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To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Creative Conver
TWO PETERRAINMAKERS EDGETHE CREATIVE CONVERSATION s chief of RCA, Peter Edge has presided over one of the splashiest rosters in the biz, which has culminated in big chart successes, top-tier Grammy love and, occa- sionally, pop-cultural godhead for his acts. Edge’s keen A&R chops Aand artist whispering have been integral to his reign, and he has been acutely sensitive to the shifting winds of the marketplace. “I’m always looking for a unique propo- sition,” Edge said a decade and a half ago, and it clearly resonates today. “I’m really attracted to people who have an abundance of talent because I’m just in awe of that, being a music fan.” “Peter Edge loves music so much, it’s his heart and soul,” notes one of Edge’s Grammy-winning, chart-topping signings, Switch, where he booked artists such as Sade Khalid. “I’ve had such meaningful artistic and Grace Jones. His work there caught conversations with him, and I’m always in the eye of Simon Fuller, who hired him as awe of his knowledge and his passion.” an A&R rep at Chrysalis Music Publishing; “I have known and worked with Peter he subsequently moved to the label side at since I first started in this business,” says Chrysalis and was tasked with launching the manager Brandon Creed, “and he has London-based Cooltempo imprint in 1985, always been a very kind and soulful leader in tandem with producer Danny D. and personal mentor to me. His taste and In the U.K., the label would release talent are inspiring, and he’s as authen- music by Erik B and Rakim, EPMD, tic and genuine as an executive as he is a The Real Roxanne, Slick Rick and Doug human being.” E. -
Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
Grammy Countdown U2, Nelly Furtado Interviews Kedar Massenburg on India.Arie Celine Dion "A New Day Has Come"
February 15, 2002 Volume 16 Issue 781 $6.00 GRAMMY COUNTDOWN U2, NELLY FURTADO INTERVIEWS KEDAR MASSENBURG ON INDIA.ARIE CELINE DION "A NEW DAY HAS COME" The premiere single from "A New Day Has Come," her first new album in two years and her first studio album since "Let's Talk About Love," which sold over 28 million copies worldwide. IMPACTING RADIO NOW 140 million albums sold worldwide 2,000,000+ cumulative radio plays and over 21 billion in combined audience 6X Grammy' winner Winner of an Academy Award for "My Heart Will Go On" Extensive TV and Press to support release: Week of Release Jprah-Entire program dedicated to Celine The View The Today Show CBS This Morning Regis & Kelly Upcoming Celine's CBS Network Special The Tonight Show Kicks off The Today Show Outdoor Concert Series Single produced by Walter Afanasieff and Aldo Nova, with remixes produced by Ric Wake, Humberto Gatica, and Christian B. Video directed by Dave Meyers will debut in early March. Album in stores Tuesday, March 26 www.epicrecords.com www.celinedion.com I fie, "Epic" and Reg. U.S. Pat. & Tm. Off. Marca Registrada./C 2002 Sony Music Entertainment (Canada) Inc. hyVaiee.sa Cartfoi Produccil6y Ro11Fair 1\lixeJyJo.serli Pui3 A'01c1 RDrecfioi: Ron Fair rkia3erneit: deter allot" for PM M #1 Phones WBLI 600 Spins before 2/18 Impact Early Adds: KITS -FM WXKS Y100 KRBV KHTS WWWQ WBLIKZQZ WAKS WNOU TRL WKZL BZ BUZZWORTHY -2( A&M Records Rolling Stone: "Artist To Watch" feature ras February 15, 2002 Volume 16 Issue 781 DENNIS LAVINTHAL Publisher LENNY BEER THE DIVINE MISS POLLY Editor In Chief EpicRecords Group President Polly Anthony is the diva among divas, as Jen- TONI PROFERA Executive Editor nifer Lopez debuts atop the album chart this week. -
The New Aural Actuality: an Exploration of Music, Sound And
