DOCSLIB.ORG

Zoning Code Shall Be Known and May Be Designated As the “City of Coldwater Zoning Code” and Shall Be Referred to Hereinafter As “This Zoning Code.” 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zoning Code Shall Be Known and May Be Designated As the “City of Coldwater Zoning Code” and Shall Be Referred to Hereinafter As “This Zoning Code.” 2 City of Coldwater Zoning Ordinance Effective January 4, 2021 Intentionally Blank Formatting, organization, graphics & design © 2020 Giffels Webster. All rights reserved. Giffels Webster’s Clearzoning® Ordinance : It’s Your Code, Only Better™ Table of Contents Table of Contents with Sections 4 How to Use this Ordinance 7 Article 1.0 Purpose and Introduction 1-1 Intentionally Blank Article 2.0 Definitions 2-1 Article 3.0 Zoning Districts 3-1 Article 4.0 Use Standards 4-1 Article 5.0 Site Standards 5-1 Article 6.0 Development Procedures 6-1 Article 7.0 Administration, Appeals and Enforcement 7-1 Formatting, organization, graphics & design © 2020 Giffels Webster. All rights reserved. Giffels Webster’s Clearzoning® Ordinance : It’s Your Code, Only Better™ Adopted: December 14, 2020 3 Table of Contents with Sections How To Use This Ordinance 1. Content and Organization 2. Symbols and User Notes 3. Reading This Ordinance 4. Use Matrix 5. Development Standards by District Zoning Map Article 1 - Purpose and Intent 1.1 Title 1-3 1.2 Purpose 1-3 1.3 Scope 1-3 1.4 Separability 1-3 1.5 Effective Date 1-3 Article 2 - Definitions 2.1 Meaning of Words and Phrases 2-4 2.2 Definitions 2-4 Article 3 - Zoning Districts 3.1 Established Districts 3-3 3.2 Zoning Map 3-28 3.3 District Boundaries 3-28 3.4 Areas not Included Within A District 3-28 3.5 R-3, A-1 and A-2 One and Two-Family Residential District Standards 3-29 3.6 A-3 Multi-Family Residential District Regulations 3-30 3.7 C-1 Community Business District Standards 3-30 3.8 C-3 Highway Commercial District Standards 3-30 3.9 C-4 General Business District Standards 3-30 3.10 D-1 Light Industrial District Standards 3-31 4 CITY OF COLDWATER ZONING ORDINANCE Table of Contents with Sections Article 4 - Use Standards 4.1 Single Family Dwellings Outside of Mobile Home Parks 4-3 4.2 Farming, Greenhouses, Nurseries and Orchards 4-4 4.3 Wireless Communication Facilities 4-5 4.4 Home Occupations 4-12 4.5 One-Family Cluster Option 4-12 4.6 Campgrounds 4-15 4.7 Mining and Extraction Operations 4-15 4.8 Adult and Child Group Day Care Home 4-20 4.9 Car Wash Establishments 4-21 4.10 Gasoline Service Stations and Minor Repair 4-21 4.11 Mobile Homes 4-21 4.12 Unclassified Uses 4-22 4.13 Special Controlled Adult Uses 4-22 4.14 Multiple Dwelling Units within A principal Office Structure 4-25 4.15 Cafes and Restaurants within A Principal Office Structure or Complex 4-26 4.16 Residential Dwellings and Dwelling unit within A Principal Commercial Use 4-26 4.17 Outdoor Sales, Storage, and Displays 4-27 4.18 Outdoor Storage Yards Accessory to A Heavy Industrial Use 4-27 4.19 Small Wind Turbines 4-29 4.20 Boarding Homes 4-33 Article 5 - Site Standards 5.1 Signs 5-2 5.2 Off-Street Parking and Loading 5-12 5.3 Landscape Requirements 5-24 5.4 Compliance Required 5-29 5.5 Restoring Unsafe Buildings 5-29 5.6 Mixed Occupancy 5-30 5.7 Required Area or Space and Exceptions 5-30 5.8 Traffic Visibility Across Corner Lots 5-30 5.9 Splitting of Platted and Unplatted Parcels 5-30 5.10 Height Exceptions 5-31 5.11 Essential Services 5-31 5.12 Incomplete Structures as Dwellings 5-31 5.13 Fence Standards and Regulations 5-31 5.14 Accessory Buildings and Structures 5-34 5.15 Ingress and Egress 5-34 Adopted: ,2020 5 Table of Contents with Sections Article 6 - Development Procedures 6.1 Site Plan Review Procedure 6-3 6.2 Special Land Use Procedure 6-9 6.3 Planned Unit Development 6-12 6.4 Open Space Preservation Option 6-19 Article 7 - Administration, Appeals and Enforcement 7.1 Zoning Board of Appeals 7-3 7.2 Powers and Duties of Zoning Administrator 7-6 7.3 Fees, Charges and Expenses 7-7 7.4 Zoning compliance Letter 7-7 7.5 Planning review Committee 7-7 7.6 Conditional Rezoning of Land 7-8 7.7 Public Notice 7-9 7.8 Conversion of Dwellings 7-11 7.9 Nonconforming Uses 7-11 7.10 Violations, Declaration of Nuisance 7-13 7.11 Changes and Amendments 7-13 6 CITY OF COLDWATER ZONING ORDINANCE How to Use This Ordinance 1. Content Organization and Page Layout The Ordinance is organized into seven Articles, which are further divided using standard outline hierarchy. The content and page layout are designed to promote a clear understanding of requirements, as well as quick retrieval of relevant standards, procedures and other information. The following key assists with navigating through this document. Article Tabs link to the first User Notes provide helpful Sections and Blue bold font Graphics, figures, page of each Article. Green tab information for digital and hard subsections contain the links to standards in and tables illustrate indicates the Article in which the copy formats. User Notes are ordinance regulations in other sections