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SUPER SINGLES SUNDAY 2013

9AM

Tony Sheridan - – w/ 1961 The Beatles first appearance on a commercial disc.

The Beatles - Me Do – (McCartney-) Lead vocal: and Paul The Beatles’ first single release for EMI’s label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: (June 6, 1962, EMI), (September 4, 1962), and Andy White (September 11,

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1962 with Ringo playing ). The 45 rpm single lists the as Lennon-McCartney. One of several Beatles Paul McCartney owns with . Starting with the songs recorded for their debut on February 11, 1963, Lennon and McCartney’s output was attached to their publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: shoplifted the harmonica he played on the from a shop in Holland. On U.S. : Introducing… The Beatles (Version 1) - Vee-Jay LP - Capitol LP

The Beatles - - album version - Let It Be (Lennon-McCartney) Lead vocal: Paul “Let It Be” was the last song properly recorded on multi-track at Apple Studios during the “” sessions in . It was completed in eight takes (numbered Take 20 through 27 to match the film crew clapboard numbers) on January 31, 1969, the day after the rooftop concert. Take 27 had two complete performances of the song and the first of these Take 27 performances was deemed the best. Though the intent of the January 1969 “Get Back” sessions was to capture the Beatles “live” in the studio without benefit of studio trickery like , an exception was made on “Let It Be” so that could re-record his lead guitar solo. George’s overdub was recorded on April 30, 1969. Author : “It is widely believed that there are two different takes of ‘Let It Be’ publicly available - the single released (in the UK) on March 6, 1970 and the “Let It Be” LP version released (in the UK) May 8, 1970. Certainly the lead guitar solos in the middle eight differ considerably, and the LP version has a longer duration. But, in truth, these are one and the same version. That is, they are derived from the same tape.”

Beatles coming full circle….. 9.12 BREAK

TOP 5IVE US billboard

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When 'Can't Buy Me Love' went to 1 in the US it headed up the most complete USA chart domination of all time - The Beatles monopolized the entire top five places on the for April 4 1964 …and we hear those 5 songs starting w/ the #1 song the 1st week of April 1964…Image the Top 5 songs all from the same group…you couldn’t buy that kind of love!

1 - Can't Buy Me Love (Capitol 5150)

2 - (Tollie 9001)

3 - (Swan 4152)

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4 - (Capitol 5112)

5 - Please Please Me (Vee Jay 498)

Also in the Top 100 singles that 1st week in April

#31 - (Capitol 5112b)

41 - (Vee Jay 522)

46 - Do You Want to Know A Secret (Vee Jay 587)

58 - (Capitol Canada 72144)

65 - You Can't Do That (Capitol 5150b)

68 - (Capitol Canada 72133)

79 - (Vee Jay 587b)

Top LPs chart 1 - Meet The Beatles (Capitol 2047)

2 - Introducing The Beatles (Vee Jay 1062) Super Singles Sunday here on BWTB QUICK BREAK HERE (Read)

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The Beatles - Ticket To Ride - Help! (Lennon-McCartney) Lead vocals: John and Paul The Beatles’ ninth single release for EMI’s Parlophone label. Issued nearly four months prior to the “Help!” album’s release on July 19, 1965 in the U.S. and four days later in the UK. Recorded on February 15, 1965 and featuring a blistering lead guitar performance by Paul McCartney. John and Paul composed the song together based primarily on John’s idea. The song’s distinctive drum pattern was conceived by Paul. The complex song was highly innovative for the time, and certainly unlike anything being played on top 40 radio. John Lennon in 1970: “ ‘Ticket To Ride was slightly a new sound at the time. It was pretty heavy for then, if you go and look in the charts for what other music people were making. It's a heavy record and the drums are heavy too. That's why I like it.” McCartney said, “It was quite radical at the time.” printed “From the United Artists release ‘Eight Arms To Hold You’ ” on both sides of the single. On U.S. album: Help! - Capitol LP

