ARPCD 0403 Elgar

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EDWARD ELGAR THE DREAM OF GERONTIUS JON VICKERS CONSTANCE SHACKLOCK MARIAN NOWAKOWSKI ORCHESTRA SINFONICA E CORO DI ROMA DELLA RAI SIR JOHN BARBIROLLI ROMA, 20.11.1957 ARCHIPEL DESERT ISLAND COLLECTION Edward Elgar (1857-1934) The Dream of Gerontius Op. 38 Oratorio for mezzo-soprano, tenor, bass, full choir and orchestra, based on the poem by Cardinal John Newman CD 1 74:54 CD 2 73:21 Part One Part Two (Cont.) [1] Prelude 10:27 [1] Thy judgment is now near (Angel, Soul of Gerontius) 3:26 [2] Jesu, Maria - I am near to death (Gerontius) 3:23 [2] Jesu! By that shuddering dread (Angel of Agony, Soul of Ger.) 6:07 [3] Kyrie eleison. Holy Mary, pray for him (Chorus) 2:34 [3] Praise to His Name! (Angel) 1:38 [4] Rouse thee, my fainting soul (Gerontius) 0:44 [4] Take me away (Soul of Gerontius) 3:38 [5] Be merciful, be gracious (Chorus) 3:29 [5] Lord, Thou hast been our refuge (Chorus) 1:11 [6] Sanctus fortis, Sanctus Deus (Gerontius) 5:10 [6] Softly and gently, dearly-ransomed soul (Angel, Chorus) 6:22 [7] I can no more (Gerontius) 2:00 [8] Rescue him, O Lord (Gerontius, Chorus) 2:27 [9] Novissima hora est (Gerontius) 1:31 [10] Profisciscere, anima Christiana (Priest) 1:45 BONUS: Hector Berlioz (1803-1869) [11] Go, in the name of Angels and Archangels (Chorus, Priest) 4:44 Symphonie fantastique Op. 14 Part Two [12] Prelude 1:57 [7] Rêveries - Passions 14:04 [13] I went to sleep (Soul of Gerontius) 4:11 [8] Un Bal 6:32 [14] My work is done (Angel, Soul of Gerontius) 8:53 [9] Scène aux Champs 16:04 [15] Low-born clods of brute earth (Chorus, Angel) 2:06 [10] Marche au supplice 4:36 [16] The mind bold and independent (Chorus) 2:37 [11] Songe d’une Nuit de Sabbat 9:38 [17] I see not those false spirits (Soul of Gerontius, Angel) 3:19 [18] Praise to the Holiest (Angel, Chorus) 3:28 The Hallé Orchestra [19] Glory to him (Chorus, Angel, Soul of Gerontius) 2:46 Sir John Barbirolli [20] Praise to the Holiest in the height (Chorus) 7:14 Recording: 02.01.1947.

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EDWARD ELGAR (1857–1934) Sea Pictures Op.37 The Music Makers Op.69 (words by Alfred O’Shaughnessy) 1 Sea Slumber Song 5.13 (words by Roden Noel) 6 Introduction 3.19 2 In Haven (Capri) 1.52 7 We are the music makers 3.56 (words by Alice Elgar) 8 We, in the ages lying 3.59 3 Sabbath Morning at Sea 5.24 (words by Elizabeth Barrett Browning) 9 A breath of our inspiration 4.18 4 Where Corals Lie 3.43 10 They had no vision amazing 7.41 (words by Richard Garnett) 11 But we, with our dreaming 5 The Swimmer 5.50 and singing 3.27 (words by Adam Lindsay Gordon) 12 For we are afar with the dawning 2.25 Kathryn Rudge mezzo-soprano 13 All hail! we cry to Royal Liverpool Philharmonic the corners 9.11 Orchestra & Choir Vasily Petrenko Pomp & Circumstance 14 March No.1 Op.39/1 5.40 Total timing: 66.07 Artist biographies can be found at onyxclassics.com EDWARD ELGAR Nowadays any listener can make their own analysis as the Second Symphony, Violin Sea Pictures Op.37 · The Music Makers Op.69 Concerto and a brief quotation from The Apostles are subtly used by Elgar to point a few words in the text. Otherwise, the most powerful quotations are from The Dream On 5 October 1899, the first performance of Elgar’s song cycle Sea Pictures took place in of Gerontius, the Enigma Variations and his First Symphony. The orchestral introduction Norwich. With the exception of Elizabeth Barrett Browning, all the poets whose texts Elgar begins in F minor before the ‘Enigma’ theme emphasises, as Elgar explained to Newman, set in the works on this album would be considered obscure
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BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
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The Dream of Gerontius. a Musical Analysis
