Congressional Record—Senate S6699
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By Patrick James Barry a Dissertation Submitted in Partial Fulfillment of The
CONFIRMATION BIAS: STAGED STORYTELLING IN SUPREME COURT CONFIRMATION HEARINGS by Patrick James Barry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2015 Doctoral Committee: Professor Enoch Brater, Chair Associate Professor Martha Jones Professor Sidonie Smith Emeritus Professor James Boyd White TABLE OF CONTENTS CHAPTER 1 SITES OF THEATRICALITY 1 CHAPTER 2 SITES OF STORYTELLING 32 CHAPTER 3 THE TAUNTING OF AMERICA: THE SUPREME COURT CONFIRMATION HEARING OF ROBERT BORK 55 CHAPTER 4 POISON IN THE EAR: THE SUPREME COURT CONFIRMATION HEARING OF CLARENCE THOMAS 82 CHAPTER 5 THE WISE LATINA: THE SUPREME COURT CONFIRMATION HEARING OF SONIA SOTOMAYOR 112 CHAPTER 6 CONCLUSION: CONFIRMATION CRITIQUE 141 WORK CITED 166 ii CHAPTER 1 SITES OF THEATRICALITY The theater is a place where a nation thinks in public in front of itself. --Martin Esslin, An Anatomy of Drama (1977)1 The Supreme Court confirmation process—once a largely behind-the-scenes affair—has lately moved front-and-center onto the public stage. --Laurence Tribe, Advice and Consent (1992)2 I. In 1975 Milner Ball, then a law professor at the University of Georgia, published an article in the Stanford Law Review called “The Play’s the Thing: An Unscientific Reflection on Trials Under the Rubric of Theater.” In it, Ball argued that by looking at the actions that take place in a courtroom as a “type of theater,” we might better understand the nature of these actions and “thereby make a small contribution to an understanding of the role of law in our society.”3 At the time, Ball’s view that courtroom action had an important “theatrical quality”4 was a minority position, even a 1 Esslin, Martin. -
Passions & Prejudice : the Constitution and Same-Sex Marriage
City University of New York (CUNY) CUNY Academic Works Student Theses Baruch College 1-1-2012 Passions & prejudice : the constitution and same-sex marriage James Meyers Baruch College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bb_etds/43 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PASSIONS & PREJUDICE: THE CONSTITUTION AND SAME-SEX MARRIAGE By James Meyers Submitted to the Committee on Undergraduate Honors at Baruch College of the City University of New York in partial fulfillment of the requirements for the degree of Bachelor of Arts in Political Science with Honors. Submitted Fall 2012 Approved by the Department of Political Science _________________________ Dr. Thomas Halper Mentor and Faculty Sponsor _________________________ _______________________ Dr. Benedetto Fontana Dr. Randolph Trumbach Committee Member Committee Member TABLE OF CONTENTS ABSTRACT: . 3 Part I INTRODUCTION: Folk Devils and Moral History . 4 CHAPTER 1: The Counter-Majoritarian Difficulty . 19 CHAPTER 2: In Pursuit of Judicial Restraint . 28 CHAPTER 3: Inevitable Evolution & Epistemology . 49 Part II CHAPTER 4: Passions and Prejudice . 61 CHAPTER 5: The Geometry of Law . 76 CHAPTER 6: Arguments . .87 CONCLUSION: The Subjection of Gays and Lesbians . 105 BIBLIOGRAPHY: . 110 2 ABSTRACT Viscerally divisive sociopolitical issues with clear boundaries often raise questions of constitutional legality. Unfortunately, the Constitution does not offer guidance on a preferred method of interpretation, and so legal scholars and Supreme Court justices alike have yet to reach a consensus. -
Card Games for Individuals
Card Games for individuals Patience The game is played using a tableau of seven columns. Running from left to right, the first column contains one card, the second contains two, the third three, etc. In each column, the top card should be face up and the rest face down. Deal by placing one card, face up, on the table in front of you then, to this card’s right, six more face down. Repeat this row by row, dealing one less card each time. As well as the face-up cards in the tableau, you’ll work with every third card in the remaining pack, one at a time. Move through the pack by taking three cards from the top and turning them over, creating a new face-up pile. When you’ve passed through the deck, turn it over and start again. In the tableau, a card from the pack may be placed on another card that is one rank higher and of an alternate colour. An eight of hearts, for example, may be placed on either a nine of spades or a nine of clubs - both black suits. Sequences of grouped cards can be moved around according to the same rules as individual cards. Whenever you free up a face-down card on a tableau column, turn it over. If a column is emptied, you can shift any card or sequence into it. If an ace comes into play, position it face up above the tableau, thus beginning a foundation. Foundations are suited and built from ace to king. -
