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James Tate - Poems
Classic Poetry Series James Tate - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Tate(8 December 1943 -) James Tate is an American poet whose work has earned him the Pulitzer Prize and the National Book Award. He is a professor of English at the University of Massachusetts Amherst and a member of the American Academy of Arts and Letters. <b>Early Life</b> James Vincent Tate was born in Kansas City, Missouri. He received his B.A. from Kansas State University in 1965 and then went on to earn his M.F.A. from the University of Iowa in their famed Writer's Workshop. <b>Career</b> Tate has taught creative writing at the University of California, Berkeley and Columbia University. He currently teaches at the University of Massachusetts, Amherst, where he has worked since 1971. He is a member of the poetry faculty at the MFA Program for Poets & Writers, along with Dara Wier and Peter Gizzi. Dudley Fitts selected Tate's first book of poems, The Lost Pilot (1967) for the Yale Series of Younger Poets while Tate was still a student at the University of Iowa Writers' Workshop; Fitts praised Tate's writing for its "natural grace." Despite the early praise he received Tate alienated some of his fans in the seventies with a series of poetry collections that grew more and more strange. He has published two books of prose, Dreams of a Robot Dancing Bee (2001) and The Route as Briefed (1999). His awards include a National Institute of Arts and Letters Award, the Wallace Stevens Award, a Pulitzer Prize in poetry, a National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Lyrics for Songs of Our World
Lyrics for Songs of Our World Every Child Words and Music by Raffi and Michael Creber © 1995 Homeland Publishing From the album Raffi Radio Every child, every child, is a child of the universe Here to sing, here to sing, a song of beauty and grace Here to love, here to love, like a flower out in bloom Every girl and boy a blessing and a joy Every child, every child, of man and woman-born Fed with love, fed with love, in the milk that mother’s own A healthy child, healthy child, as the dance of life unfolds Every child in the family, safe and warm bridge: Dreams of children free to fly Free of hunger, and war Clean flowing water and air to share With dolphins and elephants and whales around Every child, every child, dreams of peace in this world Wants a home, wants a home, and a gentle hand to hold To provide, to provide, room to grow and to belong In the loving village of human kindness Lyrics for Songs of Our World Blue White Planet Words and music by Raffi, Don Schlitz © 1999 Homeland Publishing, SOCAN-New Hayes Music-New Don Songs, admin. By Carol Vincent and Associates, LLC, All rights reserved. From the album Country Goes Raffi Chorus: Blue white planet spinnin’ in space Our home sweet home Blue white planet spinnin’ in space Our home sweet home Home for the children you and me Home for the little ones yet to be Home for the creatures great and small Blue white planet Blue white planet (chorus) Home for the skies and the seven seas Home for the towns and the farmers’ fields Home for the trees and the air we breathe Blue white planet -
A-HA Air Anderson .Paak Angelo Badalamenti, David Lynch Aretha Franklin Basement Beth Hart Boy George & Culture Club Chic
Catalogue Barcode Artist Title Format Info Alternate Mixes of a-ha’s debut album “Hunting High and Low”, first released in the 30th Anniversary deluxe box set, in 2015. It will be the first time these demos appear on vinyl. Limited to 6000 copies worldwide Tracklisting: 1. Take On Me (Video Version) [2015 Remastered], 2. Train Of Thought (Early Mix) [2015 Hunting High And Low / The Early Remastered], 3. Hunting High And Low (Early Mix) [2015 Remastered], 4. The Blue 0349785342 0603497853427 A-HA Alternate Mixes (Vinyl) (Record Store LP Sky (Alternate Long Mix) [2015 Remastered], 5. Living A Boy's Adventure Tale (Early Day 2019) Mix) [2015 Remastered], 6. The Sun Always Shines On T.V. (Alternate Early Mix) [2015 Remastered], 7. And You Tell Me (Early Mix) [2015 Remastered], 8. Love Is Reason (Early Mix) [2015 Remastered], 9. Dream Myself Alive (Early "NYC" Mix) [2015 Remastered], 10. Here I Stand And Face The Rain (Early Mix) [2015 Remastered]. Surfing On A Rocket Limited edition Picture disc from Air. Tracklisting: A1- Surfing Surfing On A Rocket (Vinyl) (Record On A Rocket (Album Version) [3:42], A2 - Surfing On A Rocket (To The Smiling Sun 9029551502 0190295515027 Air 12" Single Remix) Remix – Joakim [6:31], B1 - Surfing On A Rocket (Remixed By Juan MacLean) Store Day 2019) Remix – The Juan MacLean [7:01], B2 - Surfing On A Rocket (Tel Aviv Rocket Surfing Remake) Remix – Nomo Heroes [05:21] Limited to 4000 copies worldwide. Anderson .Paak’s Grammy-nominated “Bubblin” is now available in an exclusive, Bubblin (7" Single) (Record Store Day never-before-seen vinyl colorway made especially for Record Store Day 2019. