Babylon Revisited and Other Stories
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EL GRAN GATSBY F. Scott Fitzgerald
rmbm.org rmbm.org/rinconlector/index.htm EL GRAN GATSBY F. Scott Fitzgerald F. Scott Fitzgerald http://es.wikipedia.org/wiki/F._Scott_Fitzgerald Francis Scott Key Fitzgerald (Saint Paul, Minnesota, 24 de septiembre de 1896 - Hollywood, California, 21 de diciembre de 1940), fue un novelista estadounidense de la «época del jazz». Su obra es el reflejo, desde una elevada óptica literaria, de los problemas de la juventud de su país en los años que siguieron a la Primera Guerra Mundial. En sus novelas expresa el desencanto de los privilegiados jóvenes de su generación que arrastraban su lasitud entre el jazz y la ginebra (A este lado del paraíso, 1920), en Europa en la Costa Azul (Suave es la noche, 1934), o en el fascinante decorado de las ciudades estadounidenses (El gran Gatsby, 1925). Su extraordinaria Suave es la noche, narra el ascenso y caída de Dick Diver, un joven psicoanalista, condicionado por Nicole, su mujer y su paciente. El eco doloroso de la hospitalización de su propia mujer, Zelda, diagnosticada esquizofrénica en 1932, es manifiesto. Este libro define el tono más denso y sombrío de su obra, perceptible en muchos escritos autobiográficos finales. Índice • 1 Biografía o 1.1 Sus inicios o 1.2 Su vida con Zelda o 1.3 Los años de Hollywood • 2 Valoración • 3 Obra o 3.1 Novelas o 3.2 Otras obras o 3.3 Últimas ediciones en España • 4 Curiosidades • 5 Referencias • 6 Enlaces externos Biografía Sus inicios F. Scott Fitzgerald estudió en Saint Paul Academy and Summit School de Saint Paul, Minnesota, entre 1908 y 1911, empezó a escribir en esta época. -
Beautiful and Damned Free
FREE BEAUTIFUL AND DAMNED PDF Robert M Drake | 420 pages | 22 Apr 2016 | Vintage Wild | 9780986262777 | English | United States The Beautiful and Damned by F. Scott Fitzgerald: | : Books Look Inside Reading Guide. Reading Guide. Would-be Jazz Age aristocrats Anthony and Gloria Patch embody Beautiful and Damned corrupt high society of s New York: they are beautiful, shallow, pleasure-seeking, and vain. As presumptive heirs to a large fortune, they begin their married life by living well beyond their means. Their days are marked by endless drinking, dancing, luxury, and play. But when the expected inheritance is Beautiful and Damned, their lives become consumed with the pursuit of wealth, and their alliance begins to fall apart. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. Paul, Minnesota. Scott Fitzgerald. When you buy a book, we donate a book. Sign in. Read An Excerpt. The Beautiful and Damned By F. Scott Fitzgerald By F. Aug 10, ISBN Add to Beautiful and Damned. Also available from:. Feb 12, ISBN Feb 23, ISBN Available from:. Aug 19, ISBN Paperback 2 —. Add to Cart Add to Cart. About The Beautiful and Damned F. Also in Vintage Classics. Also in Modern Library Classics. Also by F. See all books by F. About F. Scott Fitzgerald F. Product Details. Inspired by Your Browsing History. A Death in the Family. The Awakening. Appointment in Samarra. Pale Fire. Vladimir Nabokov. The Stories of John Cheever. John Cheever. Big Sur. Jack Kerouac. Somerset Maugham. -
Front Matter
Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information THE CAMBRIDGE EDITION OF THE WORKS OF F. SCOTT FITZGERALD © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information First page of the surviving typescript of “Two Wrongs.” The anti-semitic slur in the last two lines did not appear in the Saturday Evening Post. Princeton University Libraries. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information TAPS AT REVEILLE *** F. SCOTT FITZGERALD Edited by JAMESL.W.WESTIII © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-76603-6 - Taps at Reveille: F. Scott Fitzgerald James L. W. West III Frontmatter More information University Printing House, Cambridge cb2 8bs, United Kingdom Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9780521766036 © 2013 Eleanor Lanahan and Christopher T. Byrne, Trustees under agreement dated 3 July 1975, created by Frances Scott Fitzgerald Smith. Introduction and notes © 2014 James L. W. West III This edition © 2014 Cambridge University Press This publication is in copyright. -
Egree of ILOSTERR OT Si'ney L. Burks, B
