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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
BWTB Sept. 13Th 2015
1 2 Playlist Sept. 13th 2015 9AM/OPEN The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only 3 Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP The Beatles - Fixing A Hole - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul On February 9, 1967, the Beatles recorded “Fixing A Hole” at Regent Sound Studio on Tottenham Court Road in London. -
Hidden Powers Revealing the Model Corporate Citizen Complex We’Ve Had the Pleasure of Working With
CONSIDERING A REBRAND? COMMUNICATION DIRECTOR VIM Group ensures brands are consistently delivered the magazine for corporate communications and public relations around the world. european issue Number 4/2015 We bring unrivalled and independent experience and www.communication-director.com knowledge. Implementation of your brand properties across all touch points, both digital and on the ground is our business. The unwritten contract Building tust through corporate governance Issue IMPACT PERFORMANCE TECHNOLOGY VALUATOR™ VALUATOR™ VALUATOR™ European 2015 · 4 o N TOR C IRE D ATION C OMMUNI C Hidden powers Revealing the model corporate citizen Complex We’ve had the pleasure of working with... solutions for complex problems Backing up How corporate social responsibility vision with data drives growth Tracing the evolution of sustainability reporting Delivering your brand promise LONDON AMSTERDAM FRANKFURT www.vim-group.com VIM_Advert_2015 29-07-2015 A joint program with In cooperation with DIGITAL STRATEGY EMScom THROUGH AUDIENCE INSIGHT Executive Master of Science in Communications Management Are you digitally prepared for change? High-quality face-to-face learning in an international network You don’t have to be big to disrupt... and disruption doesn’t have to be big – re-engineering 54% Management 13 years work 41% Europe 78% Corporation Average your entire business may not be on the cards for 2016. 32% Top management experience 37% Switzerland 11% Public class size 20 Small, effective changes can have big results, you just 14% Staff 22% Rest of the world 6% NGO / NPO 5% Agency need to know where to make them. Average data of the last fi ve years’ classes Make your strategy audience-focused Understand your customers’ journeys. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Radiohead Paranoid Android Reaction
Radiohead paranoid android reaction Continue 1997 studio album RadioheadOK ComputerStudio album RadioheadReleased21 May 1997 (1997-05-21)Recorded4 September 1995 (Lucky) July 1996 - March 1997StudioCanned Applause Didcot, EnglandSt Catherine Court, Bath, EnglandGenreAlternative rockart rockprogressive rockLength53:21LabelParlophoneCapitolProducerNigel GodrichRadiohead chronology The Bends (1995) OK Computer (1995) OK Computer (1995)1997) No Surprises/Running from Demons (1997) Radiohead Studio Album Timeline The Bends (1995) OK Computer (1997) Kid A (2997) 000) Singles with OK Computer Paranoid Android Released: May 26, 1997 Karma Police Released: August 25, 1997 Lucky Released: December 1997 No Surprises Released: 12 January 1998 OK Computer is the third studio album by English rock band Radiohead, released on May 21, 1997 on the subsidiaries of EMIlo Parphone Records and Capitol Records. Radiohead members independently released the album with Nigel Godrich, an arrangement they used for their subsequent albums. In addition to the song Lucky, recorded in 1995, Radiohead recorded OK Computer in Oxfordshire and Bath between 1996 and early 1997, mainly in the historic St Catherine's Court mansion. The band distanced themselves from the guitar, lyrically introspective style of their previous album The Bends. THE abstract texts of OK Computer, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental works. The album depicts a world fraught with unbridled consumerism, social exclusion, emotional isolation and political malaise; as such, OK Computer is said to have a prophetic understanding of the mood of 21st century life. Unconventional production methods on the album include natural reverb through recording on the stairs, and the lack of audio separation, allowing the instruments not to reconnect separately. -
Johnny, Be Good Tonight – the 100 Greatest Songs of All Time
Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Johnny, Be Good Tonight The 100 Greatest Songs of All Time 1st Edition by Eric Mack www.theattackzone.com © Copyright The Attack Zone. You may not copy this book. Johnny, Be Good Tonight – The 100 Greatest Songs of All Time Contents PREFACE........................................................................................................................4 INTRODUCTION.......................................................................................................... 5 CHAPTER 1: #100-91.............................................................................................................. #100: The Verve – “Bitter Sweet Symphony” (1997).........................................................8 #99: Buffalo Springfield – “For What It's Worth” (1967)................................................9 #98: James Taylor – “Fire and Rain” (1970)......................................................................10 #97: Adele – “Rolling in the Deep” (2010)..........................................................................11 #96: Bill Haley and His Comets – “(We're Gonna) Rock Around the Clock” (1954).....12 #95: DJ Shadow – “Midnight in a Perfect World” (1996)................................................13 #94: Dire Straits – “Sultans of Swing” (1978).................................................................... 14 #93: The Mamas and the Papas – “California Dreamin'” (1965)....................................15 #92: Eminem – “Lose Yourself” (2002)...............................................................................16 -
Paul Mccartney, 1980-1999
Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date. -
Thugs Sent Round to Threaten Tenants LANDLORD DRAFTS IN
Incorporating juice magazine Guardian/ NUS Student Newspaper of the Year Thugs sent round to threaten tenants LANDLORD DRAFTS IN HEAVBy GARETH EVANS Y MOB THREE finalists fled their house days before their exams, claiming a gang threatened them with violence if they refused to pay outstanding rent. Merewyn Fenton, Chris Greenfield and Scott Dinnis left EXCLUSIVE! their house within a day of the alleged threats and stayed at home. First British They claim they were threatened by a gang of men who barged into their house review of and warned they could expect violence if they did not pay up. It is the latest chapter in a year of conflict with their estate agents, which looks set to end up in court. Demands The agencx sent letters demanding more thai) two thousand pounds which also co\ered repair \\ork. The students took legal ad\ ice. convinced thcx \\ ere not liable tor these expenses and claim the agents reacted b\ sending oxer the thugs. "Scott and 1 xxerc out so Chris xxas alone in the house." said Merexxxn. "these txxo blokes came around asking lo look round the house, \\heii he opened the door thex pushed him inside and told him it xxc didn't pax up. thex xxould come back and beat us all up. Chris is usuallx an casx -going bloke, but he xxas really shaken up." The trouble began xxhen one housemate left in September lor a xxork placement leax ing the remaining BRAVE BATTLER: LMU graduate Vicki Hunter is suing three to find another person to till their house Birmingham Health Authority for damages, claiming a A I'orlugiicsc waiter moxed in but left txxo months misdiagnosis resulted in the loss of her leg which was later \\ithout pax ing an\ deposit, rent or hills. -
Iiusicweek for Everyone in the Business of Music 16 SEPTEMBER
iiusicweek For Everyone in the Business of Music 16 SEPTEMBER 1995 £3.10 Simply Red the new single 'Fairground' Release date 18th September Formats: 2CDs, Cassette CD1 includes live tracks CD2 includes remixes w thusfcwe For Everyone in the Business of Music 16 SEPTEMBER 1995 THIS WEEK Black retumsto EMI as MD 4 Help wi He says his former colleague was the Warners and am now looking At 33, Black joins a growing list of agamsttjme Clive Black has finally been installed only"When candidate Manchester for his oldjob. United were -------theEMI. challenges Besides, ofJF- my put new r youthfu!industry, managingalongside directors MCA's in Nickthe lOBlur ingas managing weeks of spéculation. director of EMI UK, end- ers,champions, but you they don't tried change to change a winning play- Cecillon adds that I mldn't refuse." Phillips,RCA's Hugh 32, Goldsmith,_35,Epic's Rob Stringer, BMG misic _33, iWadsworth the company he left at the beginning of between' " ' us ays. "The ' ' îtry' Works inhis A&R new will job. be an"I aci division président Jeremy Marsh, 35, 12PRS:agm department,last year following most recently10 years inas itshead A&R of teamBlack again. wf ■ork alongside the tv UKandthekeytothfParlophone to be the signais s been WEA A&R Ton; il b managingand Roger directors Lewis, A&R drivenguy - probablyand becaus tl replacesdirector Jeanfor theFran | areporting daily basis. directly Cecillon to stresses him,"usiness he says.- tlu for Aftera manager two years at Intersong he moved Musicon to h I vacated the positioi will be given a free rein, "My mesf raftBlack of acts was to responsible the label in for his bringing last spell a movingWEA, to EMIwhose in 1984.managing di danceat EMI actUK, Markand at MorrisonWEA, he signedand teennew Moira BeUas says she wishes Black i group Optimystic. -
