DOCSLIB.ORG

By William Shakespeare Director Peter Evans

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By William Shakespeare Director Peter Evans BY WILLIAM SHAKESPEARE DIRECTOR PETER EVANS MEDIA CONTACT SYDNEY OPERA HOUSE SALLY BUCKINGHAM 29 FEBRUARY – 4 APRIL P +61 2 8298 9063 M +61 422 134 042 CANBERRA THEATRE CENTRE [email protected] 9 – 18 APRIL ARTS CENTRE MELBOURNE 23 APRIL – 10 MAY Hamlet Media Kit MEDIA Bell Shakespeare presents Shakespeare’s iconic revenge tragedy Hamlet RELEASE for its first production for 2020, directed by Artistic Director Peter Evans. Inside the glamorous court of Denmark in the 1960s, a family is torn apart by murder and betrayal. Outside, a country is threatened by Norway. And at the centre of this struggle is a young man brimming with anguish. Featuring Harriet Gordon-Anderson as Hamlet and the multi award-winning star of stage and screen Lisa McCune as Hamlet’s mother Gertrude, this is a portrait of a young man struggling with the death of his father, his mother’s hasty remarriage to his uncle, and the vision of his father’s ghost looming in his mind’s eye. Gordon-Anderson was last on the Bell Shakespeare stage in The Miser in 2019. This will be McCune’s first production with the Company. Joining them on stage will be Jeremi Campese, Tony Cogin, Jack Crumlin, James Evans, James Lugton, Jane Mahady, Robert Menzies, Sophie Wilde and Aanisa Vylet. Peter Evans said, “We decided to do Hamlet in 2020 because it’s Bell Shakespeare’s 30th anniversary. It was the first work Bell Shakespeare ever staged, and what better time to revisit what is arguably Shakespeare’s most famous play? “Hamlet is an astonishing work of art. It’s a ghost story and it’s a story of revenge; a story of passion and deception. It’s fast and energetic and mysterious. It is a privilege to be working with this talented cast and creative team to place a new lens over this timeless work for audiences in 2020.” The creative team includes Designer Anna Tregloan, Lighting Designer Ben Cisterne, Composer and Sound Designer Max Lyandvert, Movement and Fight Director Nigel Poulton, Voice and Text Coach Jess Chambers and Dramaturg James Evans. SEASON PLAYHOUSE, SYDNEY OPERA HOUSE DETAILS 29 February – 4 April 2020 Sydneyoperahouse.com THE PLAYHOUSE, CANBERRA THEATRE CENTRE 9 – 18 April 2020 canberratheatrecentre.com.au FAIRFAX STUDIO, ARTS CENTRE MELBOURNE 23 April – 10 May artscentremelbourne.com.au Media Contact: Sally Buckingham P +61 2 8298 9063 2 [email protected] M +61 422 134 042 Hamlet Media Kit CAST CREATIVE TEAM WITH AND CREW Director Peter Evans Harriet Gordon-Anderson as Hamlet Designer Anna Tregloan Jeremi Campese as Rosencrantz / Lighting Designer Benjamin Cisterne Marcellus Composer & Sound Designer Tony Cogin as Ghost / Player King / Max Lyandvert Gravedigger Video Designer Laura Turner Jack Crumlin as Laertes / Player Movement & Fight Director James Evans as Horatio Nigel Poulton James Lugton as Claudius Voice & Text Coach Jess Chambers Jane Mahady as Guildenstern / Reynaldo / Assistant Director Abbie-lee Lewis Barnardo Dramaturg James Evans Lisa McCune as Gertrude Robert Menzies as Polonius Aanisa Vylet as Player Queen / Second Gravedigger / Osric Sophie Wilde as Ophelia PETER EVANS Peter Evans is Bell Shakespeare’s Artistic Director. For Bell Shakespeare he DIRECTOR has directed The Miser, Antony and Cleopatra, Richard 3, Othello, Romeo And Juliet, As You Like it, The Dream, Tartuffe, Phèdre, Macbeth, Julius Caesar, The Tempest, The Two Gentlemen Of Verona, and Intimate Letters with the Australian Chamber Orchestra. His other theatre credits include being Associate Director at Melbourne Theatre Company from 2007-2010, directing Clybourne Park, A Behanding in Spokane, Life Without Me, Dead Man’s Cell Phone, The Ugly One, The Grenade, God Of Carnage, Savage River, Realism, The Hypocrite, Blackbird, Don Juan In Soho, Who’s Afraid of Virginia Woolf?, The History Boys, Don’s Party, The Give And Take, Dumbshow and The Daylight Atheist. In addition, credits include Pygmalion, The Great, Fat Pig and The Give And Take for Sydney Theatre Company; Hamlet, Rosencrantz And Guildenstern Are Dead, King Lear, Copenhagen, Proof, Muldoon and The Christian Brothers for New Zealand’s Court Theatre; The Daylight Atheist for Queensland Theatre Company; The Yellow Wallpaper and A Poor Student for the Store Room at Malthouse Theatre; Jesus