Jack Sheppard: Narration
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Jack Sheppard. the Novel Was So Popular That the Authorities Became Concerned That It Would Incite People Into a Life of Crime
2 EDITORIAL So summer is finally here at last, and the unlocking of the lockdown is under way – slowly, cautiously, with stumbles and hiccups, but so far, so good. How the giants have been falling from amongst us lately! After Rosalie White, our first Committee Secretary, and Flo Waller before her, now we have lost Chris Macro. Most of us did not have any idea how much Chris used to do, and what a fireball of energy she was. At an age (already!) when most people are settling down with slippers, cat and cocoa, she was Group Leader for Tennis and Badminton (tennis in summer, badminton in winter), organising and setting them both up from scratch. Meanwhile, she used her talent for comedy as a member of the Entertainment Group, and learnt (also from scratch) to play recorder with the our ‘Recorder Consort’. Of her parallel work at Christ Church, and her previous life as an inspirational teacher and children’s author, we only have vague notions. There will be a proper obituary in next month’s issue, written by someone who knew Chris ‘in the round’. So what are you planning to do this summer? Revive your interest in fishing (or try fishing for the first time) with Gordon Taylor? Join the Walking Group, having walked (what else was there to do?) for most of the year as your ‘official’ exercise? Or travel, now it’s (sort of) allowed again? Marcus is offering Iceland – and it’s on the green list! Whatever you have planned, from Crown Green Bowls to Iceland and beyond, the u3a is here to back you up, help you out and push you on your way. -
English Legal Histories
English Legal Histories Ian Ward HART PUBLISHING Bloomsbury Publishing Plc Kemp House , Chawley Park, Cumnor Hill, Oxford , OX2 9PH , UK 1385 Broadway, New York, NY 10018, USA HART PUBLISHING, the Hart/Stag logo, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Ian Ward , 2019 Ian Ward has asserted his right under the Copyright, Designs and Patents Act 1988 to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. While every care has been taken to ensure the accuracy of this work, no responsibility for loss or damage occasioned to any person acting or refraining from action as a result of any statement in it can be accepted by the authors, editors or publishers. All UK Government legislation and other public sector information used in the work is Crown Copyright © . All House of Lords and House of Commons information used in the work is Parliamentary Copyright © . This information is reused under the terms of the Open Government Licence v3.0 ( http://www.nationalarchives.gov.uk/doc/ open-government-licence/version/3 ) except where otherwise stated. All Eur-lex material used in the work is © European Union, http://eur-lex.europa.eu/ , 1998–2019. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Ward, Ian, author. -
Godwin's Use of the Newgate Calendar As a Scource for Caleb
Godwin's use of The Newgate Calendar as a source for Caleb Williams by Karen Catherine Elder A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Signatures have been redacted for privacy iowa i>tate University Ames, Iowa 1976 11 TABLE OF CONTENTS Page INTRODUCTION 1 SUMMARY OF CALEB WILLIAMS 4 Review of Criticism Regarding Caleb Williams 6 Thesis Proposal 10 HISTORY AND ATTITUDE OF THE NEWGATE CALENDAR 12 GODWIN'S REACTION TO THE ATTITUDE OF THE NEWGATE CALENDAR 18 ALLUSIONS IN CALEB.WILLIAMS TO THREE NEWGATE CALENDAR CRIMINALS 30 Eugene Aram 30 Jonathan Wild 36 John (Jack) Sheppard 40 Conclusion 49 FOOTNOTES 51 LIST OF WORKS CONSULTED 55 INTRODUCTION The following study of Caleb Williams^ began as a project paper for a graduate class in "Romantic Writers: Shelley and His Circle." Although Godwin is not usually considered a figure in the romantic movement, there are at least two reasons for his inclusion in Shelley's "circle": first, his influence on his more famous son-in- law was profound; and, second, CW itself contains a romantic element, e.g., the isolated, alienated individual struggling against a threatening, menacing society. For the course work, CT was reviewed in conjunction with The Newgate 2 Calendar, a source which contains the biographies of some of England's most notorious criminals incarcerated at Newgate prison in London. Godwin, noting that he was "extremely conversant" with the had himself cited this work as bearing on the subject of the novel (CW, pp. -
