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Volume 16 No.3 December 2013 Edition No
The Speedway Researcher Promoting Research into the History of Speedway and Dirt Track Racing Volume 16 No.3 December 2013 Edition No. 63 Star Championship Trophy Competition 1935 Early in 1935 the National Speedway Association the body representing the promoters of the sport elected a small committee to try and evolve a satisfactory method of finding a Speedway champion. The committee comprised of Mr Cecil L Smith (The joint managing director of New Cross), Mr Norman H Pritchard (The Manager of Wimbledon) and Mr J Harrison (Speedway Correspondent of The Star Newspaper). Preliminary Rounds The Star Championship committee selected who they considered to be the best 24 riders and it was agreed that a Preliminary Round was to be held on every National League track except for Wembley which was to be the venue for the Star Final. The names of the riders were put into a draw with each one racing on four of the six available tracks. Each round had a sixteen rider field raced over the 20 heat format. After 20 outings each the sixteen riders out of the original twenty four who had the highest scores were the qualifiers for the Star Final. In the Preliminary rounds the scoring was on a 3-2-1-0 basis with each man having 5 rides. The prize money for each round was:- 25 shillings per point The winner took home a bronze star and £20 Second place £10 Third place £5 In addition to this the National Speedway Association presented three prizes to the riders with the highest aggregate scores in the Preliminary rounds. -
REFORMATIVE SYMPATHY in NINETEENTH-CENTURY CRIME FICTION Erica Mccrystal
Erica McCrystal 35 REFORMATIVE SYMPATHY IN NINETEENTH-CENTURY CRIME FICTION Erica McCrystal (St. John’s University, New York) Abstract Nineteenth-century British crime novels whose heroes were criminals redefined criminality, alerting readers to the moral failures of the criminal justice system and arguing for institutional reform. My research on this topic begins with William Godwin’s novel Caleb Williams (1794) as a social reform project that exposes hypocrisy and inconsistency of governing institutions. I then assess how contemporary social criticism of crime novels contrasts with the authors’ reformative intentions. Critics argued the ‘Newgate novels’, like those of Edward Bulwer-Lytton and William Harrison Ainsworth, glorified criminality and were therefore a danger to readers. However, Bulwer-Lytton’s Paul Clifford (1830) and William Harrison Ainsworth’s Jack Sheppard (1839) serve, like Caleb Williams, as social reform efforts to alert readers to the moral failings of the criminal justice and penal institutions. They do so, I argue, through the use of sympathy. By making the criminal the victim of a contradictory society, Godwin, Bulwer-Lytton, and Ainsworth draw upon the sympathies of imagined readers. I apply contemporary and modern notions of sympathy to the texts to demonstrate how the authors use sympathy to humanise the title characters in societies that have subjected them to baseless mechanisation. The emergence of crime fiction in nineteenth-century Britain provided readers with imaginative access to a criminal’s perspective and history as they conflicted with the criminal justice system and its punitive power. Novelists working within the genre re- examined criminality, morality, and justice, often delivering powerful social critiques of extant institutions. -
Jack Sheppard. the Novel Was So Popular That the Authorities Became Concerned That It Would Incite People Into a Life of Crime
2 EDITORIAL So summer is finally here at last, and the unlocking of the lockdown is under way – slowly, cautiously, with stumbles and hiccups, but so far, so good. How the giants have been falling from amongst us lately! After Rosalie White, our first Committee Secretary, and Flo Waller before her, now we have lost Chris Macro. Most of us did not have any idea how much Chris used to do, and what a fireball of energy she was. At an age (already!) when most people are settling down with slippers, cat and cocoa, she was Group Leader for Tennis and Badminton (tennis in summer, badminton in winter), organising and setting them both up from scratch. Meanwhile, she used her talent for comedy as a member of the Entertainment Group, and learnt (also from scratch) to play recorder with the our ‘Recorder Consort’. Of her parallel work at Christ Church, and her previous life as an inspirational teacher and children’s author, we only have vague notions. There will be a proper obituary in next month’s issue, written by someone who knew Chris ‘in the round’. So what are you planning to do this summer? Revive your interest in fishing (or try fishing for the first time) with Gordon Taylor? Join the Walking Group, having walked (what else was there to do?) for most of the year as your ‘official’ exercise? Or travel, now it’s (sort of) allowed again? Marcus is offering Iceland – and it’s on the green list! Whatever you have planned, from Crown Green Bowls to Iceland and beyond, the u3a is here to back you up, help you out and push you on your way. -