of the concepts or clarify current page is located always highlighted in gray a hierarchal manner Ordinance regulations Pages are numbered Notes provide relevant Additional Requirements Link to How to Link to sequentially within each district information list other sections or Use This Ordinance Zoning Map article recommended for review Ordinances that may pertain to a development Link to Table in the district of Contents Adopted: December 14, 2020 7 How to Use This Ordinance 2. Symbols and User Notes The following symbols are used throughout the Zoning Ordinance: & Indicates the term is defined in Article 2 Definitions. (Note: Not every defined term is designated with a & symbol. Consult Article 2 Definitions, for a list of all defined terms.) ? Indicates there is a graphic that illustrates the standard or requirement. Identifies a property line. Identifies the right-of-way centerline. R/W Identifies the right-of-way. Identifies a User Note that provides helpful information for all users. : Identifies a Digital User Note that provides helpful information for users with a digital version of the Zoning Ordinance. 8 CITY OF COLDWATER ZONING ORDINANCE How to Use This Ordinance 3. Reading the Ordinance & Digital User Note Rules have been established to assist with interpreting What is a link? the ordinance. Below are some rules to keep in mind A link allows for quick reference to a relevant section. when reading this document: By ‘clicking’ a link, the user is taken directly to a page in the Ordinance or another reference document. The user may return to the original page by clicking • Sometimes there may be general and specific the ‘previous view’ button in Adobe Acrobat Reader. regulations that pertain to one particular aspect of site design. In such instances, the specific If you do not see the ‘previous view’ button on regulations must be followed. your Adobe Acrobat Reader screen, you can add it by turning on your ‘page navigation toolbar’. For assistance, refer to the ‘Help’ menu in your version of • Discrepancies between text and an illustration Acrobat Reader. (including its caption) may occur. In the case of such discrepancies, the text is considered the accurate What information is linked? source of information. All blue text is linked to either another page within the Zoning Ordinance, a separate city ordinance or • The use of the word “shall” carries significant document, or an external website. meaning. Shall regulations must be followed. Requirements that use the word “may” are discretion- In addition, several other features of the document are linked to allow users to navigate through the ary, meaning that the requirement is at the discretion ordinance. Click on any of the following features to of the Planning Commission or Zoning Board quickly locate another section: of Appeals. Article tabs located on the side of each page are linked to the • Article 2, Definitions, contains over 80 terms. If 1. Purpose & Intent a term is not listed in this section, it will carry the Contents page of each Article. meaning customarily assigned to it. 2. Definitions Icons located at the bottom of each • Conjunctions are often used and must be read page are linked to the ‘How to Use accurately: This Ordinance’ section, the main • AND indicates that all connected items, Table of Contents, and the Zoning Map conditions, provisions or events shall apply. • OR indicates that the connected items, conditions, provisions or events may apply Use Matrix district headings are singly or in any combination. (OR may also be linked to the corresponding district read “and/or”) regulations page in Article 3. • EITHER … OR indicates that the connected items, conditions, provisions or events shall ‘How do I calculate height’ button apply singly, but not in combination. located on each district regulations page is linked to the definition of building height in Article 2. For more rules, see Section 2.1 Meaning of Words and Phrases. Zoning Map Legend headings are linked to the corresponding district regulations page in Article 3. Adopted: December 14, 2020 9 How to Use This Ordinance 4. Use Matrix Below is a reference table that summarizes the uses listed in the Ordinance. Uses below are generalized. Consult Section 3.1 as certain conditions and standards may apply. If there are any conflicts between this table and the uses listed in Section 3.1, the latter will control. P = Principal Permitted Use SU = Special Land Use USE MATRIX Uses AA R-3 A-1 A-2 A-3 OS C-1 C-2 C-3 C-4 D-1 D-2 Accessory Buildings& P P P P P P P P Administrative Buildings (Municipal, County, State, or SU SU SU SU SU P P Federal) Adult and Child Group Day Care SU Centers& Adult Entertainment SU Establishments& Adult Foster Care Family Home P P P P P (<6 persons)& Adult Foster Care Family Home SU SU (7-13 Persons)& Adult/Child Day Care Centers& SU SU SU Ambulance Service
Load more

Recommended publications
  • Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12
    Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis.