With Several Proposals For: Concerts, Lecture-Concerts, Exhibitions, Cultural Events, Conferences, Meetings, Conventions, Parties, Events
ORCHESTRA FILARMONICA DEI NAVIGLI Information Brochure with several proposals for: concerts, lecture-concerts, exhibitions, cultural events, conferences, meetings, conventions, parties, events. ORCHESTRA FILARMONICA DEI NAVIGLI The name NAVIGLI PHILHARMONIC ORCHESTRA comes from the intention to put together the three elements that characterize it: NAVIGLI the orchestra gets together and makes its own rehearsals at San Pietro Cusico in the municipality of Zibido San Giacomo. This place is located right in the middle between the two branches of the canal called Naviglio, within the Agricultural South Park of Milan and in the middle of the lower Po Valley. PHILHARMONIC the word means "Association of Music Lovers", and the definition is more appropriate than ever for the intentions and goals of its members. ORCHESTRA this is a group composed of strings, winds and percussion instruments; these elements precisely configure an ensemble of orchestral type. It is an orchestra of "music lovers“ founded with the intent to promote the music at the end of fun, sharing of intentions and musical spirituality among its members, and with the ambition to spread the music and culture music as a whole. Navigli Philharmonic Orchestra, due to its heterogeneous nature, is able to perform the most varied musical repertoires, ranging from '500 to contemporary authors. The orchestra not only performs the classical repertoire, but also jazz, pop and rock, experimenting in different genres of the '900 and of the second millennium. The orchestra is able to deal with a wide repertoire. Each score, to be addressed with coherence, requires its own interpretive scheme that requires, therefore, a variable organic. -
The Brain That Changes Itself
The Brain That Changes Itself Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. For Eugene L. Goldberg, M.D., because you said you might like to read it Contents 1 A Woman Perpetually Falling . Rescued by the Man Who Discovered the Plasticity of Our Senses 2 Building Herself a Better Brain A Woman Labeled "Retarded" Discovers How to Heal Herself 3 Redesigning the Brain A Scientist Changes Brains to Sharpen Perception and Memory, Increase Speed of Thought, and Heal Learning Problems 4 Acquiring Tastes and Loves What Neuroplasticity Teaches Us About Sexual Attraction and Love 5 Midnight Resurrections Stroke Victims Learn to Move and Speak Again 6 Brain Lock Unlocked Using Plasticity to Stop Worries, OPsessions, Compulsions, and Bad Habits 7 Pain The Dark Side of Plasticity 8 Imagination How Thinking Makes It So 9 Turning Our Ghosts into Ancestors Psychoanalysis as a Neuroplastic Therapy 10 Rejuvenation The Discovery of the Neuronal Stem Cell and Lessons for Preserving Our Brains 11 More than the Sum of Her Parts A Woman Shows Us How Radically Plastic the Brain Can Be Appendix 1 The Culturally Modified Brain Appendix 2 Plasticity and the Idea of Progress Note to the Reader All the names of people who have undergone neuroplastic transformations are real, except in the few places indicated, and in the cases of children and their families. The Notes and References section at the end of the book includes comments on both the chapters and the appendices. Preface This book is about the revolutionary discovery that the human brain can change itself, as told through the stories of the scientists, doctors, and patients who have together brought about these astonishing transformations. -
Test 1 Task 1