The Dream of Gerontius. A Musical Analysis A Musical Tour of the Work conducted by Frank Beck One of Elgar's favourite walks while writing Gerontius was from his cottage, Birchwood Lodge, down this lane to the village of Knightwick. 'The trees are singing my music,' Elgar wrote. "Or have I sung theirs?" (Photograph by Ann Vernau) "The poem has been soaking in my mind for at least eight years," Elgar told a newspaper reporter during the summer of 1900, just weeks before the première ofThe Dream of Gerontius in Birmingham. Those eight years were crucial to Elgar's development as a composer. From 1892 to 1900 he wrote six large-scale works for voices, beginning with The Black Knight in 1892 and including King Olaf in 1896, Caractacus in 1898 and Sea Pictures in 1899. He also conducted the premières of each one, gaining valuable experience in the practical side of vocal music. Most importantly, perhaps, he gained confidence, particularly after the great success of the Enigma Variations in 1899 made him a national figure. At forty-two, Elgar had waited long for recognition, and he now felt able to take on a subject that offered an imaginative scope far beyond anything he had done before: Cardinal Newman's famous poem of spiritual discovery. Elgar set slightly less than half of the poem, cutting whole sections and shortening others to focus on its central narrative: the story of a man's death and his soul's journey into the next world. Part 1 Gerontius is written for tenor, mezzo-soprano, bass, chorus and orchestra.
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Season 2012-2013
27 Season 2012-2013 Thursday, December 13, at 8:00 The Philadelphia Orchestra Friday, December 14, at 8:00 Saturday, December 15, Gianandrea Noseda Conductor at 8:00 Alisa Weilerstein Cello Borodin Overture to Prince Igor Elgar Cello Concerto in E minor, Op. 85 I. Adagio—Moderato— II. Lento—Allegro molto III. Adagio IV. Allegro—Moderato—[Cadenza]—Allegro, ma non troppo—Poco più lento—Adagio—Allegro molto Intermission Tchaikovsky Symphony No. 3 in D major, Op. 29 (“Polish”) I. Introduzione ed allegro: Moderato assai (tempo di marcia funebre)—Allegro brillante II. Alla tedesca: Allegro moderato e semplice III. Andante elegiaco IV. Scherzo: Allegro vivo V. Finale: Allegro con fuoco (tempo di polacca) This program runs approximately 1 hour, 55 minutes. The December 14 concert is sponsored by Medcomp. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival.
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Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto
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The Dream of Gerontius by Cardinal Newman
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Journal November 1998
T rhe Elgar Society JOURNAL I'- r The Elgar Society Journal 107 MONKHAMS AVENUE, WOODFORD GREEN, ESSEX IG8 OER Tel: 0181 -506 0912 Fax:0181 - 924 4154 e-mail: hodgkins @ compuserve.com CONTENTS Vol.lO, No.6 November 1998 Articles Elgar & Gerontius... Part II 258 ‘Elgar’s Favourite Picture’ 285 A Minor Elgarian Enigma Solved 301 Thoughts from the Three Choirs Festival 1929 305 Obituary: Anthony Leighton Thomas 307 More on Elgar/Payne 3 307 Book Reviews 313 Record Reviews 316 Letters 324 100 years ago... 327 I 5 Front cover: Elgar photographed at Birchwood on 3 August 1900, just after completing 3 The Dream of Gerontius. The photo was taken by William Eller, whom Elgar met through their mutual friend, Richard Arnold. **********=)=*****H:****H==HH:************:(=***=t:*****M=****=|i******************=|c* The Editor does not necessarily agree with the views expressed by contributors nor does the Elgar Society accept responsibility for such views. ELGAR SOCIETY JOURNAL ISSN 0143 - 1269 « ELGAR & GERONTIUS: the early performances Lewis Foreman Part II Ludwig Wiillner We should note that there were two Wullners. Ludwig was the singer and actor; Franz was his father, the Director of the Cologne Conservatoire and conductor of the Gurzenich Concerts. He was there at Diisseldorf and promised to consider Gerontius for a concert in 1902, but I cannot trace that it ever took place. We need to consider Ludwig Wullner, for he would sing Gerontius again on two further key occasions, the second Diisseldorf performance at the Lower Rhine Festival in May 1902, and then in London at Westminster Cathedral in June 1903, as well as the Liverpool premiere in March 1903.