The Beatles - - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. Aside from the dominant bass part, McCartney also provides the lead guitar, with George Harrison working the tambourine. The second and third verse backing vocal is the French nursery rhyme “Frere Jacques.” Released in America on May 23 and in the UK on June 10. “Paperback Writer” made the second largest ever jump to No. 1 on Billboard's chart. It debuted at number 28 on June 11, 1966, moved to 15 and then to number 1 on June 25. The only single to make a bigger jump was another Beatles song, “Can't Buy Me Love.” On U.S. album: - Capitol LP (1970)

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Paul McCartney & Wings – Helen Wheels “Helen Wheels” was the name of Paul’s land rover – a play on “Hell On Wheels.” Recorded in Lagos with Paul on lead guitar, bass and drums. Linda is on keyboards with Denny on guitar. This song is a true single, in that it did not appear on the album in the UK, but was included in the US version. Super Singles Sunday

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The Beatles - Get Back - single version (Non-LP track) (Lennon-McCartney) Lead vocal: Paul

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The Beatles’ nineteenth single release for EMI, and second on the label. The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes were left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). “Get Back” had been rehearsed and reworked throughout the January sessions, including over 30 takes of the song on January 27, 1969. Among those over 30 takes was the master take of the song, but it did not include the familiar coda at the end. That would be recorded the following day and edited on to the January 27 master. Like John Lennon’s “Don’t Let Me Down,” “Get Back” features on keyboards. The song is also notable as one of John’s best guitar solos. Rush-released as a single with the hope of being in stores in the UK on April 11, 1969, the single showed up a week later.

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The Beatles - Don’t Let Me Down - Non-LP B-Side (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ nineteenth single release for EMI, and second on the Apple Records label. The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969. Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for Yoko Ono and was the first song given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement at their Apple headquarters. On U.S. album: Hey Jude - Capitol LP (1970)

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QUICK BREAK HERE

This next one was released on 11 of May 1981 here in the States, where it spent three weeks at number 2 on the Billboard singles chart…it features the amazing line up of : George Harrison, Ringo Starr, Paul McCartney & Wings…yup….and Al Kooper too….

George Harrison – This particular track is a puzzle still somewhat unsolved. Originally written for Ringo with different lyrics, (which Ringo didn’t think was right for him), the lyrics

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were rewritten after John Lennon’s murder. Although Ringo did provide drums, there is a dispute as to whether Paul, Linda and Denny did backing vocals at , or in their own studio – hence phoning it in. But Paul insists that he had asked George to play on his own track, Wanderlust, for the Tug Of War album. Having arrived at George’s Friar Park estate, they instead focused on backing vocals for All Those Years Ago. It became George’s biggest hit in 8 years, just missing the top spot on the charts.

John Lennon – (Just Like) Starting Over This would become the biggest post-Beatles solo 45 rpm ever. This was a fifties- style song that was unlike anything on the radio in 1980. It was an enormous hit even before the event on December 8th, 1980. A song that was dedicated to and Elvis. It is his biggest solo American hit, staying at number 1 for five weeks.

The Beatles – – Anthology I John piano demo recorded New York circa 1977. Paul, George and Ringo took enhanced the song starting on February 11th 1994 to the end of the month. These sessions take place at Paul's Mill studios in Sussex NEWS w/ Jackie HERE 10.12 BREAK

The Beatles - – Recorded: 20/29 October 1965 RELEASED AS A CHRISTMAS SINGLE ON DEC. 3RD 1965 AND IT KICKED OFF THE SESSIONS IN OCT. 1965 Yesterday & Today in US / Collection of Oldies in UK Written by Paul as a pleading song to , who had just moved away from London to join the theatre. It was the first such instance in their relationship, and one that contributed to their eventual breakup

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The Beatles - Help! - Help! (Lennon-McCartney) Lead vocal: John The Beatles’ tenth single release for EMI’s Parlophone label. Recorded during a three-hour session on April 13, 1965. Written mostly by John with some help from Paul. In 1965 George Harrison was interviewed about the upcoming single, saying “it’s probably the best single we’ve done.” Harrison said the group was really pleased with the song, and described it as being more “involved” than previous Beatles songs. “It has a counter melody going on as well as a main melody.” In 1980 John Lennon said, “The whole Beatle thing was just beyond comprehension. I was eating and drinking like a pig and I was fat as a pig, dissatisfied with myself, and subconsciously I was crying for help. When ‘Help!’ came out, I was actually crying out for help. I didn't realize it at the time. I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help. So it was my fat Elvis period. You see the movie: he - I - is very fat, very insecure, and he's completely lost himself.” Lennon has pointed to 1967’s “Strawberry Fields Forever” and “Help!” as his only “honest” songs . The song was number one in the U.S. for three weeks, and in the UK it spent four weeks at number one. On U.S. album: HELP!