English Legal Histories
English Legal Histories Ian Ward HART PUBLISHING Bloomsbury Publishing Plc Kemp House , Chawley Park, Cumnor Hill, Oxford , OX2 9PH , UK 1385 Broadway, New York, NY 10018, USA HART PUBLISHING, the Hart/Stag logo, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright © Ian Ward , 2019 Ian Ward has asserted his right under the Copyright, Designs and Patents Act 1988 to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. While every care has been taken to ensure the accuracy of this work, no responsibility for loss or damage occasioned to any person acting or refraining from action as a result of any statement in it can be accepted by the authors, editors or publishers. All UK Government legislation and other public sector information used in the work is Crown Copyright © . All House of Lords and House of Commons information used in the work is Parliamentary Copyright © . This information is reused under the terms of the Open Government Licence v3.0 ( http://www.nationalarchives.gov.uk/doc/ open-government-licence/version/3 ) except where otherwise stated. All Eur-lex material used in the work is © European Union, http://eur-lex.europa.eu/ , 1998–2019. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Ward, Ian, author. -
Godwin's Use of the Newgate Calendar As a Scource for Caleb
Godwin's use of The Newgate Calendar as a source for Caleb Williams by Karen Catherine Elder A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English Signatures have been redacted for privacy iowa i>tate University Ames, Iowa 1976 11 TABLE OF CONTENTS Page INTRODUCTION 1 SUMMARY OF CALEB WILLIAMS 4 Review of Criticism Regarding Caleb Williams 6 Thesis Proposal 10 HISTORY AND ATTITUDE OF THE NEWGATE CALENDAR 12 GODWIN'S REACTION TO THE ATTITUDE OF THE NEWGATE CALENDAR 18 ALLUSIONS IN CALEB.WILLIAMS TO THREE NEWGATE CALENDAR CRIMINALS 30 Eugene Aram 30 Jonathan Wild 36 John (Jack) Sheppard 40 Conclusion 49 FOOTNOTES 51 LIST OF WORKS CONSULTED 55 INTRODUCTION The following study of Caleb Williams^ began as a project paper for a graduate class in "Romantic Writers: Shelley and His Circle." Although Godwin is not usually considered a figure in the romantic movement, there are at least two reasons for his inclusion in Shelley's "circle": first, his influence on his more famous son-in- law was profound; and, second, CW itself contains a romantic element, e.g., the isolated, alienated individual struggling against a threatening, menacing society. For the course work, CT was reviewed in conjunction with The Newgate 2 Calendar, a source which contains the biographies of some of England's most notorious criminals incarcerated at Newgate prison in London. Godwin, noting that he was "extremely conversant" with the had himself cited this work as bearing on the subject of the novel (CW, pp. -
THE JACK SHEPPARD CRAZE of the 1720S
Theory and Practice in English Studies Volume 10, No. 1, 2021 E-ISSN: 1805-0859 CLAPPING TO A CRIMINAL: THE JACK SHEPPARD CRAZE OF THE 1720s Klára Škrobánková Abstract Jack Sheppard, a real historical figure executed in 1724 London, became the focus of many biographical publications and theatrical pieces immediately after his demise. This article examines the earliest literary works featuring Sheppard and the way the character of a criminal entered London’s stages. By analyzing the digression from the facts of Sheppard’s life, the tendencies of the popular theatrical genres of the 1720s emerge. Based on two works of art, Thurmond’s Harlequin Sheppard (1724) and Walker’s Quaker’s Opera (1728), one can trace the development of the theatre devices as well as the marketing strategies dramatic authors used to lure the audience into theatres. Both examined pieces were not particularly successful but Thurmond’s pantomime significantly inspired John Gay to write Beggar’s Opera, basing the character of Macheath on Sheppard. Walker then combined the two phenomena – taking the strategies of new ballad operas, he re- purposed the story of Jack Sheppard and adapted it into Quaker’s Opera. Keywords Jack Sheppard, pantomime, ballad opera, eighteenth century, The Beggar’s Opera, biography * * * THE figure of Jack (or John) Sheppard, a London-based criminal executed in the fall of 1724, has periodically emerged on the English stage, significantly influencing English popular culture. Beginning during his lifetime, Sheppard’s popularity con- tinued to grow throughout the 1720s, culminating with the publication and staging of John Gay’s The Beggar’s Opera in 1728. -