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ELGAR Piano Music Enigma Variations
570166bk Elgar US 9/7/06 8:43 pm Page 5 6, Ysobel, is the viola-player Isabel Fitton; Variation 7, Basil Nevinson, an amateur cellist; Variation 13, ***, is Ashley Wass Troyte, is the ebullient architect Troyte Griffith; anonymous but probably conceals Lady Mary Lygon, Variation 8, W.N., is the graceful Winifred Norbury; with a reference to Mendelssohn’s Overture Calm Sea The young British pianist Ashley Wass is recognised as one of the rising stars of his generation. Only the second ELGAR Variation 9, Nimrod, conceals the identity of Elgar’s and Prosperous Voyage hinting at her voyage to British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British friend and publisher, Jaeger; Variation 10, Dorabella, is Australia, and the final Variation 14, E.D.U., is Elgar pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the Rising Stars series at Dora Penny, a country neighbour; Variation 11, G.R.S., himself, indicated by letters that spell out his wife’s pet the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a Piano Music is the organist of Hereford Cathedral, Dr Sinclair, or, name for him, Edu. New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship more exactly, his dog Dan, heard falling into the river to the Royal Academy of Music to study with Christopher Elton and Hamish Milne.
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The Dream of Gerontius
in a side-by-side concert with musicians from The Bard College Conservatory Orchestra THE DREAM OF GERONTIUS apr 8/9 2017 The Richard B. Fisher Center for the Performing Arts at Bard College Enjoying in a side-by-side concert with musicians from The Bard College Conservatory Orchestra The Richard B. Fisher Center for the Performing Arts at Bard College the concert? Sosnoff Theater Saturday, April 8, 2017 at 8 PM Help keep the Sunday, April 9, 2017 at 2 PM music going! Performances #52 & #53: Season 2, Concerts 23 & 24 Leon Botstein, conductor This new generation of musicians is creating and presenting music education programs in libraries, schools, and Edward Elgar The Dream of Gerontius, Op. 38 (1900) community centers in the Hudson Valley. (1857–1934) Part I Intermission Support their work Part II by making a gift of any size. Gerontius: Jonathan Tetelman, tenor The Angel: Sara Murphy, mezzo-soprano The Priest / The Angel of the Agony: Christopher Burchett, baritone Bard College Chamber Singers James Bagwell, director Cappella Festiva Chamber Choir Christine Howlett, artistic director Vassar College Choir or Christine Howlett, conductor TEXT VISIT Text from The Dream of Gerontius by John Henry Cardinal Newman TON TO 41444 THEORCHESTRANOW. ORG/SUPPORT This concert is supported in part by The Elgar Society The concert will run approximately 2 hours and 10 minutes, including one 20-minute intermission. For more info on The TŌN Fund, see page 20. No beeping or buzzing, please! Silence all electronic devices. Photos and videos are encouraged, but only before and after the music.