The Beatles - I’m Down - Single (Lennon-McCartney) Lead vocal: Paul Recorded in one take on June 14, 1965. Written entirely by Paul McCartney, who showed off his skills at the June 14 recording session by recording “I’ve Just Seen A Face” in six takes, then the scorcher “I’m Down” in one take, and following a dinner break, nailing “Yesterday” in two takes. “I’m Down” was patterned after Little Richard’s “,” or as George Harrison described it at the time, “It’s pretty wild… because it has Paul’s wild voice.” Paul: “I could do Little Richard's voice, which is a wild, hoarse, screaming thing. It's like an out-of-body experience. You have to leave your current sensibilities and go about a foot above your head to sing it. A lot of people were fans of Little Richard so I used to sing his stuff but there came a point when I wanted one of my own, so I wrote ‘I'm Down.’ I ended up doing it at . It worked very well for those kind of places, it was a good stage song. And in as much as they are hard to write, I'm proud of it. Those kind of songs with hardly any melody, rock 'n' roll songs, are much harder to write than ballads, because there's nothing to them.” John Lennon plays the Hammond organ. The B-side of the “Help!” single, issued July 23, 1965 in the UK and July 19, 1965 in the U.S. On U.S. album:

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Non-album single (B-side)

UK: Non-album single (B-side) QUIZ RIGHT HERE

A pair of tickets to See the Wild Honey Orch. Perform 2 Beatles LPS in their entirety: Rubber Soul & Sgt. Pepper sung by some very cool people…including: Members of The Bangles 3 Dog Night, Wondermints, The 3 O’clock, Starz, , Cowsills The Attritions and Brian Wilsons Band.

Proceeds go to the The Autism Think Tank…thank you Paul Rock… The show is Feb. 16th El Portal Theater No Hollywood…I’ll be there too..

Rubber Soul was the 1st Beatles album not to have their name (blank) on the cover? 800-955-KLOS

The cover was the first to NOT have The Beatles name on the front. The cover photography is again by Robert Freeman, taken in John Lennon's garden in , and was Freeman's last involvement in their covers.

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I can play a song from Rubber Soul…you know why? Cuz it’s a Super Singles Sunday…but we can play this…from the Rubber Soul

sessions….

ADD/The Beatles - – Past Masters Recorded: 16 October 1965 Rubber Soul sessions Oct. `65 – Yesterday & Today LP here in the US… The eleventh official EMI release. The first official double "A" side release of “We Can Work It Out” Inspired in part by John and George's first experience with acid, "Day Tripper" was written under pressure for use as a single for the Christmas season. John wrote most of the song, with Paul contributing to each of the verses

Winner Here…hey winner yes or no… should we play Hello Goodbye next?

The Beatles - Hello Goodbye - Non-LP track (Lennon-McCartney) Lead vocal: Paul The Beatles’ sixteenth single release for EMI’s Parlophone label. Originally titled “Hello Hello,” Paul’s “Hello, Goodbye” was recorded during the sessions for the “” TV movie, but was intended for release as a stand-alone single to be issued two weeks before the “Magical Mystery Tour” EP, and would not be included in the film. Work began on October 2, 1967 with 14 takes of the rhythm track. Over the next month, the Beatles added overdubs to create the finished recording. Specifically, Paul’s lead vocal and John and George’s backing vocals on Oct. 19, outside musicians playing two on Oct. 20, Paul’s on Oct. 25, and a second bass guitar line from Paul on Nov. 2. From the very first take the song included its unique reprise ending, which the group nicknamed, somewhat strangely, the “Maori finale.” Issued November 24, 1967 in the UK and November 27, 1967 in the U.S. On U.S. album: Magical Mystery Tour - Capitol LP

