DOCSLIB.ORG

Grateful Dead

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grateful Dead Cowboy reach for the sky Led by Scott Boyer and Tommy Talton, the Jacksonville band Cowboy was discovered by none other than Duane Allman, SELLING POINTS: who, as legend has it, banged on their door at 7 am one day and asked to hear some songs. He then recommended them to • Led by Scott Boyer and Tommy Talton, Capricorn label owner Phil Walden, who sent Allman Brothers the Jacksonville band Cowboy Was producer Johnny Sandlin to check them out; Sandlin ended Discovered by Duane Allman for up producing several Cowboy albums for Capricorn, of which Capricorn Records this 1970 release was the first. Reach for the Sky features some • Their Long-Requested 1970 debut, great songs from Boyer and Talton, and has a loose, informal feel with acoustic Reach for the Sky, Has Been Out of guitars and harmonies a-plenty; over the years it’s become quite the cult item, with copies of its Print for Over a Decade long, long out-of-print CD release trading hands for well over $100. Our Real Gone reissue features notes by Scott Schinder, the original gatefold artwork (with lyrics) and photos. Fine, • Produced by Allman Brothers soulful Southern rock, long overdue for rediscovery! Producer Johnny Sandlin SONGS • Original Gatefold Art with Lyrics 1. Opening 8. Stick Together 2. Livin’ in the Country 9. Use Your Situation • Liner Notes by Scott Schinder 3. Song of Love and Peace 10. It’s Time 4. Amelia’s Earache 11. Honey Ain’t Nowhere • Boyer and Talton Are Still Active 5. Pick Your Nose 12. Rip & Snort 6. Pretty Friend 13. Josephine, Beyond Compare 7. Everything Here STREET DATE: April 1, 2014 LABEL: Real Gone Music GENRE: Rock FORMAT: CD ORDER USING 848064002369 “Dick” was Dick Latvala, the official tape archivist for the Grateful Dead until Dick's Picks 1999, whose inspiration and encyclopedic knowledge of the band’s vaults spawned the fabled Dick’s Picks series of live Dead concert recordings. Comprised of 36 volumes, Dick’s Picks follows the band on its long, strange trip through a multitude of eras, tours and venues, featuring handpicked shows GRATEFUL that display the band at its visionary, improvisational height. Now, Real Gone Music is finally bringing this unparalleled cache of Dead concert brilliance to record stores—many of these volumes have never been available at music DEAD retail, and the others have been unavailable for close to a decade! GRATEFUL DEAD: Dick’s Picks Vol. 19—10/19/73 Oklahoma City SELLING POINTS: Fairgrounds Arena, Oklahoma City, OK (3-CD Set) • The Legendary Series of Live Shows, The first full 1973 concert to be released, and the first concert of Carefully Culled from the Band's Vault their uniformly excellent Fall ’73 Midwest tour, Dick’s Picks Vol. 19 captures the Dead a matter of days after the release of Wake of the Flood, the first release on their own Grateful • Dick's Picks Vol. 19 Captures the First Dead Records label, and over half the tracks from the album appear here, highlighted by stellar (no Night of the Dead's Excellent Fall pun intended) renditions of “Stella Blue” and “Eyes of the World.” Both of those songs appear as the 1973 Midwest Tour first encore on Disc Three, which may well be one of the finest single discs in the entire Dick’s Picks canon; the disc leads off with a 15-minute “Dark Star” which segues effortlessly to “Mind Left Body • Concert Was Held Just Days after Jam” leading into a truly transcendent reading of “Morning Dew.” Add “Sugar Magnolia” and a show- Wake of the Flood Was Released, and ending “Johnny B. Goode” to the set and you know everybody went home happy. A superb sound Features Impassioned Renditions of mix on this one, too, and as always it’s presented in HDCD sound. Out of print for years! Material from the Album Songs: • The First Full 1973 Concert to Be Issued Disc One Disc Two Disc Three Set One Set One (cont.) 1. Dark Star • In HDCD Sound 1. Promised Land 1. Playing in the Band 2. Mind Left Body Jam 2. Sugaree 3. Morning Dew Set Two • FIRST TIME AVAILABLE AT MUSIC 3. Mexicali Blues 4. Sugar Magnolia RETAIL IN YEARS! 2. China Cat Sunflower 4. Tennessee Jed 5. Eyes of the World 3. I Know You Rider 5. Looks Like Rain 6. Stella Blue 4. Me and My Uncle 6. Don’t Ease Me In 7. Johnny B. Goode STREET DATE: April 1, 2014 7. Jack Straw 5. Mississippi Half-Step LABEL: Real Gone Music 8. They Love Each Other Uptown Toodeloo GENRE: Rock 9. El Paso 6. Big River FORMAT: CD 10. Row Jimmy ORDER USING 848064002383.
