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It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Dos Films Recientes Descubren a Ettore Scola, Un Veterano
personalidades ( i). Dos films recientes descubren a Ettore Scola, un veterano Ha hecho trece películas como director y algunas más como libretista, es uno de los profesionales italianos con mayor experiencia, pero sólo ahora se sabe que Ettore Scola puede ser un nombre importante. El estreno de Un día muy especial repitió el alerta y éste quizá sea el momento de iniciar la revisión de Scola: para saber que ha hecho mucha película menor, frívola y poco creativa para llegar ahora a una primera culminación Si no fuera porque Nos habíamos amado tanto y Un día muy especial han obligado a la atención pública, ia personalidad de Ettore Scola (47 años, trece films como director, una larga lista de libretos) permanecería desco nocida para casi toda la crítica. En rigor es todavía un desconoci do, en parte porque no existe hasta ahora ningún análisis del conjunto de su obra, en parte porque sus propios films no descubren una actitud nítida y permanente ante el mundo o ante el propio medio expresivo. Aunque su talento más notorio parece ser satírico o farsesco (libretos para Dino Risi y Pietrangeli, sus primeros films como director), los dos títulos más Importan tes de su carrera parecen más serios Un momento histórico muy particular que las múltiples comedias previas. cas y la idea se apoya en un efecto de algunos rasgos comunes en ideas, des Sin embargo detrás de Un día muy es libreto (la permanente, monótona, pre arrollos y diálogos, parte de esas ca pecial, un film sombrío, asoma lo que sencia de la trasmisión radial invadien racterísticas eran también las de otros alguien llamó una comedia trágica, don do el adificio de apartamentos romano films italianos de la época: el amargo de Marcello Mastroianni baila una rum donde quedan solos Sophia Loren y cierre de Adua y sus amigas (ex-prosti- ba melancólica y donde los diálogos Marcello Mastroianni). -
Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’S Loving Che Robert L
Hipertexto 11 Invierno 2010 pp. 103-116 Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’s Loving Che Robert L. Sims Virginia Commonwealth University Hipertexto At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love. It is impossible to think of a genuine revolutionary lacking this quality. Che Guevara More and more I've come to understand that when we mourn what a place used to be, we are also mourning what we used to be. Ana Menéndez any of the discussions and debates of the Cuban Revolution in Miami, M Havana and elsewhere converge, merge and diverge in the person and persona of Che Guevara. This process produces a mesmerizing mixture of myth, reality, and nonsense which we are far from unscrambling: “There's just this fascination people have with the man - which is not of the man, but of the photograph," says Ana Menéndez, author of ‘Loving Che’” (http://www.csmonitor.com/2004/0305/p13s02-algn.html). The photograph in question is Alberto Korda’s famous picture of Che Guevara taken on March 5, 1960 at a Cuban funeral service for victims of the La Coubre explosion. The photographic reality of Che soon transformed itself into an iconic image which traveled around the world. Che’s image has since undergone myriad changes and has become a pop culture, fashionista icon and capitalist commodity marketed and sold all over the world, including Cuba. Nostalgia and memory occupy the interstitial space between Che Guevara’s personal and revolutionary life and his now simulacralized iconicity: “Part of Guevara's appeal is that his revolutionary ideals no longer pose much of a threat in the post-cold-war world. -
