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Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12
Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge
Centre for Research in the Arts, Social Sciences and Humanities Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge Invited speakers CHARLOTTE BRUNSDON (Film Studies, University of Warwick) TERESA CASTRO (Universite Sorbonne Nouvelle - Paris 3) RICHARD COYNE (Architectural Computing, Edinburgh College of Art), ROLAND-FRANÇOIS LACK and (French Studies, UCL) STEVE PILE (Human Geography, The Open University) ANDREW PRESCOTT (Digital Humanities, King’s College London) MARK SHIEL (Film Studies, King’s College London) PETER VON BAGH (Film Historian and Director, Helsinki) Conveners FRANÇOIS PENZ (University of Cambridge) RICHARD KOECK (University of Liverpool) ANDREW SAINT (English Heritage) CHRIS SPEED (Edinburgh College of Art) www.crassh.cam.ac.uk/events/2473 Battersea Power Station and Nine Elms, 1966, Aerofilms Collection, English Heritatge 1966, Aerofilms and Nine Station Elms, Power Battersea Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) Acknowledgements Supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), the Architecture Department, both at the University of Cambridge and the Arts and Humanities Research Council (AHRC). Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) | Alison Richard Building | 7 West Road Cambridge CB3 9DT | UK | www.crassh.cam.ac.uk Cinematic Urban Geographies Cinematic Urban Geographies 3 & 4 October 2013 at CRASSH (SG1&2) Conveners François Penz (Architecture Department, University of Cambridge) Co-Conveners Richard Koeck (School of Architecture, University of Liverpool) Chris Speed (Edinburgh College of Art) Andrew Saint (English Heritage) Summary The Cinematic Urban Geographies conference aims to explore the di!erent facets by which cinema and the moving image contribute to our understanding of cities and their topographies. -
NIC and VIV's COMPULSORY COURTSHIP Will Mcintosh
NIC AND VIV'S COMPULSORY COURTSHIP Will McIntosh Will McIntosh (@willmcintoshSF and http://www.willmcin - tosh.net) lives in Williamsburg, Virginia, with his wife and their twins. The author was a psychology professor before turning to writ ing full time. He is a Hugo award winner and finalist for the Nebula and other SF/F awards. Will has published eight novels and around fifty short stories—in Asimov’s (where he won Reader’s Awards in 2010 and 2013), Lightspeed, Science Fiction and Fantasy: Best of the Year, and elsewhere. In his new story, Will explores the complications that may arise as humans and AIs learn to live together. One From across Viv’s dining table on the thirty-ninth floor of Lavender Tower, Ferruki raised his wine glass and said, “Here’s to living in one of the best places on Earth, during one of the best times, and sharing it with the perfect woman.” Viv clinked his glass and took a sip. “I love that you add those qualifiers. One of the best places. It drives me crazy when people say things like, ‘She’s the greatest singer who ever lived.’ Really? The greatest who ever lived? And you listened to recordings of every singer in the history of the world to reach that conclusion?” Viv raised a finger. “Except you didn’t qualify me . You should have said ‘sharing it with one of the best women,’ or something like that.” “That’s true,” Ferruki said. “I love how clear-eyed you are in approaching this rela - tionship. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Single Tickets Now on Sale for the East Coast Premiere of Robert
For Immediate Release: July 23, 2013 Revised 9/9/13 Contact: Kati Mitchell 617-495-2668 [email protected] Single Tickets Now On Sale for the East Coast Premiere of Robert Schenkkan’s All The Way Directed by Bill Rauch and Starring Bryan Cranston Performances begin September 13 Cambridge, MA — The American Repertory Theater (A.R.T.) at Harvard University announced today that single tickets for the first production of the 2013/14 Season are now on sale to the general public. The A.R.T. will open its season with Robert Schenkkan’s new play All The Way, directed by Bill Rauch, with three-time Emmy Award-winning actor Bryan Cranston playing the lead role of Lyndon Baines Johnson. The production begins performances on September 13 and will be available for press viewing from Thursday, September 19. Press invitations will be sent out in mid- August. Bryan Cranston is joined by 2013 Lucille Lortel Award nominee Brandon J. Dirden (The Piano Lesson off-Broadway, Enron on Broadway) in the role of Martin Luther King, Jr. They lead an ensemble cast, each playing multiple roles, including Drama Desk Award winner Michael McKean (The Homecoming and Superior Donuts on Broadway; A Mighty Wind, This is Spinal Tap) as J. Edgar Hoover; Obie Award winner Reed Birney (Picnic on Broadway, Blasted Off-Broadway; “Gossip Girl”) as Hubert Humphrey; Dakin Matthews (Gore Vidal’s The Best Man and Henry IV on Broadway; Lincoln) as Richard Russell; Arnie Burton (Peter and The Starcatcher and The 39 Steps on Broadway) as Robert McNamara; Crystal Dickinson (Clybourne -
Pacific Design Center Hollywood Ca | November 15Th at 6Pm