THE NEWGATE NOVELS and DRAMA of TIIE 1830S ADRIAN PHILLIPS Phd the UNIVERSITY of YORK JULY 2001
THE NEWGATE NOVELS AND DRAMA OF TIIE 1830s ADRIAN PHILLIPS PhD THE UNIVERSITY OF YORK DEPARTMENT OF ENGLISH AND RELATED LITERATURE JULY 2001 TABLE OF CONTENTS Page Acknowledgements IV Abstract `' Note on the 'Texts VI INTRODUCTION I CHAPTER I Ruiwer's Newgate Novels and the Reformatory Spirit 23 i Respectability, Truth, and the Workings of Justice: Paul Clifford and Caleb Williams 30 ii Natural Law versus Human Law: Eugene Aram and Utilitarianism 60 iii Working-Class Defiance, Victorian Gentility, and Regency Dandyism: Paul Clifford and Pelham 74 iv Corruption or Correction: Romantic Love and the Shaping of Self 93 CHAPTER 2 Thieves and Thief-Takers: the Newgate Novel, Literary Self-Consciousness, and the Field of Cultural Production 99 i The Newgate Novels and Literary Controversy 104 ii Pelham, the 1820s, and the Privileged Control of Culture 1>; iii hie Criminal as Author: Paul Clifford, Rookw'ood, and the Changing Literary Order I39 iv faul Clifford and the Literary Critic 155 v 'l lie Newgate Novelists and a very Personal Struggle 160 CHAPTER 3 Theatre, Politics, and the Jack Sheppard Adaptations 185 1 The 'Jack Sheppard' Controversy 188 II ii Deceptions and Disguises: Radical Rhetoric and Early 19th-Century 71ieatrc 197 iii Buckstone's'Jack Sheppard' and Other Dramatic Adaptations 221 CONCLUSION 262 BIBLIOGRAPHY 274 A_(-KNOWLE GEN N'I S I would like to thank Dr Jane Moody for her invaluable comments upon two of the chapters in this thesis, and especially her expert advice on 19th-century theatre research. I am most grateful to Rebecca Edwards for her thorough and very helpful reading of the text at short notice. -
Jack Sheppard [Annotated]: the Hermestes Edition Online
ecqJP (Download) Jack Sheppard [Annotated]: The Hermestes Edition Online [ecqJP.ebook] Jack Sheppard [Annotated]: The Hermestes Edition Pdf Free William Harrison Ainsworth ePub | *DOC | audiobook | ebooks | Download PDF #1746467 in eBooks 2016-04-20 2016-04-20File Name: B01EMCW9KU | File size: 60.Mb William Harrison Ainsworth : Jack Sheppard [Annotated]: The Hermestes Edition before purchasing it in order to gage whether or not it would be worth my time, and all praised Jack Sheppard [Annotated]: The Hermestes Edition: 4 of 4 people found the following review helpful. Bravo Broadview Press!!!! An amazing edition of a thrilling old bookBy Ibsen FreakThree cheers for Broadview press! This edition of a totally thrilling victorian novel is perfect in every way- This is one of those great old novels that you will not put down- no wonder the victorians were suspitious of Crime Fiction- who wants to work when we can get lost in a great book? This book is a riot- and a blast to teach too- If you like Sensation fiction like "East Lynne" or Penny Dreadfuls like "Varney the Vampire" then Jack Sheppard is a great book to turn to- Who knew reading could be this much fun! Ainsworth's fictionalised account of the life of the notorious housebreaker Jack Sheppard is brought to life in this new edition by Hermestes Publications. The author's vivid descriptions of life in the slums of 18th century London provide a thoroughly satisfying backdrop to the story of the lovable young apprentice carpenter who went astray and met his end at the gallows at the tender age of twenty-one. -
1 Frank Charles D 15 July 1939 in A
Frank Charles d 15 July 1939 in a glider accident in Derbyshire After I’d led a walk around Rampside Churchyard in May 2019, I was asked “Why didn’t you mention Frankie Charles, the famous speedway rider.” I’d heard of him, but not seen the grave. Later, after showing me the grave (which he later cleared to find overgrown stones), this correspondent informed me: My aunt Mrs June Miller-Watt (nee Allen) lived next door to the Charles family, who had a bakehouse. She remembers Frank getting annoyed because his mother used to get him to do the bread deliveries and grease the loaf tins, when all he wanted to do was ride his bikes. Her father (Albert Allen) was his bike mechanic for some time during a period of unemployment and travelled with him to Wembley and Belle Vue, Manchester. Frank kept his bikes in a shed on the allotment garden opposite where he lived on North Row. Whenever he was tinkering with his bikes the young Roose lads would gather round chatting to the village celebrity. Sometimes he would do daredevil stunts, like riding his bike on top of the wall round Roose school, or get his accordion out and entertain them. She remembers being at the Sunday school party picnic and sports day on the field behind Roose school when Mr May, who lived opposite the school, came over and announced that Frank had been killed in a gliding accident. She said everyone there fell silent and the crowd quickly dispersed and went home. The party was definitely over. -