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau Starring : Jean Marais, François Périer, María Casarès, Marie Déa, Roger Blin, Juliette Greco 1950 | 91’ | B&W | OV French | Fantasy | DCP Film restored in 2008 Subtitles : English, German, Finnish Rights : International (except for UK, USA & Anglophone Canada) Once again Jean Cocteau updates a classic to a compelling modern allegory. Jean Marais is Orpheus, a poet in search of inspiration. Marie Déa is radiant as Eurydice. María Casarès is Death, the imperious and se- ductive princess, whose glove-clad hand ripples though a mirror, leading Orpheus to another world. “If a poet has a dream, it is not of becoming famous, but of being believed.” - Jean Cocteau Cannes Film Festival, Cannes Classics, 2008 LA PISCINE | THE SWIMMING POOL DER SWIMMING POOL Directed by Jacques Deray Starring : Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin 1968 | 120’ | Colour | OV French | Crime, Drama | DCP Film restored in 2008 Subtitles : English, German, Dutch Rights : International (except USA, Canada, Italy, Russia, Japan, Ex-USSR, Dutch-speaking territories) Jean-Paul and Marianne spend lazy holidays at their villa in idyllic Southern France. However when Harry and his attractive young daughter Penelope show up, the dreamy summer days are suddenly filled with unspoken tension and jealousy. The shimmering swimming pool becomes the scene of a crime of passion. * Music by Michel Legrand 2 LA BANDERA | ESCAPE FROM YESTERDAY KOMPANIE DER VERLORENEN Directed by Julien Duvivier Starring : Jean Gabin, Anabella, Robert Le Vigan 1935 | 100’ | B&W | OV French | French classic | DCP Film restored in 2006 Subtitles : English, German Rights : International Jean Gabin is unforgettable as a French Legionnaire relentlessly pursued by his criminal past – and a fellow soldier who seems to know a little too much about him… Sent to the frontline, the two men come to terms with their courage in the face of danger. -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
William A. Seiter ATTORI
A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It. -
Bernard Ménez En Leur Proposant Une Carte Blanche Philippe Pour Nous Présenter Leurs Films Préférés
2 016 Cahors 5e édition cinedelices.fr l’éclat durire Festival international du film hédoniste 5|6|7|8|9|10 Octobre 1 Bernard Menez Acteur les invités Jean-Pierre Mocky ACTEUR, Scénariste, réalisateur, producteur Jean Douchet historien du cinéma Pascal l’éclat du r ire Thomas scénariste, Ou RIRE DU SPECTACLE DU MONDE réalisateur` Pour sa 5ème édition, le Festival Cinédélices invite le public à venir rire Nadeige emmanuel Loiseau Laborie du spectacle du monde. Six jours de plaisir pour une programmation réalisatrice réalisateur construite sur la thématique « L’Éclat du Rire » avec une sélection de comédies d’hier et d’aujourd’hui, françaises et étrangères. Au total, vingt-quatre films sont convoqués pour signifier que l’humour « ça fait du bien » et que le rire est un bien précieux. Depuis son origine, le cinéma a su nous restituer tous les états du rire, moqueur, sarcastique, libérateur, bienfaisant ou déstabilisant, et contribuer à en révéler l’universalité. Le cinéma témoigne que, partout dans le monde on rit, mais pas toujours pour les mêmes raisons et que, selon les histoires et la personnalité des réalisateurs, le rire prend Sophie Dulac Sophie des formes, des couleurs et des expressions différentes. productrice Reine distributrice réalisatrice Développé à partir de deux axes, « Universalité du rire » et « Rires d’aujourd’hui », le festival est allé chercher des pépites du cinéma international, emblématiques ou inédites. Conjointement, neuf avant-premières illustrent l’humour de nos contemporains. De plus, le festival a donné la parole à trois de ses invités, Jean-Pierre Mocky, Pascal Thomas et Bernard Ménez en leur proposant une carte blanche Philippe pour nous présenter leurs films préférés. -
FILM POSTER CENSORSHIP by Maurizio Cesare Graziosi
FILM POSTER CENSORSHIP by Maurizio Cesare Graziosi The first decade of the twentieth century was the golden age of Italian cinema: more than 500 cinema theatres in the country, with revenues of 18 million lire. However, the nascent Italian “seventh art” had to immediately contend with morality, which protested against the “obsolete vulgarity of the cinema”. Thus, in 1913 the Giolitti government set up the Ufficio della Revisione Cinematografica (Film Revision Office). Censorship rhymes with dictatorship. However, during the twenty years of Italian Fascism, censorship was not particularly vigorous. Not out of any indulgence on