Rechtsreferendare Ab Juli 2014

Total Page：16

File Type：pdf, Size：1020Kb

Rechtsreferendare (m/w) Legal & Business Affairs jeweils für 3 Monate ab 01. Juli 2014 in München Wir üüberber uns Sony Music Entertainment Germany ist ein Geschäftsbereich von Sony Music Entertainment, einem der weltweit führenden Musikunternehmen. Internationale Superstars wie Alicia Keys, AC/DC, Usher, P!nk, Gossip, The Script, ZAZ, die Foo Fighters, Leona Lewis, Joe Cocker, Bruce Springsteen, Ke$ha und Kings of Leon sowie nationale Top-Künstler wie Silbermond, Johannes Oerding, Peter Maffay, Clueso, Jupiter Jones, Die Fantastischen Vier, Wir sind Helden, Tim Bendzko, Revolverheld, Andrea Berg, Udo Jürgens, Ina Müller und Annett Louisan zählen zu dem weit gefächerten Künstlerportfolio von Sony Music in Deutschland. Weltweit sind einige der erfolgreichsten und zugleich einflussreichsten Musiklabels wie Arista, Columbia Records, Epic Records, Jive, J Records, LaFace, RCA Records, Sony Music Nashville und Sony Music International unter dem Dach von Sony Music Entertainment zu finden. Ihre Aufgaben Für die Abteilung Legal & Business Affairs in München suchen wir für Zeiträume ab 01. Juli 2014 für jeweils 3 Monate engagierte Rechtsreferendare (m/w), die bei uns einen Teil ihrer Ausbildung absolvieren wollen. Referendare (m/w) werden für 3 Monate in den Alltag der Abteilung mit seinen vielfältigen Aufgabenstellungen und Anforderungen eingebunden, wobei die Aufgaben vor allem in folgenden Bereichen liegen: - Überprüfung, Anpassung und Ergänzung bestehender Verträge (Künstlerverträge, Bandübernahmeverträge, Mitschnitts- und Senderechtsvereinbarungen) - Entwerfen neuer Vereinbarungen für spezielle Anforderungen - Vorbereiten von Vertragsabschlüssen (interne und externe Kommunikation) - Erarbeiten gutachterlicher Stellungnahmen für die interne und externe Verwendung - Aufgaben im allgemeinen Zivilrecht - Projekttätigkeiten in den Bereichen des Markenrechts, Urheberrechts, UWG etc. Ihr Profil Unser Angebot richtet sich an Referendare (m/w), - die vor dem Abschluss des Referendariats stehen und ihr Pflichtwahlpraktikum bzw. die Wahlstation bei uns absolvieren möchten, - den Schwerpunkt ihrer Ausbildung auf Wirtschaftsrecht gelegt haben, - die bestenfalls Vorkenntnisse im Bereich Medienrecht (insbesondere Urheberrecht etc.) aufweisen können, - die sich mit den gängigen Office-Anwendungen auskennen sowie solide Englisch- Kenntnisse in Wort und Schrift vorweisen können. Wichtig sind zudem Einsatzfreude und Flexibilität sowie das Interesse, in die Abläufe des Tagesgeschäfts der Abteilung integriert zu werden. Von Vorteil sind bereits absolvierte Praktika oder Stationen in einem Wirtschaftsunternehmen oder andere Tätigkeiten mit Branchenbezug. Bewerbungen bitte nur per E-Mail an: [email protected]@sonymusic.com bei Legal & Business Affairs Bitte beachten Sie, dass wir erst ab JULI 2014 wieder Referendariatsplätze vakant haben. Für alle anderen Zeiträume haben wir berbereitseits ReferendareReferendare eingestellt. Für weitere Informationen besuchen Sie bitte unsere Webseite: http://www.sonymusic.de .

Copy Link

Recommended publications

To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law ﬁ rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations.
[Show full text]
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS
[Show full text]
The Creative Conver
TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E.