Hopped The A Train for Red Stitch Actors Theatre; Kiss Of The Spiderwoman for Theatre Adami at the SBW Stables; and The Dumb Waiter for the Studio Company at Belvoir St Theatre. Media Contact: Sally Buckingham P +61 2 8298 9063 3 [email protected] M +61 422 134 042 Hamlet Media Kit HARRIET Harriet is a graduate of the Western Australian Academy of Performing Arts. GORDON- For Bell Shakespeare she has appeared in The Miser. Her other theatre credits ANDERSON include Picnic at Hanging Rock for Malthouse/Black Swan; Kindertransport for _ Darlinghurst Theatre Company; You Got Older, Blue Christmas, and Leaves for Kings Cross Theatre; and Lifestyle of the Richard and Family for Next Wave HAMLET Festival. Harriet’s film credits include The Greenhouse, Swiss Avalanche and Splendours of a Mind. Her television credits include Mr Inbetween, Love Child and The Secret Daughter. Harriet was nominated for a Green Room Award and a Performance WA Award for Best Newcomer in 2016. Harriet is a proud member of MEAA. OUR STORY BELL SHAKESPEARE With little more than an audacious idea, Bell Shakespeare began its remarkable journey in 1990. That idea? To create a theatre company dedicated to producing the plays of William Shakespeare in a way that was relevant and exciting to Australian audiences. But in the process, Bell Shakespeare has gone further than its visionary founder John Bell could ever have hoped. It has, quite literally, become a brave teacher in the ‘school of life’. The stage has become the springboard from which the Company has dived into some extraordinary work. Through incredible touring productions and education programmes, Bell Shakespeare is using Shakespeare’s universal insights to bring inspiration and truth to minds living in an uncertain world. And, of course it is connecting beauty and art with imaginations of all ages. Now 30 years later, Bell Shakespeare enjoys the fruits of its labour: a history rich with legends of the stage; the establishment of a creative development arm; theatre, education and community programmes characterised by unrivalled national reach and impact; and a loyal and passionate audience that has made the Company that began in a circus tent a national icon. Media Contact: Sally Buckingham P +61 2 8298 9063 4 [email protected] M +61 422 134 042.
Load more

Recommended publications
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • The Wonderful World of Will Online Resources
    1 THE WONDERFUL WORLD OF WILL ONLINE RESOURCES ONLINE RESOURCES THE WONDERFUL WORLD OF WILL © Bell Shakespeare 2017, unless otherwise indicated. Provided all acknowledgements are retained, this material may be used, reproduced, and communicated free of charge for non-commercial educational purposes within Australian and overseas schools. 2 ABOUT THE WONDERFUL WORLD OF WILL The Wonderful World Of Will is a brand new show written by Joanna Erskine, that follows a fun, fictional story about William Shakespeare, Queen Elizabeth I and a young student from our world, in Elizabethan England in the year 1599. It features a smorgasbord of Shakespeare, from romance to tragedies to histories to comedies. Students will meet a host of Shakespeare’s characters and learn about the world Shakespeare was from. An ideal taster of Shakespeare and introduction to the world of his wonderful plays. Touring nationally in 2017. Writer: Joanna Erskine Director: Teresa Jakovich Movement director: Scott Witt Starring: Team Verona: Eddie, Sophie and Tariro Team Cawdor: Emma, Marissa and Wil Mural design: Nathanael Van der Reyden ONLINE RESOURCES THE WONDERFUL WORLD OF WILL © Bell Shakespeare 2017, unless otherwise indicated. Provided all acknowledgements are retained, this material may be used, reproduced, and communicated free of charge for non-commercial educational purposes within Australian and overseas schools. 3 WHY SHAKESPEARE FOR PRIMARY STUDENTS? We believe you’re never too young to start your Shakespeare journey. Each year we introduce more students to the magic of his plays and characters through live performance, workshops and innovative resources. So why does it work? Great stories Slapstick comedy, adventures on the high seas, witches with magical brews, disguises and mistaken identities, forests full of fairies, powerful wizards and murderous warriors… Shakespeare’s plays offer a gamut of narratives guaranteed to engage young learners.