the part of the black-shirted regime, but more because self-censorship is much more powerful than censorship. Therefore, in addition to the existing legislation, the Testo Unico delle Leggi di Pubblica Sicurezza (Consolidation Act on Public Safety Laws - R.D. 18 June 1931, n° 773) was sufficient. And so, as far as film poster censorship is concerned, the first record dates from the period immediately after the Second World War, in spring 1946, due to the censors’ intervention in posters for the re-release of La cena delle beffe (1942) by Alessandro Blasetti, and Harlem (1943) by Carmine Gallone. In both cases, it was ordered that the name of actor Osvaldo Valenti be removed, and for La cena delle beffe, the name of actress Luisa Ferida too. Osvaldo Valenti had taken part in the Social Republic of Salò and, along with Luisa Ferida, he was sentenced to death and executed on 30 April 1945. This, then, was a case which could be defined as a “censorship of purgation”. -
Uw Cinematheque Announces Fall 2012 Screening Calendar
CINEMATHEQUE PRESS RELEASE -- FOR IMMEDIATE RELEASE AUGUST 16, 2012 UW CINEMATHEQUE ANNOUNCES FALL 2012 SCREENING CALENDAR PACKED LINEUP INCLUDES ANTI-WESTERNS, ITALIAN CLASSICS, PRESTON STURGES SCREENPLAYS, FILMS DIRECTED BY ALEXSEI GUERMAN, KENJI MISUMI, & CHARLES CHAPLIN AND MORE Hot on the heels of our enormously popular summer offerings, the UW Cinematheque is back with the most jam-packed season of screenings ever offered for the fall. Director and cinephile Peter Bogdanovich (who almost made an early version of Lonesome Dove during the era of the revisionist Western) writes that “There are no ‘old’ movies—only movies you have already seen and ones you haven't.” With all that in mind, our Fall 2012 selections presented at 4070 Vilas Hall, the Chazen Museum of Art, and the Marquee Theater at Union South offer a moveable feast of outstanding international movies from the silent era to the present, some you may have seen and some you probably haven’t. Retrospective series include five classic “Anti-Westerns” from the late 1960s and early 70s; the complete features of Russian master Aleksei Guerman; action epics and contemplative dramas from Japanese filmmaker Kenji Misumi; a breathtaking survey of Italian Masterworks from the neorealist era to the early 1970s; Depression Era comedies and dramas with scripts by the renowned Preston Sturges; and three silent comedy classics directed by and starring Charles Chaplin. Other Special Presentations include a screening of Yasujiro Ozu’s Dragnet Girl with live piano accompaniment and an in-person visit from veteran film and television director Tim Hunter, who will present one of his favorite films, Tsui Hark’s Shanghai Blues and a screening of his own acclaimed youth film, River’s Edge. -
Single-Owner Collection of Cuban Art Included in the Latin American Art Sale | November 22-23, 2016
PRESS RELEASE | NEW YORK | 2 5 OCTOBER 2016 WIFREDO LAM (1902-1982) MARIANO RODRÍGUEZ (1912-1990) Sur les traces (Transformation), Painted in 1945. Pelea de gallos, Painted in 1942. Estimate: $2,500,000-3,500,000 Estimate: $800,000-1,200,000 SINGLE-OWNER COLLECTION OF CUBAN ART INCLUDED IN THE LATIN AMERICAN ART SALE | NOVEMBER 22-23, 2016 MIAMI PREVIEW | OCTOBER 29-30, 2016 New York—Christie’s announces an unprecedented single-owner collection of modern and contemporary Cuban art, CUBA MODERNA: Masterworks from a Private Collection, featured in the Latin American Art sale, November 22-23 in New York, with a public preview of highlights in Miami from October 29-30. The Miami preview is held in collaboration with Christie’s International Real Estate and EWM Realty International. Carefully assembled over the past three decades, this extensive collection of nearly forty works spans from the historical vanguardia—with works by Victor Manuel, Eduardo Abela, Amelia Peláez, Fidelio Ponce de León, Carlos Enríquez, Marcelo Pogolotti—through modern masters of the Havana school—Cundo Bermúdez, René Portocarrero, Mario Carreño, and Mariano Rodríguez—artists that experimented in abstraction and Surrealism—Wifredo Lam, Agustín Fernández, Servando Cabrera Moreno, and José María Mijares—as well as a handful of contemporary painters who made waves in the 1980s and 1990s, once again drawing Cuban art into the international spotlight. CUBA MODERNA is led by Wifredo Lam’s Sur les traces (Transformation), (estimate: $2,500,000-3,500,000). Painted in 1945, after Lam’s return to Havana during the Second World War, this large-scale painting exemplifies the impact of Surrealism coupled with the influence of Afro-Cuban culture, in which stippled, black brushwork insinuates myriad bodies— suggestively hybridized and otherworldly—silhouetted against a shadowy landscape. -
