CRIME and PUNISHMENT by Fyodor Dostoevsky Translated By
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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought. -
Dialogue: a Journal of Mormon Thought
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE 52.3 fall 2019 52.3 DIALOGUE a journal of mormon thought EDITORS DIALOGUE EDITOR Boyd Jay Petersen, Provo, UT a journal of mormon thought ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Jennifer Quist, Edmonton, Canada POETRY Elizabeth C. Garcia, Atlanta, GA IN THE NEXT ISSUE REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan Papers from the 2019 Mormon Scholars in the INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS Humanities conference: “Ecologies” HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT A sermon by Roger Terry FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT Karen Moloney’s “Singing in Harmony, Stitching in Time” ART Andi Pitcher Davis, Orem, UT BUSINESS & PRODUCTION STAFF Join our DIALOGUE! BUSINESS MANAGER Emily W. Jensen, Farmington, UT PUBLISHER Jenny Webb, Woodinville, WA Find us on Facebook at Dialogue: A Journal of Mormon Thought COPY EDITORS Richelle Wilson, Madison, WI Follow us on Twitter @DialogueJournal Jared Gillins, Washington DC PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. Oman, Williamsburg, VA $10/month Subscriber: Receive four print issues annually and our Daniel Dwyer, Albany, NY Taylor Petrey, Kalamazoo, MI Subscriber-only digital newsletter Ignacio M. -
Dostoevsky's Ideal
Student Publications Student Scholarship Fall 2015 Dostoevsky’s Ideal Man Paul A. Eppler Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Philosophy Commons Share feedback about the accessibility of this item. Eppler, Paul A., "Dostoevsky’s Ideal Man" (2015). Student Publications. 395. https://cupola.gettysburg.edu/student_scholarship/395 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 395 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Dostoevsky’s Ideal Man Abstract This paper aimed to provide a comprehensive examination of the "ideal" Dostoevsky human being. Through comparison of various characters and concepts found in his texts, a kenotic individual, one who is undifferentiated in their love for all of God's creation, was found to be the ultimate to which Dostoevsky believed man could ascend. Keywords Dostoevsky, Christianity, Kenoticism Disciplines Philosophy Comments This paper was written for Professor Vernon Cisney's course, PHIL 368: Reading- Dostoevsky, Fall 2015. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/395 Dostoevsky’s Ideal Man Paul Eppler Professor Vernon Cisney Reading Dostoevsky I affirm that I have upheld the highest principles of honesty and integrity in my academic work and have not witnessed a violation of the Honor Code. -
Nietzschean Types in the Brothers Karamazov 139817 –Dr
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Patrick Durkin Nietzschean Types in The Brothers Karamazov 139817 –Dr. William Angus th 11 February 2019 For the Masters of Arts, English Durkin 1 Abstract Nietzsche and Dostoevsky were contemporaries, and Nietzsche especially was known to admire Dostoevsky’s work. Both authors were interested in the study of the basis for human morality, and the search for a redirection of human morality; one in which the problems they saw with the current understanding of acceptable behaviour according to laws, religion and might is right, could be melded in with their own beliefs and struggles with their own mortality and morality. Although Nietzsche’s collection of essays The Genealogy of Morals, (1887) was written 7 years after Dostoevsky’s The Brothers Karamazov (1880), it is interesting to note that the main character types that Nietzsche believed created hierarchies that developed and sustained the morality of his time, appear in the form of the main characters in The Brothers Karamazov. This thesis will be looking at the The Brothers Karamazov through the different character ‘types’ and the resulting psychomachia of the three legitimate brothers, the older brothers Dmitri and Ivan, and especially that of Alyosha, the youngest brother. The thesis will focus on both elder brothers’ evolution of thought and action through the progress of the novel, and, importantly, on each brothers’ interactions with Alyosha and the turbulent state of mind they regularly leave their younger sibling in. -
