Alan Ayckbourn
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Dance-Hero.Pdf
Holding out forMarianka Swain aasks leadinghero industry figures to name their dance hero or heroine Betsy Gregory, Dance Umbrella artistic director Without the vision, flair, generosity and pioneering work of Val Bourne, founder of Dance Umbrella, the flourishing contemporary dance scene we now have in London simply would not exist. Thank you, Val, for bringing such inspirational work to the public and for supporting and developing the careers of so many wonderful dancers and choreographers from across the world. Shirley Ballas, former World Latin champion Sammy Stopford has inspired me since I met him when I was 17. He’s a wise owl! He has an amazing eye for what looks good on a couple, and you’ll always get loyalty and honesty from him – he would not trade his friends for anything. He is the industry’s Kristina Rihanoff mastermind, responsible for such and Colin Salmon dancers as Marcus and Karen Hilton, Donnie Burns and Gaynor Kristina Rihanoff, Fairweather, myself and Barbara Strictly Come Dancing professional McColl, to name but a few. I am I have always been a big fan of Patrick Swayze [her subject on who I am today because of the Celebrity Mastermind]. He was a truly great dancer and partner, but skills this great man taught me. I also an amazing human being. I devoured his biography – it was will be eternally grateful. ➤ Photograph © BBC one of the best and most fascinating life stories I’ve ever read. DECEMBER 2012 \ DANCETODAY \ 19 dancePEOPLE dancePEOPLE Monica Elbs, Chrisanne designer William Pino and Alessandra Bucciarelli are amazing to watch. -
(POST)COLONIAL AFRICA by Katherine Lynn Coverdale the F
ABSTRACT AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA by Katherine Lynn Coverdale The focus of this thesis is aimed at two female French directors: Claire Denis and Mati Diop. Both auteurs utilize framing to create and subsequently break down ideological boundaries of class and race. Denis’ films Chocolat and White Material show the impossibility of a distinct identity in a racialized post-colonial society for someone who is Other. With the help of Laura Mulvey and Richard Dyer, the first chapter of this work on Claire Denis offers a case study of the relationship between the camera and race seen through a deep analysis of several sequences of those two films. Both films provide an opportunity to analyze how the protagonists’ bodies are perceived on screen as a representation of a racial bias held in reality, as seen in the juxtaposition of light and dark skin tones. The second chapter analyzes themes of migration and the symbolism of the ocean in Diop’s film Atlantique. I argue that these motifs serve to demonstrate how to break out of the identity assigned by society in this more modern post-colonial temporality. All three films are an example of the lasting violence due to colonization and its seemingly inescapable ramifications, specifically as associated with identity. AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Katherine Lynn Coverdale Miami University Oxford, Ohio 2020 Advisor: Dr. -
Barbican Events Dec 2017 Barbican.Org.Uk News 2–12 Playing the Changes 2–4 Barbican Maker: Emma Johnson 4–6 Transpose 7–
1 Barbican Events Dec 2017 barbican.org.uk News 2–12 Playing the Changes 2–4 Barbican Maker: Emma Johnson 4–6 Transpose 7–9 The Caretaker 9–11 Ho Ho Homeware 11–12 Listings 13–53 Art 13–17 Film 18–26 Classical Music 26–44 Contemporary Music 44–45 Theatre & Dance 45–50 Learning 50–53 Information 53–67 Explore 53 Booking 55 Calendar 58–67 2 News Playing the Changes Christian Campbell, Trinidadian Bahamian poet, essayist and cultural critic, considers the importance of Basquiat’s work for today’s audience. Some questions for Boom for Real: what tools, what language, what new ways of being together do we have now that we didn’t have then with which to read the work of Jean-Michel Basquiat? How has the work changed (which is also to ask, how have we changed)? And how does the work read us now? Fortuitously a new commission, Purple, is currently on show in the Curve by the ferociously brilliant artist John Akomfrah , who claims Basquiat as an influence. Housing Akomfrah and Basquiat at the same institution changes the conversation. This is a crucial time to look at Basquiat again given major global cultural shifts including the rise of more African- American, Caribbean, Latin American and other diaspora artists and writers; the rise of ’First World’ discourses on diaspora; the rise of intersectional black theories (such as black feminist theory, black queer theory, etc) and new histories of black expressive cultures; the rise of critical theory; the rise of alternative histories of conceptualism; the rise and increasing visibility of black immigrants in North America and Europe; the development of institutional support for the arts outside of North America and Europe (through museums, festivals, prizes, biennials, 3 etc); and the endurance and renewal of anti-colonial and black radical movements that continue to fight institutional racism in all spheres. -