База усіх збірників, відповідей ДПА 2020 на сайті https://dpa-zno.info Test 1 Task 1. You will hear Brian and Stacey talking about books they have recently read. Listen and mark the sentences T (true) or F (false). 1. Stacey has just read a biography. 2. Stacey really liked the book. 3. She found the ending a bit slow. 4. Others recommended this book to Brian. 5. Brian liked this book from the beginning. 6. He has read lots of other similar books. Task 2. Read the text. Choose one of the variants А, В, C or D. 1. Socrates never lost his: A patience 2. He liked to discuss philosophy with people and made them ... their point of view. C prove 3. His enemies were sure he was able to ... the youth. A spoil 4. If Socrates had agreed with his enemies, he wouldn’t have been: D poisoned 5. His friends couldn’t ... him. A save Task 3. Read the text. Choose one of the variants А, В, C or D. Big Ben is known as Great Britain’s most famous clock and one of London’s (1) D best known sights, situated on the bank of (2) C the river Thames and being an important part of the city’s skyscraper. It’s popular both with visitors and Londoners. There is some misunderstanding as to the name itself. Some people refer it to the clock tower itself, (3) B the others use the name just to the clock. Factually, strictly speaking the name Big Ben is the name of one bell, the largest bell in the clock. -
Download Booklet
preMieRe Recording jonathan dove SiReNSONG CHAN 10472 siren ensemble henk guittart 81 CHAN 10472 Booklet.indd 80-81 7/4/08 09:12:19 CHAN 10472 Booklet.indd 2-3 7/4/08 09:11:49 Jonathan Dove (b. 199) Dylan Collard premiere recording SiReNSong An Opera in One Act Libretto by Nick Dear Based on the book by Gordon Honeycombe Commissioned by Almeida Opera with assistance from the London Arts Board First performed on 14 July 1994 at the Almeida Theatre Recorded live at the Grachtenfestival on 14 and 1 August 007 Davey Palmer .......................................... Brad Cooper tenor Jonathan Reed ....................................... Mattijs van de Woerd baritone Diana Reed ............................................. Amaryllis Dieltiens soprano Regulator ................................................. Mark Omvlee tenor Captain .................................................... Marijn Zwitserlood bass-baritone with Wireless Operator .................................... John Edward Serrano speaker Siren Ensemble Henk Guittart Jonathan Dove CHAN 10472 Booklet.indd 4-5 7/4/08 09:11:49 Siren Ensemble piccolo/flute Time Page Romana Goumare Scene 1 oboe 1 Davey: ‘Dear Diana, dear Diana, my name is Davey Palmer’ – 4:32 48 Christopher Bouwman Davey 2 Diana: ‘Davey… Davey…’ – :1 48 clarinet/bass clarinet Diana, Davey Michael Hesselink 3 Diana: ‘You mention you’re a sailor’ – 1:1 49 horn Diana, Davey Okke Westdorp Scene 2 violin 4 Diana: ‘i like chocolate, i like shopping’ – :52 49 Sanne Hunfeld Diana, Davey cello Scene 3 Pepijn Meeuws 5 -
Freecell and Other Stories
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 FreeCell and Other Stories Susan Louvier University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Arts and Humanities Commons Recommended Citation Louvier, Susan, "FreeCell and Other Stories" (2011). University of New Orleans Theses and Dissertations. 452. https://scholarworks.uno.edu/td/452 This Thesis-Restricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis-Restricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis-Restricted has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. FreeCell and Other Stories A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Susan J. Louvier B.G.S. University of New Orleans 1992 August 2011 Table of Contents FreeCell .......................................................................................................................... 1 All of the Trimmings ..................................................................................................... 11 Me and Baby Sister ....................................................................................................... 29 Ivory Jupiter ................................................................................................................. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Temperance Flat Reservoir