The Beatles - - A Hard Day’s Night (Lennon-McCartney) Lead vocal: Paul

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Written in May 1964 on board a yacht called during Paul McCartney's holiday in the Virgin Islands with his girlfriend Jane Asher, plus Ringo Starr and his future wife Maureen. Recorded in three takes on June 2, 1964. In his 1980 interview with magazine John Lennon remembered this being one of Paul’s better songs. McCartney double tracked his vocals. John Lennon's piano part was meant to be omitted from the final mix, but lack of separation between instruments meant that its sound leaked into other microphones during recording. As a result it can be heard on the released version. The b-side of the UK “A Hard Day’s Night” single. On U.S. album: Something New - Capitol LP

Badfinger – Come & Get It – Single out on Apple Jan. 1970 US

#7 in the , #4 in the United Kingdom. Super Singles Sunday here on BWTB 10.42 BREAK

The Beatles - The Ballad Of John And Yoko - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ twentieth single release for EMI, and third on the Apple Records label. The first Beatles single issued in stereo in the UK, it is also the very first stereo single issued by EMI. The “Get Back” single had been released in stereo in America by Capitol. Recorded on April 14, 1969, by just John and Paul, the song was completed that day. George was on vacation and Ringo was still filming the Peter Sellers’ comedy “The Magic Christian.” Producer and engineer , who had distanced themselves from the group because of the constant bickering amongst the group

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members, were back on board behind the recording console. The single was a complete surprise to Beatles fans. They had waited a long seven months for the group to follow- up “Hey Jude” with “Get Back” and now just over a month came another new Beatles record. The rhythm track was perfected in 11 takes (four complete) with Paul playing drums while John played acoustic guitar and sang the lead vocal. The duo was in good spirits during the day-long session. Prior to take four John said to drummer Paul “Go a bit faster, Ringo!” and Paul replied “OK, George!” Overdubs featured Paul on bass guitar, piano, backing vocal and maracas, and John on two lead guitar parts and percussive thumping on the back of an acoustic guitar. The song recounts the chaos surrounding John and Yoko’s getting married. Lennon had encountered visa problems because of his November 1968 drug conviction which made his movement from one country to another very difficult. As an example, he was not allowed to enter the United States at this time so the couple’s second “Bed-In” was staged in Montreal, about an hour north of the U.S. border in Canada.

On U.S. album: Hey Jude - Capitol LP (1970)

John Lennon – Instant Karma! (We All Shine On) Inspired by a conversation with Yoko’s ex-husband, Tony Cox in Denmark two days earlier – John woke up and started banging out a new tune on the piano – which he completed in an hour. Within hours, John wrangled musicians and producer, to record the song. It was put to tape later that evening and the track was released ten days later.

George Harrison – - ‘70 George wrote this song in 1969 while traveling to a Billy Preston session at Olympic Studios. This would be the second single released off the album, though it was listed as the B-Side for “,” in the UK. Although it should have been noted as a Double-A Single. provides lead guitar.

The Beatles - - Non-LP track (Lennon-McCartney) Lead vocal: Paul The Beatles’ fourteenth single release for EMI’s Parlophone label.

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Following the disastrous 1966 world tour the individual Beatles took control of their hectic schedule. They were no longer in a rush to do anything. In September 1966, informed EMI and Capitol that there would be no new Beatles album, and quite possibly no single, ready in time for the 1966 Christmas season. EMI quickly assembled a 16-track greatest hits album (“A Collection Of Beatles Oldies”). In the U.S., Capitol did not release a hits compilation and instead waited impatiently for a new single. The band reconvened in late November to begin work on their next LP. With no deadlines, they simply brought in new songs as they dreamt them up.