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Strange Houses A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) in the department of English and Comparative Literature of the College of Arts and Sciences 2006 by Joseph Alex DeBonis B.A. Indiana University, 1996 M.A. Illinois State University, 2001 Committee Chair: Professor Michael Griffith Joseph Alex DeBonis Dissertation Abstract This dissertation, Strange Houses, is a collection of original short stories by the author, Joseph Alex DeBonis. The stories engage notions about home, family, estrangement, and alienation. Since many of the stories deal with family and marital relations, homes feature prominently in the action and as settings. Often characters are estranged or exiled, and their obsessions with having normal families and/or stable lives drive them to construct elaborate fantasies in which they are included, loved, and part of something enduring that is larger than themselves. The dissertation also includes a critical paper, “A Butterfly, a Cannonball, and a Sneeze: Notions of Chaos Theory in Cormac McCarthy’s All The Pretty Horses and Thomas Pynchon’s The Crying of Lot 49.” In this essay, I argue that the novel All The Pretty Horses grapples with a sense of freedom that is rife with ambiguity and demonstrates McCarthy’s engagement with chaos theory. -
The Matrix of Poetry: James Schuyler's Diary
Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of EnglishVol. 11 (Autumn Studie 2017)s, University of Warsaw Vol. 8 (2014) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk AMERICAN STUDIES CENTER UNIVERSITY OF WARSAW INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 11 (Autumn 2017) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk Warsaw 2017 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWER Paulina Ambroży TYPESETTING AND GRAPHIC DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Bluescape” from the series “New York City.” By permission. https://www.flickr.com/photos/jurek_durczak/ ISSN 1733–9154 Publisher Polish Association for American Studies Al. Niepodległości 22 02–653 Warsaw www.paas.org.pl Nakład: 140 egz. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents Kacper Bartczak and Małgorzata Myk From the Editors ......................................................................................................... 271 Joanna Orska Transition-Translation: Andrzej Sosnowski’s Translation of Three Poems by John Ashbery ......................................................................................................... 275 Mikołaj Wiśniewski The Matrix of Poetry: James Schuyler’s Diary ...................................................... 295 Tadeusz Pióro Autobiography and the Politics and Aesthetics of Language Writing ............... -
An Education in Space by Paul Hoover Selected Poems Barbara
An Education in Space by Paul Hoover Selected Poems Barbara Guest Sun & Moon Press, 1995 (Originally published in Chicago Tribune Books, November 26, 1995) Born in North Carolina in 1920, Barbara Guest settled in New York City following her graduation from University of California at Berkeley. Soon thereafter, she came into contact with James Schuyler, Frank O'Hara, John Ashbery, and Kenneth Koch, who, with Guest, would later emerge as the New York School poets. Influenced by Abstract Expressionism, Surrealism, and in general French experiment since Rimbaud and Mallarmé, the group would bring wit and charm to American poetry, as well as an extraordinary visual sense. Guest was somewhat belatedly discovered as a major figure of the group. In part, this has to do with her marginalized position as a woman. But it is also due to a ten-year hiatus in her production, from the long poem The Türler Losses (1979) to her breakthrough collection Fair Realism (1989). In the intervening period, Guest produced Herself Defined (1984), an acclaimed biography of the poet H.D. Ironically, it was a younger generation to follow the New York School, the language poets, who would give her work its new status. Given their attraction to what poet Charles Bernstein calls “mis-seaming,” a style in which the seams or transitions have as much weight as the poetic fabric, it’s surprising that the language poets would so value Guest’s often lyrical and metaphysical poetry. In her poem ‘The Türler Losses,’ for instance, “Loss gropes toward its vase. Etching the way. / Driving horses around the Etruscan rim.” In an earlier work, ‘Prairie Houses,’ Guest wrote of the prairie, “Regard its hard-mouthed houses with their / robust nipples the gossamer hair,” lines which have their visual equivalent in the Surrealist paintings of Paul Delvaux and Rene Magritte. -
Full Playlist/Lyrics
Boots on the Ground, Skin on the Line A Winter 2021 Singing Playlist Thank you for joining us! We are grateful to have your voice with many of us from around the world, learning these potent songs in service to our resilience, courage, and justice for all. Thank you for respecting the artists and the integrity of this project by not sharing this document or the playlists with others. We will open the songs up widely for public release later in 2021. You now have free access to the full playlist as well as a bonus playlist. Enjoy! A tech-support guide is at the end of this document. A few days after each Zoom call, we’ll post video recordings for you to enjoy here. Meeting links for next Zoom sing can be found here too: https://thebirdsings.com/winter2021playlist-zoom. At the bottom of the page you’ll also find supplemental materials. CLICK HERE FOR THE SOUNDCLOUD PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots/s-xfoBTYpS9nb CLICK HERE FOR THE BONUS PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots-bonus/s-wwmnW8XA1Wh CLICK HERE FOR THE MP3 FILES FOR BOTH PLAYLISTS (IN GOOGLE DRIVE): https://tinyurl.com/winter-playlist2021 Zoom Calls While entirely optional, you will receive email invitations and are encouraged to join us at six Zoom calls. There you’ll have a chance to meet the songwriters, hear more about the background of the songs, imbue them with greater relevance and meaning, learn each and every harmony line, and meet others who are singing these songs alongside you. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