Load more

Recommended publications
  • Grateful Dead Records: Realia
    http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
    [Show full text]
  • EG Kight Five-Time WC Handy Nominee!
    EG KIGHT Singer Songwriter Guitar Player Entertainer The recipient of the 2013 Georgia Music Legend Award, which honors people from Georgia who have contributed to the state's musical heritage, EG Kight is honored to represent her home state, bringing her diverse musical menu to the fans at clubs, theaters, festivals and corporate events across America and in Europe. Kight has been nominated for the 2015 Blues Music Awards Koko Taylor Award, she landed on the AXS.com list of Top 5 Best Blues Artists of 2014, and her latest album landed on the Blues Bytes 2014 Top 10 Albums list, and the Roots Music Report's Top 100 Blues Album Chart for 2014. She was also nominated for two Blues Blast awards, and has had six previous Blues Music Awards nominations, twice for Song of the Year. Many artists have recorded her songs, and she’s had songs on two Grammy-nominated albums, and on two compilations that maintained Billboard chart positions for over a year. Kight’s style transcends musical boundaries. With a blend of americana, southern rock, blues, pop, jazz, gospel and funk, Kight continues to help shape contemporary blues. Early in her career Kight was dubbed “The Georgia Songbird,” and today she is considered one of the few true blues vocalists. With a rich and velvety voice that’s been compared to a cross between Phoebe Snow and Bonnie Raitt, and a mastery of the guitar that has her holding her own next to any other player, Kight mesmerizes audiences of all ages, as a solo, a duo (as the Peach Pickin’ Mamas), and with her Blue South band.
    [Show full text]
  • The Singles Chart
    ALPHABETICAL LISTING 1 201 SINGLES CHART THE SINGLES CHART PRODUCER, PUBLISHER, LICENSEE AT SEVENTEEN Brooks Arthur (Mine/ MIDNIGHT BLUE Vini Poncia April, ASCAP) 77 (New York Times/Roumanian ATTITUDE DANCING Richard Perry Pickleworks, BMA) 14 15 (C'est/Maya, ASCAP) 47 MISTY Ray Stevens (Vernon, ASCAP) 23 BABY THAT'S BACKATCHA Smokey MORNIN' BEAUTIFUL Hank Medress & Dave Robinson (Bertram, ASCAP) 42 Appell (Apple Cider/Music of the Times, ASCAP; Little Max/New York JULY 5, 1975 BAD LUCK Gamble-Huff (Mighty Three, Times, BMI) 37 BMI) 39 JULY JUNE OLD DAYS James William Guercio BAD TIME Jimmy lenner (Cram Renraff, 5 28 (Make Me Smile/Big Elk, ASCAP) 52 BMI) 31 ONE OF THESE NIGHTS Bill Szymczyk 101 101 FUNNY HOW LOVE CAN BE FIRST CLASS-UK 5N 59033 (London) BALLROOM BLITZ Phil Wainman (Benchmark/Kicking Bear, ASCAP) 12 (Southern, ASCAP) (Chinnichap/RAK, BMI) 93 ONLY WOMEN Bob Ezrin BEFORE THE NEXT TEARDROP FALLS 102 110 DREAM MERCHANT NEW BIRTH-Buddah 470 (Saturday, BMI) (Ezra/Early Frost, BMI) 16 Huey Meaux (Shelby Singleton, BMI) 28 103 107 HONEY TRIPPIN' MYSTIC MOODS-Soundbird 5002 (Sutton Miller) ONLY YESTERDAY Richard Carpenter BLACK FRIDAY Gary Katz (American (Ginseng/Medallion Avenue, ASCAP) (Almo/Sweet Harmony/Hammer & Broadcasting, ASCAP) 43 Nails, ASCAP) 48 104 103 AIN'T NO USE COOK E. JARR & HIS KRUMS-Roulette 20426 BLACK SUPERMAN-MUHAMMAD ALI PHILADELPHIA FREEDOM Gus Dudgeon Robin Blanchflower Boy, BMI) 95 (Adam R. Levy & Father/Missile, BMI) (Drummer (Big Pig/Leeds, ASCAP) 54 105 104 IT'S ALL UP TO YOU JIM CAPALDI-Island D25 (Ackee, ASCAP) BURNIN' THING Gary Klein PLEASE MR.
