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EL GRAN GATSBY F. Scott Fitzgerald
rmbm.org rmbm.org/rinconlector/index.htm EL GRAN GATSBY F. Scott Fitzgerald F. Scott Fitzgerald http://es.wikipedia.org/wiki/F._Scott_Fitzgerald Francis Scott Key Fitzgerald (Saint Paul, Minnesota, 24 de septiembre de 1896 - Hollywood, California, 21 de diciembre de 1940), fue un novelista estadounidense de la «época del jazz». Su obra es el reflejo, desde una elevada óptica literaria, de los problemas de la juventud de su país en los años que siguieron a la Primera Guerra Mundial. En sus novelas expresa el desencanto de los privilegiados jóvenes de su generación que arrastraban su lasitud entre el jazz y la ginebra (A este lado del paraíso, 1920), en Europa en la Costa Azul (Suave es la noche, 1934), o en el fascinante decorado de las ciudades estadounidenses (El gran Gatsby, 1925). Su extraordinaria Suave es la noche, narra el ascenso y caída de Dick Diver, un joven psicoanalista, condicionado por Nicole, su mujer y su paciente. El eco doloroso de la hospitalización de su propia mujer, Zelda, diagnosticada esquizofrénica en 1932, es manifiesto. Este libro define el tono más denso y sombrío de su obra, perceptible en muchos escritos autobiográficos finales. Índice • 1 Biografía o 1.1 Sus inicios o 1.2 Su vida con Zelda o 1.3 Los años de Hollywood • 2 Valoración • 3 Obra o 3.1 Novelas o 3.2 Otras obras o 3.3 Últimas ediciones en España • 4 Curiosidades • 5 Referencias • 6 Enlaces externos Biografía Sus inicios F. Scott Fitzgerald estudió en Saint Paul Academy and Summit School de Saint Paul, Minnesota, entre 1908 y 1911, empezó a escribir en esta época. -
The Short Story in America : 1880 – 1920
Navjyot / Vol. I / Issue – II / 2012 ISSN 2277-8063 The Short Story in America : 1880 – 1920 Dr. D C Punse Head, Department of English, Amolakchand Mahavidyalaya, Yavatmal --------------------------------------------------------------------------------------------------------- Introduction : Modernist activity between 1880 and 1920 sustained and generated a vital sequence of experimental movements and phases. The 1900s certainly turned the mood, and began on a more modest note. It started with great ferment in the world of philosophy, ideas, and political thought. Invention in the form was the chief credo of the literary artist. “Single Effect” doctrine which invites a reunifying approach to familiar short story characteristics such as ellipsis, ambiguity, and resonance had been on dominating force. The writer’s approach indicated how form and context worked together. Narrative length and ending gave way to innovative dialogue presentation. Realism, which dominated the writing of fiction during the latter part of the nineteenth century in Europe and the United States was a reaction against the stereotyped sentimentalizing of the Romantic Movement that prevailed in the early part of the century. American writers started focusing on the external world and the everyday life. ‘Local Colour’ movement was on the move. The short story writers of this period offered a new technique and a short experience in comparison with many things. A critical survey of the American short story writers of this period is definitely an interesting study. Development of Short Story : The first short story writer of this series is Sarah Orne Jewett (1849-1909), who was known for her short stories of New England Life. She was one of the first ‘Local Colourist’ of New England. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
Criticism of the Jazz Age in F. Scott Fitzgerald's Selected Short Stories
CRITICISM OF THE JAZZ AGE IN F. SCOTT FITZGERALD'S SELECTED SHORT STORIES DISSERTATION FOR M. PHIL IN ENGLISH LITERATURE BY ATTIA ABIO UNDER THE SUPERVISION OF PROF. AZIZUDDIN TARIO DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1992 wamDS2475 CONTENTS PREFACE CHAPTER I ; THE AGE - THE LEGEND 1 CHAPTER II : THE GENRE 15 CHAPTER III : ALL FOR LOVE 38 CHAPTER IV : MONEY, THE GTH SCENE 67 CHAPTER V THE PEERS—TinC FABULIST 90 CHAPTER VI : CONCLUSION 106 BIBLIOGRAPHY 136 P R i: F A C E PREFACE Turn, gentle Hermit of the dale And guide my lonely way To where yon taper cheers the vale With hospitable ray. My father wrote this in my first autograph book. If he had been alive, he would have been very happy to see this dissertation, particularly because it was a challenge