Community Radio in India
CR: A user’s guide to the technology A guide to the technology and technical parameters of community radio in India N. Ramakrishnan CR: A user's guide to the technology (2007) © UNESCO (2007) ISBN 81-89218-12-3 This publication may be produced in any media appropriately acknowledging UNESCO Published by : The United Nations Educational Scientific & Cultural Organization (UNESCO) UNESCO House B-5/29, Safdarjung Enclave New Delhi - 110019, India Phone: +91-11-26713000 Fax: +91-11-26713001/2 E-mail: [email protected] Web: http://www.unesco.org/newdelhi Author, Researcher: N.Ramakrishnan (Ideosync Media Combine) Editorial Team: Seema Nair, Sajan Venniyoor, Gitanjali Sah Cover & Binder Design: Inverted Commas, New Delhi Inside page design and graphics: Mensa Computers Pvt. Ltd., New Delhi Photo credits : N.Ramakrishnan:Pages 4, 5, 6, 7, 13, 48, 57, 61, 73, 92-94, 96, 101,103, 104, 165-171, 204 Choy Arnaldo: Pages 14, 25, 26 UNESCO: Pages 11, 38, 76, 90, 100 All others images are courtesy the respective manufacturing companies Photographs of CR groups in action appear with permission of Samudayik Radio Mandakini Ki Awaaz and Hevalvaani Samudayik Radio, Uttarakhand Please send in comments and your experiences with this manual to [email protected] and: N. Ramakrishnan Ideosync Media Combine 177, Ashoka Enclave III Sector 35, Faridabad - 121 003 Haryana - INDIA Tel: +91-0129-4131883/6510156 Email: [email protected] Disclaimer: The author is responsible for the choice and the presentation of the facts contained in this news piece and for the opinions expressed therein, which are not necessarily those of UNESCO and do not commit the Organisation. -
Inisic Wee for Everyone in the Business of Music 23 SEPTEMBER
inisic wee For Everyone in the Business of Music 23 SEPTEMBER 1995 £3.10 Go! Dises plans EP Lyttleton axed by PRS follow-uptoHelp I this week as a follow-up to t ibumumber Help. one War Child char in overwhelming vote Andy Macdonald, managi the job of modernisation tl wingrush therecord suc- Maverick PRS director Trevor theto the PRS élection board whichtwo years put agoLyttleton when heon corne,"The Lyttletonshe says. vote oversl :h debuted at ety'sLyttleton board. bas been thrown off the soci- attracted a record number of votes. The writer/publisher's sacking was long debate in which Lyttleton depicted rack lifted from the album fo Rightdecided Society in a agmvote lastat theThursday, Performing after himselfup the society. as a lone "Do voice we want trying the to PRS clean to ÎP, which is scheduled for rel accusations that Lyttleton had engaged be a society in which directors are performance, membership ai mdm October tracks were 9. Détails still being of the fina ai unmask supposed deficiencies in the gagged?"But PRS he asked.board member Andrew ïs Music Week went to press. organisation. PRS estimâtes Potter said, "It seems to me that PRS chairman WayneBick liscussedOther possible include follow-ups more EPs, l; Lyttleton'sety £100,000. campaign has cost the Soci- with[Lyttleton] the society." wants to fmd things wrong the agm that 1994 was anotl by some of the featured artists resolutionThe meeting to remove voted 62%Lyttleton, in favour which of a andMomentum Music Publishers'Music managing Association director memberhad been Pete tabled Waterman by former and councilwhich chairmancouncil's unanimity Andy Heath and says, my own "Given impres- the raised around £50,000 for the char had the overwhelming support of 6 ofity each by donating copy of Help £2.35 to from War theChild. -
LSUG Sept. 16Th 2012
PLAYLIST SEPT. 16TH 2012 HR.1 HR 1 The Beatles - Wait - Rubber Soul (Lennon-McCartney) Lead vocals: John and Paul Recorded June 17, 1965 during the “Help!” sessions, the song was left unfinished when The Beatles had hit the deadline to submit the album. Five months later, as the deadline to submit “Rubber Soul” was upon them, they grabbed the unfinished song, threw on some overdubs and decreed it finished. Specifically, they added a tone pedal guitar, tambourine, maracas, and more vocals on November 11, 1965, the final day of recording for “Rubber Soul.” On U.S. album: Rubber Soul - Capitol LP The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9, 1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.” On U.S.