    [Show full text]
  • 2017-Richard-3-Learning-Resources
    LEARNING RESOURCES SYNOPSIS 2 QUICK FACTS 3 PERFORMANCE HISTORY 4 SOURCES AND SHAKESPEARE SHAPING HISTORY 5 HISTORY OF WOMEN PLAYING MALE ROLES IN SHAKESPEARE 6 CHARACTERS 8 THEMES 12 FROM THE DIRECTOR 17 DESIGN 18 OTHER RESOURCES 21 ACTIVITIES 23 EXERCISE ONE 23 EXERCISE TWO 24 EXERCISE THREE 25 EXERCISE FOUR 26 LEARNING RESOURCES RICHARD 3 © Bell Shakespeare 2017, unless otherwise indicated. Provided all acknowledgements are retained, this material may be used, Page 1 of 26 reproduced and communicated free of charge for non-commercial educational purposes within Australian and overseas schools RICHARD 3 SYNOPSIS England is enjoying a period of peace after a long civil war between the royal families of York and Lancaster, in which the Yorks were victorious and Henry VI was murdered (by Richard). King Edward IV is newly declared King, but his youngest brother, Richard (Gloucester) is resentful of Edward’s power and the general happiness of the state. Driven by ruthless ambition and embittered by his own deformity, he initiates a secret plot to take the throne by eradicating anyone who stands in his path. Richard has King Edward suspect their brother Clarence of treason and he is brought to the Tower by Brackenbury. Richard convinces Clarence that Edward’s wife, Queen Elizabeth, and her brother Rivers, are responsible for this slander and Hastings’ earlier imprisonment. Richard swears sympathy and allegiance to Clarence, but later has him murdered. Richard then interrupts the funeral procession of Henry VI to woo Lady Anne (previously betrothed to Henry VI’s deceased son, again killed by Richard). He falsely professes his love for her as the cause of his wrong doings, and despite her deep hatred for Richard, she is won and agrees to marry him.