for me in many ways: Firstly, I decided to do M.Phil almost two decades after my M.A., and secondly, the subject was such that even the primary sources were not available at hand. When I was searching for a topic, I came across an article in one of the Dailies on the 50th death anniversary of F.Scott Fitzgerald. Since he was comparatively new to mc particularly with regard to his short stories, I decided to have a tryst with 'the legend', the 'Prince Charming of the Jazz Age', and pay him a tribute in my own humble way. I have already mentioned the scarcity of material, and had it not been for the ASRC, Hyderabad, and The American Centre, Delhi, I could not even have begun this work. -
F. Scott Fitzgerald's Ledger, 1919–1938
F. SCOTT FITZGERALD’S LEDGER TRANSCRIPTION PAGE 1 F. Scott Fitzgerald’s Ledger, 1919–1938 F. Scott Fitzgerald’s Ledger is one of the richest primary source documents in existence for any literary author. Fitzgerald began recording information in this business ledger sometime in 1919 or 1920 after leaving the Army and moving to New York to begin his professional life as a writer. Fitzgerald divided the Ledger into five sections: “Record of Published Fiction,” “Money Earned by Writing since Leaving Army,” “Published Miscelani (including movies) for which I was Paid,” “Zelda’s Earnings,” and “Outline Chart of my Life”. The “Record of Published Fiction” and “Published Miscelani” are spreadsheets listing everything he wrote and its publication history up to the time of its final disposition. He meticulously tracked his earnings from 1919 through 1937 in the section titled “Money Earned by Writing since Leaving Army.” In addition, he recorded Zelda’s earnings from her writing. In the autobiographical section, “Outline Chart of my Life,” he provided background about his early years but later included monthly entries for each year. F. Scott Fitzgerald’s Ledger is part of the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald held by the Irvin Department of Rare Books and Special Collections, located in the Ernest F. Hollings Special Collections Library at the University of South Carolina in Columbia, S.C. The digital version of the Ledger, which includes access to the full text and is keyword-searchable, was produced by the staff of the Digital Collections Department of the University of South Carolina. -
Unit 1 the American Short Story
UNIT 1 THE AMERICAN SHORT STORY Structure Objectives Introducing the Short Story Definitions: Their Inadequacies and Usefidness The American Short Story 1.3.1 Origins: The First Phase 1.3.2 American Short Story after Poe 1.3.3 Renaissance in American Short Sto~y 1.3.4 Hmingway and Faulher 1.3.5 Contemporary American Short Story Let Us Sum Up Glossary Questions Suggested Rdngs 1.0 OBJECTIVES In this introductory unit, we shall study the core features of the short story in general and the American short story in particular. To this end, besides a few initial broadsides on positioning the short story in chronological histoq. the unit examines several major definitions of this genre. It notes the inadequacies and usellness of these definitions, and suggests what essentially makes for a well-made short story. In the main, it posits a revaluation of the varied growth and major contributions to the American short story with special reference to Edgar Allan Poe. O.Henrq.. Sherwood Anderson, Ernest Hemingway, William Faulkner and John Barth. The unit also makes a few open-ended observations of the hture directions the short story may take. 1.1 INTRODUCING THE SHORT STORY The short story, it needs be affirmed even at the risk of mouthing a cliche, is at once old and new It may be as old as the adventure tales of the Odvssw or the religious/moral tales of the Bible. Nearer home, it may be as old as the stories woven into the Mahabharata or those included in the Panchantantra. But as a distinict art form. -
The Mystery of Existence: the American Short Story in Criticism and Theory Nicholas Birns