    [Show full text]
  • Star Band & Guests
    All Star Band & guests Quest’anno il Porretta Soul Festival va a ritrovare le radici della musica soul a Denise LaSalle MUSCLE SHOALS Muscle Shoals, Alabama quasi al confine con il Tennessee. Ancora una volta una Denise LaSalle Guitar Shorty esclusiva europea ma con un valore aggiunto: è appena uscito in America incontra ma in questi giorni anche in Italia il film che celebra questo stile musicale e nella Icona del “southern soul”, sin dal suo Fenomenale chitarrista, mentore e quattro giorni del festival (17-20 Luglio) il film verrà presentato anche a Porretta primo hit “Trapped By A Thing Called cognato di Jimi Hendrix (nel 1960 aveva Love” (1971) proprio adesso ripreso da PORRETTA con la presenza di alcuni musicisti che hanno preso parte al film/documentario sposato Marsha Hendrix, sorellastra Jim Jarmush nel suo ultimo film “Solo di Jimi. Dice …riconosco I miei licks ovvero la Muscle Shoals All Star Band, i leggendari musicisti che hanno creato Gli Amanti Sopravvivono”, Denise ha in “Purple Haze” e “Hey Joe.” Jimi il sound dei grandi successi di Aretha Franklin, Wilson Pickett, Etta James, Bob ancora un enorme seguito nell’ambiente iniziò a dar fuoco alla chitarra perchè Dylan, Elton John, Rod Stewart, Paul Simon, Traffic, Rolling Stones, Lynyrd “black”. Ha inciso agli studi di Willie non riusciva a fare quello che facevo Muscle Shoals All Star Band Skynyrd, Drive-By Truckers e tanti altri. A Porretta saranno presenti ben 15 Mitchell, poi lunghi anni alla Malaco, io ! Originario del Texas, notato da musicisti che includono gli originali Swampers: David Hood e Jimmy Johnson, è entrata nel 2011 nella Blues Hall of Willie Dixon che lo fece incidere con (feat.
    [Show full text]
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
    Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system.
    [Show full text]
  • An Examination of the Virginia Flood of 1870'S Aftermath and Relief Effo
    James Madison University JMU Scholarly Commons Masters Theses, 2010-2019 The Graduate School 2015 "Ruin and desolation scarcely paralleled" : An examination of The Virginia Flood of 1870’s aftermath and relief efforts Paula Fielding Green James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the Other History Commons, Public History Commons, Social History Commons, and the United States History Commons Recommended Citation Green, Paula Fielding, ""Ruin and desolation scarcely paralleled" : An examination of The Virginia Flood of 1870’s aftermath and relief efforts" (2015). Masters Theses, 2010-2019. 70. https://commons.lib.jmu.edu/master201019/70 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses, 2010-2019 by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. “Ruin and Desolation Scarcely Paralleled” An Examination of the Virginia Flood of 1870’s Aftermath and Relief Efforts Paula Fielding Green Weddle A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History December 2015 FACULTY COMMITTEE: Committee Chair: Dr. David Dillard Committee Members/ Readers: Dr. Evan Friss Dr. Raymond Hyser Dr. Carole Nash Dedication Dedicated to the memory of my grandfather, Bertram W. Kite, Sr., whose stories sparked my interest in history and laid the groundwork for this research. ii Acknowledgements There are so many people who have helped and guided me over the course of this project and exhibited immense patience while I worked on this research.