Contains at least TWO slightly slang obscenities (“finger pie” and “keeps his fire engine clean”). On U.S. album: Magical Mystery Tour - Capitol LP

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The Beatles - Strawberry Fields Forever - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ fourteenth single release for EMI’s Parlophone label. Recording began on November 24, 1966. Written in Spain by John several months earlier while he was filming the Richard Lester-directed film “How I Won The War.” The beautiful “Take 1” of this Lennon classic can be heard on the “” album. It is entirely different than the finished version. Strawberry Fields was actually a Salvation Army home in the neighborhood where Lennon grew up. John used to go to parties there and it always brought back happy memories to him. One of the only two “honest” songs that John says he wrote for the Beatles. The other? “Help!”

On U.S. album: Magical Mystery Tour - Capitol LP

Super Singles Sunday here on BWTB

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QUIZ HERE…What Beatles single contains the word FOOTBALL? 11.12 BREAK

QUIZ #2 HERE…What Beatles single contains the word FOOTBALL?

“He got toe jam football” Throw in…Backbeat play LIVE Amoeba Records TOMORROW 7PM

The Beatles - -

(Lennon-McCartney) Lead vocal: John The Beatles’ twenty-first single release for EMI, and fourth on the Apple Records label. When John and Yoko were in Montreal staging their second and last Bed-In For Peace they were visited by , an outspoken proponent of LSD. During their visit, Leary and his wife participated in John and Yoko’s hotel room recording of “,” on the chorus. Timothy is even name-checked in the lyrics. He asked John to write a song titled “Come Together – Join The Party” for his bid to become governor of California. Lennon obliged and responded with lyrics such as: “Come together right now/Don’t come tomorrow, don’t come alone/Come together right now over me.” Lennon recorded a demo for Leary, who started using it as his campaign song. After being imprisoned for possession of marijuana in late 1969, Leary dropped out of the gubernatorial race, which was won by Ronald Reagan. Lennon reworked and expanded the song for the Beatles.

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The Beatles - Something - Abbey Road (Harrison) Lead vocal: George The Beatles’ twenty-first single release for EMI, and fourth on the Apple Records label. Although initially crediting Lennon and McCartney as the songwriters, legendary crooner called George Harrison’s “Something” “the greatest love song ever written.” Commonly referred to as George’s first Beatles A-side, some sales chart makers at the time considered the single a “double-A,” as both sides of the record received significant radio airplay, and charted both “Something” and its flip side (John’s “Come Together”) as one combined chart listing. The song is the first of two CLASSIC songs George delivered for the “Abbey Road” album, the other being “.” It was a phenomenal one-two punch that had to have Lennon and McCartney wondering what else Harrison had up his sleeve. Both sides of the BEATLES Abbey Road single… … Ringo are ya holdin?

Ringo – flip of It Don’t Come Easy

The Beatles - - Help! (Morrison-Russell) Lead vocal: Ringo

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Lennon and McCartney had penned a song especially for Ringo to sing on the “Help!” album, but their creation, “If You’ve Got Trouble,” didn’t pan out in the studio. Ringo, a long-time country and western music fan, selected this chart-topping hit from 1963 by to be his song on the “Help!” album. The backing track was perfected in 13 takes on June 17, 1965. Ringo provided his vocal later that day. With the exception of the various oldies performed during the “Get Back” sessions (mostly jams during rehearsals) in January 1969, “Act Naturally” was the last song recorded by the Beatles that was not written by a member of the group. The B-side of “Yesterday” in the U.S. On U.S. album: - Capitol LP

The Beatles – Yesterday - Help! (Lennon-McCartney) Lead vocal: Paul Written solely by Paul McCartney. After he woke up one morning with the tune in his head he went to his piano to sketch it out. Sure the tune was something he had heard before he took the song to several people and asked if they’d heard it before. When everyone he asked said it was new to them he claimed the tune as his own. McCartney perfected the melody and added a middle eight section during breaks in the production of the Beatles’ second film. He wrote the lyrics while on vacation in Portugal in late May 1965. The band was reluctant to release the song because a lovely acoustic ballad with a string quartet did not fit their image. It was buried on the “Help!” LP and the band had no intention of releasing it as a single in the UK. But in America, Capitol Records issued it as a single a few days after McCartney, in the solo spotlight, sang the song on “.” Recorded in two takes on June 14, 1965 at the same session as “I’ve Just Seen A Face” and “I’m Down.” One of only five Beatles songs Paul chose to perform live on his Wings Over America tour in 1976. The working version lyrics included the line: “Scrambled Eggs / Oh how I love your legs.” “Yesterday” is one of the most covered songs in the history of recorded music. On U.S. album: Yesterday And Today - Capitol LP