Samuel Beckett and Fyodor Dostoevsky
Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky PhD English Literature Ekaterina Gosteva May 2019 I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged. ABSTRACT This thesis investigates the connection between Beckett’s comedy and Dostoevsky’s novels in the light of René Girard’s theory of metaphysical desire. While focusing on Beckett’s prose of the 1930s, this study begins with the typology of laughter in Watt. With the help of this passage (employed as a critical tool), the subject of Beckett’s comedy is preliminarily defined as ‘The Unhappy Consciousness’. In Hegel’s Phenomenology of Spirit, this term is stated with regards to the functions of laughter as a negative response to a threat from a hostile phenomenal world. ‘The risus purus’, which Beckett celebrates as ‘the laugh of laughs’, reveals itself as a satirical attack at Kant’s rational cosmology and Hegel’s phenomenology. A further investigation into this structure provides a link between the genre of comedy in general, Beckett’s comic form and Girard’s theory of mimetic desire, based on the works of Cervantes, Flaubert, Stendhal, Proust and Dostoevsky. The works of these novelists allowed René Girard to articulate a concrete theorization of desire, which binds together literary and anthropological questions. Beckett’s engagement with Dostoevsky remains a blind spot in Beckett studies. Although as early as Proust, Beckett attempted to link Proust and Dostoevsky as the writers whose technique he defined as ‘negative and comic’, the scarcity of his critical comments on Dostoevsky has been an obstacle for scholars trying to identify and analyse their relationship. -
Stae
GEORGE C. CARRINGTON, JR. STAe <ffnwnetibe The World and Art of the Howells Novel Ohio State University Press $6.25 THE IMMENSE COMPLEX DRAMA The World and Art of the Howells Novel GEORGE C. CARRINGTON, JR. One of the most productive and complex of the major American writers, William Dean Howells presents many aspects to his biogra phers and critics — novelist, playwright, liter ary critic, editor, literary businessman, and Christian Socialist. Mr. Carrington chooses Howells the novelist as the subject of this penetrating examination of the complex relationships of theme, subject, technique, and form in the world of Howells fiction. He attempts to answer such questions as, What happens if we look at the novels of Howells with the irreducible minimum of exter nal reference and examine them for meaning? What do their structures tell us? What are their characteristic elements? Is there significance in the use of these elements? In the frequency of their use? In the patterns of their use? Avoiding the scholar-critic's preoccupation with programmatic realism, cultural concerns, historical phenomena, and parallels and influ ences, Mr. Carrington moves from the world of technical criticism into Howells' fiction and beyond, into the modern world of anxious, struggling, middle-class man. As a result, a new Howells emerges — a Howells who interests us not just because he was a novelist, but because of the novels he wrote: a Howells who lives as an artist or not at all. George C. Carrington, Jr., is assistant pro fessor of English at the Case Institute of Tech nology in Cleveland, Ohio. -
By Fyodor Dostoevsky
“The Problem of Evil ” by Fyodor Dostoevsky Dostoevsky, (detail) portrait by Vasily Perov, The State Tretyakov Gallery About the author.. The novelist Fyodor Dostoevsky (1821-1881) spent four years in a Siberian prison and four more years in the army as punish- ment for his role in a clandestine Utopian-socialist discussion group. He became scornful of the rise of humanistic science in the West and chron- icled its threat to human freedom. Dostoevsky’s writings challenged the notion of the essential rationality of human beings and anticipated many ideas in existential psychoanalysis. For Dostoevsky, the essence of being human is freedom. About the work. In the The Brothers Karamazov,1 Dostoevsky reveals deep psychological insight into the nature of human morality. In this, his greatest work, he expresses the destructive aspects of human freedom which can only be bound by God. In Chapter 4 of that work, the death of an innocent child is seen to be an inescapable objection to God’s good- ness. In this chapter Alyosha is the religious foil to Ivan, his intellectual older brother. 