Implementing the Primary Curriculum: a Teacher's Guide

Total Page:16

File Type:pdf, Size:1020Kb

Implementing the Primary Curriculum: a Teacher's Guide Implementing the Primary Curriculum Implementing the Primary Curriculum: A Teacher’s Guide Edited by Kate Ashcroft and David Palacio The Falmer Press (A member of the Taylor & Francis Group) London • Washington, D.C. UK Falmer Press, 1 Gunpowder Square, London EC4A 3DE USA Falmer Press, Taylor & Francis Inc., 1900 Frost Road, Suite 101, Bristol, PA 19007 This edition published in the Taylor & Francis e-Library, 2003. © K.Ashcroft and D.Palacio, 1997 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publisher. First published in 1997 A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data are available on request ISBN 0-203-45431-6 Master e-book ISBN ISBN 0-203-76255-X (Adobe eReader Format) ISBN 0 7507 0592 2 Cased ISBN 0 7507 0593 0 Paper Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book. Contents List of Figures vii Section 1 Introduction 1 Chapter 1 Introduction to the Primary School Curriculum 2 Kate Ashcroft and David Palacio Chapter 2 Planning Across the Curriculum 18 Mike Threlfall Section 2 The Subjects in the National Curriculum 31 Chapter 3 English 32 Helena Mitchell and Jenny Monk Chapter 4 Mathematics 49 Margaret Jones Chapter 5 Science 66 Cliff Marshall and David Palacio Chapter 6 History 85 Ann Jordan and Paul Taylor Chapter 7 Geography 99 John Halocha and Maureen Roberts Chapter 8 Art 112 Jackie Chapman Chapter 9 Music 132 Patricia Thompson Chapter 10 Physical Education 145 Jennifer Gray Chapter 11 Design and Technology 161 David Coates and Jean Harding Chapter 12 Information Technology 174 Chris Higgins v Contents Section 3 The Whole Curriculum 187 Chapter 13 Religious Education 188 Gwyneth Little Chapter 14 Drama 204 Suzi Clipson-Boyles Chapter 15 Dance 221 Carol Beth Chapter 16 Special Educational Needs 232 Gary Thomas Notes on Contributors 244 Index 248 vi List of Figures 1.1 Model of a primary school curriculum for England and Wales— as envisaged by the Department of Education and Science (DES, 1989) and subsequently modified as part of the Bearing Review of the National Curriculum (Dearing, 1994) 7 1.2 Model of reflective action 12 2.1 Three levels of curriculum planning (source: SCAA, 1995) 24 2.2 Establishing connections and planning processes 26 3.1 Medium-term plan stage 2: Scheme of work planning sheet 33 3.2 Planning the reading curriculum 38 3.3 Laura’s writing 43 4.1 Sharing 29 biscuits between 6 people 51 4.2 Sharing 29 biscuits between 6 people—the results 52 5.1 A ‘model’ of science teaching and learning 76 6.1 Introductory planning strand to unit 89 6.2 Observation schedule for Key Stage 1/2 History 96 8.1 The learning sequence 115 8.2 The learning cycle 125 14.1 Framework of working variables for drama 210 14.2 Modes most commonly used in primary school drama 211 14.3 Language activities served by drama 214 vii Section 1 Introduction 1 Introduction to the Primary School Curriculum Kate Ashcroft and David Palacio Introduction and Overview To many people outside education, and perhaps yourself if you are just about to begin your course of initial teacher training, the terms the primary school curriculum and the National Curriculum for primary schools mean the same thing. However, to people more closely involved with schools the two terms are, for a number of reasons, quite distinct. In focusing on the primary school curriculum (sometimes called the whole curriculum), rather than the National Curriculum, one purpose for this chapter is to make explicit the differences that exist between the two. In doing so, this book should serve not only as a guide to the major features and key ideas underpinning the (whole) primary curriculum but also as a guide to how each subject comprising the National Curriculum may be implemented in a typical primary school classroom. The nature of the primary school curriculum and the climate in which schools function changed quite dramatically following the passing of the Education Reform Act in 1988. Not only was the National Curriculum introduced by this Act but schools became much more publicly accountable for their actions and for the ways in which they have deployed the resources made available to them; for example, the governing body of a school and the parents of the pupils attending that school were given increased rights and responsibilities regarding the curriculum. You might like to compile a more comprehensive list of the changes that have occurred since the passing of the 1988 Act and the ways in which schools have changed to accommodate these new circumstances (the implications of these changes are considered more fully in a later enquiry