S -7 jTRUCTUD TLlJITIC L DEVELL7T IN TX' 50FL QjF 2. z30TT FITZ~GXRiLD Presi'ted to t +e .r&Gute Cou1ci of the '.orth Texas t te Teacners CoLLeje in >artiai FUL il uln ote Ui:ve.;'enI"t s For ti (, L)egree of ILOSTERROT By Si'ney L. Burks, B.A. San ,ngelo, Texas iugust, 1948 I5b8376 L07ETS Chapter Page I. IKTRODUCTIOU AD LMETlOD . II. THIS SIDE O- PA RADISE . 9 H-istorica l Background The Structure of This Side of Iaradise The Thergence of itzgerald t s arly Themes The Emergence o the 2itzgerald Hero The Socio-hist orica1 Talue of This Side of Paradise Int-erest in This Side of Paradise III. THE BEAUTIFUL AiD D21IED. 26 Historic 1 Background The Structure of The Beautiful and Damned Development in Theme and Characterization from This Side of Paradise to The Beautiful and D amned Interest in Te B3eautiful and Damned IV. THE GREA4T aATSl-BY. 0 .. 0 . -. b..0..0. 43 Historical Background The Structure of The Great Gatsby The The3atic c4secu of The Great Gatshy Development o1 Theres and Character- ization from The Beautiful and Damned to Tlhe Great Ga sby V. ITElDER IS THE ]AIGHT 0 .. 0 9 .. .. .. 67 Jistorical Background The Structure of Tender is the i Interest in Tender Is the it iii Oha peter ia-ge Vi. T AF LA$T TYYON . - - - - - 85 ''istorical Background Structural and Thematic Aspects of The LastTycoon VII. TEi A THORITY OF FA ILU . - -93 BIB LIO CRAPIHY. .-------- 1G0 iv CHAPTER I INTRODUCTION 4Ai JMET1EQD Given a proper understanding of Fitzgerald's themes, the structure of his novels is available to anyone with sufficient interest, industry, and critical equipment to understand it. -
A Look at the Flapper in Fitzgerald's Literary Production
UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 2 UNIVERSIDADE DE SANTIAGO DE COMPOSTELA FACULTADE DE FILOLOXÍA Grao en Lingua e Literatura Inglesas Not for Old Fogies: A Look at the Flapper in Fitzgerald’s Literary Production Traballo de Fin de Grao escrito por Aitana Castro Coego Baixo a dirección de Patricia Fra López Curso Académico 2018/1019 3 Table of Contents 1. Summary 4 2. Introduction 5 3. Historical Context: North America after the First World War 8 3.1 The Figure of the Flapper 14 4. The Flapper in Fitzgerald’s Literary Production 26 4.1 The Great Gatsby 28 4.2 Flappers and Philosophers 38 4.3 All the Sad Young Men 49 5. Conclusion: End of the Flapper Era 55 6. Works Cited 57 4 1. Summary 5 2. Introduction Once the sad days of World War I were gone, thousands of North American citizens rushed headlong into the upcoming era: The Roaring Twenties. The United States were launched towards an upswing of economic prosperity, which translated into social and cultural changes. As the 1920’s began, these shifts became particularly important for the development of the new role of women in society. Empowerment, financial independence and sexual liberation were some of the objectives to achieve by a section of the female community. Along these lines and as a way of self-expression, ‘women embraced the new freedoms, cutting their hair, applying makeup, and tossing out dowdy fashions of the past for shorter skirts and slinkier more formfitting attire’ (Time-Life 11). -
Modernist Portraits
Unit 11 MODERNIST PORTRAITS Experimentations in Style, World War I to World War II Authors and Works I How did the stylistic innovations of modernist prose affect the way later authors used language Featured in the Video: and narrative structure? Gertrude Stein, Tender Buttons (series of still lives) I How were the myths of the “public enemy” F. Scott Fitzgerald, Tender Is the Night, The Great shaped by historical and cultural changes during Gatsby (novels), “Babylon Revisited” (short story) the modern era? How is this related to shifting Ernest Hemingway, A Farewell to Arms (novel), “The notions of the American success story? Snows of Kilimanjaro” (short story) I How did modernity transform the traditional notions of American self-reliance and indepen- Discussed in This Unit: dence? How did authors consider and rework mod- Susan Glaspell, Trifles (play) ern social relations in their writing? Sherwood Anderson, Winesburg, Ohio (series of short stories) Wallace Stevens, “The Snow Man,” “The Emperor of Ice-Cream,” “Disillusionment of Ten O’Clock,” Learning Objectives “Sunday Morning,” “Gubbinal,” “Thirteen Ways of Looking at a Blackbird” (poems) After students have viewed the video, read the head- Marianne Moore, “Poetry,” “Nevertheless,” “In notes and literary selections in The Norton Anthol- Distrust of Merits” (poems) ogy of American Literature, and explored related Nella Larsen, Quicksand (novella) archival materials on the American Passages Web John Dos Passos, The Big Money (novel) site, they should be able to Hart Crane, “Chaplinesque,” The Bridge (poems) 1. recognize the different types of formal experi- mentation in the fiction of modernist writers such as Stein, Hemingway, Anderson, and Dos Overview Questions Passos, as well as in the poetry of Stevens, Moore, and Crane; I What issues shaped Americans’ thinking during 2. -