    [Show full text]
  • Nathan Lovejoy Resume
    NATHAN LOVEJOY FILM BECOMING BOND Supporting Hulu/Delirio Films BOMBSHELL Lead Screentime NZ/TV One THE MYSTERY OF A HANSOM CAB Lead Burberry Entertainment/ABC TELEVISION (US/AUS) DEEP WATER Guest Star Blackfella Films/SBS THE CODE Supporting Netflix/Acorn TV/ABC THE KETTERING INCIDENT Guest Star Amazon/Showcase HERE COME THE HABIBS Guest Star Jungleboys/9 Network SAMMY J & RANDY IN THE RICKETTS LANE Lead Seeso/ABC THIS IS LITTLETON Sketch Highwire Films/ABC LAID Guest Star Jungleboys/ABC AT HOME WITH JULIA Guest Star Quail TV/ABC REVIEW WITH MYLES BARLOW Guest Star Jungleboys/ABC MY PLACE Guest Star Matchbox/ABC THE PACIFIC Guest Star HBO HEADLAND Supporting 7 Network THEATER ROMEO & JULIET Lead Sydney Symphony THE GOOD PERSON OF SZECHUAN Lead Malthouse Theatre CLYBOURNE PARK Lead Ensemble Theatre HAMLET Supporting Belvoir Street Theatre EMPIRE Lead Tamarama Rock Surfers HENRY IV Supporting Bell Shakespeare Company THIS YEAR’S ASHES Lead Griffin Theatre Company MUCH ADO ABOUT NOTHING Supporting Bell Shakespeare Company WAY TO HEAVEN Lead Ride On Theatre Company THE CRUCIBLE Lead Sydney Theatre Company A MIDSUMMER NIGHT’S DREAM Lead Sydney Symphony ANATOMY: TITUS: FALL OF ROME Lead Bell Shakespeare Company TWELFTH NIGHT Lead Siren Theatre Company THE MERCHANT OF VENICE Lead Ride On Theatre Company THE TEMPEST Lead Bell Shakespeare Company KING LEAR Lead Harlos Productions BONES Lead Darlinghurst Theatre Company TRAINING Bachelor of Dramatic Art (Undergraduate) 3 years National Institute of Dramatic Arts (NIDA) UCB 101 & 102 Level 2 Upright Citizens Brigade, Los Angeles CA AWARDS Nominated: Best Performance in a Television Comedy, 2015 AACTA Awards, SAMMY J & RANDY IN RICKETTS LANE Nominated: Best Performance in Theatre, 2011 SMAC Awards, WAY TO HEAVEN AGENT: Brianna Ancel & Scot Reynolds / 10950 Ventura Blvd, Studio City, CA 91604 Phone: 818.509.0121 / Fax: 818.509.7729 / [email protected] / [email protected] MANAGER: Art/Work Entertainment, Spencer Robinson & David Chien [email protected] / [email protected] .
    [Show full text]
  • The Turquoise Elephant E X T D N F C R T O
    GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT STEPHEN CARLETON BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER E Production Sponsor Meet Augusta Macquarie: Her Excellency, patron of the arts, X formidable matriarch, environmental vandal. THE T D TURQUOISE Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in THE TURQUOISE ELEPHANT the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. ELEPHANT N Meanwhile, her sister, Olympia, thinks the best way to save endangered species is to eat them. Their niece, Basra, is intent on making a difference – but how? Can you save the world one blog at a time? F C Stephen Carleton’s shockingly black, black, black political farce won the 2015 Griffin Award. R T It’s urgent, contemporary and perilously close to being real. Director Gale Edwards brings her magic and wry insight to the world premiere of this very funny, clever and wicked new work. O S T CURRENCY PRESS GRIFFIN THEATRE COMPANY PRESENTS THE TURQUOISE ELEPHANT BY STEPHEN CARLETON 14 OCTOBER-26 NOVEMBER Director Gale Edwards Set Designer Brian Thomson Costume Designer Emma Vine Lighting and AV Designer Verity Hampson Sound Designer Jeremy Silver Associate Lighting Designer Daniel Barber Stage Manager Karina McKenzie Videographer Xanon Murphy With Catherine Davies, Maggie Dence, Julian Garner, Belinda Giblin, Olivia Rose, iOTA SBW STABLES THEATRE 14 OCTOBER - 26 NOVEMBER Production Sponsor Government Partners Griffin acknowledges the generosity of the Seaborn, Broughton and Walford Foundation in allowing it the use of the SBW Stables Theatre rent free, less outgoings, since 1986.
