archives of the British Foreign Office, as a punishment for publication of my book the "Vanishing Empire!" I am specially thankful to the President of the Republic of Mexico (than whom there is no greater democrat today)* and his Foreign Minister, Sgr. -
Daimonic Imagination
Daimonic Imagination Daimonic Imagination: Uncanny Intelligence Edited by Angela Voss and William Rowlandson Daimonic Imagination: Uncanny Intelligence, Edited by Angela Voss and William Rowlandson This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Angela Voss and William Rowlandson and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4726-7, ISBN (13): 978-1-4438-4726-1 TABLE OF CONTENTS Preface and Acknowledgments .................................................................. ix Introduction ................................................................................................. 1 Part I: Daimonic History Chapter One ................................................................................................. 8 When Spirit Possession is Sexual Encounter: The Case for a Cult of Divine Birth in Ancient Greece Marguerite Rigoglioso Chapter Two .............................................................................................. 23 Encounters at the Tomb: Visualizing the Invisible in Attic Vase Painting Diana Rodríguez Pérez Chapter Three ........................................................................................... -
From Hades to the Stars: Empedocles on the Cosmic Habitats of Soul', Classical Antiquity, Vol
Edinburgh Research Explorer From Hades to the stars Citation for published version: Trepanier, S 2017, 'From Hades to the stars: Empedocles on the cosmic habitats of soul', Classical Antiquity, vol. 36, no. 1, pp. 130-182. https://doi.org/10.1525/ca.2017.36.1.130 Digital Object Identifier (DOI): 10.1525/ca.2017.36.1.130 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Classical Antiquity Publisher Rights Statement: Published as Trépanier, S. 2017. From Hades to the Stars: Empedocles on the Cosmic Habitats of Soul, Classical Antiquity, Vol. 36 No. 1, April 2017; (pp. 130-182) DOI: 10.1525/ca.2017.36.1.130. © 2017 by the Regents of the University of California. Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. -
Dragonlore Issue 37 08-11-03
The bird was a Rukh and the white dome, of course, was its egg. Sindbad lashes himself to the bird’s leg with his turban, and the next morning is whisked off into flight and set down on a mountaintop, without having excited the Rukh’s attention. The narrator adds that the Rukh feeds itself on serpents of such great bulk that they would have made but one gulp of an elephant. In Marco Polo’s Travels (III, 36) we read: Dragonlore The people of the island [of Madagascar] report that at a certain season of the year, an extraordinary kind of bird, which they call a rukh, makes its appearance from The Journal of The College of Dracology the southern region. In form it is said to resemble the eagle but it is incomparably greater in size; being so large and strong as to seize an elephant with its talons, and to lift it into the air, from whence it lets it fall to the ground, in order that when dead it Number 37 Michaelmas 2003 may prey upon the carcase. Persons who have seen this bird assert that when the wings are spread they measure sixteen paces in extent, from point to point; and that the feathers are eight paces in length, and thick in proportion. Marco Polo adds that some envoys from China brought the feather of a Rukh back to the Grand Kahn. A Persian illustration in Lane shows the Rukh bearing off three elephants in beak and talons; ‘with the proportion of a hawk and field mice’, Burton notes. -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Program Notes for Saturday, May 9, 2020 at 7:30 PM Newman