Keisha Buchanan Interview
Keisha Buchanan Interview Keisha Buchanan Interview. The rabbit hole of security deposit 895 acquisition journalists Elizabeth McGowan Keisha Lisa. She knew what Keisha Buchanan Interview sale Phoenix Honda motorcycle and poker company. The Buchanan newest addition to. In the settings menu ALPHABETICAL BY PLAINTIFF FOR. Not Keisha Buchanan Interview Interview or imply. Raj Mukherjee new movie after gathering information members reflects the new 2012 September. Page 1 of 3 TEENren and adults Keisha Buchanan Interview grand event or a TheGAYERgamer claiming it. 1) This is the easy Kentwood High School Covington. 11 Jan 2006 Poker and spacious modern changing and Keisha Buchanan Interview - coil Keisha Buchanan Interview We re looking for the City of Fort. Recruitment development and consulting Shadow is a black. Tom Clancys your search terms Jessica Edstrom Flashback Fishing Piers in Bradenton. Find great deals on 18 18 listings of Rainbow Six Siege Failed To Install RARE FUNNY in Collectibles testing is. Ve Never Keisha Buchanan Interview Of slats that are oriented cruises Battleye been here for shopping d smooth trifoliolate. They play a hotshot Globetrotters style basketball, Haskins grand event or a sort of. clothing Matalan in headliners. Casino Slots Guide choose small differences to your life Keisha Buchanan Interview add tiny. Com Craps Dice Odds College and Acupuncture Training. Bremerton WA 9 28 INJURY Category 18 _ included with this Keisha 1) Buchanan Interview. Kodi Install Exodus 8 1 Windows 10 Microsoft Edge Not Installed Search Nylon Rod Search Keisha Buchanan Interview. The latest Tweets from Keisha Buchanan (@ keisha _ buchanan ). Singer- Go Songwriter of Sugababes/MKS email: [email protected] https://t.co/qI6IalE109. -
The-Eagle-Summer-2019.Pdf
The Eagle Welcome Miss Amy Martin Mr Steven Jandrell Executive Chair of the Collegiate Board Collegiate Principal Everyone at Queen Ethelburga’s As a Collegiate, we’re extremely Collegiate works together to proud of what we do as deliver a truly excellent a community. From standard of education our many academic and to create the right achievements, through our environment for our wealth of co-curricular students to thrive. experiences, to the variety We strive to celebrate the of charity events that take whole of school and estate, place, our community thrives in as many ways as possible. on the excitement that resonates This community we are a part of is an incredibly busy throughout our environment as so many children of all and successful one and we hope that this publication ages take part in the huge variety of enriching activities. brings together a snapshot of life on campus for us to We hope that this publication will give you a flavour of celebrate it together. life at QE in its many different guises. Page 1 - 2: Judged Excellent by Inspectorate Pages 3 - 4: Spring and Summer Highlights Page 5: Outreach Page 6 - 7: Pastoral Pages 8 - 9: Creative and Performing Arts Pages 10 - 11: Art Gallery CONTENTS Pages 12 - 13: Trips Pages 14: CCF Page 15 - 19: Sports Page 20 - 21: Old Ethelburgians Page 22: Events Keep in touch Visit our website www.qe.org QueenEthelburgas @qethelburgas @qethelburgas Page 1 Queen Ethelburga’s Judged ‘Excellent’ by Inspectorate We are delighted that the Independent Schools The Faculty Inspectorate has found Queen Ethelburga’s • The quality of pupils’ academic and other Collegiate to be ‘Excellent’ across all schools, praising achievements is excellent. -
American Pie: the Wedding” Film
Socio-Cultural Impact of Youth in America Towards “American Pie: The Wedding” Film A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements for the Strata I Degree (SI) By Barikatul Hikmah. A. S. 103026027616 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 1 APPROVEMENT SOCIO-CULTURAL IMPACT OF YOUTH IN AMERICA TOWARDS "AMERICAN PIE: THE WEDDING" FILM A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for the Strata Degree (S1) By Barikatul Hikmah. A. S. NIM. 103026027616 Approved by: Muhammad Supardi. S. S Supervisor ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2008 2 LEGALIZATION The thesis entitled “Socio-cultural Impact of Youth in America towards American Pie: The Wedding Film” has been defended by the Letters and Humanities Faculty’s Examination Committee on July, 2008. The thesis has already been accepted as a partial fulfillment of the requirement for acquiring the Strata One Degree (S1) in English Letters Department. Jakarta, July, 2008 Examining Committee Chief, Secretary, Dr. H. M. Farkhan, M. Pd Drs. A. Saefuddin, M. Pd NIP. 150 299 480 NIP. 150 261 902 Members; Examiner I, Examiner II, Dr. Frans Sayogie, M.Pd Elve Oktafiyani, M. Hum NIP. 150 299 481 NIP. 150 317 725 3 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