THE NEW AURAL ACTUALITY: AN EXPLORATION OF MUSIC, SOUND AND MEANING IN THE COMPOSED FEATURE DOCUMENTARY PODCAST by Benjamin Richard Phillip Horner Canterbury Christ Church University Thesis submitted for the Degree of Doctor of Philosophy 2019 Abstract This practice-led thesis explores the creative techniques and philosophies used in composing feature documentary podcasts and how listeners engage with the material and make meaning from it. Podcasting as a medium presents a new and so far unexplored way of interfacing with audio documentary and this study works to demonstrate crucial differences from radio practice in terms of intention and expression, how material is made, consideration for its audience, and how its programmes are distributed. Using post-structural theory, specifically Deleuze and Guattari’s ideas on interconnected networks of affective transmission, podcasting’s relationship to radio is explored, as is how listeners make meaning through their interaction with both the heard material and the devices upon which it is accessed. These theories are then applied to the characteristically open remit of the audio documentary to study how speech, music, sound and silence may be understood to generate meaning, emotion and a sense of immersion in the listener. It is suggested that modes of programme access, listening customs, and interpretational symbolism work together to impart information vital to the ability to connote and denote what is being heard, and that in this way the composed feature can be situated very closely to musical practice and engagement. Taking cues from musical and cinematic analytical practice three podcast programmes are closely scrutinised for an understanding of their constituent material, structural shape, and potential affective transmissions, before interviews with their producers are presented to discuss conceptual intentions and execution. -
10 September 2010 Page 1 of 23 SATURDAY 04 SEPTEMBER 2010 Australian Brandenburg Orchestra, Paul Dyer (Conductor)
Radio 3 Listings for 4 – 10 September 2010 Page 1 of 23 SATURDAY 04 SEPTEMBER 2010 Australian Brandenburg Orchestra, Paul Dyer (conductor) SAT 01:00 Through the Night (b00tkp49) 4:14 AM Presented by Jonathan Swain Fauré, Gabriel (1845-1924) Nocturne No.4 in E flat major (Op.36) 1:01 AM Stéphane Lemelin (piano) Handel, Georg Frideric [1685-1759] Concerto grosso (Op.6`8) in C minor (HWV.326) 4:21 AM Harmonie Universelle, Florian Deuter (director & violin) Stanford, Charles Villiers (1852-1924) Eternal Father – from 3 Motets (Op.135 No.2) 1:17 AM BBC Singers, Stephen Cleobury (conductor) Vivaldi, Antonio [1678-1741] Concerto for 2 violins and orchestra (RV.508) in C major 4:28 AM Monica Waisman (violin) & Florian Deuter (violin & director), Handel, Georg Frideric (1685-1759) Harmonie Universelle Sonata for recorder/oboe and continuo (Op.1 No.4) in A minor (HWV.362) 1:27 AM Louise Pellerin (oboe), Dom André Laberge (organ – 1999 Karl Schnittke, Alfred (1934-1998) Wilhelm at the abbey church Saint-Benoît-du-Lac, Québec, Suite in the olden style arr. D.Shafran for cello and piano Canada) Daniil Shafran (cello), Anton Osetrov (piano) 4:35 AM 1:41 AM Mozart, Wolfgang Amadeus (1756-1791) Handel, Georg Frideric [1685-1759] Exsultate, jubilate – motet for Soprano & Orchestra (K.165) Concerto grosso (Op.6`5) in D major (HWV.323) Ellen van Lier (soprano), Netherlands Radio Orchestra, Roelof Harmonie Universelle, Florian Deuter (director & violin) Van Driesten (conductor) 1:56 AM 4:52 AM Handel, Georg Frideric [1685-1759] Rimsky-Korsakov, Nikolai (1844-1908) -
Ron Wilcox Testimony