University of London Boat Club Boathouse, Chiswick
Played in London a directory of historic sporting assets in London compiled for English Heritage by Played in Britain 2014 Played in London a directory of historic sporting assets in London This document has been compiled from research carried out as part of the Played in London project, funded by English Heritage from 2010-14 Contacts: Played in Britain Malavan Media Ltd PO Box 50730 NW6 1YU 020 7794 5509 [email protected] www.playedinbritain.co.uk Project author: Simon Inglis Project manager: Jackie Spreckley English Heritage 1 Waterhouse Square, 138-142 Holborn, London EC1N 2ST 0207 973 3000 www.english-heritage.org.uk Project Assurance Officer: Tim Cromack If you require an alternative accessible version of this document (for instance in audio, Braille or large print) please contact English Heritage’s Customer Services Department: telephone: 0870 333 1181 fax: 01793 414926 textphone: 0800 015 0516 e-mail: [email protected] © Malavan Media Ltd. January 2015 malavan media Contents Introduction .................................................................................4 � 1 Barking and Dagenham.................................................................7 � 2 Barnet ........................................................................................8 � 3 Bexley ......................................................................................10 � 4 Brent ......................................................................................11 � 5 Bromley ....................................................................................13 -
Criminal Masculinities and the Newgate Novel
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 3-28-2019 11:00 AM Criminal Masculinities and the Newgate Novel Taylor R. Richardson The University of Western Ontario Supervisor Bruhm, Steven The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Taylor R. Richardson 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Richardson, Taylor R., "Criminal Masculinities and the Newgate Novel" (2019). Electronic Thesis and Dissertation Repository. 6076. https://ir.lib.uwo.ca/etd/6076 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation builds upon the seminal work of Keith Hollingsworth in his The Newgate Novel, 1830-1847 and expands analysis of the contentious Victorian subgenre into the realm of studies in masculinities. Outside of critical opinion that the novels were defined by the reactionary and conservative reception of Victorian reviewers who saw the novels as morally outrageous and socially dangerous, the genre, as this dissertation argues, was markedly concerned with specifically male readerships. Victorian critics were concerned about the effects reading criminal literature had on boys becoming men, and, accordingly, this dissertation argues that the reformative political and social climate of the 1830s and 40s was also a great period of examination and literary reflection upon the growth of the boy into the man. -
Appendix: Chronology of Pirate Plays in Britain
Appendix: Chronology of Pirate Plays in Britain Heywood, Thomas.Fortune by Land at Sea (ca. 1607–1609). Daborne, Robert. A Christian Turn’d Turk (Most likely Whitefriars Hall, ca. 1609–1612). Fletcher, John, and Philip Massinger. The Double Marriage (King’s Men, ca. 1621). Fletcher, John and Philip Massinger. The Sea Voyage (King’s Men, 22 June 1622). Massinger, Philip. The Renegado; or, The Gentleman of Venice (Cockpit Theatre, 17 April 1624). Massinger, Philip. The Unnatural Combat (Globe Theatre, ca. 1625). Heywood, Thomas.The Fair Maid of the West; or, A Girl Worth Gold, Parts I and II (first performance of part 1 unrecorded; revived with part 2, Cockpit Theatre, 1630). Davenant, John. The History of Sir Francis Drake (Cockpit Theatre, 1658–59). [Music: Matthew Locke.] Behn, Aphra. The Rover; or, The Banish’d Cavaliers (Duke’s Theatre, 24 March 1677). Behn, Aphra. The Rover, Part II (Dorset Gardens, January 1681). Johnson, Charles. The Successful Pyrate (Drury Lane, 7 November 1712). Gay, John. The Beggar’s Opera (Lincoln Inn Fields, 29 January 1728). Anon. Love with Honour; or, The Privateer (Ipswich, 1753). Brown John. Barbarossa, a Tragedy (Drury Lane, 17 December 1754). Gay, John. Polly (Haymarket, 9 June 1777). Cobb, James. The Pirates (Haymarket, 21 November 1792). Cross, John Cartwright. Blackbeard; or, The Captive Princess (Royal Circus, April 1798). Cross, John Cartwright. The Genoese Pirate; or, Black Beard (Covent Garden, 15 Octo- ber 1798; 15 October 1809). Cross, John Cartwright. Sir Francis Drake, and Iron Arm (Royal Circus, 4 April 1800). [Music: Sanderson.] Astley, Philip, Jr. The Pirate; or, Harlequin Victor (Royal Amphitheatre, 25 August 1800; Royalty, 19 October 1801).