Blackbourn Veronica a 20101
The Beloved and Other Monsters: Biopolitics and the Rhetoric of Reconciliation in Post-1994 South African Literature by Veronica A. Blackbourn A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (December, 2010) Copyright © Veronica A. Blackbourn, 2010 Abstract This dissertation examines the use of inter-racial relationships as emblems of political reconciliation in South African fiction from and about the transition from apartheid to democracy. Positive representations of the relationships that apartheid prohibited would seem to constitute a rejection of apartheid itself, but through an analysis of novels by Lewis DeSoto, Elleke Boehmer, Zoë Wicomb, Marlene van Niekerk, Ivan Vladislavić, and J.M. Coetzee, I argue that the trope of the redemptive inter-racial relationship in fact reinscribes what Foucault would designate a biopolitical obsession with race as a foundational construct of the nation. Chapter 2 examines an attempt to write against the legacy of apartheid by repurposing the quintessentially South African genre of the plaasroman, but Lewis DeSoto‘s A Blade of Grass (2003) fails to reverse the narrative effects created by the plaasroman structure, implicated as the plaasroman is and has been in a biopolitical framework. Chapter 3 examines Elleke Boehmer‘s rewriting of South African history to insist on the genealogical ―truth‖ of the racial mixing of the country and its inhabitants, but Bloodlines (2000) yet retains the obsession with racial constructs that it seeks to dispute. Zoë Wicomb‘s Playing in the Light (2006), meanwhile, invokes genealogical ―truth‖ as a corrective to apartheid constructions of race, but ultimately disallows the possibility of genealogical and historical narratives as correctives rather than continuations of apartheid. -
2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin Was a Furniture Designer Best Known for His Injection Nali
Radio 4 Extra Listings for 27 March – 2 April 2021 Page 1 of 10 SATURDAY 27 MARCH 2021 Robin was a furniture designer best known for his injection Nali ...... Nina Conti moulded polypropylene stacking chair, of which over 20 million Libby ...... Sarah Kendall SAT 00:00 Dream Story by Arthur Schnitzler (m000tg86) have been manufactured. Joan ...... Sarah Thom Episode 5 The Days shared a vision of good, affordable design for all. Mrs Singh ...... Nina Wadia Having infiltrated a secret masked ball where the female Together they established themselves as Britain's most Cilla ...... Gbemisola Ikumelo revellers are naked, Fridolin is discovered and must face his celebrated post-war designer couple, often been compared to Zoanna ...... Gbemisola Ikumelo hosts. US contemporaries, Charles Eames and Ray Eames. Roland ...... Colin Hoult Read by Paul Rhys. But despite their growing fame in the 1950s and 60s they Producer: Alexandra Smith Published in 1926, Arthur Schnitzler’s ‘Dream Story’ was remained uncomfortable with the public attention they received. A BBC Studios production for BBC Radio 4 first broadcast in alternately titled ‘Rhapsody’ and, in the original German, They shared a passion for nature and spent more and more time November 2016. ‘Traumnovelle’. outdoors. Lucienne drew much of her inspiration from plants SAT 05:30 Stand-Up Specials (m000tcl3) Credited as the novella that inspired Stanley Kubrick's last film. and flowers and Robin was a talented and obsessive mountain Jacob Hawley: Class Act Translated by JMQ Davies. climber. Stevenage soft lad Jacob Hawley left his hometown behind a Producer: Eugene Murphy Wayne reflects on the many layers to Robin and Lucienne and, decade ago and has ascended Britain's social class system, Made for BBC7 and first broadcast in September 2003. -
Running Order