task in this chapter, see p. 8). Because of all the changes that have occurred to the educational system and the impact these have had on schools, this book should prove to be essential reading not only for anyone who is new to teaching but also for anyone who is returning to teaching after a break away from a primary school classroom. We suspect that most people are aware that schools are required by law to teach the National Curriculum. However, the National Curriculum is not the only component of the curriculum which all publicly funded (often referred to as maintained) primary schools have to include as part of the education they offer. Providing some form of religious education has been a legal requirement of all maintained schools —secondary as well as primary—since the 1944 2 Introduction to the Primary School Curriculum Education Act. Therefore, in this book you will find, in addition to a full consideration of the National Curriculum, a discussion of the recently introduced curriculum guidelines for religious education together with consideration of some of the major issues which emerge when schools attempt to implement these guidelines. At this point, pause for a moment and consider: if both the National Curriculum and religious education are required by law, why is not religious education part of the National Curriculum? The total primary school curriculum is much wider than what is termed the Basic Curriculum—the teaching of the National Curriculum and religious education. In fact, one key objective which underpinned the recent review of the National Curriculum (Dearing, 1994) was to slim down the statutory curriculum so as to enable schools to devote more time to providing a curriculum which is broader than that which has to be taught by law and one which is more responsive to the needs and interests of individual schools and children. (As a consequence of the Dearing Review, the estimated time that primary schools can devote to non-National Curriculum work amounts to the equivalent of one day per week.) You will wish to consider what you might include in this ‘optional’ part of the curriculum. One obvious suggestion might be to introduce new material or new experiences which enable you to teach aspects of the National Curriculum in greater depth and/or breadth than is required by law (practical suggestions of what this might be are provided in the chapters of this book). Another possibility, perhaps more imaginative than the previous one, is to introduce subjects/areas of experience which do not come within the present National Curriculum for primary schools; for example, a modern foreign language and aspects of dance and drama. Including additional subjects, or aspects of them, should not only enable you to broaden the subject base of the curriculum, but it should also enable you to offer new and more innovative ways to teach the existing curriculum: for example, you might consider teaching some science work through drama. Adopting approaches such as those outlined in this paragraph, and others mentioned throughout this book, should enable you to enhance and enrich the (National Curriculum) experience of the children in your class. National Curriculum documents are, quite often, written in a style that can make them difficult to understand, particularly if you are new to teaching the National Curriculum (such as a student beginning a course of initial teacher education), or if you are an interested lay person, such as a parent or a school governor. Furthermore, the use of familiar words but with meanings which differ from their everyday usage, or unfamiliar technical words which have no meaning outside of the subject, makes these documents more difficult to understand. Because of these problems, the authors of this book, and especially the authors of chapters which deal with individual subjects of the National Curriculum, have tried to clarify meaning and suggest practical ways in which you can turn National Curriculum words into classroom action. In this sense, the book can be read in its entirety, thus giving you an immediate overview of the primary curriculum, perhaps re-reading chapters as and when necessary. Alternatively, you might like to use the book for reference purposes and perhaps gain a fairly detailed insight 3 Kate Ashcroft and David Palacio into just one chapter at a time. Used in this latter way, the relatively short chapters should enable you to gain a detailed understanding of a subject in a single session. Enquiry Task If you are new to the primary curriculum and how it may be implemented, especially the National Curriculum, one of the first tasks you will have to undertake is to make yourself familiar with the terminology which surrounds it.