    [Show full text]
  • Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge
    Centre for Research in the Arts, Social Sciences and Humanities Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge Invited speakers CHARLOTTE BRUNSDON (Film Studies, University of Warwick) TERESA CASTRO (Universite Sorbonne Nouvelle - Paris 3) RICHARD COYNE (Architectural Computing, Edinburgh College of Art), ROLAND-FRANÇOIS LACK and (French Studies, UCL) STEVE PILE (Human Geography, The Open University) ANDREW PRESCOTT (Digital Humanities, King’s College London) MARK SHIEL (Film Studies, King’s College London) PETER VON BAGH (Film Historian and Director, Helsinki) Conveners FRANÇOIS PENZ (University of Cambridge) RICHARD KOECK (University of Liverpool) ANDREW SAINT (English Heritage) CHRIS SPEED (Edinburgh College of Art) www.crassh.cam.ac.uk/events/2473 Battersea Power Station and Nine Elms, 1966, Aerofilms Collection, English Heritatge 1966, Aerofilms and Nine Station Elms, Power Battersea Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) Acknowledgements Supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), the Architecture Department, both at the University of Cambridge and the Arts and Humanities Research Council (AHRC). Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) | Alison Richard Building | 7 West Road Cambridge CB3 9DT | UK | www.crassh.cam.ac.uk Cinematic Urban Geographies Cinematic Urban Geographies 3 & 4 October 2013 at CRASSH (SG1&2) Conveners François Penz (Architecture Department, University of Cambridge) Co-Conveners Richard Koeck (School of Architecture, University of Liverpool) Chris Speed (Edinburgh College of Art) Andrew Saint (English Heritage) Summary The Cinematic Urban Geographies conference aims to explore the di!erent facets by which cinema and the moving image contribute to our understanding of cities and their topographies.
    [Show full text]
  • NIC and VIV's COMPULSORY COURTSHIP Will Mcintosh
    NIC AND VIV'S COMPULSORY COURTSHIP Will McIntosh Will McIntosh (@willmcintoshSF and http://www.willmcin - tosh.net) lives in Williamsburg, Virginia, with his wife and their twins. The author was a psychology professor before turning to writ ing full time. He is a Hugo award winner and finalist for the Nebula and other SF/F awards. Will has published eight novels and around fifty short stories—in Asimov’s (where he won Reader’s Awards in 2010 and 2013), Lightspeed, Science Fiction and Fantasy: Best of the Year, and elsewhere. In his new story, Will explores the complications that may arise as humans and AIs learn to live together. One From across Viv’s dining table on the thirty-ninth floor of Lavender Tower, Ferruki raised his wine glass and said, “Here’s to living in one of the best places on Earth, during one of the best times, and sharing it with the perfect woman.” Viv clinked his glass and took a sip. “I love that you add those qualifiers. One of the best places. It drives me crazy when people say things like, ‘She’s the greatest singer who ever lived.’ Really? The greatest who ever lived? And you listened to recordings of every singer in the history of the world to reach that conclusion?” Viv raised a finger. “Except you didn’t qualify me . You should have said ‘sharing it with one of the best women,’ or something like that.” “That’s true,” Ferruki said. “I love how clear-eyed you are in approaching this rela - tionship.
    [Show full text]
  • Festival Schedule
    T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen.