Change Your Music * Change Your Mind The 31st Raritan River Music Festival: Bringing the Music to YOU!!! Program Notes for Saturday, May 9, 2020 at 7:30 PM Newman & Oltman Guitar Duo Laura Oltman and Michael Newman, guitars www.guitarduo.com PROGRAM From Beatlerianas Leo Brouwer (born 1939) Fool on the Hill (1976) She’s Leaving Home (2010) Música Incidental Campesina (1978) Leo Brouwer Preludio Interludio Danza Final El Libro de los Seres Imaginarios / Leo Brouwer The Book of Imaginary Beings Duo Concertante (2018) I. El Unicornio / The Unicorn II. El Minotauro / The Minotaur III. Hadas y Gnomos / Fairies and Gnomes IV. La Gorgona y La Mantícora / The Gorgon and the Manticore Composed La Habana, December 2018 Dedicated to Newman & Oltman Guitar Duo Commissioned by Raritan River Music With the generous support of Jeffrey Nissim CYBERSPACE PERMIERE PERFORMANCE Composed in celebration of the 80th Anniversary Year of Leo Brouwer NOTES IN ENGLISH CAPTURING THE IMAGINARY BEINGS BY LAURA OLTMAN AND MICHAEL NEWMAN The guitar explosion in the United States in the 1960s was fueled by the influence of Cuban musicians, including the legendary Leo Brouwer, as well as Juan Mercadal, Elías Barreiro, Mario Abril, and our teachers Alberto Valdes Blain and Luisa Sánchez de Fuentes. We grew up playing the music of Leo Brouwer. In the early days of the Newman & Oltman Guitar Duo, we shared a booking agent with Brouwer, Sheldon Soffer Management. We often thought that a major duet by Maestro Brouwer would be a dream for our duo. We met Brouwer at his New York debut recital in 1978, which was co- sponsored by Americas Society. -
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MySpace.com - WWW.RECORDCASTLE.COM - 43 - Male - PHILAD... http://www.myspace.com/recordcastle Sponsored Links Gear Ink JazznBlues Tees Largest selection of jazz and blues t-shirts available. Over 100 styles www.gearink.com WWW.RECORDCASTLE.COM WWW.RECORDCASTLE.COM is in your extended "it's an abomination that we are in an network. obama nation ... ron view more paul 2012 ... balance the budget and bring back tube WWW.RECORDCASTLE.COM's Latest Blog Entry [ Subscribe to this Blog ] amps" [View All Blog Entries ] Male 43 years old PHILADELPHIA, Pennsylvania WWW.RECORDCASTLE.COM's Blurbs United States About me: I have been an avid music collector since I was a kid. I ran a store for 20 years and now trade online. Last Login: 4/24/2009 I BUY PHONOGRAPH RECORDS ( 33 lp albums / 45 rpms / 78s ), COMPACT DISCS, DVD'S, CONCERT MEMORABILIA, VINTAGE POSTERS, BEATLES ITEMS, KISS ITEMS & More Mood: electric View My: Pics | Videos | Playlists Especially seeking Private Pressings / Psychedelic / Rockabilly / Be Bop & Avant Garde Jazz / Punk / Obscure '60s Funk & Soul Records / Original Contacting WWW.RECORDCASTLE.COM concert posters 1950's & 1960's era / Original Beatles memorabilia I Offer A Professional Buying Service Of Music Items * LPs 45s 78s CDS DVDS Posters Beatles Etc.. Private Collections ** Industry Contacts ** Estates Large Collections / Warehouse finds ***** PAYMENT IN CASH ***** Over 20 Years experience buying collections MySpace URL: www.myspace.com/recordcastle I pay more for High Quality Collections In Excellent condition Let's Discuss What You May Have For Sale Call Or Email - 717 209 0797 Will Pick Up in Bucks County / Delaware County / Montgomery County / Philadelphia / South Jersey / Lancaster County / Berks County I travel the country for huge collections Print This Page - When You Are Ready To Sell Let Me Make An Offer ----------------------------------------------------------- Who I'd like to meet: WWW.RECORDCASTLE.COM's Friend Space (Top 4) WWW.RECORDCASTLE.COM has 57 friends. -
Thai Words Produced by Ianthe Cormack Thai English Gender Description Pronounciation
Thai Words Produced by Ianthe Cormack Thai English Gender Description Pronounciation Ah-ngoon Grape Fruit Ah-ngun Grape Vine Flower Ah-roy Delicious [food] Amp-har Amber Gem Stone Ampa Lady Female Ampa Mother Female Ananda Prosperous Male Anurak Male Angel Male Apasra Adorn Female Apsara Angel Female Apsara Angelic Female Aram Bright & Beautiful Male Aree Generous Female Aree Helpful Arkorn Arrival Male Arom Emotion Female Aroon Morning Male Artorn Generosity Male Arun Dawn Asa Hope Male Asvin Horse Soldier Male Aswin Asvin Knight Male Aswin Awn-wahn Sweet [disposition] Bal Hora-pah Sweet Basil Herb/Spice Bal Sara-nea Mint Herb/Spice Ban-mai Ru-roey Batchelors Buttons Flower Ban-yen Marvel of Peru