Recommended publications
  • Earth Power: Techniques of Natural Magic © 1983 and 2006 by Scott Cunningham
    About the Author Scott Cunningham was born in Royal Oak, Michigan, on June 27, 1956. He learned about Wicca while still in high school and practiced elemental magic for twenty years. He experienced, researched, then wrote about what he learned in his magical training. Scott is credited with writing more than thirty books (both fiction and nonfiction). He passed from this incarnation on March 28, 1993, but his work and his words live on. Llewellyn Publications Woodbury, Minnesota Copyright Information Earth Power: Techniques of Natural Magic © 1983 and 2006 by Scott Cunningham. All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Llewellyn Publications, except in the form of brief quotations embodied in critical articles and reviews. As the purchaser of this e-book, you are granted the non- exclusive, non-transferable right to access and read the text of this e-book on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means. Any unauthorized usage of the text without express written permission of the publisher is a violation of the author’s copyright and is illegal and punishable by law. First e-book edition © 2013 E-book ISBN: 9780738716657 Revised Edition Sixth Printing, 2012 First edition, thirty-two printings Book design and layout by Joanna Willis Cover design by Kevin R. Brown Cover illustration © by Fiona King Interior illustrations by Llewellyn art department Revised edition editing by Kimberly Nightingale Llewellyn Publications is an imprint of Llewellyn Worldwide Ltd.
    [Show full text]
  • OCCULT BOOKS Catalogue No
    THOMPSON RARE BOOKS CATALOGUE 45 OCCULT BOOKS Catalogue No. 45. OCCULT BOOKS Folklore, Mythology, Magic, Witchcraft Issued September, 2016, on the occasion of the 30th Anniversary of the Opening of our first Bookshop in Vancouver, BC, September, 1986. Every Item in this catalogue has a direct link to the book on our website, which has secure online ordering for payment using credit cards, PayPal, cheques or Money orders. All Prices are in US Dollars. Postage is extra, at cost. If you wish to view this catalogue directly on our website, go to http://www.thompsonrarebooks.com/shop/thompson/category/Catalogue45.html Thompson Rare Books 5275 Jerow Road Hornby Island, British Columbia Canada V0R 1Z0 Ph: 250-335-1182 Fax: 250-335-2241 Email: [email protected] http://www.ThompsonRareBooks.com Front Cover: Item # 73 Catalogue No. 45 1. ANONYMOUS. COMPENDIUM RARISSIMUM TOTIUS ARTIS MAGICAE SISTEMATISATAE PER CELEBERRIMOS ARTIS HUJUS MAGISTROS. Netherlands: Aeon Sophia Press. 2016. First Aeon Sophia Press Edition. Quarto, publisher's original quarter black leather over grey cloth titled in gilt on front cover, black endpapers. 112 pp, illustrated throughout in full colour. Although unstated, only 20 copies were printed and bound (from correspondence with the publisher). Slight binding flaw (centre pages of the last gathering of pages slightly miss- sewn, a flaw which could be fixed with a spot of glue). A fine copy. ¶ A facsimile of Wellcome MS 1766. In German and Latin. On white, brown and grey-green paper. The title within an ornamental border in wash, with skulls, skeletons and cross-bones. Illustrated with 31 extraordinary water-colour drawings of demons, and three pages of magical and cabbalistic signs and sigils, etc.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
    Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.
    [Show full text]
  • Pianoforte Solo Trio Quartetto Europeo (Jan Garbarek) Quartetto
    Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf.
    [Show full text]
  • Keith Jarrett Discography
    Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) .......................
    [Show full text]
  • Paper Aeroplanes – We Are Ghosts
    Paper Aeroplanes – We Are Ghosts New Mini-Album Released 4th April 2011 "very strong debut... a confident collection of gems" Record of the day (debut album review) “you could streak the sky with this album's melodies and people would stand, necks craned, mouths agape, gasping at the beauty of it all... It has an effortless, uncontrived universality" Adam Walton BBC Radio Wales Paper Aeroplanes is a girl and a boy from Westest Wales, now based in the capital of Wales and the capital of England. They make melancholy-tinged acoustic music centred around distinctive vocals. Their recent single, ‘Not as Old’ was playlisted on national radio – including a Bob Harris session on BBC Radio 2 and gathered a multitude of regional radio plays. The track - written and produced with Matt Prime (Will Young, Eliza Doolittle) drew much praise from enthused critics and bloggers alike. We Are Ghosts is Paper Aeroplanes’ new mini-album which follows a tumultuous past year for the duo. Suffering the frustrations of being churned through the major record label excitement mill - i.e. courted and schmoozed by big-wigs at well-known labels, sitting in countless platinum- plaqued offices listening to many ‘definite maybes’ from chin-stroking decision-makers. "First a top A&R guy travelled to Cardiff for a specially arranged showcase with us”, says lead singer Sarah, "then the man responsible for a well-known international artist’s career set up 3 showcases and took us out for drinks in a Soho Members Club. We’re waiting for someone to make that move, but still wanted to put our new material out there.