[Show full text]
Besondere Leistungsfeststellung Deutsch
Sächsisches Staatsministerium Geltungsbereich: Schüler der Klassenstufe 10 an für Kultus allgemein bildenden Gymnasien Schuljahr 2005/2006 ohne Realschulabschluss Besondere Leistungsfeststellung Deutsch - N A C H T E R M I N - Material für Schüler Allgemeine Arbeitshinweise Es ist ein Thema zur Bearbeitung auszuwählen. Die Arbeitszeit beträgt 90 Minuten. Zur Auswahl der Aufgaben und der damit verbundenen Texte wird zusätzlich zur Arbeitszeit eine Einlesezeit von 20 Minuten gewährt. Zugelassenes Hilfsmittel: Wörterbuch der deutschen Rechtschreibung Die Arbeit wird mit einer ganzzahligen Note nach der Notenskala von 1 bis 6 bewertet. Gravierende Mängel in der äußeren Form werden bei der Notengebung berücksichtigt. Name, Vorname: Klasse: Note: Themen THEMA 1: Wir sind Helden/Text: Judith Holofernes (geb. 1976), „Guten Tag“ (2003) Interpretieren Sie den Liedtext. - Untersuchen Sie dabei den Sinngehalt. - Zeigen Sie, wie inhaltliche und sprachliche Gestaltung zusammenwirken. THEMA 2: Wolfgang Bächler (geb. 1925): Stadtbesetzung (1979) Interpretieren Sie den Text. - Untersuchen Sie dabei den Sinngehalt. - Zeigen Sie, wie inhaltliche und sprachliche Gestaltung zusammenwirken. Besondere Leistungsfeststellung Gymnasium, Klassenstufe 10, Deutsch, Nachtermin 2005/06 - Aufgaben Seite 1 von 3 Name, Vorname: _________________________________________________ Klasse: __ THEMA 1 Wir sind Helden/Text: Judith Holofernes Guten Tag (Die Reklamation) Meine Stimme gegen ein Mobiltelefon Meine Fäuste gegen eure Nagelpflegelotion Meine Zähne gegen die von Doktor
[Show full text]
Austrian Music Export Handbook
Austrian Music Export Handbook Table of Contents Imprint.................................................................................................................................................................................................. 5 Introduction........................................................................................................................................................................................ 6 PART 1 - GENERAL INFORMATION.................................................................................................................................................... 7 Geogr p!ic l # t nd Tr n$port In%r $tructure.............................................................................................................. 7 Gener l In%ormation ................................................................................................................................................................ 7 Town$ nd Citie$ ...................................................................................................................................................................... ( Admini$tr ti)e #i)i$ion$......................................................................................................................................................... * Tr n$port +Touring in Au$tri ,.............................................................................................................................................. * Import nt Cont ct$, Re" ted Lin.$ ..............................................................................................................................
[Show full text]
Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S
Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap ing our everyday culture: film, art, literature, advertisements they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di rectors are now venturing into art or advertisement, but that also peo ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clipdirectors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999).
[Show full text]
Exhibit O-137-DP
Contents 03 Chairman’s statement 06 Operating and Financial Review 32 Social responsibility 36 Board of Directors 38 Directors’ report 40 Corporate governance 44 Remuneration report Group financial statements 57 Group auditor’s report 58 Group consolidated income statement 60 Group consolidated balance sheet 61 Group consolidated statement of recognised income and expense 62 Group consolidated cash flow statement and note 63 Group accounting policies 66 Notes to the Group financial statements Company financial statements 91 Company auditor’s report 92 Company accounting policies 93 Company balance sheet and Notes to the Company financial statements Additional information 99 Group five year summary 100 Investor information The cover of this report features some of the year’s most successful artists and songwriters from EMI Music and EMI Music Publishing. EMI Music EMI Music is the recorded music division of EMI, and has a diverse roster of artists from across the world as well as an outstanding catalogue of recordings covering all music genres. Below are EMI Music’s top-selling artists and albums of the year.* Coldplay Robbie Williams Gorillaz KT Tunstall Keith Urban X&Y Intensive Care Demon Days Eye To The Telescope Be Here 9.9m 6.2m 5.9m 2.6m 2.5m The Rolling Korn Depeche Mode Trace Adkins RBD Stones SeeYou On The Playing The Angel Songs About Me Rebelde A Bigger Bang Other Side 1.6m 1.5m 1.5m 2.4m 1.8m Paul McCartney Dierks Bentley Radja Raphael Kate Bush Chaos And Creation Modern Day Drifter Langkah Baru Caravane Aerial In The Backyard 1.3m 1.2m 1.1m 1.1m 1.3m * All sales figures shown are for the 12 months ended 31 March 2006.
