Hidden Powers Revealing the Model Corporate Citizen Complex We’Ve Had the Pleasure of Working With
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BWTB Sept. 13Th 2015
1 2 Playlist Sept. 13th 2015 9AM/OPEN The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only 3 Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP The Beatles - Fixing A Hole - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul On February 9, 1967, the Beatles recorded “Fixing A Hole” at Regent Sound Studio on Tottenham Court Road in London. -
Radiohead Paranoid Android Reaction
Radiohead paranoid android reaction Continue 1997 studio album RadioheadOK ComputerStudio album RadioheadReleased21 May 1997 (1997-05-21)Recorded4 September 1995 (Lucky) July 1996 - March 1997StudioCanned Applause Didcot, EnglandSt Catherine Court, Bath, EnglandGenreAlternative rockart rockprogressive rockLength53:21LabelParlophoneCapitolProducerNigel GodrichRadiohead chronology The Bends (1995) OK Computer (1995) OK Computer (1995)1997) No Surprises/Running from Demons (1997) Radiohead Studio Album Timeline The Bends (1995) OK Computer (1997) Kid A (2997) 000) Singles with OK Computer Paranoid Android Released: May 26, 1997 Karma Police Released: August 25, 1997 Lucky Released: December 1997 No Surprises Released: 12 January 1998 OK Computer is the third studio album by English rock band Radiohead, released on May 21, 1997 on the subsidiaries of EMIlo Parphone Records and Capitol Records. Radiohead members independently released the album with Nigel Godrich, an arrangement they used for their subsequent albums. In addition to the song Lucky, recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mainly in the historic St Catherine's Court mansion. The band distanced themselves from the guitar, lyrically introspective style of their previous album The Bends. THE abstract texts of OK Computer, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental works. The album depicts a world fraught with unbridled consumerism, social exclusion, emotional isolation and political malaise; as such, OK Computer is said to have a prophetic understanding of the mood of 21st century life. Unconventional production methods on the album include natural reverb through recording on the stairs, and the lack of audio separation, allowing the instruments not to reconnect separately. -
Johnny, Be Good Tonight – the 100 Greatest Songs of All Time
Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Johnny, Be Good Tonight The 100 Greatest Songs of All Time 1st Edition by Eric Mack www.theattackzone.com © Copyright The Attack Zone. You may not copy this book. Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Contents PREFACE........................................................................................................................4 INTRODUCTION.......................................................................................................... 5 CHAPTER 1: #100-91.............................................................................................................. #100: The Verve – “Bitter Sweet Symphony” (1997).........................................................8 #99: Buffalo Springfield – “For What It's Worth” (1967)................................................9 #98: James Taylor – “Fire and Rain” (1970)......................................................................10 #97: Adele – “Rolling in the Deep” (2010)..........................................................................11 #96: Bill Haley and His Comets – “(We're Gonna) Rock Around the Clock” (1954).....12 #95: DJ Shadow – “Midnight in a Perfect World” (1996)................................................13 #94: Dire Straits – “Sultans of Swing” (1978).................................................................... 14 #93: The Mamas and the Papas – “California Dreamin'” (1965)....................................15 #92: Eminem – “Lose Yourself” (2002)...............................................................................16 -
Paul Mccartney, 1980-1999
Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date. -