    [Show full text]
  • Stonewalls & Cellarholes
    stonewalls & cellarholes A GUIDE FOR LANDOWNERS ON HISTORIC FEATURES AND LANDSCAPES IN VERMONT’S FORESTS Authors: Robert Sanford is a District Coordinator for the Vermont Environmental Board and teaches anthropology at the Community College of Vermont. Don and Nina Huffer are consultant foresters. Contributors: Tom Neumann is a consulting archaeologist who is now based in Georgia. Giovanna Peebles is the Vermont State Archaeologist. Mary Butera is a student at the Community College of Vermont and librarian of the South Londonderry Free Library. Dave Lacy is Forest Archaeologist for the Green Mountain National Forest. Photo credits: John Barrows, Wes Guyette, Don Huffer, Nina Huffer, Brian MacDonald, Jay Maciejowski, Gary Salmon, Robert Sanford, Lisa Stuhlmuller. Cover Photos: Gideon Ricker Farm, Then and Now, Waterbury, VT Acknowledgements: The authors thank Melissa Currier, Gary Salmon and Janis Murcic for their assistance with this project. Editing and layout by Ginger Anderson This is a project of the Vermont Forest Stewardship Program Vermont Agency of Natural Resources Department of Forests, Parks, and Recreation 103 South Main Street Waterbury, VT 05671-0601 The Agency of Natural Resources is an equal opportunity Agency and offers all persons the benefit of participating in each of its programs and competing in all areas of employment regardless of race, color, religion, sex, national origin, age, disability, sexual preference, or other non-merit factors. This document is available upon request in large print, braille and audio cassette. 1994-VGA Single Copy Price 1995-Revision $3.00 No reproduction of this material without acknowledgement. Stonewalls and Cellarholes: A Guide for Landowners on Historic Features and Landscapes in Vermont’s Forests Contents Introduction .........................................................................................................
    [Show full text]
  • Love You to Death Kaleigh Longe
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-13-2017 Love You to Death Kaleigh Longe Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Fiction Commons Recommended Citation Longe, Kaleigh. (2017). Love You to Death. In BSU Honors Program Theses and Projects. Item 221. Available at: http://vc.bridgew.edu/ honors_proj/221 Copyright © 2017 Kaleigh Longe This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Love You to Death Kaleigh Longe Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 13, 2017 Dr. Lee Torda, Thesis Director Dr. James Crowley, Committee Member Dr. Ann Brunjes, Committee Member 1 Chapter One Street corners are waiting places. A throng of faceless people wait for the angry red hand across the street to give way to a luminescent white stick figure, granting them safe passage across a sea of black pavement. The woman in the yellow taxi that sits doubles parked with its flashers on waits for a call from her boyfriend. They’re fighting. Inside the Corner Bistro, aptly named, the head chef waits for his favorite line cook to come back from her smoke break in the side alley. Waiting, waiting . waiting. I do a lot of waiting myself. My job, like so many things in this world, is all about timing. And in about ten seconds, it’ll be time for me to do my job. Ten.
    [Show full text]
  • PDF (V. 89:11, January 8,1988)
    6'\\ O\~ t~~'t'~ ~'ftt Nt~ .. · ai ornifA to~\t VOLUME LXXXIX NUMBER 11 PASAD~NA, CALIFORNIA F~ IDAY 8 JANUARY 1988 Bee man Institute Displacement by David Lipin the Los Angeles Times and the Star Thirty-eight students were relo- News. Caltech has received be­ cated to other homes last month so tween 40 and 50 responses from in­ construction could begin on the terested parties, of whom they new $35 million Beckman Institute. estimate only 10 to 15 will have the The Beckman Institute will be proper qualifications. a new facility for biochemistry Even though the houses are research or, more specifically, in- free, acquiring the proper qualifi­ terdisciplinary research on the in- cations is rather expensive. To be terface between biology and qualified, the party must have a chemistry. The Institute's first plot of land for the house, proper Director will be Professor of moving permits, a professional Chemistry Harry Gray. relocation contractor, and an ar- Dedication of the Beckman In- chitect/engineer to oversee any stitute is scheduled for October, necessary disassembling and reas­ ~989, ~o groundwork is beginning sembling of the house. The party unmedmtely. One ofthe first stages must also sign a contract releasing of construction will be to remove Caltech from any liability involved the houses which currently occupy with the transaction. Houses not re­ the land on which the Institute will moved by April 1st will, however, be built. A total of 16 houses will be demolished. have to be removed: 5 on Con- Two houses will remain on the stance, 5 on Wilson, 4 on Lura, block being cleared for the Insti­ and 2 on Michigan.
