Implementing the Primary Curriculum: a Teacher's Guide
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Earth Power: Techniques of Natural Magic © 1983 and 2006 by Scott Cunningham
About the Author Scott Cunningham was born in Royal Oak, Michigan, on June 27, 1956. He learned about Wicca while still in high school and practiced elemental magic for twenty years. He experienced, researched, then wrote about what he learned in his magical training. Scott is credited with writing more than thirty books (both fiction and nonfiction). He passed from this incarnation on March 28, 1993, but his work and his words live on. Llewellyn Publications Woodbury, Minnesota Copyright Information Earth Power: Techniques of Natural Magic © 1983 and 2006 by Scott Cunningham. All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Publications, except in the form of brief quotations embodied in critical articles and reviews. As the purchaser of this e-book, you are granted the non- exclusive, non-transferable right to access and read the text of this e-book on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means. Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law. First e-book edition © 2013 E-book ISBN: 9780738716657 Revised Edition Sixth Printing, 2012 First edition, thirty-two printings Book design and layout by Joanna Willis Cover design by Kevin R. Brown Cover illustration © by Fiona King Interior illustrations by Llewellyn art department Revised edition editing by Kimberly Nightingale Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd. -
OCCULT BOOKS Catalogue No
THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on. -
Pianoforte Solo Trio Quartetto Europeo (Jan Garbarek) Quartetto
Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf. -
Keith Jarrett Discography
Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) ....................... -
Paper Aeroplanes – We Are Ghosts
Paper Aeroplanes – We Are Ghosts New Mini-Album Released 4th April 2011 "very strong debut... a confident collection of gems" Record of the day (debut album review) “you could streak the sky with this album's melodies and people would stand, necks craned, mouths agape, gasping at the beauty of it all... It has an effortless, uncontrived universality" Adam Walton BBC Radio Wales Paper Aeroplanes is a girl and a boy from Westest Wales, now based in the capital of Wales and the capital of England. They make melancholy-tinged acoustic music centred around distinctive vocals. Their recent single, ‘Not as Old’ was playlisted on national radio – including a Bob Harris session on BBC Radio 2 and gathered a multitude of regional radio plays. The track - written and produced with Matt Prime (Will Young, Eliza Doolittle) drew much praise from enthused critics and bloggers alike. We Are Ghosts is Paper Aeroplanes’ new mini-album which follows a tumultuous past year for the duo. Suffering the frustrations of being churned through the major record label excitement mill - i.e. courted and schmoozed by big-wigs at well-known labels, sitting in countless platinum- plaqued offices listening to many ‘definite maybes’ from chin-stroking decision-makers. "First a top A&R guy travelled to Cardiff for a specially arranged showcase with us”, says lead singer Sarah, "then the man responsible for a well-known international artist’s career set up 3 showcases and took us out for drinks in a Soho Members Club. We’re waiting for someone to make that move, but still wanted to put our new material out there. -
September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
Keith jarrett Disco Version 17 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tra delist.html Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA . -
WGLT Program Guide, December-January, 1987-88
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Fall 12-1-1987 WGLT Program Guide, December-January, 1987-88 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, December-January, 1987-88" (1987). WGLT Program Guides. 71. https://ir.library.illinoisstate.edu/wgltpg/71 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WGLT fm89 1987 ♦ December 1988 January Program Guide Public ·: Radio from ISU "Funding for Public a trust fund. Congress Broadcasting." How often has incorporated practically all of this been the theme of my the goals and principles comments for our program recommended by the Commission guide? Too often, perhaps? As except a '·stable source of manager of a public radio financial support free to the station, however, much of my highest degree from the annual time and a great portion of my governmental and appropriations responsibilities both to ISU (my procedures'.' Twenty years later, as employer and licensee of\VGLT) I write this memo, a budget as well as to you ( the listeners we reconciliation bill has come out of serve) is devoted to securing as the Senate Commerce Committee many sources of funding as with a provision that would possible and to budget the use of require a tax or fee on all license available resources as effectively transfers processed by the Federal Manager's as possible. -
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project. -
Catalogue 2009/10 ECM Paul Griffiths Bread and Water
Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean. -
Do You Measure Up? the Growing Pressures of Analytics Contents
MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | AUGUST-SEPTEMBER 2018 Do you measure up? The growing pressures of analytics Contents Main feature 14 Precision tools or click crazy? The challenges of using metrics News hat makes a good story in 03 Northern journalists face job cuts these digital times? It used to be straightforward – a proper Wide range of titles affected old-fashioned scoop that other 04 Cuts at BBC politics programmes newspapers or broadcasters were Union raises concern over quality Wforced to follow. Now it’s not so easy, the scoops aren’t kept secret til the last minute, they’re 05 Deficit looms for union shared online as soon as possible. So we have to look at other NUJ under budget pressure metrics to gauge the impact of a story. In our cover feature, Neil 06 Concern over RTE contracts Merrick guides us through ways that might make us digitally Workers trapped with fewer rights savvy or click crazy. Family and social affairs reporting can be difficulty, requiring “writers to get close to their subjects but not to cross a fine and Features often unclear line where they might become too close. Louise 10 Looking back to: Tickle, an experienced family affairs correspondent, looks at 1621 in the media how to try to tread a very difficult path. We also have a new series with Jonathan Sale reporting on 13 A ghost in the machine famous media anniversaries, starting with how producing the The problem of suddenly being ignored first newspaper got an early pioneer arrested.