    [Show full text]
  • Retallick Katrina.Pdf
    sue barnett & associates KATRINA RETALLICK TRAINING Central School of Speech and Drama, London, 1995 – Advanced Diploma of Creative Theatre Royal Shakespeare Company Masterclass with Cecily Berry and Andrew Wade (voice) Theatre de Complicite – clowning and neutral mask Advanced Diploma in Creative Theatre Bachelor of Arts, Sydney University FILM June Again Becca Ticket to Ride/See Pictures Dir: JJ Winlove Accidents Happen Connie AH Films Pty Ltd Dir: Andrew Lancaster The Eternity Man (Tele-movie) Prostitute RB Films Pty Ltd Dir: Julien Temple The Hairdresser Lead Dir: Michael Liu Crossword Woman Metro TV South Lisa Bennett Sydney University Drama Society Writing Joachim Claire Independent The Cup and the Lip Young Teacher AFTRS TELEVISION Love Child (Series 4) Margaret Fulton Playmaker Media Dir: Shannon Murphy Comedy Inc. (Series 4) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 3) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 2) Regular cast Crackerjack Productions P/L Comedy Inc. (Series 1) Regular cast Crackerjack Productions P/L The Chaser – CNNN Dancer Crackerjack Productions P/L Backburner Crackerjack Productions P/L THEATRE Come From Away (Remount) Dianne Moose Downunder, Rodney Rigby Dir: Christopher Ashley Who’s Your Baghdaddy Or How I Started Woman Hayes Theatre The Iraq Way Dir: Neil Gooding Come From Away Diane Moose Downunder, Rodney Rigby Dir: Christopher Ashley Sleeping Beauty Nanny Tickle Bonnie Lythgoe Productions The Adventures of Peter Pan & Tinker Bell Mrs Darling/ Bonnie Lythgoe Productions
    [Show full text]
  • Oshea Sean.Pdf
    sue barnett & associates SEAN O’SHEA TRAINING 1989 WAPPA 1986 Bachelor of Arts, UNSW THEATRE The Miser La Fleche/Signor Anselm Bell Shakespeare Company/ Melbourne Theatre Company Dir: Peter Evans Saint Joan Chaplain John de Stogumber Sydney Theatre Company Dir: Imara Savage Darlinghurst Nights Ken Hayes Theatre Dir: Lee Lewis Dinner Lars Sydney Theatre Company Dir: Imara Savage The Rasputin Affair Rasputin Ensemble Theatre Dir: John Sheedy A Flea in Her Ear Dr Finache/Baptistin Sydney Theatre Company Dir: Simon Phillips Tribes Christopher Ensemble Theatre Dir: Susanna Dowling Hamlet Claudius/Ghost Bell Shakespeare Company Dir: Damien Ryan Tartuffe Orgon Bell Shakespeare Company Dir: Peter Evans Rupert (US) Older Rupert Kennedy Center, Washington/ Melbourne Theatre Company Dir: Lee Lewis Rupert Older Rupert Melbourne Theatre Company Dir: Lee Lewis Henry IV Worcestor/Shallow/Traveller Bell Shakespeare Company Dir: John Bell Mariage Blanc Father Sydney Theatre Company Dir: Sarah Giles The Duchess of Malfi The Judge Bell Shakespeare Company Dir: John Bell The Libertine King Charles ll Darlinghurst Theatre Company Dir: Damien Ryan Much Ado About Nothing Don John Bell Shakespeare Company Dir: John Bell The Crucible Danforth Sydney Theatre Company Dir: Tanya Goldberg Macbeth Macbeth Bell Shakespeare Company Dir: John Bell Measure for Measure The Duke Bell Shakespeare Company Dir: John Bell Scenes from a Separation Darcy Sydney Theatre Company Dir: Robyn Nevin As You Like It Jacques Bell Shakespeare Company Dir: Lindy Davies The Cavalcaders Ted
    [Show full text]
  • Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI
    Media Release February 2012 Belvoir presents Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI With JOHN HOWARD SHELLY LAUMAN ELOISE MIGNON ANGIE MILLIKEN DYLAN YOUNG BELVOIR ST THEATRE | UPSTAIRS 24 MARCH – 29 APRIL In 2012, critically acclaimed Australian theatre and opera director Benedict Andrews will add another title to his résumé: playwright. Andrews is making a highly anticipated return to Belvoir to direct his own play, Every Breath, for its world premiere. Andrews has created dozens of thrilling productions in an internationally successful career. He has been the recipient of numerous Best Director awards, both in Sydney and Europe. As well as Every Breath, Andrews‟ The Marriage of Figaro for Opera Australia is now playing at the Sydney Opera House, Gross und Klein (Sydney Theatre Company) is set to tour Europe, and his production of Caligula opens in May at the English National Opera. Despite such an international focus, Andrews relishes the opportunity to return to Belvoir. „I always enjoy returning to Belvoir,‟ he says. „I love the theatre‟s special intimacy… I‟m very pleased that Every Breath will come into the world there…‟ Every Breath features a stellar cast. Popular screen actor John Howard returns to the Sydney stage for the first time in over a decade, alongside Angie Milliken, who also returns to the Sydney theatre scene for the first time in nearly as long. Shelly Lauman (As You Like It) treads the Belvoir boards once again and is joined by Eloise Mignon (The Wild Duck) and Dylan Young (The Seagull).