    [Show full text]
  • The Raleigh Review Has Always Made Empathy a Main Ingredient in the Ed- Ranks of the Elite
    RALEIGH REVIEW vol. 10.1 spring 2020 editor & publisher fiction editor Rob Greene Landon Houle poetry editor visual art editor raleigh table of Bryce Emley Kathrine Cays review contents assistant fiction editors assistant poetry editor Jessica Pitchford Tyree Daye Shelley Senai book review editors consulting poetry editor Lindsay Lake art Leila Chatti Cassie Mannes Murray editorial staff / fiction copyeditor stacey cushner 16 Interior Space of a Tree Heather Bell Adams, Amanda Eric Cipriani 44 Aftermath 1 Bales, Siobhan Cully, Christine 70 Daydreaming Hennessey, Robert McCready, editorial staff / poetry Daniel Rottenberg, Daniel Tam- Ina Cariño, Chelsea Krieg, Leah Claiborne, Chris Wiewiora Poole Osowski, D. Eric Parkison, geri digiorno xiv Maxie Sam Piccone 7 Little Mary at the SPRING 2020 SPRING board of directors Joseph Millar, Chairman social media manager Playhouse Lounge Dorianne Laux, Vice Chair & accounting 63 Red Madonna Arthur Powers, Member Cassie Mannes Murray Tyree Daye, Member Rob Greene, Member layout & page design fiction John Patrick McShea Leah Poole Osowski 5 The Museum of Forgotten RALEIGH REVIEW alexander weinstein Emotions alexander steele 8 Cezanne VOL. 10.1 VOL. 10.1 sarah boykin hardy 12 The Year of Transformation Raleigh Review, Vol. 10, No. 1, Spring 2020 22 Copyright © 2020 by Raleigh Review michael horton Old Bear Raleigh Review founded as RIG Poetry aj nolan 25 A Hunting Story February 21, 2010 | Robert Ian Greene Cover image “Pen & Ink” by Geri Digiorno. casey mcconahay 45 A Place Beyond Prayer ISSN: 2169-3943 jeff mclaughlin 71 Burning Printed and bound in the USA. 76 Raleigh Review, PO Box 6725, Raleigh, NC 27628 mark wagenaar Ascension Day Visit: raleighreview.org laura marshall 80 Mermaids at the End of Raleigh Review is thankful for past support from the United Arts Council of Raleigh & Wake County with funds from the United Arts Campaign, as well as the North the World Carolina Arts Council, a division of the Department of Cultural Resources.
    [Show full text]
  • The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
    THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs.
    [Show full text]
  • A5 the Degree 3(O
    I DON’T A written creative work submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for A5 the Degree 3(o Master of Fine Arts In Creative Writing by Kacy Cunningham San Francisco, California May 2016 Copyright by Kacy Cunningham 2016 CERTIFICATION OF APPROVAL I certify that I have read I Don’t by Kacy Cunningham, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Fine Arts in Creative Writing at San Francisco State University. Chanan Tigay Assistant Professor of Creative Writing Department Chair of Creative Writing I DON’T Kacy Cunningham San Francisco, California 2016 Codi Grace always wanted more from life than her friends: more adventure, more love, more experience. Dissatisfied with the mundane and ordinary, Codi, 22, travels to Europe where she hopes to better understand herself, meet like-minded people, and find what’s been missing in her life. Instead, she turns strangers into enemies, mistakes one- night-stands for love, gets arrested in a foreign country, and nearly loses her best friend. She eventually settles in Florence, Italy to study abroad for a year. Here, she finds the last thing she wanted: true love. Now, Codi must learn to balance her selfishness while surrendering to love. I D on’t is a novel that explores how we become who we are while looking closely at personal history, female sexuality, and self-discovery through travel, lust, and love. I certify that the annotation is a correct representation of the content of this written creative work.