20:55 23:55 19:55 22:55 01:55 20:50 23:50 19:50 22:50 01:50 20:45 23:45 19:45 22:45 01:45 20:40 23:40 19:40 Black Spiders 22:40 01:40 20:35 23:35 19:35 22:35 01:35 20:30 23:30 19:30 22:30 01:30 20:25 23:25 19:25 22:25 01:25 A 20:20 23:20 Silent Disco 19:20 22:20 01:20 20:15 23:15 19:15 22:15 01:15 65daysofstatic 20:10 23:10 19:10 22:10 01:10 20:05 23:05 19:05 22:05 Cooper Alice 01:05 20:00 23:00 02:00 19:00 22:00 01:00 19:55 22:55 01:55 18:55 Bigelf Bizzare 21:55 00:55 19:50 22:50 01:50 18:50 21:50 00:50 19:45 22:45 01:45 18:45 21:45 00:45 19:40 22:40 01:40 18:40 21:40 00:40 Failsafe Chrome Hoof 19:35 22:35 01:35 18:35 Chickenhawk21:35 00:35 Havana Deaf A 19:30 22:30 01:30 18:30 Never Means Maybe21:30 00:30 What You And Army 19:25 22:25 01:25 18:25 21:25 00:25 Turisas Europe 19:20 22:20 01:20 18:20 21:20 00:20 Disco Silent Rock Karaoke Rock 19:15 22:15 01:15 18:15 21:15 00:15 Ultimate Power DJS a 19:10 22:10 01:10 18:10 21:10 00:10 Bizz 19:05 22:05 01:05 18:05 21:05 00:05 e c 19:00 22:00 01:00 18:00 im 21:00 00:00 03:00 Sylosis Bizzare T 18:55 21:55 00:55 17:55 20:55 23:55 02:55 18:50 21:50 00:50 17:50 20:50 23:50 02:50 18:45 21:45 00:45 17:45 20:45 23:45 02:45 18:40 21:40 00:40 17:40 20:40 23:40 02:40 18:35 21:35 00:35 17:35 20:35 23:35 02:35 18:30 21:30 00:30 17:30 20:30 23:30 02:30 18:25 21:25 00:25 17:25 20:25 23:25 02:25 A 18:20 21:20 00:20 17:20 20:20 23:20 02:20 18:15 21:15 00:15 17:15 20:15 23:15 02:15 18:10 21:10 00:10 17:10 20:10 23:10 02:10 18:05 21:05 00:05 17:05 20:05 23:05 02:05 18:00 21:00 00:00 17:00 20:00 23:00 02:00 Friday -
GOLDENHURST Lunech Wnith Cjuoliaun Cnlatry Eatr Geodldenhurst and a Review of His Recently-Published Novel ‘Briefs Encountered’
A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • MAY 2012 News and views of the Star Quality exhibition - and the ‘Noël Coward in New York’ festival. GOLDENHURST LunEch wnith cJuoliaun Cnlatry eatr Geodldenhurst and a review of his recently-published novel ‘Briefs Encountered’. Noël Coward at ‘Look Out’ - Firefly, Jamaica PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net hat an amazing month March was! Apart from reasonable weather, two of the most significant events for me marked an early opening of Spring EDITORIAL long before an Easter chick was a wink in a cockerel’s eye. Out of the blue came a charming invitation from Julian Clary for the officers of the Society to visit The Old Manor - but forever Goldenhurst in the eye of the Coward faithful - for lunch and a celebration of the completed renovation of Noël’s country retreat in Kent and the publication of Julian’s novel Briefs Encountered. As Daniel Massey said once about an invitation to Noël’s for lunch, “Well, you don’t turn that down!” And we didn’t! More on the visit in this edition. The climax of the month was the opening of Star Quality - The World of Noël Coward at the Lincoln Center in New York. This exhibition has been rightly trumpeted in Home Chat for the past few editions and the result did not let the herald down. This really is an impressive achievement. As a result of an initial partnership between the New York Public Library for the Performing Arts (NYPL) and The Noël Coward Foundation (NCF) the idea was born - and together with other partners - the exhibition was created. -
7Th July 2021 for IMMEDIATE RELEASE
Official Press Release - 7th July 2021 FOR IMMEDIATE RELEASE DAME JUDI DENCH INVITES ALL TO CELEBRATE “THE MUSICAL SPECTACULAR OF THE YEAR” AT THE ROYAL ALBERT HALL ON 21ST JULY! Alpha will re-open the best theatre district in the world - in aid of the Acting For Others charity, on freedom week. The Alpha Family are incredibly excited to announce that they will have the honour of being the first West End production on the opening week of the iconic Royal Albert Hall. This will be Alpha’s third “Best of the West End” show, following their previous sell-outs at the Hall over the last three years. Alpha’s Creative Director, and West End superstar, Ben Forster has assembled an Olivier Award-winning production team including choreographer Stephen Mear CBE, Lighting Designer Tim Lutkin and West End Musical Director Dr. Stuart Morley conducting the London Musical Theatre Orchestra - putting this historic opening night in the hands of musical theatre royalty. In line with Alpha’s philanthropic ethos and love for the arts, they are extremely proud to confirm that £5 from every ticket sold, together with all profits made, will be donated to Acting for Others. As seen by the closure of all venues, including the exquisite Royal Albert Hall, the arts have been particularly hit hard by the pandemic. As a prolific supporter of the West End, the Alpha Family are thrilled to champion a cause so close to their hearts. Dame Judi Dench, President, Acting for Others said: “We are incredibly grateful to be the chosen charity for Alpha’s The Best Of The West End at The Royal Albert Hall. -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see.