Women in Reality: a Rhetorical Analysis of Three of Henrik Ibsen’S Plays in Order to Determine the Most Prevalent Feminist Themes
WOMEN IN REALITY: A RHETORICAL ANALYSIS OF THREE OF HENRIK IBSEN’S PLAYS IN ORDER TO DETERMINE THE MOST PREVALENT FEMINIST THEMES A Thesis by Lesa M. Bradford MA, Wichita State University, 2007 BS, Northwestern Oklahoma State University, 1992 Submitted to the department of Communication and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2007 © Copyright 2007 by Lesa M. Bradford All Rights Reserved WOMEN IN REALITY: A RHETORICAL ANALYSIS OF THREE OF HENRIK IBSEN’S PLAYS IN ORDER TO DETERMINE THE MOST PREVALENT FEMINIST THEMES. I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts in Communication, with a major in Theatre and Drama Steve Peters, Committee Chair We have read this Thesis and recommend its acceptance: Betty Monroe, Committee Member Royce Smith, Committee Member iii ACKNOWLEDGEMENTS I would like to thank my family for all the support and love that they have given me throughout this whole process. They have been selfless and I have put them through quite an ordeal trying to accomplish my dreams. I love you all dearly. I would also like to thank my two dearest friends who encouraged and helped motivate me when things got tough and life threw obstacles in my way. I couldn’t get through it all without your support. Lastly, I would like to thank the faculty, staff, and students at WSU who made my time there so cherished and wonderful. -
Terrel Hale Papers
http://oac.cdlib.org/findaid/ark:/13030/kt0c6034sm No online items Terrel Hale Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Terrel Hale Papers MSS 0586 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Terrel Hale Papers Identifier/Call Number: MSS 0586 Physical Description: 6 Linear feet(15 archives boxes) Date (inclusive): 1975-2003 Abstract: Papers of Terrel Hale, American poet and editor, dating from 1975 to 2003. Included are original notebooks, typescripts, and drafts of Hale's prose, poetry, and plays; proofs, typescripts, paste-ups, lists of contributors, and correspondence related to the publication of Screens and Tasted Parallels. Preferred Citation Terrel Hale Papers, MSS 586. Special Collections & Archives, UC San Diego. Biography Terrel D. Hale worked as the librarian for the Economic Policy Institute in Washington, D.C. where he compiled United States Sanctions and South Africa : A Selected Legal Bibliography. He edited a journal of new poetry titled Screens and Tasted Parallels and his own poems have appeared in several small press magazines and journals. He also authored a chapbook titled Light Still Enough to Witness and had his novel, Saints and Latin Decadence published in 2001. Restrictions Original material deemed too fragile to handle has been photocopied. These preservation photocopies must be used in place of the originals. Scope and Content of Collection The Terrel Hale Papers document Hale's career as a poet, editor, and librarian, as well as the short-lived production of the literary journal Screens and Tasted Parallels, edited by Hale. -
Selected Poems, 1945
UC-Creeley_45-05.qxd 6/22/07 11:27 AM Page 1 Introduction ROBERT CREELEY WAS BORN in Arlington, Massachusetts, in 1926, and grew up in rural West Acton. His father’s side of the family was well es- tablished in the state, but Creeley was raised in closer proximity to his mother’s people, who came from Maine. When he was four, his father died of pneumonia. This was followed closely by the removal of Creeley’s left eye, injured by shattered glass a few years before, and by the straitened circumstance of the Great Depression. His mother, a nurse, kept care of the family—Creeley had an older sister—and his mother’s character, his mother’s habits, necessarily left a strong imprint on his own. (“My cheek- bones resonate/with her emphasis,” he writes in “Mother’s Voice” [000].) Influential also were the losses and uncertainties, the drop in status, which left their mark in patterns of thought, attitude, and behavior. The trajec- tory of Creeley’s adult life, his travels, employments, friendships, house- holds, and loves, is but one trace of a deeper restlessness also recorded in his work—or so it is tempting to think given Creeley’s enduring fascina- tion with contingency and his frequent return, in writing and conversa- tion, to the biographical facts cited above. Yet the import of a fact is never a fact. Life itself is, like writing, an act of interpretation. “Whatever is pre- sumed of a life that designs it as a fixture of social intent, or form of fam- ily, or the effect of an overwhelming event, has little bearing here, even if one might in comfortable hindsight say that it all followed.”1 Disjunction, indeed, played an important role for Creeley—his refusals were often as important as what he embraced.