    [Show full text]
  • Adams Changes with Students by LYN M
    Adams changes with students By LYN M. MUNLEY Student priorities are "The students today seem respect for grades — more the jobs are there on a changing, and the man at the to be a more mature group concern about career devel- qualitative basis, and the "heart of the institution," than I've ever seen," Adams opment and placement. Stu- competition is rough," he Frederick G. Adams, is pick- claims, "We don't have the dents seem to be aware of says. ing up the beat. emotional kinds of issues the economic realities of the Another kind of competi- As vice president for that drain our productive country," Adams says. tion, involving student gov- student affairs and services, energies. We can facilitate "People are more concern- ernment officials, worries Adams has his finger on the the learning of the three r's ed about themselves as indi- Adams. "There's a real pulse of the ujniversity. He is much more easily this way.' viduals. Even in dancing problem with the number of in charge of the human After being at UConn for closer together the concern is working hours the officials aspect of UConn's produc- nearly 10 years, first as reflected. It's healthy," he must expend vis a vis com- tion of educated beings. ombudsman, then in the remarks. peting priorities, such as As an individual, Adams school of allied health, then Adams points to what he their academic studies. I exudes an air of idealism, into administrative duty in 60's has turned into the calls a "competitive renais- wish there were some way to optimism and total involve- 1974, Adams has certainly silence of the 70's.
    [Show full text]
  • Wake of the Flood
    NEWS Local news and entertainment since 1969 Bottom Line Inside Refurbished FRIDAY, AUGUST 20, 2021 I Volume 54, Number 34 I lascrucesbulletin.com apartments combat homelessness page 4 A&E Cast of ‘Harvey’ a true family affair page 22 WELLBEING Wake of the flood Hospital dedicates BULLETIN PHOTO BY ELVA K. ÖSTERREICH chapel to longtime U.S. Highway 70 was shut down all day Saturday, Aug. 14, while repairs were done to mitigate rain and flood damage, including collapsed pavement and mud across the road. Opening late Saturday night, the road was still down a southbound lane when this photo was taken Sunday, Aug. 15. One of the main corridors for pastoral care chief northeast-bound New Mexico traffic and for White Sands Missile Range, this is the second time the highway through San Augustin Pass has been closed because page 34 of flood damage this monsoon season. For more on the impact that flooding has had in Doña Ana County, see the story on page 2. 2 | FRIDAY, AUGUST 20, 2021 NEWS LAS CRUCES BULLETIN La Union families escape homes ahead of floodwaters By ELVA K. ÖSTERREICH Union in southern Doña Moses said. “The last one Las Cruces Bulletin Ana County was deluged to climb was my brother. by rain and flooding in Then, the wall came The Aguirre home floor which several resident down. The water was like is a plane of slippery, families found themselves a little tsunami.” sticky mud. Everything is in trouble and fearing for He went on to say the covered with the stuff.
    [Show full text]
  • Randall Bramblett Pine Needle Fire When Singer-Songwriter and Multi
    Randall Bramblett Pine Needle Fire When singer-songwriter and multi-instrumentalist Randall Bramblett began compiling the songs that would eventually make up his 12th and newest studio album, Pine Needle ​ ​ Fire, it wasn’t with any particular musical or lyrical direction in mind. But viewed ​ through the lens of the dozen tracks on the now completed set, it’s apparent there was a theme there all along. “I recognize a thread about time passing, or at least grappling with the realization that you don’t have an infinite amount of time left like you think you do when you're young,” says Bramblett, who in addition to his solo work has over the course of his illustrious 40-plus-year career recorded, performed and composed alongside rock luminaries like Steve Winwood, the Allman Brothers, the Band’s Levon Helm, Bonnie Raitt, Widespread Panic and many others. “So there's that mortality part of it. And then another part has to do with our current situation in this country. I grew up protesting in the ‘60s and ‘70s, so I’ve always felt connected to politics. Now I'm really hung up on it. And you look around and there’s a lot of people that are kind of desperate for change and for justice…or maybe they’re just desperate. They’re trying to hang on in this world. I’m one of them. Most of us are, to some degree.” These everyday people populate Pine Needle Fire, on which Bramblett provides a ​ ​ clear-eyed and engagingly detailed study of lives ordinary and unconventional, loves resilient and vanished and moments that have passed and are also yet to come.
    [Show full text]
  • Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
    Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting.
    [Show full text]