[Show full text]
KARAOKE Buch 2019 Vers 2
Wenn ihr euer gesuchtes Lied nicht im Buch findet - bitte DJ fragen Weitere 10.000 Songs in Englisch und Deutsch auf Anfrage If you can’t find your favourite song in the book – please ask the DJ More then 10.000 Songs in English and German toon request 10cc Dreadlock Holiday 3 Doors Down Here Without You 3 Doors Down Kryptonite 4 Non Blondes What's Up 50 Cent Candy Shop 50 Cent In Da Club 5th Dimension Aquarius & Let The Sunshine A Ha Take On Me Abba Dancing Queen Abba Gimme Gimme Gimme Abba Knowing Me, Knowing You Abba Mama Mia Abba Waterloo ACDC Highway To Hell ACDC T.N.T ACDC Thunderstruck ACDC You Shook Me All Night Long Ace Of Base All That She Wants Adele Chasing Pavements Adele Hello Adele Make You Feel My Love Adele Rolling In The Deep Adele Skyfall Adele Someone Like You Adrian (Bombay) Ring Of Fire Adrian Dirty Angels Adrian My Big Boner Aerosmith Dream On Aerosmith I Don’t Want To Miss A Thing Afroman Because I Got High Air Supply All Out Of Love Al Wilson The Snake Alanis Morissette Ironic Alanis Morissette You Oughta Know Alannah Miles Black Velvet Alcazar Crying at The Discotheque Alex Clare Too Close Alexandra Burke Hallelujah Alice Cooper Poison Alice Cooper School’s Out Alicia Keys Empire State Of Mind (Part 2) Alicia Keys Fallin’ Alicia Keys If I Ain’t Got You Alien Ant Farm Smooth Criminal Alison Moyet That Old Devil Called Love Aloe Blacc I Need A Dollar Alphaville Big In Japan Ami Stewart Knock On Wood Amy MacDonald This Is The Life Amy Winehouse Back To Black Amy Winehouse Rehab Amy Winehouse Valerie Anastacia I’m Outta Love Anastasia Sick & Tired Andy Williams Can’t Take My Eyes Off Of You Animals, The The House Of The Rising Sun Aqua Barbie Girl Archies, The Sugar, Sugar Arctic Monkeys I Bet You Look Good On The Dance Floor Aretha Franklin Respect Arrows, The Hot Hot Hot Atomic Kitten Eternal Flame Atomic Kitten Whole Again Avicii & Aloe Blacc Wake Me Up Avril Lavigne Complicated Avril Lavigne Sk8er Boi Aztec Camera Somewhere In My Heart Gesuchtes Lied nicht im Buch - bitte DJ fragen B.J.
[Show full text]
EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards.
[Show full text]
Border Breakers”: the Second Year of Awards for European Debut Albums with the Highest Sales in Other EU Countries in 2004
IP/05/83 Brussels, 24 January 2005 “Border Breakers”: the second year of awards for European debut albums with the highest sales in other EU countries in 2004 On Sunday, 23 January at MIDEM (International Music Market) in Cannes, European Border Breakers Awards (EBBA) were handed out for the second year. These awards go to artists whose debut albums have achieved the highest sales in the European Union outside their country of origin over the year. The awards were created at the initiative of the European Commission in cooperation with professionals from the world of European music1 and the Billboard Information Group. “These awards are a testimony to the diversity of European music and the potential of the single market” said Ján Figel’, the Member of the European Commission responsible for education, training, culture and multilingualism, at the opening ceremony. "They unite professionals from the world of music, writers, composers, performers and leading or independent producers in helping to improve the dissemination of European music across the European Union”. On 23 January, EBBA were awarded for the second year to European artists or groups and their record companies, authors and publishers who had achieved the highest sales of a debut album in 2004 in the European Union outside its country of production. Winners were selected on the basis of statistics provided by the Billboard Group in accordance with the following criteria: - original debut album of artists or groups from an EU Member State; - sales in EU Member states outside the country of production - sales between 01/09/2003 and 31/08/2004.