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP Andand SCPSCP -- SIMILARITIESSIMILARITIES
Situational Crime Prevention Or Problem-Oriented Situational Interventions POPPOP andand SCPSCP -- SIMILARITIESSIMILARITIES Both are preventive approaches One is defined within policing while the other is not Both originated in the 1970s, SCP in the UK and POP in the USA Both focus on highly specific problems Both use action research models CrimeCrime PreventionPrevention Intervening in the causal chain of opportunity to prevent crime from occurring TheThe EnglishEnglish HeritageHeritage 1748, Judge Henry Fielding and the Bow Street runners Jonathan Wild story and Fieldings’ failures Modern Police created in London (1829) under Sir Robert Peel (1788-1850) (father of modern policing) SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 1) The basic mission for which the police exist is to prevent crime and disorder. 2) The ability of the police to perform their duties is dependent upon public approval of police actions. 3) Police must secure the willing cooperation of the public in voluntary observance of the law to be able to secure and maintain the respect of the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 4) The degree of cooperation of the public that can be secured diminishes proportionally to the necessity of the use of force. 5) Police seek and preserve public favor not by catering public opinion, but by constantly demonstrating absolute impartial service to the law. SirSir RobertRobert Peel'sPeel's NineNine PrinciplesPrinciples forfor ModernModern PolicingPolicing 6) Police use physical force only to the extent necessary to secure observance of the law or to restore order only when exercise of persuasion, advice and warning is found to be insufficient. -
THE JACK SHEPPARD CRAZE of the 1720S
Theory and Practice in English Studies Volume 10, No. 1, 2021 E-ISSN: 1805-0859 CLAPPING TO A CRIMINAL: THE JACK SHEPPARD CRAZE OF THE 1720s Klára Škrobánková Abstract Jack Sheppard, a real historical figure executed in 1724 London, became the focus of many biographical publications and theatrical pieces immediately after his demise. This article examines the earliest literary works featuring Sheppard and the way the character of a criminal entered London’s stages. By analyzing the digression from the facts of Sheppard’s life, the tendencies of the popular theatrical genres of the 1720s emerge. Based on two works of art, Thurmond’s Harlequin Sheppard (1724) and Walker’s Quaker’s Opera (1728), one can trace the development of the theatre devices as well as the marketing strategies dramatic authors used to lure the audience into theatres. Both examined pieces were not particularly successful but Thurmond’s pantomime significantly inspired John Gay to write Beggar’s Opera, basing the character of Macheath on Sheppard. Walker then combined the two phenomena – taking the strategies of new ballad operas, he re- purposed the story of Jack Sheppard and adapted it into Quaker’s Opera. Keywords Jack Sheppard, pantomime, ballad opera, eighteenth century, The Beggar’s Opera, biography * * * THE figure of Jack (or John) Sheppard, a London-based criminal executed in the fall of 1724, has periodically emerged on the English stage, significantly influencing English popular culture. Beginning during his lifetime, Sheppard’s popularity con- tinued to grow throughout the 1720s, culminating with the publication and staging of John Gay’s The Beggar’s Opera in 1728. -
THE NEWGATE NOVELS and DRAMA of TIIE 1830S ADRIAN PHILLIPS Phd the UNIVERSITY of YORK JULY 2001