The Mystery of Existence: The American Short Story in Criticism and Theory Nicholas Birns Small Tale, Big Effect Modern short story theory began when Edgar Allan Poe established the modern short story. In “The Philosophy of Composition” (1846), Poe outlined his manifesto for brevity. He did not wish to tolerate the inevitable slow patches in even the finest poetry; short and intense was what was wanted. In his 1847 review of Nathaniel Hawthorne, Poe disagreed with “the idea that the mere bulk of a work must enter largely into our estimate of its merit” (Poe 584). Poe’s cultivation of brevity was a very modern position in that, unlike some other critics of Poe’s era, it came to terms with the fact that epics were no longer, in any substantive sense, being written. An anti-Aristotelian, he avoided the Greek philosopher’s stress on a text lengthy enough to have a beginning, middle, and end. Although there had been dissenting elements in the critical tradition—the Alexandria-based Greek grammarian Callimachus, in the third century BC, memorably quipped “Big book; big problem” (Lang and Danto 79)—the scholarly tradition stemming from Aristotle had generally exalted the epic and the grand, even if contained in rather strict formal parameters. Poe radically revised this tradition. For Poe, an uncanny combination of precision and intensity replaced narrative bulk. In addition, Poe’s theory of the short story derived much of its power from an emphasis on effect, on making the reader feel a certain emotion. In the previous generation, the British critic Thomas de Quincey had, in his essay “On the Knocking of the Gate in Macbeth,” emphasized a moment of uncanny doom in Shakespeare’s play over any sense of its overarching themes. -
The F. Scott Fitzgerald Society Newsletter
The F. Scott Fitzgerald Society Newsletter Volume 23 DECEMBER 2013-2014 The Twelfth International F. Scott Fitzgerald Conference: Montgomery, AL Nov. 6-10, 2013 An antique car worthy of Jay Gatsby helped set Along the way, we enjoyed an afternoon at the the backdrop, the local St. James School band Montgomery planetarium, an aperitif at the local played a medley of jazz and Gatsby-inspired Aviator Bar, and a night of wholly un-1920s rock tunes, and the Southern drawl of Sally Carrol ‘n’ roll in which we were treated to the sizzlin’ Happer filled the air during a performance of guitar licks of Richard Martin and learned that Bill “The Ice Palace” at the opening reception for Blazek is the reincarnation of Hank Williams and the 12th International F. Scott Fitzgerald Society that Walter Raubicheck can channel Dion on com- Conference in Montgomery, Alabama. mand. That vivacious evening, hosted by the F. The closing reception, our “Belles and Jelly-Beans Scott and Zelda Fitzgerald Museum and the Ball,” was held on the Harriott II riverboat. There City of Montgomery, got things off to a great were costumes aplenty as men channeled their start, and the events and excitement contin- inner Gatsby and women their inner flapper. As ued over the next four days of Fitztrava- we cruised along the Alabama River, participants ganza/Zeldapalooza.” enjoyed not only the starry evening and the Montgomery skyline, but also a jazz-age cocktail Around 200 people attended all or some of the presentation by Philip Greene, author of To Have various events during the course of the confer- and Have Another: A Hemingway Cocktail Compan- ence, including academic and scholarly ses- ion. -
Polish Journal for American Studies
Rob Kroes Decentering America: Visual Intertextuality and the Quest for a Transnational American Studies PolishPolish Journal Journal for for Polish Journal for American Studies Studies American Journal for Polish Polish Journal for Tadeusz Rachwał Where East Meets West: On Some Locations of America Florian Zappe AmericanAmericanAmerican StudiesStudies Studies The Other Exceptionalism: A Transnational Perspective on Atheism in America YearbookYearbook of theof the Polish Polish Association Association for for American American Studies Studies Anna Pochmara Vol. 12 (Spring 2018) Enslavement to Philanthropy, Freedom from Heredity: Vol. 12 (Spring 2018) Amelia E. Johnson’s and Paul Laurence Dunbar’s Uses and Misuses of Sentimentalism and Naturalism Paulina Ambroży Performance and Theatrical A ect in Steven Millhauser’s Short Story “The Knife-Thrower” Thematic Section | Vol. 12 (Spring 2018) Vol. Transnational American Studies Here and Now Edited by Agnieszka Gra , Ludmiła Janion, Karolina Krasuska Warsaw 2018 www.paas.org.pl Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 12 (Spring 2018) Warsaw 2018 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Tomasz Basiuk, Aneta Dybska, Paweł Frelik, Paweł Jędrzejko, Agnieszka Kotwasińska, Anna Krawczyk-Łaskarzewska, Zuzanna Ładyga, Jadwiga Maszewska, Urszula Niewiadomska-Flis, Tadeusz Pióro, Małgorzata Rutkowska, Piotr Skurowski, Justyna Wierzchowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Colors for Sale” from the series “Santa Fe.” By permission. -