Diapositive 5 Casiraghi N
DIAPOSITIVE 5 CASIRAGHI N. INVENTARIO 198404 : ITALIA ’40-’50 [1.] diapositive n. 40 Don Pasquale / Camillo Mastrocinque,Armando Falconi. 1940 diapositive n.1 Tosca / Carl Koch, 1941, con Imperio Argentina, Michel Simon 2 A che servono questi quattrini / Esodo Pratelli, 1942, con E. e P. De Filippo 8 Maria Malibran / Guido Frignone, 1943 1 La vita ricomincia / Mario Mattoli, 1945 , con Alida Valli 2 L’Elisir d’amore / Mario Costa, 1946, con Silvana Mangano 2 Avanti a lui tremava tutta Roma / Carmine Gallone, 1946 1 Che tempi! / Giorgio Bianchi, 1947, con Walter Chiari, Lea Padovani 4 Natale al campo 119 / Pietro Francisci, 1947, (il manifesto) A. Fabrizi, V. De Sica 4 Follie per l’Opera / Mario Costa, 1947 (manifesto) 2 Rigoletto / Carmine Gallone, 1947 1 Assunta Spina / Mario Mattoli, 1947, con Anna Magnani, Eduardo De Filippo 5 Anni difficili / Luigi Zampa, 1948 2 Cesare Zavattini 1 Marcello Mastroianni primi anni cinquanta 1 Olivetti, Ferrara, Silone 1 Di Vittorio, A.C.Jemolo 1 Brancati, Comencini, Moravia 1 N. INVENTARIO 198405 : [ITALIA] ANNI ’40-’50 [2.] diapositive n. 35 Catene / Raffaello Matarazzo, 1950 diapositive n. 3 Napoleone / Carlo Borghesio ; 1951, con Renato Rascel 4 I figli di nessuno / Raffaello Matarazzo, 1951 2 Totò a colori / Steno, (il manifesto) , 1952 4 Passaporto per l’Oriente / Alessandrini Goffredo, 1952, con Gina Lollobrigida 2 Aida / Clemente Fracassi, 1953 , con Sophia Loren… 10 Caso Renzi – Aristarco, 1953 copertina Cinema Muto 1 Rigoletto e la sua tragedia / Flavia Calzavara, 1954 4 Italia K2 / Marcello Baldi, 1954 1 Totò all’inferno / Mastrocinque, 1955 2 La banda degli onesti / Camillo Mastrocinque, 1956, Totò Peppino De Filippo 1 Totò truffa’62 / Camillo Mastrocinque, 1961 1 N. -
B. O. SOL 37 Biblio AMS Dvd Programma Esame.Pdf
B. DI ARTE, MUSICA E SPETTACOLO - DIP. STUDI 11/09/2019 UMANISTICI Via S. Ottavio 20 10124 TORINO - ITALIA Spett. !"!# $%& Prego fornire il materiale di seguito elencato: Buono Num. 2019/37 del 04/09/2019 CIG: 7619304092 Num. Ordine 2019 / 326 del 04/09/2019 Quantità: 1 CIG: 7619304092 *Totò al giro d'Italia / regia Mario Mattòli ; con Totò, Isa Barzizza, Walter Chiari e con la partecipazione di Bartali, Coppi, Bobet ecc. ; soggetto e sceneggiatura Vittorio Metz, Marcello Marchesi, Steno ; fotografia Tino Santoni ; musica Nino Rota. - [Roma] : Ripley's home video, 2016. - 1 DVD-video (85 min) : b/n, sonoro ; 12 cm. ((Titolo del contenitore. - Film del 1948, produzione Italia. - Lingue: italiano; sottotitoli italiani non udenti. - Caratteristiche tecniche: codice area 2; PAL; 1,33:1, 4/3; Dolby digital mono, 5.1. - Contenuti extra: trailer originale; dietro le quinte: due cinegiornali sulle riprese; i ricordi di Isa Barzizza; curiosità; filmografia Mattoli & Totò Numero EAN 8054633700396 Prezzo dell'ordine: € 8,01 Rif. Bilancio: 2019 / TESTIESAME / 1 Note: ASIN: B01CZ93T74 PREZZO INDICATIVO FILM IN PROGRAMMA ESAME PROF.SSA MUGGEO Num. Ordine 2019 / 327 del 04/09/2019 Quantità: 1 CIG: 7619304092 *Toto' lascia o raddoppia? / regia Camillo Mastrocinque ; soggetto e sceneggiatura: Vittorio Metz, Marcello Marchesi ; fotografia: Mario Fioretti ; musica: Lelio Luttazzi ; interpreti: Toto', Valeria Moriconi, Bruce Cabot ... [et al.]. - Italia : 01 Distribution, 2017. - 1 DVD (94 min.) : Azione dal vivo, Bianco e nero, Suono sul supporto, Digitale, 625 PAL. ((Produzione: Italia, 1956. Allegato al quotidiano "La gazzetta dello sport". In allegato: Il cinema di Toto' / Direttore responsabile: Anna Maria Goppion, Monia Peluffo ; testi a cura di Paolo Mereghetti e Goffredo Fofi.