PUBLIC sit~~ch~f~ MUSIC eNTIR781NM&NT SSQQuhadi?i~al~,~~~uuE. NcwYcrB . ~PrY .1662~11. Z128a31Ra~0 TESTIMONY OF RON ~7ILCOX Executive Vice President and Chief Business and Legal Affairs Officer SONY BMG MUSIC ENTERTAINMENT New York, NY Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. PUBLIC OUALIFICATIONS My name is Ron Wilcox, and I am the Executive Vice President and Chief Business and Legal Affairs Officer of SONY BMG MUSIC ENTERTATNMENT. Zn that position, I oversee all of SONY BMG's Business and Legal Affairs activities, including negotiating deals with artists, music publishers, and digital music services and formulation of policies concerning new technologies and other matters. I have worked in the music business for almost 25 years. Prior to Sony's merger with BMG, I was Executive Vice President, Business Affairs and New Technology at Sony Music Entertainment. Between 1990 and 2000, I was Senior Vice President, Business Affairs & Administration at Sony Music. From 1983 to 1990, I worked in Business Affairs for CBS Records. Previously, I was an attorney for CBS Inc. I graduated ~om the College of Wooster in 1975 and the University of Michigan Law School in 1978. INTRODUCTION AND SUMMARY Record companies like SONY BMG are the driving force of the music industry. It is record companies that turn the notes and lyrics of songs - or often just an idea for a song - into a high-quality commercial product, connect it with an audience, and distribute it through every practicable means. The creative contribution and investment made by record companies are what makes it possible for songwriters and publishers to make money from songs. -
Penguin Cafe a Matter of Life... Mp3, Flac, Wma
Penguin Cafe A Matter Of Life... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: A Matter Of Life... Country: UK Released: 2011 Style: Modern Classical MP3 version RAR size: 1969 mb FLAC version RAR size: 1594 mb WMA version RAR size: 1923 mb Rating: 4.3 Votes: 573 Other Formats: TTA APE WAV DXD XM AU MMF Tracklist Hide Credits That, Not That 1 4:24 Piano, Synthesizer [Ring Mod] – Arthur Jeffes Landau 2 Bagpipes [Northumbrian] – Kathryn TickellGlockenspiel – Des MurphyHarmonium – Neil 4:55 Codling Sundog 3 2:32 Bass – Arthur JeffesMelodica – Tom Chichester-Clark* The Fox And The Leopard 4 3:02 Lute [Cuatro] – Tom Chichester-Clark*Ukulele – Neil Codling Finland 5 4:56 Bells [Prayer Bowl] – Arthur Jeffes Pale Peach Jukebox 6 5:02 Lute [Cuatro] – Neil CodlingUkulele – Tom Chichester-Clark* 7 Harry Piers 4:56 Two Beans Shaker 8 2:02 Written-By, Lute [Cuatro] – Des Murphy From A Blue Temple 9 Cello, Percussion – Rebecca WaterworthHarmonium – Arthur JeffesPercussion [Guiro] – 8:40 Vincent Greene Ghost In The Pond 10 4:06 Percussion – Cass BrownePiano – Neil CodlingWhistle – Arthur Jeffes 11 Coriolis 2:03 Companies, etc. Manufactured By – Technicolor – CAP01476 Credits Bass – Andy Waterworth Directed By – Vincent Greene Lute [Cuatro], Organ [Dulcitone] – Arthur Jeffes (tracks: 3, 10) Mastered By – Ade Emsley Mixed By – Jamie Orchard-Lisle Percussion – Arthur Jeffes (tracks: 1, 3, 8), Pete Radcliffe (tracks: 2 to 4, 6) Ukulele – Arthur Jeffes (tracks: 1, 8, 10), Des Murphy (tracks: 4, 6, 8, 10) Violin – Darren Berry (tracks: 2, 6, 8, 10), Oli Langford* (tracks: 2, 5, 11) Violin, Viola – Vincent Greene (tracks: 6, 8) Written-By, Producer, Mixed By – Arthur Jeffes Notes "The Penguin Cafe was Simon Jeffes's dream-inspired creative universe. -
An Exploration of the Work of David Bintley, a Very
City Research Online City, University of London Institutional Repository Citation: Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17616/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment. Lucy Wallis, BA (Hons), AISTD Submitted for the degree of Doctor of Philosophy at Trinity Laban Conservatoire of Music and Dance in the graduate school.