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Vol. 16, No. 1 March 2009
Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May Song • Dream Children • Coronation Ode • Weary Wind of the West • Skizze • Offertoire • The Apostles • In The South (Alas- sio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • HowElgar Calmly Society the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No.2 •ournal O Hearken Thou • Coronation March • Crown of India • Great is the Lord • Cantique • The Music Makers • Falstaff • Carissima • Sospiri • The Birthright • The Windlass • Death on the Hills • Give Unto the Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • The Spirit of England • The Fringes of the Fleet • The Sanguine Fan • Violin Sonata in E minor • String Quartet in E minor • Piano Quintet in A minor • Cello Concerto in E minor • King Arthur • The Wanderer • Empire March • The Herald • Beau Brummel • Severn Suite • Solilo- quy • Nursery Suite • Adieu • Organ Sonata • Mina • The Spanish Lady • Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pas- tourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • Mot d'Amour • Bizarrerie • O Happy Eyes • My Love Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • The Snow • Fly, Singing Bird • From the Bavarian Highlands • The Light of Life • King Olaf • ImperialMARCH March 2009 Vol. • The16, No. Banner 1 of St George • Te Deum and Benedictus • Caractacus • Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Ma- tin • Three Characteristic Pieces • The Dream of Gerontius • Ser- enade Lyrique • Pomp and Circumstance • The Elgar Society The Elgar Society Journal 362 Leymoor Road, Golcar, Huddersfield, HD7 4QF Telephone: 01484 649108 Founded 1951 Email: [email protected] March 2009 Vol.
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557166 bk ElgarUS 21/01/2004 01:48pm Page 8 ausgelassene Merry Doll springt lachend herum, Puppe, der Traum des Kindes und das Erwachen des DDD während in Dreaming, wiederum für gedämpfte Beginns. Streicher, das Kind sanft einschlummert. Envoy wird ELGAR 8.557166 von einer Violinkadenz eingeleitet, danach folgt die Keith Anderson Rückkehr der ernsten Puppe und nach einer Unterbrechung durch die Violine, die der fröhlichen Deutsche Fassung: Bernd Delfs The Wand of Youth Nursery Suite New Zealand Symphony Orchestra James Judd 8.557166 8 557166 bk ElgarUS 21/01/2004 01:48pm Page 2 Edward ELGAR (1857-1934) die Jugend die Erwachsenen davon zu überzeugen schließlich so weit in der Ferne, dass ich nur noch zwei Wand of Youth Suites • Dream Children • Nursery Suite versucht, dass das Märchenland mehr zu bieten hat als traurige Schemen gewahrte, die, ohne selbst zu das wirkliche Leben. Dieses frühe Material bearbeitete sprechen, seltsamerweise zu sagen schienen: „Wir sind Sir Edward Elgar occupies a strange position in his own the firm, who found in Elgar’s music something much Elgar zu zwei Suiten. Die erste wurde im Dezember nicht Alices und nicht deine Kinder, wir sind ganz und country. For many he is associated with British, or, more akin to the music of his native country. 1907 in der Londoner Queen’s Hall unter Sir Henry gar keine Kinder. Wir sind nichts; weniger als nichts more specifically, English Imperialism, epitomized in Public recognition brought Elgar many honours, his Wood uraufgeführt, die zweite unter der Leitung des und als Träume. Wir sind nur, was gewesen sein Land of Hope and Glory, a patriotic anthem now sung position sealed by the composition of music for the Komponisten im September 1909 beim Worcester- könnte.“’ Dream Children ist vermutlich eine with gusto and tongue in cheek on the last night of the coronation of King Edward VII.
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Elgar's the Dream of Gerontius
Elgar’s The Dream of Gerontius - Some personal observations on recordings of the work by John Quinn Updated 2020 This article originally appeared on MusicWeb in 2007 in connection with the 150th anniversary of the birth of Elgar and I updated it in 2014 when we marked the 80th anniversary of the death of the composer in 1934. The release in 2018 of a newly-issued 1961 live recording conducted by Sir Malcolm Sargent caused me to refer to our Masterworks Index for Gerontius whereupon I discovered, slightly to my surprise, that since my 2014 update this was the fifth recording of the work to be issued – although only two of them were brand new. In addition, I’d caught up with two earlier recordings – conducted by Sir Alexander Gibson and by Yevgeny Svetlanov – to which I’d referred in the survey though I’d not heard them. Time, then, to refresh the survey in order to include these seven recordings. For this latest 2020 revision I toyed with the idea of a fundamental re-write, considering all the recordings in chronological order. However, on reflection it seems to make more sense to retain the layout of the 2014 text and to add comments about the seven recordings not previously covered by the survey in a new section just before the summary. I have made as few changes as possible to my original 2007 text because that included detailed comments on several versions that hadn’t, at least then, been reviewed on MusicWeb International whereas the more recently released recordings have generally received full reviews at the time of issue.
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