Flower Banem Unexpected Banghuen Zinnia Flower Bao-bao Gentle Baw-ri-soot Innocent[pure] Bong-khaam A lucky stone Gem Stones Boo Chan Witness Boon Good Deeds Male Boon* Goodness Male Boon* Merit Male Boon-nam Good fortune Boon-nam Sent by God Boong Furry Caterpillar Animals Boonmii Good Deeds[to have] Bpah-teuun Wild Bpet Duck Animals Bua Night-blooming Water Lily Flower Bua Luang Lotus Flower Buddha Chart Jasmine Flower Buddha Rak-sa Canna Lily Flower Busaba Female Flower But Sara-Ktam Yellow Sapphire Gem Stones 1 Thai Words Produced by Ianthe Cormack Thai English Gender Description Pronounciation Cha Singapore Holly Flower Cha-ba Hibiscus Flower Cha-ya Pruk Yellow Cassia Tree Chahng Elephant Animals Chalerm Celebrated Male Chalermchai Celebrated Victory Male Chalermwan Celebrated Beauty Female Chaluay Graceful Cham Chu-ree Rain Tree Tree Cham-ma-Nart -
Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
Myths and Reality
CHAPTER 3 MYTHS AND REALITY Tarot myths abound: the Greek god of communication, the messenger Hermes, has been identified with the Egyptian mystical god Thoth who is said to have “given” his name to a Tarot deck known as The Book of Thoth. Yet, there does not exist a single certain and proven origin of Tarot cards. Different sources mention variety of geographical and historical roots: in Europe in the south of France, or Italy, or Spain; in the Far East, or in Egypt. Tarot richness derives from the fact of it encompassing the elements in common with so many different cultures and ethnic groups. There does not seem to be a straight or direct line of its descent from any particular area. When exactly Tarot first appeared in its functioning form remains unknown too, even if it is understandable that it is unlikely for Tarot in its current format to manifest its presence before the invention of the printing press. The imaginary point of the birth of Tarot does not seem to have a fixed position in the space-time system of coordinates. The migration of nations throughout history could have easily caused a migration of ideas, but these ideas happened to survive amidst their movement along the globe. It seems that on several occasions during the history of humankind one or another civilization gave birth to Tarot; hence such discrepancy in opinions of where and when Tarot originated. This chapter will go through some of the cultural memory traces left in history by the ancient Hermetic tradition and revived during the Renaissance (Yates, 1964, Faivre 1994; 1995). -
Exploring Cambodian Classical Dance with Instructor: Sopheap Huot Editor: Claire Manigo-Bizzell Table of Contents
creating journeys through the arts Exploring Cambodian Classical Dance with Instructor: Sopheap Huot Editor: Claire Manigo-Bizzell Table of Contents i-iii Preface iv Glossary 1 Intro to Cambodian Classical Dance 2 Let’s Dance! The Neang Role Stretching Routine Part I 3 Let’s Dance! The Neang Role Stretching Routine Part II 4 Let’s Dance! The Neang Role Basic Gestures 5 Dance and Storytelling 6 Coloring Day: Learn about the Neang and Sva! 7 Coloring Day: Learn about the Neayrong and Yeak! 8 Reading Day: The Cambodian Dancer: Sophany’s Gift of Hope 9 Draw With Me: Masks in Cambodian Classical Dance 10 Let’s Explore! The Carvings at Angkor Wat 19 Appendix Art Sphere Inc • www.artsphere.org • [email protected] • © 2020 All Rights Reserved, Art Sphere Inc. Use this space to create your own art! Art Sphere Inc • www.artsphere.org • [email protected] • © 2020 All Rights Reserved, Art Sphere Inc. BOK Building, 1901 S 9th St. Studio 502, Philadelphia PA, 19148 • (215) 413 -3955 • www.artsphere.org• info@ artsphere.org creating journeys through the arts Follow your creativity and go beyond where the path leads so you can leave a trail to inspire others to express themselves, too! Preface How to Use Our Online Materials and We are pleased to present Creating Journeys This Book Through the Arts to take you on a path to Not everyone learns the same way. Some people transform everyday materials into art, to explore are more visual, some more musical, some more the intersections of art with nature, literacy, mathematical1.