Upper San Joaquin River Basin Storage Investigation Temperance Flat Reservoir Surface Storage Option Technical Appendix to the Phase 1 Investigation Report A Joint Study by: Bureau of Reclamation California Department Mid-Pacific Region of Water Resources In Coordination with: The California Bay-Delta Authority October 2003 Upper San Joaquin River Basin Storage Investigation San Joaquin River looking downstream towards Millerton Lake Temperance Flat Reservoir Surface Storage Option Technical Appendix to the Phase 1 Investigation Report A Joint Study by: Bureau of Reclamation California Department Mid-Pacific Region of Water Resources In Coordination with: Prepared by: The California Bay-Delta Authority October 2003 Surface Water Storage Option Technical Memorandum TEMPERANCE FLAT RESERVOIR UPPER SAN JOAQUIN RIVER BASIN STORAGE INVESTIGATION TABLE OF CONTENTS Chapter Page ACRONYMS AND ABBREVIATIONS..................................................................... viii EXECUTIVE SUMMARY ...................................................................................... ES-1 CHAPTER 1. INTRODUCTION ............................................................................... 1-1 STORAGE OPTIONS SUMMARY.....................................................................................1-1 SUMMARY OF PREVIOUS INVESTIGATIONS................................................................1-4 POTENTIAL IMPROVEMENTS.........................................................................................1-4 RM 274 Options..............................................................................................................1-4 -
Rulebook-Bios-Genesis-170515.Pdf
BY A. WHAT’S THIS GAME ABOUT? One to four players start as organic compounds shortly after Earth’s formation, represented by up to three Biont tokens. The Amino Acids (Player Red) command Metabolism, the lipids (Player Yellow) create cells, the pigments (Player Green) control energy absorption and storage, and the nucleic acids (Player Blue) control templated replication.1 Their goal is a double origin of life: first asAutocatalytic Life (a metabolic cycle reproducing its own constituents yet not replicating),2 and the second as Darwinian Life (an Organism using a template to replicate in an RNA world). Warning, this is a brutal game of survival. The players may decide to cooperate rather than compete, see C3. A less brutal variant is found in C4. The Event Phase starts the turn. Each event card encapsulates 200 million years, and the game may last 21 events (about 18 turns, the first 4 billion years of Earth’s 4.6 billion year history). Each event depicts which Landforms (cosmic, ocean, coastal shelf, or continent) are active for the turn. In the Assignment Phase, players attempt to create autocatalytic life by assigning one starting Biont to one of the Refugia, placards representing suitable hatcheries for life either on Earth or in space. These sites contain “building block” cubes called Manna, which reside in either disorganized (dead) or organized (metabolically-alive) populations. You may also assign a Biont to become a Parasite, if there are any Hosts available. To be suitable, a Host must have Mutations or Organs that you can invade as a Disease. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 112 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, SECOND SESSION Vol. 158 WASHINGTON, THURSDAY, DECEMBER 20, 2012 No. 165 House of Representatives The House met at noon and was Pursuant to clause 1, rule I, the Jour- That the Senate passed S. 3202. called to order by the Speaker pro tem- nal stands approved. That the Senate passed S. 3698. pore (Mr. DOLD). Appointments: f United States-China Economic Security f PLEDGE OF ALLEGIANCE Review Commission. DESIGNATION OF THE SPEAKER With best wishes, I am The SPEAKER pro tempore. Will the Sincerely, PRO TEMPORE gentlewoman from Kansas (Ms. JEN- KAREN L. HAAS. The SPEAKER pro tempore laid be- KINS) come forward and lead the House fore the House the following commu- in the Pledge of Allegiance. f nication from the Speaker: Ms. JENKINS led the Pledge of Alle- WASHINGTON, DC, giance as follows: ANNOUNCEMENT BY THE SPEAKER December 20, 2012. I pledge allegiance to the Flag of the PRO TEMPORE I hereby appoint the Honorable ROBERT J. United States of America, and to the Repub- The SPEAKER pro tempore. The DOLD to act as Speaker pro tempore on this lic for which it stands, one nation under God, Chair will entertain up to 15 requests day. indivisible, with liberty and justice for all. JOHN A. BOEHNER, for 1-minute speeches on each side of Speaker of the House of Representatives. f the aisle. f COMMUNICATION FROM THE CLERK OF THE HOUSE f PRAYER The SPEAKER pro tempore laid be- ESTATE TAX The Chaplain, the Reverend Patrick fore the House the following commu- J.