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES
AMERICAN LITERARY MINIMALISM by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT American Literary Minimalism stands as an important yet misunderstood stylistic movement. It is an extension of aesthetics established by a diverse group of authors active in the late-nineteenth and early twentieth centuries that includes Amy Lowell, William Carlos Williams, and Ezra Pound. Works within the tradition reflect several qualities: the prose is “spare” and “clean”; important plot details are often omitted or left out; practitioners tend to excise material during the editing process; and stories tend to be about “common people” as opposed to the powerful and aristocratic. While these descriptors and the many others that have been posited over the years are in some ways helpful, the mode remains poorly defined. The core idea that differentiates American Minimalism from other movements is that prose and poetry should be extremely efficient, allusive, and implicative. The language in this type of fiction tends to be simple and direct. Narrators do not often use ornate adjectives and rarely offer effusive descriptions of scenery or extensive detail about characters’ backgrounds. Because authors tend to use few words, each is invested with a heightened sense of interpretive significance. Allusion and implication by omission are often employed as a means to compensate for limited exposition, to add depth to stories that on the surface may seem superficial or incomplete. Despite being scattered among eleven decades, American Minimalists share a common aesthetic. They were not so much enamored with the idea that “less is more” but that it is possible to write compact prose that still achieves depth of setting, characterization, and plot without including long passages of exposition. -
Read Book Tales of the Jazz Age Ebook, Epub
TALES OF THE JAZZ AGE PDF, EPUB, EBOOK F. Scott Fitzgerald | 240 pages | 03 Nov 2011 | Penguin Books Ltd | 9780141197470 | English | London, United Kingdom Tales of the Jazz Age PDF Book Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books. The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati: "Sir-- I have read the story Benjamin Button in Collier's and I wish to say that as a short story writer you would make a good lunatic I have seen many peices [ sic ] of cheese in my life but of all the peices [ sic ] of cheese I have ever seen you are the biggest peice. Charlotte Perkins Gilman. Please help improve this article by adding citations to reliable sources. Jazz Age Stories is like a sampler platter of F. Fitzgerald published 4 novels, that was his preferred way of writing. Sign up here to see what happened On This Day , every day in your inbox! The Ambassadors. To me, despite the brilliance of "Gatsby," I always found something lacking in his works, a tragic flaw, a missing something that would have made so many more of his works comparable to Gatsby. Facebook Twitter. But all in all, this is a great introduction to the strange world of F. Aug 10, ISBN It was sacrilege the film removed these elements and approached the story more dramatically. Tales of the Jazz Age by F. Details if other :. I can conclude, having finished this collection of short stories, that with the exception of The Great Gatsby, F. -
Babylon Revisited and Other Stories
Babylon Revisited and Other Stories F. Scott Fitzgerald ALMA CLASSICS AlmA ClAssiCs ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com This collection first published by Alma Classics Ltd in 2014 Extra Material © Richard Parker Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY isbn: 978-1-84749-380-4 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents Babylon Revisited and Other Stories 1 Babylon Revisited 3 A New Leaf 27 A Freeze-out 44 Six of One… 69 Family in the Wind 86 What a Handsome Pair! 108 Crazy Sunday 131 One Intern 151 More than Just a House 174 The Fiend 200 The Night at Chancellorsville 207 Afternoon of an Author 213 Financing Finnegan 220 The Lost Decade 231 Last Kiss 235 Note on the Texts 256 Notes 256 Extra Material 261 F.