    [Show full text]
  • September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
    Keith jarrett Disco Version 17 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tra delist.html Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA .
    [Show full text]
  • WGLT Program Guide, December-January, 1987-88
    Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Fall 12-1-1987 WGLT Program Guide, December-January, 1987-88 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, December-January, 1987-88" (1987). WGLT Program Guides. 71. https://ir.library.illinoisstate.edu/wgltpg/71 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WGLT fm89 1987 ♦ December 1988 January Program Guide Public ·: Radio from ISU "Funding for Public a trust fund. Congress Broadcasting." How often has incorporated practically all of this been the theme of my the goals and principles comments for our program recommended by the Commission guide? Too often, perhaps? As except a '·stable source of manager of a public radio financial support free to the station, however, much of my highest degree from the annual time and a great portion of my governmental and appropriations responsibilities both to ISU (my procedures'.' Twenty years later, as employer and licensee of\VGLT) I write this memo, a budget as well as to you ( the listeners we reconciliation bill has come out of serve) is devoted to securing as the Senate Commerce Committee many sources of funding as with a provision that would possible and to budget the use of require a tax or fee on all license available resources as effectively transfers processed by the Federal Manager's as possible.
    [Show full text]
  • Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology
    Gagen, Justin. 2019. Hybrids and Fragments: Music, Genre, Culture and Technology. Doctoral thesis, Goldsmiths, University of London [Thesis] https://research.gold.ac.uk/id/eprint/28228/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Hybrids and Fragments Music, Genre, Culture and Technology Author Supervisor Justin Mark GAGEN Dr. Christophe RHODES Thesis submitted for the degree of Doctor of Philosophy in Computer Science GOLDSMITHS,UNIVERSITY OF LONDON DEPARTMENT OF COMPUTING November 18, 2019 1 Declaration of Authorship I, Justin Mark Gagen, declare that the work presented in this thesis is entirely my own. Where I have consulted the work of others, this is clearly stated. Signed: Date: November 18, 2019 2 Acknowledgements I would like to thank my supervisors, Dr. Christophe Rhodes and Dr. Dhiraj Murthy. You have both been invaluable! Thanks are due to Prof. Tim Crawford for initiating the Transforming Musicology project, and providing advice at regular intervals. To my Transforming Musicology compatriots, Richard, David, Ben, Gabin, Daniel, Alan, Laurence, Mark, Kevin, Terhi, Carolin, Geraint, Nick, Ken and Frans: my thanks for all of the useful feedback and advice over the course of the project.
    [Show full text]
  • Catalogue 2009/10 ECM Paul Griffiths Bread and Water
    Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.
    [Show full text]
  • Do You Measure Up? the Growing Pressures of Analytics Contents
    MAGAZINE OF THE NATIONAL UNION OF JOURNALISTS WWW.NUJ.ORG.UK | AUGUST-SEPTEMBER 2018 Do you measure up? The growing pressures of analytics Contents Main feature 14 Precision tools or click crazy? The challenges of using metrics News hat makes a good story in 03 Northern journalists face job cuts these digital times? It used to be straightforward – a proper Wide range of titles affected old-fashioned scoop that other 04 Cuts at BBC politics programmes newspapers or broadcasters were Union raises concern over quality Wforced to follow. Now it’s not so easy, the scoops aren’t kept secret til the last minute, they’re 05 Deficit looms for union shared online as soon as possible. So we have to look at other NUJ under budget pressure metrics to gauge the impact of a story. In our cover feature, Neil 06 Concern over RTE contracts Merrick guides us through ways that might make us digitally Workers trapped with fewer rights savvy or click crazy. Family and social affairs reporting can be difficulty, requiring “writers to get close to their subjects but not to cross a fine and Features often unclear line where they might become too close. Louise 10 Looking back to: Tickle, an experienced family affairs correspondent, looks at 1621 in the media how to try to tread a very difficult path. We also have a new series with Jonathan Sale reporting on 13 A ghost in the machine famous media anniversaries, starting with how producing the The problem of suddenly being ignored first newspaper got an early pioneer arrested.
    [Show full text]