    [Show full text]
  • Set and Costume Designer
    MICHAEL HANKIN – SET AND COSTUME DESIGNER FOR THEATRE, DANCE, OPERA AND FILM Phone: (+61) 431209307 - Email: [email protected] Website: www.michaelhankin.com.au - Agent: Jean Mostyn from The Yellow Agency EDUCATION 2006 – 2009 BACHELOR OF DRAMATIC ART (Design), National Institute of Dramatic Art 2006 NSW Higher School Certificate 2016 ASSOSCIATE LECTURER OF DESIGN – NIDA's full time design course SET DESIGN JASPER JONES, Belvoir St Theatre, Directed by Anna-Louise Sarks SET/COSTUME/PROJECTION DESIGN THE PEASANT PRINCE, Monkey Baa, Directed by Tim McGarry SET/COSTUME DESIGN LAKE DISAPPOINTMENT, Carriageworks, Directed by Janice Muller SET DESIGN THE GLASS MENAGERIE, (re-designed tour) Belvoir/Malthouse Theatre/Geelong/Canberra Theatre Centre, Directed by Eamon Flack SET/COSTUME DESIGN OTHELLO, Bell Shakespeare, Directed by Peter Evans SET DESIGN TWELFTH NIGHT, Belvoir St Theatre, Directed by Eamon Flack SET/COSTUME DESIGN TARTUFFE, State Theatre South Australia, Directed by Chris Drummond 2015 SET DESIGN JUMPY, Melbourne Theatre Company/Sydney Theatre Company, Directed by Pamela Rabe SET DESIGN AS YOU LIKE IT, Bell Shakespeare, Directed by Peter Evans SET DESIGN DEATHTRAP, Darlinghurst Theatre, Directed by Jo Turner DESIGN MENTOR Kambala School SET/COSTUME DESIGN OF MICE AND MEN, Sport For Jove/Canberra Theatre Centre, Directed by Iain Sinclair SET DESIGN SONGS FOR THE FALLEN, (re-designed tour) Critical Stages Melbourne, New South Wales and New York tour, Directed by Shane Anthony SET DESIGN IVANOV, Belvoir St Theatre, Directed
    [Show full text]
  • List of Stakeholders Consulted
    APPENDIX C.1 LIST OF STAKEHOLDERS CONSULTED ORGANISATION REPRESENTATIVES PRESENT NOTES PERFORMING ARTS COMMERCIAL THEATRE 1 The Really Useful Company Asia Pacific Tim McFarlane 2 The Gordon Frost Organisation John Frost 3 Disney Theatrical James Thane 4 Andrew Kay & Associates Andrew Kay 5 Ensemble Theatre Sandra Bates Phone consulation CONTEMPORARY MUSIC 6 Chugg Entertainment Michael Chugg 7 Michael Coppel Presents Michael Coppel SUBSIDISED COMPANIES 8 Bangarra Dance Theatre Catherine Baldwin / Aaron Beach 9 Sydney Theatre Company Patrick McIntyre / Jo Dyer 10 Australian Ballet Valerie Wilder 11 Opera Australia Adrian Collette / Chris Yates 12 Sydney Symphony Rory Jeffes 13 Belvoir Street Theatre Ralph Myers / Brenna Hobson 14 Australian Chamber Orchestra Tim Calnin 15 Bell Shakespeare Chris Tooher Mary Jo Capps / Timothy Matthies / Marcus 16 Musica Viva Hodgson 17 Australian Theatre for Young People Fraser Corfield / Moira Hay 18 Darlinghurst Theatre Glenn Terry 19 Darlinghurst Venues / Indie Producers Forum Old Fitzroy / Tamarama Rock Surfers Leland Keen Group consult SWS Stables / Griffin Sam Strong Group consult Arts Radar Kate Armstrong Group consult 20 Music Companies forum Song Company Karen Baker Group consult Sydney Philharmonia Choirs Lisa Nolan Group consult Sydney Youth Orchestra Antony Ernst Group consult Taikoz/Synergy David Sidebottom Group consult Gondwana Choirs Alexandra Cameron-Fraser Group consult 21 Australian Brandenburg Orchestra Bridget O'Brien 22 Ausdance NSW Cathy Murdoch 23 Legs on the Wall Grant O’Neill OUTDOOR
    [Show full text]
  • Mamma Mia! the Smash Hit Musical Australian Tour 2017-2018