Paul & Linda McCartney - Another Day Also written around the “Let it Be” sessions, this was a similar narrative to , again dealing with a lonely woman. This was specifically referenced in John’s “How Do You Sleep” on the Imagine album.

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John Lennon - #9 Dream - ‘74 This track had started out with the title of “Walls and Bridges.” It was later renamed as it is much more fitting, and continues John’s fascination with the number nine. provide backing vocals (“John’s”) – while a message to George Harrison can be heard (as the two men had been arguing).

QUIZ #3 HERE What number did #9 Dream get to on the billboard charts? A/#9 11.42 BREAK

Today is Feb.3rd The Day we lost , Ritchie Valens, J. P. "The Big Bopper" Richardson, and the pilot Roger Peterson…know as The Day The Music Died….we would honor Buddy while still sticking to our Super Singles Sunday theme…. EP… single…which counts!

The Beatles - - Beatles For Sale (Holly) Lead vocal: John and Paul The Beatles idolized Buddy Holly and performed his songs regularly as part of their club act. So it is a little surprising that “Words of Love” is the only Buddy Holly song the band officially recorded. John and Paul took extra care to make sure their harmonies were perfect, likewise George, in reverence to the material, double-tracked his careful guitar work. This recording was special to the Beatles, and it shows. Recorded on October 18, 1964 in three takes. On U.S. album: Beatles VI - Capitol LP

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The Beatles - The Long And Winding Road - Let It Be (Lennon-McCartney) Lead vocal: Paul Paul’s lush ballad is most famous for the Phil Spector augmentations thrust upon it. McCartney was said to be angry about the heavy-handed inclusion of strings, brass and a choir to his otherwise sparse arrangement. Spector, famous for his “wall of sound” production style, added 18 , four violas, four , a harp, three , three , two guitars, a choir of 14 female singers, and Ringo Starr re-recording a drum part. Paul’s classic ballad was recorded on January 26, 1969 with Paul on piano

1. LOVE ME DO / PS I LOVE YOU...... October 5, 1962

2. PLEASE PLEASE ME / ...... January 12, 1963

3. FROM ME TO YOU / THANK YOU GIRL...... April 11, 1963

4. SHE LOVES YOU / I'LL GET YOU...... August 23, 1963

5. I WANT TO HOLD YOUR HAND / ...... November 29, 1963

6. CAN'T BUY ME LOVE / YOU CAN'T TO THAT....March 20, 1964

7. A HARD DAYS NIGHT / THINGS WE SAID TODAY.July 10, 1964

8. / SHE'S A WOMAN...... November 27, 1964

9. TICKET TO RIDE / ...... April 9, 1965

10. HELP! / I'M DOWN...... July 23, 1965

11. DAY TRIPPER / WE CAN WORK IT OUT...... December 3, 1965

12. PAPERBACK WRITER / RAIN...... June 10, 1966

13. ELEANOR RIGBY / YELLOW SUBMARINE...... August 8, 1966

14. PENNY LANE/STRAWBERRY FIELDS...... February 17, 1967

15. /BABY YOU'RE A RICH MAN..July 7, 1967

16. HELLO GOODBYE / ...... November 24, 1967

17. / THE INNER LIGHT...... March 15, 1968

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18. HEY JUDE / REVOLUTION...... August 30, 1968

19. GET BACK / DON'T LET ME DOWN...... April 15, 1969

20. THE BALLAD OF JOHN AND YOKO /..May 30, 1969 21. SOMETHING / COME TOGETHER...... October 31, 1969 22 LET IT BE / YOU KNOW MY NAME...... February, 1970

Next Sunday LOVE show for Valentines Day….Any requests you might want to make start now…

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