WE ALL HAVE A VOICE. CELEBRATE IT. 2nd Annual GALA PACIFIC DESIGN CENTER HOLLYWOOD CA | NOVEMBER 15TH AT 6PM © 2015 Society of Voice Arts And Sciences™ HBO proudly To the Voice Arts Community: supports By community, I refer to all the people who collaborate in one form or the SOCIETY OF VOICE another to bring about the work that sustains our livelihoods and sense of ™ accomplishment. The voice arts community is the hub around which we all ARTS & SCIENCES come together. Anything can happen at this intersection and all of us can help determine the outcome. and congratulates We are not simply spectators of the industry, watching it take shape around this year’s nominees us. We are the shapers, actively breathing new life into its ever-changing form. We do this by bringing our best selves to the process with the intention of attending to the work with professionalism, respect, creativity and the spirit of collaboration, so that we may all enjoy gainful employment. I am thrilled to be a part of the magic that is the Voice Arts® Awards. It is an enchanted world of acknowledgment and encouragement and it honors the best in all of us. It is not about being better than someone else. It is about being your best. Tonight we celebrate our esteemed jurors. We celebrate the entrants, nominees and the soon to be named recipients of the top honor. This is our night. Sincerely, Rudy Gaskins Chairman & CEO Society of Voice Arts and Sciences™ ©2015 Home Box Office, Inc. All rights reserved. 3 HBO® and related channels and service marks are the property of Home Box Office, Inc. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Stonewalls & Cellarholes
stonewalls & cellarholes A GUIDE FOR LANDOWNERS ON HISTORIC FEATURES AND LANDSCAPES IN VERMONT’S FORESTS Authors: Robert Sanford is a District Coordinator for the Vermont Environmental Board and teaches anthropology at the Community College of Vermont. Don and Nina Huffer are consultant foresters. Contributors: Tom Neumann is a consulting archaeologist who is now based in Georgia. Giovanna Peebles is the Vermont State Archaeologist. Mary Butera is a student at the Community College of Vermont and librarian of the South Londonderry Free Library. Dave Lacy is Forest Archaeologist for the Green Mountain National Forest. Photo credits: John Barrows, Wes Guyette, Don Huffer, Nina Huffer, Brian MacDonald, Jay Maciejowski, Gary Salmon, Robert Sanford, Lisa Stuhlmuller. Cover Photos: Gideon Ricker Farm, Then and Now, Waterbury, VT Acknowledgements: The authors thank Melissa Currier, Gary Salmon and Janis Murcic for their assistance with this project. Editing and layout by Ginger Anderson This is a project of the Vermont Forest Stewardship Program Vermont Agency of Natural Resources Department of Forests, Parks, and Recreation 103 South Main Street Waterbury, VT 05671-0601 The Agency of Natural Resources is an equal opportunity Agency and offers all persons the benefit of participating in each of its programs and competing in all areas of employment regardless of race, color, religion, sex, national origin, age, disability, sexual preference, or other non-merit factors. This document is available upon request in large print, braille and audio cassette. 1994-VGA Single Copy Price 1995-Revision $3.00 No reproduction of this material without acknowledgement. Stonewalls and Cellarholes: A Guide for Landowners on Historic Features and Landscapes in Vermont’s Forests Contents Introduction ......................................................................................................... -
AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director
GOODSPEED MUSICALS AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director MICHAEL P. PRICE Founding Director presents Book by BRUCE VILANCH Story Created by RICHARD ROBIN Scenic Design by Costume Design by Lighting Design by PAUL TATE dePOO III JENNIFER CAPRIO KEN BILLINBGON Projection Design by Sound Design by Wig & Hair Design by BENJAMIN PEARCY FOR JAY HILTON J. JARED JANAS & DAVE BOVA 59 PRODUCTIONS LTD Music Supervision Dance Arrangements by & Orchestrations by DAVID DABBON JOSEPH CHURCH Production Manager Production Stage Manager Casting by R. GLEN GRUSMARK CHRIS ZACCARDI TARA RUBIN CASTING Associate Producer Line Producer General Manager BOB ALWINE DONNA LYNN COOPER HILTON RACHEL TISCHLER Music Direction by RICK FOX Choreographed by JOANN M. HUNTER Directed by GABRIEL BARRE This production made possible by special arrangement with Richard Robin, president of Wells Street Productions JULY 29 - SEPT 4, 2016 THE TERRIS THEATRE TABLE OF CONTENTS Character & Show Synopsis................................................................................................................................................................4 Meet the Writer.......................................................................................................................................................................................6 Director's Vision......................................................................................................................................................................................7 Developing A -
Fishing Reports
Weekly Fishing Reports Ebb & Flow Week 4: June 24, 2016 June 24, 2016 By Deepwater Don Father’s Day was no doubt rewarding in every way for US Open winner and new dad Dustin Johnson, but so it was too for a number of father and son and father and daughter fishing duos up north, where the sun has recently prevailed over calm seas and lots of rod-bending action from Boulder-Gunia all the way to Lacy Island. The latter location is where the father and son team of Michael (Dad) and Julian Morris picked up a matching pair of 32-pound Tyees within two hours of their arrival at North Island Lodge. Darned if they didn’t also find a 38 the following morning, which they kept along-side just long enough for some pictures and a smooth release by guide Kyle Alton. Nice work gentlemen. * Michael Morris with guide Kyle Alton and a 38lb Tyee. * Kyle with the release. Meanwhile over at The Clubhouse Kelly Van Aken bagged a Tyee this past week too, while son Oliver caught and released a sizable slab on a Hali-hunt in the 40 plus range. Kelly’s uncle George Berry and his son Nicholas had a whole lot of fun catching their limit of Chinook Salmon, as did Andrew Ference and daughter Stella, who made lasting memories together on the waters of magical Haida Gwaii. No Tyees to report in those boats, but lots of fish for all from the low-teens to mid-20s. * Kelly Van Aken spending fathers day with his son Oliver.