Contemporary Nostalgia
Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 ................... -
Nervousness in the Works of F Scott Fitzgerald
UNLV Retrospective Theses & Dissertations 1-1-2001 Nervousness in the works of F Scott Fitzgerald Michael Emil Tischler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Tischler, Michael Emil, "Nervousness in the works of F Scott Fitzgerald" (2001). UNLV Retrospective Theses & Dissertations. 2480. http://dx.doi.org/10.25669/2t6p-6eax This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, whOe others may b e from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutunitted. Broken or indistinct print, colored or poor quality illustrations and ptwtographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
Kate Chopin, Edith Wharton, F. Scott Fitzgerald, and Ernest Hemingway
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Escape as Motif and Theme in Modern American Fiction: Kate Chopin, Edith Wharton, F. Scott Fitzgerald, and Ernest Hemingway Charles Steven Ellis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES ESCAPE AS MOTIF AND THEME IN MODERN AMERICAN FICTION: KATE CHOPIN, EDITH WHARTON, F. SCOTT FITZGERALD, AND ERNEST HEMINGWAY. By CHARLES STEVEN ELLIS A Dissertation submitted to the Program in Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Summer Semester, 2014 Charles Steven Ellis defended this dissertation on May 16, 2014. The members of the supervising committee were: John Fenstermaker Professor Directing Dissertation David Johnson University Representative William Cloonan Committee Member Eric Walker Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To all those who knew this day would come. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................. v CHAPTER 1: INTRODUCTION ................................................................................. 1 CHAPTER 2: KATE CHOPIN AND PERSONAL ESCAPES ................................ -
University of Pardubice Faculty of Arts and Philosophy the Disintegration
University of Pardubice Faculty of Arts and Philosophy The Disintegration of the American Dream in the Short Stories of Francis Scott Fitzgerald Martina Šlechtová Bachelor Thesis 2016 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 27. 6. 2016 Martina Šlechtová Poděkování Na tomto místě bych ráda poděkovala vedoucímu práce, Mgr. Michalu Kleprlíkovi, Ph.D., za jeho laskavou pomoc při jejím zpracování. NÁZEV Rozpad amerického snu v povídkách Francise Scotta Fitzgeralda ANOTACE Práce se zabývá fenoménem amerického snu a jeho historickými, kulturními a sociologickými kořeny v kontextu tří povídek amerického spisovatele F. Scotta Fitzgeralda. První část práce je rozdělena na čtyři kapitoly a jejich menší podkapitoly. Úvodní kapitola hovoří o historických okolnostech vzniku amerického snu a jeho provázanosti s postavou státníka Benjamina Franklina. Druhá kapitola obsahuje stručnou biografii amerického spisovatele F. Scotta Fitzgeralda a srovnání témat jeho děl s těmi v pracech Theodore Dreisera a Ernesta Hemingwaye. -
Criticism of the Jazz Age in F. Scott Fitzgerald's Selected Short Stories
CRITICISM OF THE JAZZ AGE IN F. SCOTT FITZGERALD'S SELECTED SHORT STORIES DISSERTATION FOR M. PHIL IN ENGLISH LITERATURE BY ATTIA ABIO UNDER THE SUPERVISION OF PROF. AZIZUDDIN TARIO DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1992 wamDS2475 CONTENTS PREFACE CHAPTER I ; THE AGE - THE LEGEND 1 CHAPTER II : THE GENRE 15 CHAPTER III : ALL FOR LOVE 38 CHAPTER IV : MONEY, THE GTH SCENE 67 CHAPTER V THE PEERS—TinC FABULIST 90 CHAPTER VI : CONCLUSION 106 BIBLIOGRAPHY 136 P R i: F A C E PREFACE Turn, gentle Hermit of the dale And guide my lonely way To where yon taper cheers the vale With hospitable ray. My father wrote this in my first autograph book. If he had been alive, he would have been very happy to see this dissertation, particularly because it was a challenge for me in many ways: Firstly, I decided to do M.Phil almost two decades after my M.A., and secondly, the subject was such that even the primary sources were not available at hand. When I was searching for a topic, I came across an article in one of the Dailies on the 50th death anniversary of F.Scott Fitzgerald. Since he was comparatively new to mc particularly with regard to his short stories, I decided to have a tryst with 'the legend', the 'Prince Charming of the Jazz Age', and pay him a tribute in my own humble way. I have already mentioned the scarcity of material, and had it not been for the ASRC, Hyderabad, and The American Centre, Delhi, I could not even have begun this work.