    [Show full text]
  • Fillmore County Zoning Ordinance
    FILLMORE COUNTY ZONING ORDINANCE ADOPTED SEPTEMBER 19, 1989 AMENDED JULY 1990 AMENDED MAY 4, 1993 AMENDED JULY 25, 1994 AMENDED JANUARY 5, 1995 AMENDED AUGUST 6, 1996 AMENDED SEPTEMBER 3, 1996 AMENDED OCTOBER 1, 1996 AMENDED OCTOBER 28, 1997 AMENDED JANUARY 27, 1998 AMENDED MAY 28, 1998 AMENDED APRIL 6, 1999 AMENDED JUNE 8, 1999 AMENDED DECEMBER 14, 1999 AMENDED MAY 9, 2000 AMENDED OCTOBER 3, 2000 AMENDED JULY 17, 2001 AMENDED JUNE 4, 2002 AMENDED DECEMBER 24, 2002 AMENDED JULY 1, 2003 AMENDED AUGUST 12, 2003 AMENDED DECEMBER 2, 2003 AMENDED FEBRUARY 27, 2007 AMENDED MARCH 27, 2007 AMENDED JUNE 12, 2007 AMENDED SEPTEMBER 4, 2007 AMENDED NOVEMBER 6, 2007 AMENDED FEBRUARY 5, 2008 AMENDED MARCH 24, 2009 AMENDED APRIL 6, 2010 AMENDED MARCH 1, 2011 AMENDED MAY 10, 2011 AMENDED SEPTEMBER 6, 2011 AMENDED MAY 22, 2012 AMENDED AUGUST 7, 2012 OCTOBER 2, 2012 AMENDED NOVEMBER 6, 2012 AMENDED NOVEMBER 27, 2012 AMENDED SEPTEMBER 24, 2013 AMENDED DECEMBER 3, 2013 AMENDED APRIL 1, 2014 AMENDED APRIL 22, 2014 AMENDED OCTOBER 7, 2014 AMENDED AUGUST 11, 2015 AMENDED OCTOBER 13, 2015 AMENDED APRIL 5, 2016 AMENDED MAY 3, 2016 AMENDED APRIL 9, 2019 AMENDED SEPTEMBER 19, 2019 2020 Zoning Ordinance Fillmore County Zoning Ordinance Table of Contents SECTION 1 - Title . 1 SECTION 2 - Intent and Purpose . 1 SECTION 3 - Rules and Definitions . 2 301 - Rules . 2 302 - Definitions . 2 SECTION 4 - General Provisions . 26 401 - Jurisdiction . 26 402 - Application . 26 403 - Separability . 26 404 - Zoning Permits . 27 405 - Non-Conforming Uses . 28 406 - Notification to the DNR . 29 407 - Uses not provided for in any Zoning District 30 SECTION 5 - Zoning Administration and Enforcement .
    [Show full text]
  • Sooke Zoning Bylaw No
    Consolidated for Public Convenience Only For copies of original bylaws or for further details please contact the District of Sooke. This bylaw is provided for reference purposes only and is not to be relied upon in making financial or other commitments. Copies of the original bylaw and amendments may be viewed at the District of Sooke Municipal Hall. The District of Sooke provides information as a public service. Information provided is merely the opinion of the District of Sooke and should not be relied on by the recipient to the exclusion of other opinions. The recipient is encouraged to seek independent advice and opinions, as the District of Sooke takes no responsibility for information provided by it. Amendments to Bylaw No. 600, Sooke Zoning Bylaw, 2013 As at September 28, 2015 Bylaw No. Amnt. No. Bylaw Purpose Date of Adoption 569 600-1 Zoning Map Amendment – May 27, 2013 6535 Grant Rd E 570 600-2 Zoning Map Amendment – June 24, 2013 2083 Anna Marie Road 577 500-4 Text Amendment CD-11- October 15, 2013 Knox Centre (Schedule 811) 578 600-5 Text Amendment CD13 - October 15, 2013 Horne Rd (Schedule 813) and Zoning Map Amendment 579 600-6 Zoning Map Amendment – October 15, 2013 2078 Kennedy 581 600-7 Text Amendment – Lodge October 15, 2013 Definition 583 600-9 Misc. Text Corrections February 11, 2014 587 600-10 Zoning Map Amendment – April 14, 2014 6695 Rhodonite 588 600-11 Zoning Map Amendment – April 14, 2014 2346-2360 Sooke River RD 535 600-14 Zoning Map Amendment – November 3, 2014 Sun River 611 600-15 Zoning Map and Text March 30, 2015 Amendment-- 6509 Sooke Road 613 600-16 Zoning Map and Text September 14, 2015 Amendment – 6645 Sooke Road 616 600-17 Text Amendment – Sun River May 25, 2015 2435 Phillips Sooke Zoning Bylaw ______________________________________________________________________ THE CORPORATION OF THE DISTRICT OF SOOKE BYLAW NO.
    [Show full text]