Thugs Sent Round to Threaten Tenants LANDLORD DRAFTS IN
Incorporating juice magazine Guardian/ NUS Student Newspaper of the Year Thugs sent round to threaten tenants LANDLORD DRAFTS IN HEAVBy GARETH EVANS Y MOB THREE finalists fled their house days before their exams, claiming a gang threatened them with violence if they refused to pay outstanding rent. Merewyn Fenton, Chris Greenfield and Scott Dinnis left EXCLUSIVE! their house within a day of the alleged threats and stayed at home. First British They claim they were threatened by a gang of men who barged into their house review of and warned they could expect violence if they did not pay up. It is the latest chapter in a year of conflict with their estate agents, which looks set to end up in court. Demands The agencx sent letters demanding more thai) two thousand pounds which also co\ered repair \\ork. The students took legal ad\ ice. convinced thcx \\ ere not liable tor these expenses and claim the agents reacted b\ sending oxer the thugs. "Scott and 1 xxerc out so Chris xxas alone in the house." said Merexxxn. "these txxo blokes came around asking lo look round the house, \\heii he opened the door thex pushed him inside and told him it xxc didn't pax up. thex xxould come back and beat us all up. Chris is usuallx an casx -going bloke, but he xxas really shaken up." The trouble began xxhen one housemate left in September lor a xxork placement leax ing the remaining BRAVE BATTLER: LMU graduate Vicki Hunter is suing three to find another person to till their house Birmingham Health Authority for damages, claiming a A I'orlugiicsc waiter moxed in but left txxo months misdiagnosis resulted in the loss of her leg which was later \\ithout pax ing an\ deposit, rent or hills. -
Iiusicweek for Everyone in the Business of Music 16 SEPTEMBER
iiusicweek For Everyone in the Business of Music 16 SEPTEMBER 1995 £3.10 Simply Red the new single 'Fairground' Release date 18th September Formats: 2CDs, Cassette CD1 includes live tracks CD2 includes remixes w thusfcwe For Everyone in the Business of Music 16 SEPTEMBER 1995 THIS WEEK Black retumsto EMI as MD 4 Help wi He says his former colleague was the Warners and am now looking At 33, Black joins a growing list of agamsttjme Clive Black has finally been installed only"When candidate Manchester for his oldjob. United were -------theEMI. challenges Besides, ofJF- my put new r youthfu!industry, managingalongside directors MCA's in Nickthe lOBlur ingas managing weeks of spéculation. director of EMI UK, end- ers,champions, but you they don't tried change to change a winning play- Cecillon adds that I mldn't refuse." Phillips,RCA's Hugh 32, Goldsmith,_35,Epic's Rob Stringer, BMG misic _33, iWadsworth the company he left at the beginning of between' " ' us ays. "The ' ' îtry' Works inhis A&R new will job. be an"I aci division président Jeremy Marsh, 35, 12PRS:agm department,last year following most recently10 years inas itshead A&R of teamBlack again. wf ■ork alongside the tv UKandthekeytothfParlophone to be the signais s been WEA A&R Ton; il b managingand Roger directors Lewis, A&R drivenguy - probablyand becaus tl replacesdirector Jeanfor theFran | areporting daily basis. directly Cecillon to stresses him,"usiness he says.- tlu for Aftera manager two years at Intersong he moved Musicon to h I vacated the positioi will be given a free rein, "My mesf raftBlack of acts was to responsible the label in for his bringing last spell a movingWEA, to EMIwhose in 1984.managing di danceat EMI actUK, Markand at MorrisonWEA, he signedand teennew Moira BeUas says she wishes Black i group Optimystic. -
Inisic Wee for Everyone in the Business of Music 23 SEPTEMBER