    MAMMA MIA! AUSTRALIAN TOUR MEDIA KIT SEPTEMBER 2017 MAMMA MIA! THE SMASH HIT MUSICAL AUSTRALIAN TOUR 2017-2018 The global musical phenomenon, MAMMA MIA!, will commence its new national tour at the Canberra Theatre Centre on November 24th 2017 followed by a season from December 26th 2017 QPAC’s Lyric Theatre in Brisbane. The tour will continue onto Sydney’s Capitol Theatre from February 11th 2018, Crown Theatre Perth from May 15th 2018, Melbourne’s Princess Theatre from July 10th 2018 and the Festival Theatre at Adelaide Festival Centre from October 9th 2018. This exciting new production of MAMMA MIA! is produced in Australia by Michael Coppel, Louise Withers & Linda Bewick. “MAMMA MIA! is exactly what we all need - an uplifting, fun-filled, heartfelt night at the theatre which puts a smile on your face and a spring in your step. The timeless tracks of ABBA never fail to bring joy to audiences across the world and we are delighted to be producing MAMMA MIA! once again across Australia. We are also thrilled with the incredibly talented creative team and cast we have assembled to bring this story and these songs to life on stage night after night.” Withers says. Starring in this brand new Australian production as mother-of-the-bride Donna Sheridan is Natalie O’Donnell. Natalie began her acting career in 1998 with her professional debut in the Australian production of Les Misérables. Since then she has sustained a remarkable career in theatre, television and film across the world. She has starred in many musicals including most recently in Australia in Jerry’s Girls, Songs for a New World and Next to Normal.
    [Show full text]
  • Antony and Cleopatra at a Glance
    BY WILLIAM SHAKESPEARE DIRECTED BY PETER EVANS A HANDY GUIDE TO BLUFFING YOUR WAY THROUGH BY ANDY MCLEAN Bell Shakespeare Antony and Cleopatra SPEED Mark Antony, Octavius Caesar and Lepidus jointly rule the Roman Empire. But while Antony’s head should be READ in Roman politics his heart lies in Alexandria and with A quick flick through Cleopatra, the Queen of Egypt. Antony and Cleopatra The romance infuriates Octavius, who thinks that Antony is neglecting his duties to Rome. And so, to appease his political ally, Antony agrees to marry Octavius’ sister Octavia. But as soon as Octavia’s back is turned, Antony shoots through to Egypt and shacks up again with Cleopatra. Now Octavius is really riled. He declares war on Antony – on the whole of Egypt – and fortune and Antony part here. The former friends battle it out at sea and Antony looks set to win until Cleopatra suddenly flees and a lovesick Antony follows suit. The victorious Octavius offers Cleopatra a peace deal in exchange for Antony’s life but Antony intervenes before she can accept. Antony triumphs in a subsequent battle against Octavius, but the third battle really is no charm. Antony’s soldiers abandon him fearing bad omens and Antony is roundly defeated. Our hero blames his leading lady, believing Cleopatra sold him out to Octavius, but in reality? Never was there a queen so mightily betrayed. In a rage, Antony threatens to kill Cleopatra but she retreats to her tomb and sends word that she has saved him the job and killed herself. Heartbroken, Antony falls on his sword but can’t quite, for the love of love, seem to get it right.
    [Show full text]