THE NEWGATE NOVELS AND DRAMA OF TIIE 1830s ADRIAN PHILLIPS PhD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JULY 2001 TABLE OF CONTENTS Page Acknowledgements IV Abstract `' Note on the 'Texts VI INTRODUCTION I CHAPTER I Ruiwer's Newgate Novels and the Reformatory Spirit 23 i Respectability, Truth, and the Workings of Justice: Paul Clifford and Caleb Williams 30 ii Natural Law versus Human Law: Eugene Aram and Utilitarianism 60 iii Working-Class Defiance, Victorian Gentility, and Regency Dandyism: Paul Clifford and Pelham 74 iv Corruption or Correction: Romantic Love and the Shaping of Self 93 CHAPTER 2 Thieves and Thief-Takers: the Newgate Novel, Literary Self-Consciousness, and the Field of Cultural Production 99 i The Newgate Novels and Literary Controversy 104 ii Pelham, the 1820s, and the Privileged Control of Culture 1>; iii hie Criminal as Author: Paul Clifford, Rookw'ood, and the Changing Literary Order I39 iv faul Clifford and the Literary Critic 155 v 'l lie Newgate Novelists and a very Personal Struggle 160 CHAPTER 3 Theatre, Politics, and the Jack Sheppard Adaptations 185 1 The 'Jack Sheppard' Controversy 188 II ii Deceptions and Disguises: Radical Rhetoric and Early 19th-Century 71ieatrc 197 iii Buckstone's'Jack Sheppard' and Other Dramatic Adaptations 221 CONCLUSION 262 BIBLIOGRAPHY 274 A_(-KNOWLE GEN N'I S I would like to thank Dr Jane Moody for her invaluable comments upon two of the chapters in this thesis, and especially her expert advice on 19th-century theatre research. I am most grateful to Rebecca Edwards for her thorough and very helpful reading of the text at short notice. -
Jack Sheppard [Annotated]: the Hermestes Edition Online
ecqJP (Download) Jack Sheppard [Annotated]: The Hermestes Edition Online [ecqJP.ebook] Jack Sheppard [Annotated]: The Hermestes Edition Pdf Free William Harrison Ainsworth ePub | *DOC | audiobook | ebooks | Download PDF #1746467 in eBooks 2016-04-20 2016-04-20File Name: B01EMCW9KU | File size: 60.Mb William Harrison Ainsworth : Jack Sheppard [Annotated]: The Hermestes Edition before purchasing it in order to gage whether or not it would be worth my time, and all praised Jack Sheppard [Annotated]: The Hermestes Edition: 4 of 4 people found the following review helpful. Bravo Broadview Press!!!! An amazing edition of a thrilling old bookBy Ibsen FreakThree cheers for Broadview press! This edition of a totally thrilling victorian novel is perfect in every way- This is one of those great old novels that you will not put down- no wonder the victorians were suspitious of Crime Fiction- who wants to work when we can get lost in a great book? This book is a riot- and a blast to teach too- If you like Sensation fiction like "East Lynne" or Penny Dreadfuls like "Varney the Vampire" then Jack Sheppard is a great book to turn to- Who knew reading could be this much fun! Ainsworth's fictionalised account of the life of the notorious housebreaker Jack Sheppard is brought to life in this new edition by Hermestes Publications. The author's vivid descriptions of life in the slums of 18th century London provide a thoroughly satisfying backdrop to the story of the lovable young apprentice carpenter who went astray and met his end at the gallows at the tender age of twenty-one. -
Criminal Masculinities and the Newgate Novel
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-28-2019 11:00 AM Criminal Masculinities and the Newgate Novel Taylor R. Richardson The University of Western Ontario Supervisor Bruhm, Steven The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Taylor R. Richardson 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Richardson, Taylor R., "Criminal Masculinities and the Newgate Novel" (2019). Electronic Thesis and Dissertation Repository. 