1. Fyodor Dostoevsky. “Rebellion” in the The Brothers Karamazov (1879). Trans. by Constance Garnett. 1 “The Problem of Evil ” by Fyodor Dostoevsky From the reading. “But then there is the children, and what am I to do about them? That’s a question I can’t answer.” Ideas of Interest from The Brothers Karamazov 1. Why does Ivan think that children are innocent and adults are not? Why does he think we can love children when they are close, but we can only love our neighbor abstractly? 2. -
The Grand Inquisitor,” Is Told by Ivan Karamazov to His Younger Brother Alyosha
Fyodor Dostoevsky (1821-1881), author of such works as Crime and Punishment, The Idiot, and The Possessed, is considered by many to be one of the world’s greatest writers, and the novel The Brothers Karamazov is universally recognized to be one of genuine masterpieces of world literature. Within this novel the story, “The Grand Inquisitor,” is told by Ivan Karamazov to his younger brother Alyosha. The two brothers had just been discussing the problem of evil—the classic problem of Christian theology: if God is really all powerful, all knowing, and truly loving, then why does evil exist? If God could not have prevented evil, then he is not all powerful. If evil somehow escapes his awareness, then he is not all knowing. If he knew, and could do something about it, but chose not to, then how can he be considered a loving God? One solution to this problem is to claim that evil does not really exist, that if we were to see the world Portrait of Fyodor Dostoyevsky, 1872 from God’s perspective, from the perspective of eternity, then everything comes out well in the end. Another response is to claim that it really isn’t God’s fault at all, it is ours. God gave us free-will and evil is the result of our misuse of that gift. Ivan will have none of these arguments. He brings up the particularly troubling case of the suffering of innocent children—how can they be blamed and punished if they are innocent? Ivan cannot accept that the suffering of an innocent child will be justified in the end. -
“Viper Will Eat Viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood
III “Viper will eat viper”: Dostoevsky, Darwin, and the Possibility of Brotherhood Anna A. Berman As Darwinian thought took root across Europe and Russia in the 1860s after the publication of On the Origin of Species (1859), intellectuals wrestled with the troubling implications the “struggle for existence” held for human harmony and love. How could people be expected to “love their neighbors” if that love ran counter to science? Was that love even commendable if it counteracted the perfection of the human race through the process of natural selection? And if Darwinian struggle was supposed to be most intense among those who were closest and had the most shared resources to compete for, what hope did this hold for the family? Darwin’s Russian contemporaries were particularly averse the idea that members of the same species were in competition. As Daniel Todes, James Rogers, and Alexander Vucinich have argued, Russian thinkers attempted to reject the Malthusian side of Darwin’s theory.1 Situated in the harsh, vast expanses of Russia, rather than on the crowded, verdant British Isles, they 1 Daniel Todes, Darwin without Malthus: The Struggle for Existence in Russian Evolutionary Thought (Oxford: Oxford University Press, 1989); James Allen Rogers, “The Russian Populists’ Response to Darwin,” Slavic Review 22, no. 3 (1963): 456–68; Alexander Vucinich, Darwin in Russian Thought (Berkeley: University of California Press, 1988). 84 Anna A. Berman argued that of the three struggles Darwin included under the umbrella of “struggle for existence”—(1) -
Michael Makin Great Books 291 Five Lectures on Crime and Punishment