[Show full text]
Grammy Countdown U2, Nelly Furtado Interviews Kedar Massenburg on India.Arie Celine Dion "A New Day Has Come"
February 15, 2002 Volume 16 Issue 781 $6.00 GRAMMY COUNTDOWN U2, NELLY FURTADO INTERVIEWS KEDAR MASSENBURG ON INDIA.ARIE CELINE DION "A NEW DAY HAS COME" The premiere single from "A New Day Has Come," her first new album in two years and her first studio album since "Let's Talk About Love," which sold over 28 million copies worldwide. IMPACTING RADIO NOW 140 million albums sold worldwide 2,000,000+ cumulative radio plays and over 21 billion in combined audience 6X Grammy' winner Winner of an Academy Award for "My Heart Will Go On" Extensive TV and Press to support release: Week of Release Jprah-Entire program dedicated to Celine The View The Today Show CBS This Morning Regis & Kelly Upcoming Celine's CBS Network Special The Tonight Show Kicks off The Today Show Outdoor Concert Series Single produced by Walter Afanasieff and Aldo Nova, with remixes produced by Ric Wake, Humberto Gatica, and Christian B. Video directed by Dave Meyers will debut in early March. Album in stores Tuesday, March 26 www.epicrecords.com www.celinedion.com I fie, "Epic" and Reg. U.S. Pat. & Tm. Off. Marca Registrada./C 2002 Sony Music Entertainment (Canada) Inc. hyVaiee.sa Cartfoi Produccil6y Ro11Fair 1\lixeJyJo.serli Pui3 A'01c1 RDrecfioi: Ron Fair rkia3erneit: deter allot" for PM M #1 Phones WBLI 600 Spins before 2/18 Impact Early Adds: KITS -FM WXKS Y100 KRBV KHTS WWWQ WBLIKZQZ WAKS WNOU TRL WKZL BZ BUZZWORTHY -2( A&M Records Rolling Stone: "Artist To Watch" feature ras February 15, 2002 Volume 16 Issue 781 DENNIS LAVINTHAL Publisher LENNY BEER THE DIVINE MISS POLLY Editor In Chief EpicRecords Group President Polly Anthony is the diva among divas, as Jen- TONI PROFERA Executive Editor nifer Lopez debuts atop the album chart this week.
[Show full text]
Wir Sind Helden
Wir sind Helden Sie war eine der erfolgreichsten deutschen Pop-Rockbands der vergangenen Jahre: „Wir sind Helden“. Ihre Kritik an gesellschaftlichen und politischen Missständen wurde in eine mainstreamtaugliche Musik verpackt. Musik: Wir sind Helden: Guten Tag Sprecher: Im Jahr 2000 gründet sich eine junge Band in Berlin – ein Vorgang, der fast täglich und überall stattfindet. Aber diesmal ist es eine Band, die bald von großer Bedeutung für die deutsche Musiklandschaft sein wird. Besonders in Studentenkreisen entfaltet sie ihre Wirkung, denn sie ist politisch irgendwie links, frech, aber irgendwie auch nett. Das mögen alle. Marc Tavassol, Pola Roy, Jean-Michel Tourette und Judith Holofernes sind „Wir sind Helden“. Bis auf Marc haben sich alle Künstlernamen gegeben. Marc, Pola und Judith sagen, was sie dazu bewegte, zusammen zu musizieren: Marc / Pola / Judith: „Pola ist ja der Mensch, den ich am längsten kenne aus der Band und vorher schon als einen meiner besten Freunde bezeichnet hab. / Mit Jean habe ich einmal zusammen gespielt, und mir war irgendwie klar, dass ich mit dem Musik machen will. Es war so Liebe auf den ersten Blick . / Marc ist oft skeptisch , aber oft auch in den richtigen Momenten. Also, ich glaube, das ist ein ganz guter Posten bei uns in der Band. Ich glaub’, wenn wir so jemanden nicht hätten, dann würden wir relativ oft irgendwie von der Bühne fallen .“ Sprecher: Alle drei respektierten sich gegenseitig und wussten um das Können des jeweils anderen. Während Marc und Pola sich kannten, bevor die Band zusammenfand, war das bei Pola und Jean anders. Pola hatte einmal mit Jean musiziert und sofort festgestellt, dass sie beide gut zusammenpassen.
[Show full text]