6076. https://ir.lib.uwo.ca/etd/6076 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation builds upon the seminal work of Keith Hollingsworth in his The Newgate Novel, 1830-1847 and expands analysis of the contentious Victorian subgenre into the realm of studies in masculinities. Outside of critical opinion that the novels were defined by the reactionary and conservative reception of Victorian reviewers who saw the novels as morally outrageous and socially dangerous, the genre, as this dissertation argues, was markedly concerned with specifically male readerships. Victorian critics were concerned about the effects reading criminal literature had on boys becoming men, and, accordingly, this dissertation argues that the reformative political and social climate of the 1830s and 40s was also a great period of examination and literary reflection upon the growth of the boy into the man. -
Appendix: Chronology of Pirate Plays in Britain
Appendix: Chronology of Pirate Plays in Britain Heywood, Thomas.Fortune by Land at Sea (ca. 1607–1609). Daborne, Robert. A Christian Turn’d Turk (Most likely Whitefriars Hall, ca. 1609–1612). Fletcher, John, and Philip Massinger. The Double Marriage (King’s Men, ca. 1621). Fletcher, John and Philip Massinger. The Sea Voyage (King’s Men, 22 June 1622). Massinger, Philip. The Renegado; or, The Gentleman of Venice (Cockpit Theatre, 17 April 1624). Massinger, Philip. The Unnatural Combat (Globe Theatre, ca. 1625). Heywood, Thomas.The Fair Maid of the West; or, A Girl Worth Gold, Parts I and II (first performance of part 1 unrecorded; revived with part 2, Cockpit Theatre, 1630). Davenant, John. The History of Sir Francis Drake (Cockpit Theatre, 1658–59). [Music: Matthew Locke.] Behn, Aphra. The Rover; or, The Banish’d Cavaliers (Duke’s Theatre, 24 March 1677). Behn, Aphra. The Rover, Part II (Dorset Gardens, January 1681). Johnson, Charles. The Successful Pyrate (Drury Lane, 7 November 1712). Gay, John. The Beggar’s Opera (Lincoln Inn Fields, 29 January 1728). Anon. Love with Honour; or, The Privateer (Ipswich, 1753). Brown John. Barbarossa, a Tragedy (Drury Lane, 17 December 1754). Gay, John. Polly (Haymarket, 9 June 1777). Cobb, James. The Pirates (Haymarket, 21 November 1792). Cross, John Cartwright. Blackbeard; or, The Captive Princess (Royal Circus, April 1798). Cross, John Cartwright. The Genoese Pirate; or, Black Beard (Covent Garden, 15 Octo- ber 1798; 15 October 1809). Cross, John Cartwright. Sir Francis Drake, and Iron Arm (Royal Circus, 4 April 1800). [Music: Sanderson.] Astley, Philip, Jr. The Pirate; or, Harlequin Victor (Royal Amphitheatre, 25 August 1800; Royalty, 19 October 1801). -
~··~: Volume F. I F't Ee N
-.,. .. - .11£ • -, . ~··~: VOLUME F. I F'T EE N . H:ACKNEYi 'A'RCHIV.ES Hackney History volume fifteen 'Lives of the convicts': Philip Sugden 3 solving a puzzle in printing history The Tyssen Library copy of 'Lives of the S al/y England 9 convicts' More light, more power: Chri,topher Verrett 12 electricity generation and waste disposal in Shored itch, 1897-2009 Mayors' medals for local children, Robert H. Thompson 23 1902-1919 Elizabeth and Mark Wilks, Julia Lafferty 31 campaigners for women's suffrage The skid-kids: the post-war John Goldsmith 42 phenomenon of cycle speedway From high hopes to tall flats: the Michael Passmore 50 changing shape of Hackney's housing, 1945-60 Abbreviations used 2 Contributors 63 Ackno1vledgements 64 THE FRIENDS OF HACKNEY ARCHIVES 2009 c/ o Hackney Archives Department 43 De Beauvoir Road N1 SSQ 020 7241 2886 archives@ hackncy. gov.uk 'Lives of the Printed by Premier Prin t Croup E3 3QQ convicts' Edited by Isobel Watson Cover design by Jacqueli ne Bradshaw-Price - ISSN 1370 3795 solving a problem 1n © Friends of Hackney 1\rchives and contributors, 2009 printing history Philip Sugden Abbreviations used in the notes to this issue HAD Hackney Archives Department Rare survivals I was a regular contributor on early-modern criminal biography to the Oxford Dirtionaiy of National Biography. LMA London Metropolitan Archives O ne of the articles I wrote for that work dealt with Jack Sheppard, the celebrated prison-breaker and popular hero executed at Tyburn in 1724. I have had, indeed, a long-standing interest in Jack's life and legend and am now close to fini shing a full-scale biography.