Michael Makin Great Books 291 Five Lectures on Crime and Punishment You may find the following chronology, with links, of use in guiding your study of Dostoevsky’s novel F. M. Dostoevsky -- Chronology through 1866 1821 3 October, born, Moscow. Father -- Mikhail, doctor (son of priest), who had risen through service to acquire noble status; mother of merchant stock. Former Mariinskii Hospital for the Poor, Moscow, where FMD’s father worked as a doctor, at the time of FMD’s birth. 1825 [Death of Alexander I; accession of Nicholas I; Decembrist revolt.] 1826 [Death of Karamzin (born 1766), author of "Poor Liza" («Бедная Лиза», 1792), History of the Russian State (1818-26).] 1830 [Aleksandr Pushkin's Tales of Belkin, «Повести Белкина».] 1831 Dostoevskii family buys small estate at Darovoe, 150 miles from Moscow. 1833 FMD goes away to school. 1834 [Pushkin's "Queen of Spades", «Пиковая дама».] 1836 Death of mother. [Nikolai Gogol' (1809-52) publishes "The Nose", «Нос»] 1837 FMD goes to St Petersburg, enters Academy of Engineers, housed in the Mik- hailovskii Castle. [Death of Pushkin (born 1799), after a duel, partly as the result of a malicious conspiracy.] 1839 Death of father, possibly murdered. 1841 Promoted to ensign. Plans romantic tragedies. [Death of Mikhail Lermontov (born 1814).] 1842 [Gogol' publishes first part of Dead Souls («Мертвые души»), and "The Over- coat" («Шинель»).] 1844 First published work: a translation of Balzac's Eugénie Grandet. Work on Poor Folk. 1845 Completes Poor Folk («Бедные люди»), which is greeted ecstatically (prior to publication) by Nikolai Nekrasov (1821-1877), Dmitrii Grigorovich (1822-1900), and Vissarion Belinskii (1811-1848), leaders of liberal thought and writing, whose enthusiasm guarantees FMD popularity in their literary circles. -
Framed: Utilitarianism and Punishment of the Innocent
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Fall 2000 Framed: Utilitarianism and Punishment of the Innocent Guyora Binder University at Buffalo School of Law Nicholas J. Smith University of New Hampshire Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Criminal Law Commons, and the Philosophy Commons Recommended Citation Guyora Binder & Nicholas J. Smith, Framed: Utilitarianism and Punishment of the Innocent, 32 Rutgers L.J. 115 (2000). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/285 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. FRAMED: UTILITARIANISM AND PUNISHMENT OF THE INNOCENT GuyoraBinder*andNicholas J. Smith" I. INTRODUCTION ......................................................................................116 II. THE DEBATE OVER PUNISHING THE INNOCENT ...................123................. A. The Charge...................................................................................123 B. Five Responses .............................................................................127 1. Acceptance ...............................................................................127 -
Music Recommendation and Discovery in the Long Tail
MUSIC RECOMMENDATION AND DISCOVERY IN THE LONG TAIL Oscar` Celma Herrada 2008 c Copyright by Oscar` Celma Herrada 2008 All Rights Reserved ii To Alex and Claudia who bring the whole endeavour into perspective. iii iv Acknowledgements I would like to thank my supervisor, Dr. Xavier Serra, for giving me the opportunity to work on this very fascinating topic at the Music Technology Group (MTG). Also, I want to thank Perfecto Herrera for providing support, countless suggestions, reading all my writings, giving ideas, and devoting much time to me during this long journey. This thesis would not exist if it weren’t for the the help and assistance of many people. At the risk of unfair omission, I want to express my gratitude to them. I would like to thank all the colleagues from MTG that were —directly or indirectly— involved in some bits of this work. Special mention goes to Mohamed Sordo, Koppi, Pedro Cano, Mart´ın Blech, Emilia G´omez, Dmitry Bogdanov, Owen Meyers, Jens Grivolla, Cyril Laurier, Nicolas Wack, Xavier Oliver, Vegar Sandvold, Jos´ePedro Garc´ıa, Nicolas Falquet, David Garc´ıa, Miquel Ram´ırez, and Otto W¨ust. Also, I thank the MTG/IUA Administration Staff (Cristina Garrido, Joana Clotet and Salvador Gurrera), and the sysadmins (Guillem Serrate, Jordi Funollet, Maarten de Boer, Ram´on Loureiro, and Carlos Atance). They provided help, hints and patience when I played around with the machines. During my six months stage at the Center for Computing Research of the National Poly- technic Institute (Mexico City) in 2007, I met a lot of interesting people ranging different disciplines.