inisic wee For Everyone in the Business of Music 23 SEPTEMBER 1995 £3.10 Go! Dises plans EP Lyttleton axed by PRS follow-uptoHelp I this week as a follow-up to t ibumumber Help. one War Child char in overwhelming vote Andy Macdonald, managi the job of modernisation tl wingrush therecord suc- Maverick PRS director Trevor theto the PRS élection board whichtwo years put agoLyttleton when heon corne,"The Lyttletonshe says. vote oversl :h debuted at ety'sLyttleton board. bas been thrown off the soci- attracted a record number of votes. The writer/publisher's sacking was long debate in which Lyttleton depicted rack lifted from the album fo Rightdecided Society in a agmvote lastat theThursday, Performing after himselfup the society. as a lone "Do voice we want trying the to PRS clean to ÎP, which is scheduled for rel accusations that Lyttleton had engaged be a society in which directors are performance, membership ai mdm October tracks were 9. Détails still being of the fina ai unmask supposed deficiencies in the gagged?"But PRS he asked.board member Andrew ïs Music Week went to press. organisation. PRS estimâtes Potter said, "It seems to me that PRS chairman WayneBick liscussedOther possible include follow-ups more EPs, l; Lyttleton'sety £100,000. campaign has cost the Soci- with[Lyttleton] the society." wants to fmd things wrong the agm that 1994 was anotl by some of the featured artists resolutionThe meeting to remove voted 62%Lyttleton, in favour which of a andMomentum Music Publishers'Music managing Association director memberhad been Pete tabled Waterman by former and councilwhich chairmancouncil's unanimity Andy Heath and says, my own "Given impres- the raised around £50,000 for the char had the overwhelming support of 6 ofity each by donating copy of Help £2.35 to from War theChild. -
LSUG Sept. 16Th 2012
PLAYLIST SEPT. 16TH 2012 HR.1 HR 1 The Beatles - Wait - Rubber Soul (Lennon-McCartney) Lead vocals: John and Paul Recorded June 17, 1965 during the “Help!” sessions, the song was left unfinished when The Beatles had hit the deadline to submit the album. Five months later, as the deadline to submit “Rubber Soul” was upon them, they grabbed the unfinished song, threw on some overdubs and decreed it finished. Specifically, they added a tone pedal guitar, tambourine, maracas, and more vocals on November 11, 1965, the final day of recording for “Rubber Soul.” On U.S. album: Rubber Soul - Capitol LP The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9, 1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.” On U.S. -
Beatles Help Download Album
Beatles help download album Download The Beatles Help Album () MP3 from zippyshare. ZippyAudio offers you simple & fast way to download your favorite tracks! Watch the video, get the download or listen to The Beatles – Help! for free. Help! appears on the album 1. "Help!" is a song by The Beatles that served as the title. 1. com Search and download from millions of songs and albums. Julia Michaels [Free Mp3 Download] Ringtones archive>> B>> Beatles - Help! MP3 Ringtone. Convert Youtube The Beatles Help! Album to MP3 instantly. beatles "help" album for mp3 download. Jeff Yochem; 5 videos; No views; Last updated on Nov 20, Share. Loading Save. Like A Hard Day's Night, Help! contained the songs from the film on side one of the album with the other side devoted to other new recordings including two. Article on The Beatles' fifth album Help!, on the Beatles Bible website. A classic Beatle album, the last before they quit touring and shed their boy band image. The albums to follow would change rock and roll music forever, but the. The group's second foray into feature films produced exceptional new music on this soundtrack album. Help!, which includes “You've Got to Hide Your Love. Pepper's Download: test Download The beatles the white album zip files but Beatles, A Hard Day's Night, Beatles For Sale, Help!, Rubber Soul, Revolver. The Help! soundtrack album is as haphazard as Beatles For Sale, but it lacks that record's glowering intensity; it's a great but confusing record. Help! by The Beatles songs free download. -
January 2003 Modern Drummer January 2003 5 Contents Contentsvolume 27, Number 1 Cover Photo by Alex Solca Inset Photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR
RINGO’S TOP-15 • ADEMA • ALAN WHITE PLAYBACK ABE LABORIEL JR. MASTERFUL WITH MCCARTNEY PLUS, SIR PAUL CHATS WITH MD! ROBBY AMEEN MAKING HISTORY WITH ”EL NEGRO“ RASHIED ALI A CONVERSATION WITH BOB MOSES DAVE WECKL’S HOTTEST LATIN LICKS $4.99US $6.99CAN 01 IT’S SHOWTIME! OOKS T TICK WIRLING MD LOOKS AT STICK TWIRLING 0 74808 01203 9 For an Alan White poster, send $4.00 to Ludwig Industries, Alan White poster, P.O. Box 310, Elkhart, IN 46515 Web site: www.ludwig-drums.com CLASSIC MAPLE SERIES. THE BEST SOUNDING DRUMS. Alan White Photographed By Dennis J. Slagle 4 Modern Drummer January 2003 Modern Drummer January 2003 5 Contents ContentsVolume 27, Number 1 Cover photo by Alex Solca Inset photo by Paul La Raia PAUL MCCARTNEY’S ABE LABORIEL JR. One of drumming’s hottest stars of the studio and stage, Abe Laboriel Jr. seems to be everywhere these days—Paul McCartney, Vanessa Carlton, Sting…. One good listen, and you’ll know why. by Robyn Flans EXCLUSIVE! Sir Paul Talks Drums With MD 54 Alex Solca UPDATE 24 LATIN GREAT Def Leppard’s RICK ALLEN ROBBY AMEEN 74 Adema’s KRIS KOHLS Alex Solca As good a tutorial as Funkifying The Clave is, it Phish’s JON FISHMAN gives little indication of how powerful a drum- Counting Crows’ BEN MIZE mer its author is. A killer new album with the equally gifted Horacio “El Negro” Hernandez STEVE HOUGHTON gives us ample reason to pick this guy’s brain. Southside Johnny’s LOUIE APPEL by Ken Micallef NEW COLUMN! FREE-JAZZ TRAILBLAZER PLAYBACK 154 RASHIED ALI 90 ALAN WHITE When John Coltrane asks a drummer to join Before he joined one of the blazingest pro- his band—with Elvin Jones—it should come gressive bands ever, dynamic Yes stick man as no surprise when he’s soon acknowl- Alan White worked with British rock’s royal- edged as a player of enormous talent and ty. -
The Beatles Complete Songbook
The Beatles Complete Songbook A collection of Beatles’ chords and tabs by Sergio Palumbo www.sepanet.com www.sepaweb.cjb.net [email protected] Naples, Italy “Release” 1 - July-August 2001 The Beatles Complete Songbook Index INTRODUCTION 9 PLEASE PLEASE ME 10 I SAW HER STANDING THERE 10 MISERY 12 ANNA (GO WITH HIM ) 12 CHAINS 13 BOYS 14 ASK ME WHY 15 PLEASE PLEASE ME 17 LOVE ME DO 19 P.S., I LOVE YOU 20 BABY IT’S YOU 21 DO YOU WANT TO KNOW A SECRET 21 A TASTE OF HONEY 23 THERE’S A PLACE 23 TWIST AND SHOUT 25 WITH THE BEATLES 27 IT WON’T BE LONG 27 ALL I’VE GOT TO DO 29 ALL MY LOVING 29 DON’T BOTHER ME 30 LITTLE CHILD 32 TILL THERE WAS YOU 34 PLEASE MR. POSTMAN 36 ROLL OVER BEETHOVEN 37 HOLD ME TIGHT 38 YOU REALLY GOT A HOLD ON ME 46 DEVIL IN HER HEART 47 NOT A SECOND TIME 50 MONEY (THAT'S WHAT I WANT) 51 A HARD DAYS NIGHT 53 A HARD DAY’S NIGHT 53 I SHOULD HAVE KNOWN BETTER 54 2 The Beatles Complete Songbook IF I FELL 55 I’M HAPPY JUST TO DANCE WITH YOU 56 AND I LOVE HER 57 TELL ME WHY 58 CAN’T BUY ME LOVE 59 ANY TIME AT ALL 59 I’LL CRY INSTEAD 61 THINGS WE SAID TODAY 62 WHEN I GET HOME 63 YOU CAN’T DO THAT 64 I’LL BE BACK 67 BEATLES FOR SALE 68 NO REPLY 68 I’M A LOSER 69 BABY’S IN BLACK 70 ROCK AND ROLL MUSIC 71 I’LL FOLLOW THE SUN 72 MR MOONLIGHT 73 MEDLEY: KANSAS CITY – HEY, HEY, HEY, HEY 74 EIGHT DAYS A WEEK 75 WORDS OF LOVE 77 HONEY DON’T 80 EVERY LITTLE THING 81 I DON’T WANT TO SPOIL THE PARTY 84 WHAT YOU’RE DOING 86 EVERYBODY’S TRYING TO BE MY BABY 88 HELP! 93 HELP 93 THE NIGHT BEFORE 94 YOU’VE GOT TO HIDE YOUR LOVE AWAY 97 I NEED YOU -
EDIT 5.Pages
University of Huddersfield Repository Hammond, Richard THE EVOLUTION OF PAUL McCARTNEY’S BASS PLAYING 1965-67 Original Citation Hammond, Richard (2018) THE EVOLUTION OF PAUL McCARTNEY’S BASS PLAYING 1965-67. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34741/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ THE EVOLUTION OF PAUL McCARTNEY’S BASS PLAYING 1965-67 RICHARD HAMMOND A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research The University of Huddersfield May 2018 TABLE OF CONTENTS Introduction 3 Personal Background 5 Literature Review 7 1958-65 10 McCartney’s Early Playing Style 11 Rubber Soul 1965-66 16 McCartney’s Playing on the ‘Help’ Album 18 Motown and Stax Records Influences 18 McCartney’s Bass Playing Throughout the Rubber Soul Period 19 Revolver 1966 28 Paul McCartney’s Bass Playing Throughout the Revolver Period 30 Sgt.